The Boys' Life of Mark Twain

He was tempted to pocket his good fortune and keep still. But he had always a troublesome conscience. He went to a newspaper office and advertised that he had found a sum of money, a large bill.

Once, long after, he said: "I didn't describe it very particularly, and I waited in daily fear that the owner would turn up and take away my fortune. By and by I couldn't stand it any longer. My conscience had gotten all that was coming to it. I felt that I must take that money out of danger."

Another time he said, "I advertised the find and left for the Amazon the same day." All of which we may take with his usual literary discount —the one assigned to him by his mother in childhood. As a matter of fact, he remained for an ample time, and nobody came for the money. What was its origin? Was it swept out of a bank, or caught up by the wind from some counting-room table? Perhaps it materialized out of the unseen. Who knows?

XI.

THE LONG WAY TO THE AMAZON

Sam decided on Cincinnati as his base. From there he could go either to New York or New Orleans to catch the Amazon boat. He paid a visit to St. Louis, where his mother made him renew his promise as to drink and cards. Then he was seized with a literary idea, and returned to Keokuk, where he proposed to a thriving weekly paper, the "Saturday Post," to send letters of travel, which might even be made into a book later on. George Reese, owner of the "Post," agreed to pay five dollars each for the letters, which speaks well for his faith in Samuel Clemens's talent, five dollars being good pay for that time and place—more than the letters were worth, judged by present standards. The first was dated Cincinnati, November 14, 1856, and was certainly not promising literature. It was written in the ridiculous dialect which was once thought to be the dress of humor; and while here and there is a comic flash, there is in it little promise of the future Mark Twain. One extract is enough:

"When we got to the depo', I went around to git a look at the iron hoss. Thunderation! It wasn't no more like a hoss than a meetin'– house. If I was goin' to describe the animule, I'd say it looked like—well, it looked like—blamed if I know what it looked like, snorting fire and brimstone out of his nostrils, and puffin' out black smoke all 'round, and pantin', and heavin', and swellin', and chawin' up red-hot coals like they was good. A feller stood in a little house like, feedin' him all the time; but the more he got, the more he wanted and the more he blowed and snorted. After a spell the feller ketched him by the tail, and great Jericho! he set up a yell that split the ground for more'n a mile and a half, and the next minit I felt my legs a-waggin', and found myself at t'other end of the string o' vehickles. I wasn't skeered, but I had three chills and a stroke of palsy in less than five minits, and my face had a cur'us brownish-yaller-greenbluish color in it, which was perfectly unaccountable. 'Well,' say I, 'comment is super-flu-ous.'"

How Samuel Clemens could have written that, and worse, at twenty-one, and a little more than ten years later have written "The Innocents Abroad," is one of the mysteries of literature. The letters were signed "Snodgrass," and there are but two of them. Snodgrass seems to have found them hard work, for it is said he raised on the price, which, fortunately, brought the series to a close. Their value to-day lies in the fact that they are the earliest of Mark Twain's newspaper contributions that have been preserved—the first for which he received a cash return.

Sam remained in Cincinnati until April of the following year, 1857, working for Wrightson & Co., general printers, lodging in a cheap boarding-house, saving every possible penny for his great adventure.

He had one associate at the boarding-house, a lank, unsmiling Scotchman named Macfarlane, twice young Clemens's age, and a good deal of a mystery. Sam never could find out what Macfarlane did. His hands were hardened by some sort of heavy labor; he left at six in the morning and returned in the evening at the same hour. He never mentioned his work, and young Clemens had the delicacy not to inquire.

For Macfarlane was no ordinary person. He was a man of deep knowledge, a reader of many books, a thinker; he was versed in history and philosophy, he knew the dictionary by heart. He made but two statements concerning himself: one, that he had acquired his knowledge from reading, and not at school; the other, that he knew every word in the English dictionary. He was willing to give proof of the last, and Sam Clemens tested him more than once, but found no word that Macfarlane could not define.

Macfarlane was not silent—he would discuss readily enough the deeper problems of life and had many startling theories of his own. Darwin had not yet published his "Descent of Man," yet Macfarlane was already advancing ideas similar to those in that book. He went further than Darwin. He had startling ideas of the moral evolution of man, and these he would pour into the ears of his young listener until ten o'clock, after which, like the English Sumner in Philadelphia, he would grill a herring, and the evening would end. Those were fermenting discourses that young Samuel Clemens listened to that winter in Macfarlane's room, and they did not fail to influence his later thought.

It was the high-tide of spring, late in April, when the prospective cocoa-hunter decided that it was time to set out for the upper Amazon. He had saved money enough to carry him at least as far as New Orleans, where he would take ship, it being farther south and therefore nearer his destination. Furthermore, he could begin with a lazy trip down the Mississippi, which, next to being a pilot, had been one of his most cherished dreams. The Ohio River steamers were less grand than those of the Mississippi, but they had a homelike atmosphere and did not hurry. Samuel Clemens had the spring fever and was willing to take his time.

In "Life on the Mississippi" we read that the author ran away, vowing never to return until he could come home a pilot, shedding glory. But this is the fiction touch. He had always loved the river, and his boyhood dream of piloting had time and again returned, but it was not uppermost when he bade good-by to Macfarlane and stepped aboard the "Paul Jones," bound for New Orleans, and thus conferred immortality on that ancient little craft.

Now he had really started on his voyage. But it was a voyage that would continue not for a week or a fortnight, but for four years—four marvelous, sunlit years, the glory of which would color all that followed them.

XII.

RENEWING AN OLD AMBITION

A reader of Mark Twain's Mississippi book gets the impression that the author was a boy of about seventeen when he started to learn the river, and that he was painfully ignorant of the great task ahead. But this also is the fiction side of the story. Samuel Clemens was more than twenty-one when he set out on the "Paul Jones," and in a way was familiar with the trade of piloting. Hannibal had turned out many pilots. An older brother of the Bowen boys was already on the river when Sam Clemens was rolling rocks down Holliday's Hill. Often he came home to air his grandeur and hold forth on the wonder of his work. That learning the river was no light task Sam Clemens would know as well as any one who had not tried it.

Nevertheless, as the drowsy little steamer went puffing down into softer, sunnier lands, the old dream, the "permanent ambition" of boyhood, returned, while the call of the far-off Amazon and cocoa drew faint.

Horace Bixby,[2 - Horace Bixby lived until 1912 and remained at the wheel until within a short time of his death, in his eighty-seventh year. The writer of this memoir visited him in 1910 and took down from his dictation the dialogue that follows.] pilot of the "Paul Jones," a man of thirty-two, was looking out over the bow at the head of Island No. 35 when he heard a slow, pleasant voice say, "Good morning."

Bixby was a small, clean-cut man. "Good morning, sir," he said, rather briskly, without looking around.

He did not much care for visitors in the pilothouse. This one entered and stood a little behind him.

"How would you like a young man to learn the river?" came to him in that serene, deliberate speech.

The pilot glanced over his shoulder and saw a rather slender, loose-limbed youth with a fair, girlish complexion and a great mass of curly auburn hair.

"I wouldn't like it. Cub pilots are more trouble than they're worth. A great deal more trouble than profit."

"I am a printer by trade," the easy voice went on. "It doesn't agree with me. I thought I'd go to South America."

Bixby kept his eye on the river, but there was interest in his voice when he spoke. "What makes you pull your words that way?" he asked—"pulling" being the river term for drawling.

The young man, now seated comfortably on the visitors' bench, said more slowly than ever: "You'll have to ask my mother—she pulls hers, too."

Pilot Bixby laughed. The manner of the reply amused him. His guest was encouraged.

"Do you know the Bowen boys?" he asked, "pilots in the St. Louis and New Orleans trade?"

"I know them well—all three of them. William Bowen did his first steering for me; a mighty good boy. I know Sam, too, and Bart."

"Old schoolmates of mine in Hannibal. Sam and Will, especially, were my chums."

Bixby's tone became friendly. "Come over and stand by me," he said.

"What is your name?"

The applicant told him, and the two stood looking out on the sunlit water.

"Do you drink?"

"No."

"Do you gamble?"

"No, sir."

"Do you swear?"

"N-not for amusement; only under pressure."

"Do you chew?"

"No, sir, never; but I must—smoke."

"Did you ever do any steering?"

"I have steered everything on the river but a steamboat, I guess."

"Very well. Take the wheel and see what you can do with a steamboat.

Keep her as she is—toward that lower cottonwood snag."

Bixby had a sore foot and was glad of a little relief. He sat on the bench where he could keep a careful eye on the course. By and by he said "There is just one way I would take a young man to learn the river—that is, for money."

"What—do you—charge?"

"Five hundred dollars, and I to be at no expense whatever."