Lost Boy Lost Girl

Do white people ever get that deal? Philip wanted to know.

That gas company job must have been difficult more often than not, but she kept showing up. At night, she cooked for Philip and Mark. Obviously, she did all the housework. A woman with two jobs then, and I bet she seldom complained. To a girl from Pigtown, Philip had seemed a good enough catch. A budding educator, he already wore a jacket and tie every day. Probably, Philip had opened up to her back then, probably showed her a little flash, a little soul, enough to convince her it would still be there in the years to come. Think of the long marriage afterward, think of how she endured the person he became. I remember the light in her eye as she hurried down the hall toward me, a glow I could see right through the screen door. A great capacity for feeling, then, starved, unused, except for her son.

I want to know why you killed yourself.

A fatal disease? Philip would have told me. A love affair gone wrong? Nancy was not so romantic, not so foolish. Some overwhelming shame? If not shame, then a deep guilt? Guilt for what? For something undone, some action unperformed – that felt like Nancy’s brand of guilt.

Brave, steadfast, resigned, disappointed, true of heart, Nancy was all of these things. Poisoned by an old guilt – when she could have intervened, when she was needed, she stepped back, and the disaster happened. What else? Somewhere, I think, there’s a lot of fear, a big old fear. She feared the cause of her guilt: she feared what had made her needed. Some person, some man, loomed back there in Nancy’s life. He was terrifying.

This is where we locate Nancy’s story: I can feel it stir.

I’m reminded of what sometimes happened to me in Bangkok during the late seventies – I sensed death, actual Death, capering behind me on the crowded street, sending before him as his sign or sigil a naked Vietnamese girl running through the Patpong circus, a girl showing her bloody palms to the world.

It’s so tempting to give Nancy a history similar to mine. A grim creature peering in from just offstage; and with her we have someone she failed to rescue from the hideous Death-figure.

… For me, the naked Vietnamese girl represented a kind of salvation, the reawakening of my imagination; for her, it was only dread.

I’m not sure what I think about this. It feels right, but looked at objectively it seems too much a by-product of my own story. Not to mention my imagination.

Nancy’s story – I wonder if I’ll ever really get inside it, ever really see the beast that perched on her shoulder. But this is a start, maybe.

From this window on the fourth floor of the Pforzheimer’s original building, Tim Underhill and Michael Poole once had looked down on wintry Jefferson Street as an infuriated motorist with a snowed-in car whipped his tire iron against the side of a bus moving slowly toward Cathedral Square. At the time, what they were looking at seemed like pure Millhaven.

The sparse traffic on Jefferson Street swam through the hot, languid air. Directly below, a Pforzheimer valet in a short-sleeved brown uniform lounged against a parking meter. Across the street, a hunched old man in a seersucker suit, a bow tie, and a straw hat, the image of prosperous old-school midwestern propriety, picked his way down the red stone steps of the Millhaven Athletic Club. Some retired judge or doctor going home after a bowl of tomato soup and a turkey club. At his back, the weathered red brick facade of the athletic club was sturdy, peaceful, traditional; although less sturdy, the old man looked much the same. Tim watched him ease himself off the last step and down onto the sidewalk. He wondered where the doctor had parked his car. All the spaces in front of the club were empty.

Working his elbows as if in a hurry, the old party in the jaunty hat and the spiffy bow tie proceeded directly across the sidewalk. He glanced quickly from side to side, then hitched up his shoulders and stepped down into Jefferson Street. To Tim, he no longer looked so peaceful. For an old guy who had just finished lunch, he was moving with an awkward, herky-jerky haste.

Like a hideous dream-chariot, a long black car of antique design came rushing up the middle of Jefferson Street, heading straight toward the old man. Tim froze at his window; the retired doctor had more presence of mind. After a moment’s hesitation, he backpedaled toward the curb, keeping an eye on the car racing toward him. The car corrected for his change of position. ‘Get out of there, old man!’ Tim said aloud, still unable to believe that he was watching an attempted murder. ‘Go! Move!’

As the black car swung left toward the curb, the old man vaulted across three feet of roadway, came down on his toes, and started to run. The Pforzheimer’s parking valet had disappeared. The black car slithered forward and sideways with the speed of a mongoose charging a cobra, and a straw hat sailed into the air. ‘No!’ Underhill shouted, and rapped his forehead against the cool window. A seersucker shoulder and a white-haired head slid out of sight beneath the car.

Tim’s breath misted the window.

Inexorably, the car ground over the roadbed. After a horrifically long second or two, it picked up speed and rolled toward Grand Avenue. The old man lay still on the concrete, his long legs drawn up and one arm outstretched. Tim tried unsuccessfully to catch the car’s license number.

Hadn’t anyone else seen the murder? Tim spun toward the telephone in his room, then moved back to check the scene again. Now the street was filled with people. Two men in loose-fitting jackets, one a dusty red, the other navy blue, stood by the driver’s side of the car. The man in the navy blouson wore a long-billed black cap that covered half his face. Another man and a young woman had run up to the old man in the seersucker suit, and as Tim watched, they held out their hands, and the victim, not dead, not even injured, pulled himself upright. A young woman wearing a headset trotted through the little crowd with the straw hat in her hand. A man in a fedora and a pin-striped suit got out of the car, pointed back down the street, and nodded at something said by the man in the long-billed cap. He, too, wore a headset.

Tim pushed up the window and leaned out. The man in the seersucker suit, no longer quite so old, settled the boater back on his head and laughed at something said by the young woman. Most of the people on the street had begun to retreat to their positions. The black car was backing down Jefferson Street, where a bare-chested man in shorts rode sidesaddle beside an enormous camera set on miniature railroad tracks.

A visiting film company had transformed Jefferson Street into a movie set.

Tim watched the actor in the seersucker suit trot up the red stone steps of the Millhaven Athletic Club and duck into the doorway to await the next take. Once again, the street looked empty. In a couple of minutes the old man would reappear on the red steps, the long car would begin rolling, the man and the car would come into conjunction, and what looked like murder would again take place; this would happen over and over again until the light changed.

Tim closed the window and went to the telephone beside his journal on the busy writing table. When the desk clerk answered, he asked what was going on outside. ‘I mean, is it a movie or a television episode?’

‘A movie. Big-budget job. The director’s somebody like Scorsese or Coppola, someone like that. The crew will be outside there another two days, and then they’ll be shooting at a location down in the warehouse district.’

Tim remembered the warehouse district, a few blocks south of Grand, from when it still had warehouses and nobody called it anything at all. He also remembered a time when desk clerks at the Pforzheimer would mean something entirely different when they used the word ‘shooting.’ ‘Ah,’ he said. ‘Gas lamps and cobblestones. What is it, a Golden Days of the Mafia story?’

‘Gangsters and tommy guns,’ said the clerk. ‘Whenever they want to set a movie in old-time Chicago, they come to Millhaven.’

Tim moved back to the window. Here came the actor in his retired doctor getup, jerking his shoulders and elbows as he hitched himself off the curb; here was that impression of haste. Now the black dream-mobile, which had running boards and a spare-tire well on the trunk, gathered speed as it cruised southward on Jefferson Street, which would not be Jefferson now but a street in Chicago, South Dearborn or South Clark. The actor froze, glided backward, broad-jumped forward; the car twitched like a living thing, and the straw boater sailed off. The actor disappeared beneath the antique car. This time, Tim was able to see the second camera dollying in, accompanied by the man in the long-billed black cap. This, too, had happened the first time, but Tim had seen none of it.

Idly, his gaze drifted northward to the trim little park beyond the club’s parking lot. Angled paths intersected at a concrete circle with a wooden bench and a dead fountain. Beech trees cast angular shadows on the grass. An old woman scattered bread crumbs to several families of combative sparrows. At the top of the square, digital bells in the cathedral’s tower tolled three times, sending out a dull clang clang clang that hung like bronze smoke in the bright air. Then an argument between two teenage boys proceeding toward the bottom of the square snagged his attention. The floppiness of their clothing, as alike as the dress of twins clothed by their parents – baggy jeans, oversized short-sleeved T-shirts (pale blue and navy blue) worn over oversized long-sleeved T-shirts (light yellow and dirty white) – heightened the vehemence of their gestures. At the bottom of the square they turned right and began moving toward the Pforzheimer, on the far side of Jefferson.

The taller of the two had cropped dark hair and shoulders so broad his arms seemed to swing at a distance greater than usual from his slim body. He was walking backward and waving his arms. The smaller boy, wider, rounder, and with long, sandy-reddish hair, had the resigned, rubbery face of a comedian, but Tim saw that his instinctive equanimity was strained to the breaking point. He kept slowing the pace, jamming his hands into the deep, low pockets of his capacious jeans, then raising them in a gesture that said, What can I do? Sorry, I can’t help you. Dancing before him, the dark-haired boy seemed to be saying, Man, I need you with me on this. Give me a break! A pair of mimes could not have drawn the poles of their disagreement any more clearly, nor the passion of one and the resistance of the other. The tall boy stopped moving and clutched the sides of his head. Tim knew he was cursing and hoped he was not trying to coax his red-haired friend into some illegality. It did not look like that kind of dispute, exactly. Something crucial was at stake, but probably an advanced form of mischief, not a criminal charge. Come on, we’ll have a blast, it’ll be great versus Give it up, there’s no way I’m doing that, and I don’t think you should do it, either.

Tim thought he heard a wail of frustration and outrage.

The red-haired boy dodged around his gesticulating friend and continued up the sidewalk. The taller boy ran up to him and clouted his shoulder. Looking extraordinarily graceful in his pale blue and light yellow shirts, he shot out an arm and pointed at, or very near to, Tim Underhill’s window. Instinctively, Tim stepped back. Almost immediately, he moved forward again, drawn by an unexpected recognition. The taller of the two boys was strikingly handsome, even beautiful, in a dark-browed, clean-featured manner. A second later, Tim Underhill’s recognition system at last yielded the information that he was looking at his nephew, Mark. By a kind of generational enhancement, features that passed for pleasing but unremarkable in his mother emerged, virtually unchanged, as beautiful in her son. In all likelihood, Mark had no idea of how attractive he was.

The next message that came bubbling into consciousness was that just then Mark could have been speaking of him to his red-haired friend. Philip had probably mentioned that he would be in town for the funeral, and it would be like Philip to throw in a sneering reference to the Pforzheimer. That Mark was probably speaking of him meant that Tim had some role in the dispute between the two boys. What sort of role, he wondered: advice, direction, decision?

Whatever his point had been, Mark – for it really was Mark, Tim saw – had decided to save his powder for another day’s battle. That this was a truce, not surrender, was evident in his loping slouch, the ease of his stride, the wry set of his mouth. The red-haired boy spoke to him, and he shrugged in feigned indifference.

It almost hurt, that Mark should have become so beautiful – the world at large had already begun to conspire against the straightforward destiny that would otherwise have been his. Would you just look at him, down there on the sidewalk? He’s pretending to be too tough to be wounded by his mother’s death.

Both boys stopped moving to watch the man in the seersucker suit and straw hat once again come hitching down the red steps of the MAC. There was always something horrible about catching an actor at work, suddenly becoming aware that he was after all merely playing a role.

From Timothy Underhill’s journal, 20 June 2003

Eight days after my last entry, and I must go back to Millhaven again. Philip told me that Mark has been missing for a couple of days, and he only called me because he thought I might have been hiding him in my loft! Really, he was furious, barely able to contain it. And though I resent his attitude, in all honesty I can’t be angry with him or even really blame him very much for what he’s been thinking.

From what I could make of Philip’s rant, Mark vanished sometime in the evening of, I think, the 18th. Philip waited up for him until two in the morning, then retired in the reasonable certainty that before long Mark would be in his bed. In the morning, Mark’s bed was still empty. Philip called the police, who informed him of what he already knew, that two other boys recently had disappeared from that part of town, but added that he ought not jump to any conclusions. They added that most teenage runaways come back home within twenty-four hours and recommended patience. Philip drew on his capacity for patience and discovered that he possessed a limited supply. By noon he was calling the police again, with the same result. He had of course walked up the block to confront Jimbo Monaghan, Mark’s best friend, but Jimbo either knew nothing about the disappearance or pretended he knew nothing. Thinking he smelled complicity, Philip accused the boy of lying. Jimbo’s mother, Margo, ordered him out of the house – threw him out, really. For a couple of hours, Philip drove around Millhaven, looking for his son everywhere he thought his son might be, every place he had heard Mark speak of. He knew it was a hopeless effort, but he was unable to keep himself from cruising past playgrounds his son had not visited in years, staring in the windows of fast-food restaurants, driving around and around Sherman Park. He felt so desperate he wept. In the space of ten days, he had lost both wife and son.

Grimly, Philip bounced back and forth between two equally fearful notions: that Mark had been abducted by the ‘Sherman Park Killer,’ who had already claimed two boys his age; and that Mark had killed himself, possibly in imitation of his mother, even more possibly out of the mixture of horror and despair set loose within him by what he had been obliged to witness. The police, being police, were concentrating on the first of these alternatives. They walked through the parks and searched the wooded areas in Millhaven but failed to uncover a body. They also checked the records at the airport, the train and bus stations; they, too, questioned Jimbo Monaghan, his parents, and other teenagers and parents Mark had known. When none of this yielded as much as a suggestion of the boy’s whereabouts, the police released Mark’s information and requested the assistance of the city’s residents. A none-too-recent photograph was sent to the FBI and to police departments across the country. There, for all practical purposes, the matter rested.

Except of course for Philip, who at this pre-Dewey Dell stage could face none of the possibilities aroused by his son’s disappearance: that a psychopath had kidnapped and probably murdered him; that he had killed himself in some location yet to be found; or that he had simply run off without a word. When Philip found himself face to face with this unacceptable series of choices, another occurred to him, and he called his overprivileged, never quite to be trusted brother in New York.

‘All right, you can tell me now,’ he said. ‘I never thought you’d be capable of doing a thing like this to your own brother, but I’m sure you had your reasons. He must have told you a hell of a story.’

‘Philip, you’d better start at the beginning. What can I tell you now, and what do you think I did to you?’

‘What did he tell you, exactly? How bad is it? Did I beat the crap out of him every night? Was I psychologically abusive?’

‘Are you talking about Mark?’

‘Gee, do you think? Why would I be asking you about Mark, I wonder? If my son happens to be there with you, Tim, I’m asking you to let me talk to him. No, I’m not asking. I’m begging.’

‘Jesus, Philip, Mark left home? What happened?’

‘What happened? My son hasn’t been here for three days, that’s what. So if he’s staying in that fucked-up circus of yours on Grand Street, goddamn you, I’m on my knees here. Put him on. Do whatever you have to, all right?’

It took a while, but I did manage to convince Philip that his son was not hiding in my loft, and that I’d had nothing to do with his disappearance. I felt silenced, stunned, baffled.

‘Why didn’t you call me before this?’

‘Because it didn’t occur to me that he might be in New York until about an hour ago.’