Say Nothing: A True Story Of Murder and Memory In Northern Ireland

19 Blue Ribbons (#litres_trial_promo)

BOOK THREE: A RECKONING (#litres_trial_promo)

20 A Secret Archive (#litres_trial_promo)

21 On the Ledge (#litres_trial_promo)

22 Touts (#litres_trial_promo)

23 Bog Queen (#litres_trial_promo)

24 An Entanglement of Lies (#litres_trial_promo)

25 The Last Gun (#litres_trial_promo)

26 The Mystery Radio (#litres_trial_promo)

27 The Boston Tapes (#litres_trial_promo)

28 Death by Misadventure (#litres_trial_promo)

29 This Is the Past (#litres_trial_promo)

30 The Unknown (#litres_trial_promo)

Acknowledgements (#litres_trial_promo)

A Note on Sources (#litres_trial_promo)

Notes (#litres_trial_promo)

Select Bibliography (#litres_trial_promo)

Index (#litres_trial_promo)

Also by Patrick Radden Keefe (#litres_trial_promo)

About the Author (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

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Epigraph (#ub92543cc-6920-5589-96dd-e5fb7c8f094b)

‘All wars are fought twice, the first time on the

battlefield, the second time in memory.’

– VIET THANH NGUYEN

PROLOGUE

The Treasure Room (#ub92543cc-6920-5589-96dd-e5fb7c8f094b)

July 2013

The John J. Burns Library occupies a grand neo-Gothic building on the leafy campus of Boston College. With its stone spires and stained glass, it looks very much like a church. The Jesuits who founded the university in 1863 did so to educate the children of poor immigrants who had fled the potato famine in Ireland. As Boston College grew and flourished over the next century and a half, it maintained close ties to the old country. With 250,000 volumes and some sixteen million manuscripts, the Burns Library holds the most comprehensive collection of Irish political and cultural artefacts in the United States. One of its librarians, years ago, was sent to prison after he was caught trying to sell to Sotheby’s a tract by Saint Thomas Aquinas that was printed in 1480. The library developed such a reputation for purchasing valuable antiquities that a subsequent director once had to call the FBI himself, when an Irish grave robber tried to sell him looted tombstones bearing ancient Latin crosses and intricate rings and inscriptions.

The rarest and most valuable objects in the Burns Library are kept in a special enclosure known as the Treasure Room. It is a secure space, exactingly climate-controlled and equipped with a state-of-the-art fire suppressant system. The room is monitored by surveillance cameras and can be accessed only by entering a code on an electronic pad and turning a special key. The key must be signed out. Only a select handful of people can do so.

One summer day in 2013, two detectives strode into the Burns Library. They were not Boston detectives. In fact, they had just flown into the country from Belfast, where they worked for the Serious Crime Branch of the Police Service of Northern Ireland. Passing beneath colourful stained glass windows, they approached the Treasure Room.

The detectives had come to collect a series of secret files that for nearly a decade had been stored in the Treasure Room. There were MiniDiscs containing audio recordings, as well as a series of transcripts. The librarians at Boston College might have saved the detectives a trip by just sending the files to Belfast by post. But these recordings contained sensitive and dangerous secrets, and when they took possession of the material, the detectives handled it with the utmost care. The recordings were now officially evidence in a criminal proceedings. The detectives were investigating a murder.

BOOK | ONE

THE CLEAR, CLEAN, SHEER THING (#ub92543cc-6920-5589-96dd-e5fb7c8f094b)

Child with burning cars, Divis Flats, Belfast (Jez Coulson/Insight-Visual)

1

An Abduction (#ulink_4c3a3367-a2c9-55f9-bbc3-083c9e59f2d6)

Jean McConville was thirty-eight when she disappeared, and she had spent nearly half her life either pregnant or recovering from childbirth. She brought fourteen children to term and lost four of them, leaving her with ten kids who ranged in age from Anne, who was twenty, to Billy and Jim, the sweet-eyed twins, who were six. To bear ten children, much less care for them, would seem like an impossible feat of endurance. But this was Belfast in 1972, where immense, unruly families were the norm, so Jean McConville wasn’t looking for any prizes, and she didn’t get any.

Instead, life dealt her an additional test when her husband, Arthur, died. After a gruelling illness, he was suddenly gone and she was left alone, a widow with a meagre pension but no paying job of her own and all those children to look after. Demoralised by the magnitude of her predicament, she struggled to maintain an even emotional keel. She stayed at home mostly, leaning on the older kids to wrangle the younger ones, steadying herself, as if from vertigo, with one cigarette after another. Jean reckoned with her misfortune and endeavoured to make plans for the future. But the real tragedy of the McConville clan had just begun.

The family had recently moved out of the flat where Arthur spent his final days and into a slightly larger dwelling in Divis Flats, a dank and hulking public housing complex in West Belfast. It was a cold December and the city was engulfed in darkness by the end of the afternoon. The cooker in the new flat was not hooked up yet, so Jean sent her daughter Helen, who was fifteen, to a local takeaway for a bag of fish and chips. While the rest of the family waited for Helen, Jean drew a hot bath. When you have young children, sometimes the only place you can find a moment of privacy is behind a locked bathroom door. Jean was small and pale, with delicate features and dark hair that she wore pulled back from her face. She slipped into the water and stayed there. She had just got out of the bath, her skin flushed, when somebody knocked on the front door. It was about 7:00. The children assumed it must be Helen with their dinner.

But when they opened the door, a gang of people burst inside. It happened so abruptly that none of the McConville children could say precisely how many there were – it was roughly eight people, but it could have been ten or twelve. There were men and women. Some had balaclavas pulled across their faces; others wore nylon stockings over their heads, which twisted their features into ghoulish masks. At least one of them was carrying a gun.

As Jean emerged, pulling on her clothes, surrounded by her frightened children, one of the men said, gruffly, ‘Put your coat on.’ She trembled violently as the intruders tried to pull her out of the flat. ‘What’s happening?’ she asked, her panic rising. That was when the children went berserk. Michael, who was eleven, tried to grab his mother. Billy and Jim threw their arms around her and wailed. The gang tried to calm the children, saying that they would bring Jean back – they just needed to talk to her; she would be gone for only a few hours.

Archie, who, at sixteen, was the oldest child at home, asked if he could accompany his mother wherever she was going, and the members of the gang agreed. Jean McConville put on a tweed overcoat and a head scarf as the younger children were herded into one of the bedrooms. While they were ushering the children away, the intruders spoke to them, offering blunt assurances – and addressing them by name. A couple of the men were not wearing masks, and Michael McConville realised, to his horror, that the people taking his mother away were not strangers. They were his neighbours.

Divis Flats was a nightmare from an Escher drawing, a concrete warren of stairways, passages and overcrowded flats. The lifts were perpetually out of order, and Jean McConville was borne by the rough little scrum out of her flat, through a corridor, and down a set of stairs. Normally there were people about at night, even in the wintertime – kids kicking a ball through the hallway or labourers coming home from work. But Archie noticed that the complex seemed eerily vacant, almost as if the area had been cleared. There was nobody to flag down, no neighbour who could sound the alarm.

He kept close to his mother, shuffling along, and she clung to him, not wanting to let go. But at the bottom of the stairs, a larger group was waiting, as many as twenty people, casually dressed and masked with balaclavas. Several of them had guns. A blue Volkswagen van sat idling at the kerb, and now suddenly one of the men wheeled on Archie, the dull glint of a pistol arcing through the darkness, and pressed the tip of the barrel into his cheek, hissing, ‘Fuck off.’ Archie froze. He could feel the cold metal pressing into his skin. He was desperate to protect his mother, but what could he do? He was a boy, outnumbered and unarmed. Reluctantly, he turned and ascended the stairs.

On the second level, one of the walls was perforated by a series of vertical slats, which the McConville children called ‘pigeon holes’. Peering through these openings, Archie watched as his mother was bundled into the van and the van drove out of Divis and disappeared. It would later strike him that the gang never had any intention of allowing him to chaperone his mother – they were simply using him to get Jean out of the flat. He stood there in the awful, wintry silence, trying to comprehend what had just happened and what he should do now. Then he started back towards the flat. The last words that his mother had said to him were ‘Watch the children until I come back.’

2

Albert’s Daughters (#ulink_6707fcb2-a72e-574e-bf3d-ed55e9611643)

When Dolours Price was a little girl, her favoured saints were martyrs. Dolours had one very Catholic aunt on her father’s side who would say, ‘For God and Ireland.’ For the rest of the family, Ireland came first. Growing up in West Belfast in the 1950s, she dutifully went to church every day. But she noticed that her parents didn’t. One day, when she was about fourteen, she announced, ‘I’m not going back to Mass.’