Bébée; Or, Two Little Wooden Shoes

He stayed awhile in Antwerpen. The town is ugly and beautiful; it is like a dull quaint grés de Flandre jug, that has precious stones set inside its rim. It is a burgher ledger of bales and barrels, of sale and barter, of loss and gain; but in the heart of it there are illuminated leaves of missal vellum, all gold and color, and monkish story and heroic ballad, that could only have been executed in the days when Art was a religion.

He gazed himself into an homage of Rubens, whom before he had slighted, never having known (for, unless you have seen Antwerp, it is as absurd to say that you have seen Rubens, as it is to think that you have seen Murillo out of Seville, or Raffaelle out of Rome); and he studied the Gretchen carefully, delicately, sympathetically, for he loved Scheffer; but though he tried, he failed to care for her.

"She is only a peasant; she is not a poem," he said to himself; "I will paint a Gretchen for the Salon of next year."

But it was hard for him to portray a Gretchen. All his pictures were Phryne,—Phryne in triumph, in ruin, in a palace, in a poor-house, on a bed of roses, on a hospital mattress; Phryne laughing with a belt of jewels about her supple waist; Phryne lying with the stones of the dead-house under her naked limbs,—but always Phryne. Phryne, who living had death in her smile; Phryne, who lifeless had blank despair on her face; Phryne, a thing that lived furiously every second of her days, but Phryne a thing that once being dead was carrion that never could live again.

Phryne has many painters in this school, as many as Catherine and Cecilia had in the schools of the Renaissance, and he was chief amidst them.

How could he paint Gretchen if the pure Scheffer missed? Not even if, like the artist monks of old, he steeped his brushes all Lent through in holy water.

And in holy water he did not believe.

One evening, having left Antwerpen ringing its innumerable bells over the grave of its dead Art, he leaned out of the casement of an absent friend's old palace in the Brabant street that is named after Mary of Burgundy; an old casement crusted with quaint carvings, and gilded round in Spanish fashion, with many gargoyles and griffins, and illegible scutcheons.

Leaning there, wondering with himself whether he would wait awhile and paint quietly in this dim street, haunted with the shades of Memling and Maes, and Otto Veneris and Philip de Champagne, or whether he would go into the East and seek new types, and lie under the red Egyptian heavens and create a true Cleopatra, which no man has ever done yet,—young Cleopatra, ankle-deep in roses and fresh from Cæsar's kisses,—leaning there, he saw a little peasant go by below, with two little white feet in two wooden shoes, and a face that had the pure and simple radiance of a flower.

"There is my Gretchen," he thought to himself, and went down and followed her into the cathedral. If he could get what was in her face, he would get what Scheffer could not.

A little later walking by her in the green lanes, he meditated, "It is the face of Gretchen, but not the soul—the Red Mouse has never passed this child's lips. Nevertheless—"

"Nevertheless—" he said to himself, and smiled.

For he, the painter all his life long of Phryne living and of Phryne dead, believed that every daughter of Eve either vomits the Red Mouse or swallows it.

It makes so little difference which,—either way the Red Mouse has been there the evening towards this little rush-covered hut, he forgot the Red Mouse, and began vaguely to see that there are creatures of his mother's sex from whom the beast of the Brocken slinks away.

But he still said to himself, "Nevertheless." "Nevertheless,"—for he knew well that when the steel cuts the silk, when the hound hunts the fawn, when the snake wooes the bird, when the king covets the vineyard, there is only one end possible at any time. It is the strong against the weak, the fierce against the feeble, the subtle against the simple, the master against the slave; there is no equality in the contest and no justice—it is merely inevitable, and the issue of it is written.

CHAPTER XI

The next day she had her promised book hidden under the vine-leaves of her empty basket as she went homeward, and though she had not seen him very long or spoken to him very much, she was happy.

The golden gates of knowledge had just opened to her; she saw a faint, far-off glimpse of the Hesperides gardens within; of the dragon she had never heard, and had no fear.

"Might I know your name?" she had asked him wistfully, as she had given him the rosebud, and taken the volume in return that day.

"They call me Flamen."

"It is your name?"

"Yes, for the world. You must call me Victor, as other women do. Why do you want my name?"

"Jeannot asked it of me."

"Oh, Jeannot asked it, did he?"

"Yes; besides," said Bébée, with her eyes very soft and very serious, and her happy voice hushed,—"besides, I want to pray for you of course, every day; and if I do not know your name, how can I make Our Lady rightly understand? The flowers know you without a name, but she might not, because so very many are always beseeching her, and you see she has all the world to look after."

He had looked at her with a curious look, and had bade her farewell, and let her go home alone that night.

Her work was quickly done, and by the light of the moon she spread her book on her lap in the porch of the hut and began her new delight.

The children had come and pulled at her skirts and begged her to play.

But Bébée had shaken her head.

"I am going to learn to be very wise, dear," she told them; "I shall not have time to dance or to play."

"But people are not merry when they are wise, Bébée," said Franz, the biggest boy.

"Perhaps not," said Bébée: "but one cannot be everything, you know, Franz."

"But surely, you would rather be merry than anything else?"

"I think there is something better, Franz. I am not sure; I want to find out; I will tell you when I know."

"Who has put that into your head, Bébée?"

"The angels in the cathedral," she told them; and the children were awed and left her, and went away to play blind-man's-buff by themselves, on the grass by the swan's water.

"But for all that the angels have said it," said Franz to his sisters, "I cannot see what good it will be to her to be wise, if she will not care any longer afterwards for almond gingerbread and currant cake."

It was the little tale of "Paul and Virginia" that he had given her to begin her studies with: but it was a grand copy, full of beautiful drawings nearly at every page.

It was hard work for her to read at first, but the drawings enticed and helped her, and she soon sank breathlessly into the charm of the story. Many words she did not know; many passages were beyond her comprehension; she was absolutely ignorant, and had nothing but the force of her own fancy to aid her.

But though stumbling at every step, as a lame child through a flowery hillside in summer, she was happy as the child would be, because of the sweet, strange air that was blowing about her, and the blossoms that she could gather into her hand, so rare, so wonderful, and yet withal so familiar, because they were blossoms.

With her fingers buried in her curls, with her book on her knee, with the moon rays white and strong on the page, Bébée sat entranced as the hours went by; the children's play shouts died away; the babble of the gossip at the house doors ceased; people went by and called good night to her; the little huts shut up one by one, like the white and purple convolvulus cups in the hedges.

Bébée did not stir, nor did she hear them; she was deaf even to the singing of the nightingales in the willows, where she sat in her little thatch above, and the wet garden-ways beyond her.

A heavy step came tramping down the lane. A voice called to her,—

"What are you doing, Bébée, there, this time of the night? It is on the strike of twelve."

She started as if she were doing some evil thing, and stretched her arms out, and looked around with blinded, wondering eyes, as if she had been rudely wakened from her sleep.

"What are you doing up so late?" asked Jeannot; he was coming from the forest in the dead of night to bring food for his family; he lost his sleep thus often, but he never thought that he did anything except his duty in those long, dark, tiring tramps to and fro between Soignies and Laeken.

Bébée shut her book and smiled with dreaming eyes, that saw him not at all.

"I was reading—and, Jeannot, his name is Flamen for the world, but I may call him Victor."

"What do I care for his name?"

"You asked it this morning."