The Republic

'Take another kind of argument which is found both in poetry and prose: – "Virtue," as Hesiod says, "is honourable but difficult, vice is easy and profitable." You may often see the wicked in great prosperity and the righteous afflicted by the will of heaven. And mendicant prophets knock at rich men's doors, promising to atone for the sins of themselves or their fathers in an easy fashion with sacrifices and festive games, or with charms and invocations to get rid of an enemy good or bad by divine help and at a small charge; – they appeal to books professing to be written by Musaeus and Orpheus, and carry away the minds of whole cities, and promise to "get souls out of purgatory;" and if we refuse to listen to them, no one knows what will happen to us.

'When a lively-minded ingenuous youth hears all this, what will be his conclusion? "Will he," in the language of Pindar, "make justice his high tower, or fortify himself with crooked deceit?" Justice, he reflects, without the appearance of justice, is misery and ruin; injustice has the promise of a glorious life. Appearance is master of truth and lord of happiness. To appearance then I will turn, – I will put on the show of virtue and trail behind me the fox of Archilochus. I hear some one saying that "wickedness is not easily concealed," to which I reply that "nothing great is easy." Union and force and rhetoric will do much; and if men say that they cannot prevail over the gods, still how do we know that there are gods? Only from the poets, who acknowledge that they may be appeased by sacrifices. Then why not sin and pay for indulgences out of your sin? For if the righteous are only unpunished, still they have no further reward, while the wicked may be unpunished and have the pleasure of sinning too. But what of the world below? Nay, says the argument, there are atoning powers who will set that matter right, as the poets, who are the sons of the gods, tell us; and this is confirmed by the authority of the State.

'How can we resist such arguments in favour of injustice? Add good manners, and, as the wise tell us, we shall make the best of both worlds. Who that is not a miserable caitiff will refrain from smiling at the praises of justice? Even if a man knows the better part he will not be angry with others; for he knows also that more than human virtue is needed to save a man, and that he only praises justice who is incapable of injustice.

'The origin of the evil is that all men from the beginning, heroes, poets, instructors of youth, have always asserted "the temporal dispensation," the honours and profits of justice. Had we been taught in early youth the power of justice and injustice inherent in the soul, and unseen by any human or divine eye, we should not have needed others to be our guardians, but every one would have been the guardian of himself. This is what I want you to show, Socrates; – other men use arguments which rather tend to strengthen the position of Thrasymachus that "might is right;" but from you I expect better things. And please, as Glaucon said, to exclude reputation; let the just be thought unjust and the unjust just, and do you still prove to us the superiority of justice'…

The thesis, which for the sake of argument has been maintained by Glaucon, is the converse of that of Thrasymachus – not right is the interest of the stronger, but right is the necessity of the weaker. Starting from the same premises he carries the analysis of society a step further back; – might is still right, but the might is the weakness of the many combined against the strength of the few.

There have been theories in modern as well as in ancient times which have a family likeness to the speculations of Glaucon; e.g. that power is the foundation of right; or that a monarch has a divine right to govern well or ill; or that virtue is self-love or the love of power; or that war is the natural state of man; or that private vices are public benefits. All such theories have a kind of plausibility from their partial agreement with experience. For human nature oscillates between good and evil, and the motives of actions and the origin of institutions may be explained to a certain extent on either hypothesis according to the character or point of view of a particular thinker. The obligation of maintaining authority under all circumstances and sometimes by rather questionable means is felt strongly and has become a sort of instinct among civilized men. The divine right of kings, or more generally of governments, is one of the forms under which this natural feeling is expressed. Nor again is there any evil which has not some accompaniment of good or pleasure; nor any good which is free from some alloy of evil; nor any noble or generous thought which may not be attended by a shadow or the ghost of a shadow of self-interest or of self-love. We know that all human actions are imperfect; but we do not therefore attribute them to the worse rather than to the better motive or principle. Such a philosophy is both foolish and false, like that opinion of the clever rogue who assumes all other men to be like himself. And theories of this sort do not represent the real nature of the State, which is based on a vague sense of right gradually corrected and enlarged by custom and law (although capable also of perversion), any more than they describe the origin of society, which is to be sought in the family and in the social and religious feelings of man. Nor do they represent the average character of individuals, which cannot be explained simply on a theory of evil, but has always a counteracting element of good. And as men become better such theories appear more and more untruthful to them, because they are more conscious of their own disinterestedness. A little experience may make a man a cynic; a great deal will bring him back to a truer and kindlier view of the mixed nature of himself and his fellow men.

The two brothers ask Socrates to prove to them that the just is happy when they have taken from him all that in which happiness is ordinarily supposed to consist. Not that there is (1) any absurdity in the attempt to frame a notion of justice apart from circumstances. For the ideal must always be a paradox when compared with the ordinary conditions of human life. Neither the Stoical ideal nor the Christian ideal is true as a fact, but they may serve as a basis of education, and may exercise an ennobling influence. An ideal is none the worse because 'some one has made the discovery' that no such ideal was ever realized. And in a few exceptional individuals who are raised above the ordinary level of humanity, the ideal of happiness may be realized in death and misery. This may be the state which the reason deliberately approves, and which the utilitarian as well as every other moralist may be bound in certain cases to prefer.

Nor again, (2) must we forget that Plato, though he agrees generally with the view implied in the argument of the two brothers, is not expressing his own final conclusion, but rather seeking to dramatize one of the aspects of ethical truth. He is developing his idea gradually in a series of positions or situations. He is exhibiting Socrates for the first time undergoing the Socratic interrogation. Lastly, (3) the word 'happiness' involves some degree of confusion because associated in the language of modern philosophy with conscious pleasure or satisfaction, which was not equally present to his mind.

Glaucon has been drawing a picture of the misery of the just and the happiness of the unjust, to which the misery of the tyrant in Book IX is the answer and parallel. And still the unjust must appear just; that is 'the homage which vice pays to virtue.' But now Adeimantus, taking up the hint which had been already given by Glaucon, proceeds to show that in the opinion of mankind justice is regarded only for the sake of rewards and reputation, and points out the advantage which is given to such arguments as those of Thrasymachus and Glaucon by the conventional morality of mankind. He seems to feel the difficulty of 'justifying the ways of God to man.' Both the brothers touch upon the question, whether the morality of actions is determined by their consequences; and both of them go beyond the position of Socrates, that justice belongs to the class of goods not desirable for themselves only, but desirable for themselves and for their results, to which he recalls them. In their attempt to view justice as an internal principle, and in their condemnation of the poets, they anticipate him. The common life of Greece is not enough for them; they must penetrate deeper into the nature of things.

It has been objected that justice is honesty in the sense of Glaucon and Adeimantus, but is taken by Socrates to mean all virtue. May we not more truly say that the old-fashioned notion of justice is enlarged by Socrates, and becomes equivalent to universal order or well-being, first in the State, and secondly in the individual? He has found a new answer to his old question (Protag.), 'whether the virtues are one or many,' viz. that one is the ordering principle of the three others. In seeking to establish the purely internal nature of justice, he is met by the fact that man is a social being, and he tries to harmonise the two opposite theses as well as he can. There is no more inconsistency in this than was inevitable in his age and country; there is no use in turning upon him the cross lights of modern philosophy, which, from some other point of view, would appear equally inconsistent. Plato does not give the final solution of philosophical questions for us; nor can he be judged of by our standard.

The remainder of the Republic is developed out of the question of the sons of Ariston. Three points are deserving of remark in what immediately follows: – First, that the answer of Socrates is altogether indirect. He does not say that happiness consists in the contemplation of the idea of justice, and still less will he be tempted to affirm the Stoical paradox that the just man can be happy on the rack. But first he dwells on the difficulty of the problem and insists on restoring man to his natural condition, before he will answer the question at all. He too will frame an ideal, but his ideal comprehends not only abstract justice, but the whole relations of man. Under the fanciful illustration of the large letters he implies that he will only look for justice in society, and that from the State he will proceed to the individual. His answer in substance amounts to this, – that under favourable conditions, i.e. in the perfect State, justice and happiness will coincide, and that when justice has been once found, happiness may be left to take care of itself. That he falls into some degree of inconsistency, when in the tenth book he claims to have got rid of the rewards and honours of justice, may be admitted; for he has left those which exist in the perfect State. And the philosopher 'who retires under the shelter of a wall' can hardly have been esteemed happy by him, at least not in this world. Still he maintains the true attitude of moral action. Let a man do his duty first, without asking whether he will be happy or not, and happiness will be the inseparable accident which attends him. 'Seek ye first the kingdom of God and his righteousness, and all these things shall be added unto you.'

Secondly, it may be remarked that Plato preserves the genuine character of Greek thought in beginning with the State and in going on to the individual. First ethics, then politics – this is the order of ideas to us; the reverse is the order of history. Only after many struggles of thought does the individual assert his right as a moral being. In early ages he is not ONE, but one of many, the citizen of a State which is prior to him; and he has no notion of good or evil apart from the law of his country or the creed of his church. And to this type he is constantly tending to revert, whenever the influence of custom, or of party spirit, or the recollection of the past becomes too strong for him.

Thirdly, we may observe the confusion or identification of the individual and the State, of ethics and politics, which pervades early Greek speculation, and even in modern times retains a certain degree of influence. The subtle difference between the collective and individual action of mankind seems to have escaped early thinkers, and we too are sometimes in danger of forgetting the conditions of united human action, whenever we either elevate politics into ethics, or lower ethics to the standard of politics. The good man and the good citizen only coincide in the perfect State; and this perfection cannot be attained by legislation acting upon them from without, but, if at all, by education fashioning them from within.

…Socrates praises the sons of Ariston, 'inspired offspring of the renowned hero,' as the elegiac poet terms them; but he does not understand how they can argue so eloquently on behalf of injustice while their character shows that they are uninfluenced by their own arguments. He knows not how to answer them, although he is afraid of deserting justice in the hour of need. He therefore makes a condition, that having weak eyes he shall be allowed to read the large letters first and then go on to the smaller, that is, he must look for justice in the State first, and will then proceed to the individual. Accordingly he begins to construct the State.

Society arises out of the wants of man. His first want is food; his second a house; his third a coat. The sense of these needs and the possibility of satisfying them by exchange, draw individuals together on the same spot; and this is the beginning of a State, which we take the liberty to invent, although necessity is the real inventor. There must be first a husbandman, secondly a builder, thirdly a weaver, to which may be added a cobbler. Four or five citizens at least are required to make a city. Now men have different natures, and one man will do one thing better than many; and business waits for no man. Hence there must be a division of labour into different employments; into wholesale and retail trade; into workers, and makers of workmen's tools; into shepherds and husbandmen. A city which includes all this will have far exceeded the limit of four or five, and yet not be very large. But then again imports will be required, and imports necessitate exports, and this implies variety of produce in order to attract the taste of purchasers; also merchants and ships. In the city too we must have a market and money and retail trades; otherwise buyers and sellers will never meet, and the valuable time of the producers will be wasted in vain efforts at exchange. If we add hired servants the State will be complete. And we may guess that somewhere in the intercourse of the citizens with one another justice and injustice will appear.

Here follows a rustic picture of their way of life. They spend their days in houses which they have built for themselves; they make their own clothes and produce their own corn and wine. Their principal food is meal and flour, and they drink in moderation. They live on the best of terms with each other, and take care not to have too many children. 'But,' said Glaucon, interposing, 'are they not to have a relish?' Certainly; they will have salt and olives and cheese, vegetables and fruits, and chestnuts to roast at the fire. ''Tis a city of pigs, Socrates.' Why, I replied, what do you want more? 'Only the comforts of life, – sofas and tables, also sauces and sweets.' I see; you want not only a State, but a luxurious State; and possibly in the more complex frame we may sooner find justice and injustice. Then the fine arts must go to work – every conceivable instrument and ornament of luxury will be wanted. There will be dancers, painters, sculptors, musicians, cooks, barbers, tire-women, nurses, artists; swineherds and neatherds too for the animals, and physicians to cure the disorders of which luxury is the source. To feed all these superfluous mouths we shall need a part of our neighbour's land, and they will want a part of ours. And this is the origin of war, which may be traced to the same causes as other political evils. Our city will now require the slight addition of a camp, and the citizen will be converted into a soldier. But then again our old doctrine of the division of labour must not be forgotten. The art of war cannot be learned in a day, and there must be a natural aptitude for military duties. There will be some warlike natures who have this aptitude – dogs keen of scent, swift of foot to pursue, and strong of limb to fight. And as spirit is the foundation of courage, such natures, whether of men or animals, will be full of spirit. But these spirited natures are apt to bite and devour one another; the union of gentleness to friends and fierceness against enemies appears to be an impossibility, and the guardian of a State requires both qualities. Who then can be a guardian? The image of the dog suggests an answer. For dogs are gentle to friends and fierce to strangers. Your dog is a philosopher who judges by the rule of knowing or not knowing; and philosophy, whether in man or beast, is the parent of gentleness. The human watchdogs must be philosophers or lovers of learning which will make them gentle. And how are they to be learned without education?

But what shall their education be? Is any better than the old-fashioned sort which is comprehended under the name of music and gymnastic? Music includes literature, and literature is of two kinds, true and false. 'What do you mean?' he said. I mean that children hear stories before they learn gymnastics, and that the stories are either untrue, or have at most one or two grains of truth in a bushel of falsehood. Now early life is very impressible, and children ought not to learn what they will have to unlearn when they grow up; we must therefore have a censorship of nursery tales, banishing some and keeping others. Some of them are very improper, as we may see in the great instances of Homer and Hesiod, who not only tell lies but bad lies; stories about Uranus and Saturn, which are immoral as well as false, and which should never be spoken of to young persons, or indeed at all; or, if at all, then in a mystery, after the sacrifice, not of an Eleusinian pig, but of some unprocurable animal. Shall our youth be encouraged to beat their fathers by the example of Zeus, or our citizens be incited to quarrel by hearing or seeing representations of strife among the gods? Shall they listen to the narrative of Hephaestus binding his mother, and of Zeus sending him flying for helping her when she was beaten? Such tales may possibly have a mystical interpretation, but the young are incapable of understanding allegory. If any one asks what tales are to be allowed, we will answer that we are legislators and not book-makers; we only lay down the principles according to which books are to be written; to write them is the duty of others.

And our first principle is, that God must be represented as he is; not as the author of all things, but of good only. We will not suffer the poets to say that he is the steward of good and evil, or that he has two casks full of destinies; – or that Athene and Zeus incited Pandarus to break the treaty; or that God caused the sufferings of Niobe, or of Pelops, or the Trojan war; or that he makes men sin when he wishes to destroy them. Either these were not the actions of the gods, or God was just, and men were the better for being punished. But that the deed was evil, and God the author, is a wicked, suicidal fiction which we will allow no one, old or young, to utter. This is our first and great principle – God is the author of good only.

And the second principle is like unto it: – With God is no variableness or change of form. Reason teaches us this; for if we suppose a change in God, he must be changed either by another or by himself. By another? – but the best works of nature and art and the noblest qualities of mind are least liable to be changed by any external force. By himself? – but he cannot change for the better; he will hardly change for the worse. He remains for ever fairest and best in his own image. Therefore we refuse to listen to the poets who tell us of Here begging in the likeness of a priestess or of other deities who prowl about at night in strange disguises; all that blasphemous nonsense with which mothers fool the manhood out of their children must be suppressed. But some one will say that God, who is himself unchangeable, may take a form in relation to us. Why should he? For gods as well as men hate the lie in the soul, or principle of falsehood; and as for any other form of lying which is used for a purpose and is regarded as innocent in certain exceptional cases – what need have the gods of this? For they are not ignorant of antiquity like the poets, nor are they afraid of their enemies, nor is any madman a friend of theirs. God then is true, he is absolutely true; he changes not, he deceives not, by day or night, by word or sign. This is our second great principle – God is true. Away with the lying dream of Agamemnon in Homer, and the accusation of Thetis against Apollo in Aeschylus…

In order to give clearness to his conception of the State, Plato proceeds to trace the first principles of mutual need and of division of labour in an imaginary community of four or five citizens. Gradually this community increases; the division of labour extends to countries; imports necessitate exports; a medium of exchange is required, and retailers sit in the market-place to save the time of the producers. These are the steps by which Plato constructs the first or primitive State, introducing the elements of political economy by the way. As he is going to frame a second or civilized State, the simple naturally comes before the complex. He indulges, like Rousseau, in a picture of primitive life – an idea which has indeed often had a powerful influence on the imagination of mankind, but he does not seriously mean to say that one is better than the other (Politicus); nor can any inference be drawn from the description of the first state taken apart from the second, such as Aristotle appears to draw in the Politics. We should not interpret a Platonic dialogue any more than a poem or a parable in too literal or matter-of-fact a style. On the other hand, when we compare the lively fancy of Plato with the dried-up abstractions of modern treatises on philosophy, we are compelled to say with Protagoras, that the 'mythus is more interesting' (Protag.)

Several interesting remarks which in modern times would have a place in a treatise on Political Economy are scattered up and down the writings of Plato: especially Laws, Population; Free Trade; Adulteration; Wills and Bequests; Begging; Eryxias, (though not Plato's), Value and Demand; Republic, Division of Labour. The last subject, and also the origin of Retail Trade, is treated with admirable lucidity in the second book of the Republic. But Plato never combined his economic ideas into a system, and never seems to have recognized that Trade is one of the great motive powers of the State and of the world. He would make retail traders only of the inferior sort of citizens (Rep., Laws), though he remarks, quaintly enough (Laws), that 'if only the best men and the best women everywhere were compelled to keep taverns for a time or to carry on retail trade, etc., then we should knew how pleasant and agreeable all these things are.'

The disappointment of Glaucon at the 'city of pigs,' the ludicrous description of the ministers of luxury in the more refined State, and the afterthought of the necessity of doctors, the illustration of the nature of the guardian taken from the dog, the desirableness of offering some almost unprocurable victim when impure mysteries are to be celebrated, the behaviour of Zeus to his father and of Hephaestus to his mother, are touches of humour which have also a serious meaning. In speaking of education Plato rather startles us by affirming that a child must be trained in falsehood first and in truth afterwards. Yet this is not very different from saying that children must be taught through the medium of imagination as well as reason; that their minds can only develope gradually, and that there is much which they must learn without understanding. This is also the substance of Plato's view, though he must be acknowledged to have drawn the line somewhat differently from modern ethical writers, respecting truth and falsehood. To us, economies or accommodations would not be allowable unless they were required by the human faculties or necessary for the communication of knowledge to the simple and ignorant. We should insist that the word was inseparable from the intention, and that we must not be 'falsely true,' i.e. speak or act falsely in support of what was right or true. But Plato would limit the use of fictions only by requiring that they should have a good moral effect, and that such a dangerous weapon as falsehood should be employed by the rulers alone and for great objects.

A Greek in the age of Plato attached no importance to the question whether his religion was an historical fact. He was just beginning to be conscious that the past had a history; but he could see nothing beyond Homer and Hesiod. Whether their narratives were true or false did not seriously affect the political or social life of Hellas. Men only began to suspect that they were fictions when they recognised them to be immoral. And so in all religions: the consideration of their morality comes first, afterwards the truth of the documents in which they are recorded, or of the events natural or supernatural which are told of them. But in modern times, and in Protestant countries perhaps more than in Catholic, we have been too much inclined to identify the historical with the moral; and some have refused to believe in religion at all, unless a superhuman accuracy was discernible in every part of the record. The facts of an ancient or religious history are amongst the most important of all facts; but they are frequently uncertain, and we only learn the true lesson which is to be gathered from them when we place ourselves above them. These reflections tend to show that the difference between Plato and ourselves, though not unimportant, is not so great as might at first sight appear. For we should agree with him in placing the moral before the historical truth of religion; and, generally, in disregarding those errors or misstatements of fact which necessarily occur in the early stages of all religions. We know also that changes in the traditions of a country cannot be made in a day; and are therefore tolerant of many things which science and criticism would condemn.

We note in passing that the allegorical interpretation of mythology, said to have been first introduced as early as the sixth century before Christ by Theagenes of Rhegium, was well established in the age of Plato, and here, as in the Phaedrus, though for a different reason, was rejected by him. That anachronisms whether of religion or law, when men have reached another stage of civilization, should be got rid of by fictions is in accordance with universal experience. Great is the art of interpretation; and by a natural process, which when once discovered was always going on, what could not be altered was explained away. And so without any palpable inconsistency there existed side by side two forms of religion, the tradition inherited or invented by the poets and the customary worship of the temple; on the other hand, there was the religion of the philosopher, who was dwelling in the heaven of ideas, but did not therefore refuse to offer a cock to Aesculapius, or to be seen saying his prayers at the rising of the sun. At length the antagonism between the popular and philosophical religion, never so great among the Greeks as in our own age, disappeared, and was only felt like the difference between the religion of the educated and uneducated among ourselves. The Zeus of Homer and Hesiod easily passed into the 'royal mind' of Plato (Philebus); the giant Heracles became the knight-errant and benefactor of mankind. These and still more wonderful transformations were readily effected by the ingenuity of Stoics and neo-Platonists in the two or three centuries before and after Christ. The Greek and Roman religions were gradually permeated by the spirit of philosophy; having lost their ancient meaning, they were resolved into poetry and morality; and probably were never purer than at the time of their decay, when their influence over the world was waning.

A singular conception which occurs towards the end of the book is the lie in the soul; this is connected with the Platonic and Socratic doctrine that involuntary ignorance is worse than voluntary. The lie in the soul is a true lie, the corruption of the highest truth, the deception of the highest part of the soul, from which he who is deceived has no power of delivering himself. For example, to represent God as false or immoral, or, according to Plato, as deluding men with appearances or as the author of evil; or again, to affirm with Protagoras that 'knowledge is sensation,' or that 'being is becoming,' or with Thrasymachus 'that might is right,' would have been regarded by Plato as a lie of this hateful sort. The greatest unconsciousness of the greatest untruth, e.g. if, in the language of the Gospels (John), 'he who was blind' were to say 'I see,' is another aspect of the state of mind which Plato is describing. The lie in the soul may be further compared with the sin against the Holy Ghost (Luke), allowing for the difference between Greek and Christian modes of speaking. To this is opposed the lie in words, which is only such a deception as may occur in a play or poem, or allegory or figure of speech, or in any sort of accommodation, – which though useless to the gods may be useful to men in certain cases. Socrates is here answering the question which he had himself raised about the propriety of deceiving a madman; and he is also contrasting the nature of God and man. For God is Truth, but mankind can only be true by appearing sometimes to be partial, or false. Reserving for another place the greater questions of religion or education, we may note further, (1) the approval of the old traditional education of Greece; (2) the preparation which Plato is making for the attack on Homer and the poets; (3) the preparation which he is also making for the use of economies in the State; (4) the contemptuous and at the same time euphemistic manner in which here as below he alludes to the 'Chronique Scandaleuse' of the gods.

BOOK III. There is another motive in purifying religion, which is to banish fear; for no man can be courageous who is afraid of death, or who believes the tales which are repeated by the poets concerning the world below. They must be gently requested not to abuse hell; they may be reminded that their stories are both untrue and discouraging. Nor must they be angry if we expunge obnoxious passages, such as the depressing words of Achilles – 'I would rather be a serving-man than rule over all the dead;' and the verses which tell of the squalid mansions, the senseless shadows, the flitting soul mourning over lost strength and youth, the soul with a gibber going beneath the earth like smoke, or the souls of the suitors which flutter about like bats. The terrors and horrors of Cocytus and Styx, ghosts and sapless shades, and the rest of their Tartarean nomenclature, must vanish. Such tales may have their use; but they are not the proper food for soldiers. As little can we admit the sorrows and sympathies of the Homeric heroes: – Achilles, the son of Thetis, in tears, throwing ashes on his head, or pacing up and down the sea-shore in distraction; or Priam, the cousin of the gods, crying aloud, rolling in the mire. A good man is not prostrated at the loss of children or fortune. Neither is death terrible to him; and therefore lamentations over the dead should not be practised by men of note; they should be the concern of inferior persons only, whether women or men. Still worse is the attribution of such weakness to the gods; as when the goddesses say, 'Alas! my travail!' and worst of all, when the king of heaven himself laments his inability to save Hector, or sorrows over the impending doom of his dear Sarpedon. Such a character of God, if not ridiculed by our young men, is likely to be imitated by them. Nor should our citizens be given to excess of laughter – 'Such violent delights' are followed by a violent re-action. The description in the Iliad of the gods shaking their sides at the clumsiness of Hephaestus will not be admitted by us. 'Certainly not.'

Truth should have a high place among the virtues, for falsehood, as we were saying, is useless to the gods, and only useful to men as a medicine. But this employment of falsehood must remain a privilege of state; the common man must not in return tell a lie to the ruler; any more than the patient would tell a lie to his physician, or the sailor to his captain.

In the next place our youth must be temperate, and temperance consists in self-control and obedience to authority. That is a lesson which Homer teaches in some places: 'The Achaeans marched on breathing prowess, in silent awe of their leaders;' – but a very different one in other places: 'O heavy with wine, who hast the eyes of a dog, but the heart of a stag.' Language of the latter kind will not impress self-control on the minds of youth. The same may be said about his praises of eating and drinking and his dread of starvation; also about the verses in which he tells of the rapturous loves of Zeus and Here, or of how Hephaestus once detained Ares and Aphrodite in a net on a similar occasion. There is a nobler strain heard in the words: – 'Endure, my soul, thou hast endured worse.' Nor must we allow our citizens to receive bribes, or to say, 'Gifts persuade the gods, gifts reverend kings;' or to applaud the ignoble advice of Phoenix to Achilles that he should get money out of the Greeks before he assisted them; or the meanness of Achilles himself in taking gifts from Agamemnon; or his requiring a ransom for the body of Hector; or his cursing of Apollo; or his insolence to the river-god Scamander; or his dedication to the dead Patroclus of his own hair which had been already dedicated to the other river-god Spercheius; or his cruelty in dragging the body of Hector round the walls, and slaying the captives at the pyre: such a combination of meanness and cruelty in Cheiron's pupil is inconceivable. The amatory exploits of Peirithous and Theseus are equally unworthy. Either these so-called sons of gods were not the sons of gods, or they were not such as the poets imagine them, any more than the gods themselves are the authors of evil. The youth who believes that such things are done by those who have the blood of heaven flowing in their veins will be too ready to imitate their example.

Enough of gods and heroes; – what shall we say about men? What the poets and story-tellers say – that the wicked prosper and the righteous are afflicted, or that justice is another's gain? Such misrepresentations cannot be allowed by us. But in this we are anticipating the definition of justice, and had therefore better defer the enquiry.

The subjects of poetry have been sufficiently treated; next follows style. Now all poetry is a narrative of events past, present, or to come; and narrative is of three kinds, the simple, the imitative, and a composition of the two. An instance will make my meaning clear. The first scene in Homer is of the last or mixed kind, being partly description and partly dialogue. But if you throw the dialogue into the 'oratio obliqua,' the passage will run thus: The priest came and prayed Apollo that the Achaeans might take Troy and have a safe return if Agamemnon would only give him back his daughter; and the other Greeks assented, but Agamemnon was wroth, and so on – The whole then becomes descriptive, and the poet is the only speaker left; or, if you omit the narrative, the whole becomes dialogue. These are the three styles – which of them is to be admitted into our State? 'Do you ask whether tragedy and comedy are to be admitted?' Yes, but also something more – Is it not doubtful whether our guardians are to be imitators at all? Or rather, has not the question been already answered, for we have decided that one man cannot in his life play many parts, any more than he can act both tragedy and comedy, or be rhapsodist and actor at once? Human nature is coined into very small pieces, and as our guardians have their own business already, which is the care of freedom, they will have enough to do without imitating. If they imitate they should imitate, not any meanness or baseness, but the good only; for the mask which the actor wears is apt to become his face. We cannot allow men to play the parts of women, quarrelling, weeping, scolding, or boasting against the gods, – least of all when making love or in labour. They must not represent slaves, or bullies, or cowards, drunkards, or madmen, or blacksmiths, or neighing horses, or bellowing bulls, or sounding rivers, or a raging sea. A good or wise man will be willing to perform good and wise actions, but he will be ashamed to play an inferior part which he has never practised; and he will prefer to employ the descriptive style with as little imitation as possible. The man who has no self-respect, on the contrary, will imitate anybody and anything; sounds of nature and cries of animals alike; his whole performance will be imitation of gesture and voice. Now in the descriptive style there are few changes, but in the dramatic there are a great many. Poets and musicians use either, or a compound of both, and this compound is very attractive to youth and their teachers as well as to the vulgar. But our State in which one man plays one part only is not adapted for complexity. And when one of these polyphonous pantomimic gentlemen offers to exhibit himself and his poetry we will show him every observance of respect, but at the same time tell him that there is no room for his kind in our State; we prefer the rough, honest poet, and will not depart from our original models (Laws).

Next as to the music. A song or ode has three parts, – the subject, the harmony, and the rhythm; of which the two last are dependent upon the first. As we banished strains of lamentation, so we may now banish the mixed Lydian harmonies, which are the harmonies of lamentation; and as our citizens are to be temperate, we may also banish convivial harmonies, such as the Ionian and pure Lydian. Two remain – the Dorian and Phrygian, the first for war, the second for peace; the one expressive of courage, the other of obedience or instruction or religious feeling. And as we reject varieties of harmony, we shall also reject the many-stringed, variously-shaped instruments which give utterance to them, and in particular the flute, which is more complex than any of them. The lyre and the harp may be permitted in the town, and the Pan's-pipe in the fields. Thus we have made a purgation of music, and will now make a purgation of metres. These should be like the harmonies, simple and suitable to the occasion. There are four notes of the tetrachord, and there are three ratios of metre, 3/2, 2/2, 2/1, which have all their characteristics, and the feet have different characteristics as well as the rhythms. But about this you and I must ask Damon, the great musician, who speaks, if I remember rightly, of a martial measure as well as of dactylic, trochaic, and iambic rhythms, which he arranges so as to equalize the syllables with one another, assigning to each the proper quantity. We only venture to affirm the general principle that the style is to conform to the subject and the metre to the style; and that the simplicity and harmony of the soul should be reflected in them all. This principle of simplicity has to be learnt by every one in the days of his youth, and may be gathered anywhere, from the creative and constructive arts, as well as from the forms of plants and animals.

Other artists as well as poets should be warned against meanness or unseemliness. Sculpture and painting equally with music must conform to the law of simplicity. He who violates it cannot be allowed to work in our city, and to corrupt the taste of our citizens. For our guardians must grow up, not amid images of deformity which will gradually poison and corrupt their souls, but in a land of health and beauty where they will drink in from every object sweet and harmonious influences. And of all these influences the greatest is the education given by music, which finds a way into the innermost soul and imparts to it the sense of beauty and of deformity. At first the effect is unconscious; but when reason arrives, then he who has been thus trained welcomes her as the friend whom he always knew. As in learning to read, first we acquire the elements or letters separately, and afterwards their combinations, and cannot recognize reflections of them until we know the letters themselves; – in like manner we must first attain the elements or essential forms of the virtues, and then trace their combinations in life and experience. There is a music of the soul which answers to the harmony of the world; and the fairest object of a musical soul is the fair mind in the fair body. Some defect in the latter may be excused, but not in the former. True love is the daughter of temperance, and temperance is utterly opposed to the madness of bodily pleasure. Enough has been said of music, which makes a fair ending with love.

Next we pass on to gymnastics; about which I would remark, that the soul is related to the body as a cause to an effect, and therefore if we educate the mind we may leave the education of the body in her charge, and need only give a general outline of the course to be pursued. In the first place the guardians must abstain from strong drink, for they should be the last persons to lose their wits. Whether the habits of the palaestra are suitable to them is more doubtful, for the ordinary gymnastic is a sleepy sort of thing, and if left off suddenly is apt to endanger health. But our warrior athletes must be wide-awake dogs, and must also be inured to all changes of food and climate. Hence they will require a simpler kind of gymnastic, akin to their simple music; and for their diet a rule may be found in Homer, who feeds his heroes on roast meat only, and gives them no fish although they are living at the sea-side, nor boiled meats which involve an apparatus of pots and pans; and, if I am not mistaken, he nowhere mentions sweet sauces. Sicilian cookery and Attic confections and Corinthian courtezans, which are to gymnastic what Lydian and Ionian melodies are to music, must be forbidden. Where gluttony and intemperance prevail the town quickly fills with doctors and pleaders; and law and medicine give themselves airs as soon as the freemen of a State take an interest in them. But what can show a more disgraceful state of education than to have to go abroad for justice because you have none of your own at home? And yet there IS a worse stage of the same disease – when men have learned to take a pleasure and pride in the twists and turns of the law; not considering how much better it would be for them so to order their lives as to have no need of a nodding justice. And there is a like disgrace in employing a physician, not for the cure of wounds or epidemic disorders, but because a man has by laziness and luxury contracted diseases which were unknown in the days of Asclepius. How simple is the Homeric practice of medicine. Eurypylus after he has been wounded drinks a posset of Pramnian wine, which is of a heating nature; and yet the sons of Asclepius blame neither the damsel who gives him the drink, nor Patroclus who is attending on him. The truth is that this modern system of nursing diseases was introduced by Herodicus the trainer; who, being of a sickly constitution, by a compound of training and medicine tortured first himself and then a good many other people, and lived a great deal longer than he had any right. But Asclepius would not practise this art, because he knew that the citizens of a well-ordered State have no leisure to be ill, and therefore he adopted the 'kill or cure' method, which artisans and labourers employ. 'They must be at their business,' they say, 'and have no time for coddling: if they recover, well; if they don't, there is an end of them.' Whereas the rich man is supposed to be a gentleman who can afford to be ill. Do you know a maxim of Phocylides – that 'when a man begins to be rich' (or, perhaps, a little sooner) 'he should practise virtue'? But how can excessive care of health be inconsistent with an ordinary occupation, and yet consistent with that practice of virtue which Phocylides inculcates? When a student imagines that philosophy gives him a headache, he never does anything; he is always unwell. This was the reason why Asclepius and his sons practised no such art. They were acting in the interest of the public, and did not wish to preserve useless lives, or raise up a puny offspring to wretched sires. Honest diseases they honestly cured; and if a man was wounded, they applied the proper remedies, and then let him eat and drink what he liked. But they declined to treat intemperate and worthless subjects, even though they might have made large fortunes out of them. As to the story of Pindar, that Asclepius was slain by a thunderbolt for restoring a rich man to life, that is a lie – following our old rule we must say either that he did not take bribes, or that he was not the son of a god.

Glaucon then asks Socrates whether the best physicians and the best judges will not be those who have had severally the greatest experience of diseases and of crimes. Socrates draws a distinction between the two professions. The physician should have had experience of disease in his own body, for he cures with his mind and not with his body. But the judge controls mind by mind; and therefore his mind should not be corrupted by crime. Where then is he to gain experience? How is he to be wise and also innocent? When young a good man is apt to be deceived by evil-doers, because he has no pattern of evil in himself; and therefore the judge should be of a certain age; his youth should have been innocent, and he should have acquired insight into evil not by the practice of it, but by the observation of it in others. This is the ideal of a judge; the criminal turned detective is wonderfully suspicious, but when in company with good men who have experience, he is at fault, for he foolishly imagines that every one is as bad as himself. Vice may be known of virtue, but cannot know virtue. This is the sort of medicine and this the sort of law which will prevail in our State; they will be healing arts to better natures; but the evil body will be left to die by the one, and the evil soul will be put to death by the other. And the need of either will be greatly diminished by good music which will give harmony to the soul, and good gymnastic which will give health to the body. Not that this division of music and gymnastic really corresponds to soul and body; for they are both equally concerned with the soul, which is tamed by the one and aroused and sustained by the other. The two together supply our guardians with their twofold nature. The passionate disposition when it has too much gymnastic is hardened and brutalized, the gentle or philosophic temper which has too much music becomes enervated. While a man is allowing music to pour like water through the funnel of his ears, the edge of his soul gradually wears away, and the passionate or spirited element is melted out of him. Too little spirit is easily exhausted; too much quickly passes into nervous irritability. So, again, the athlete by feeding and training has his courage doubled, but he soon grows stupid; he is like a wild beast, ready to do everything by blows and nothing by counsel or policy. There are two principles in man, reason and passion, and to these, not to the soul and body, the two arts of music and gymnastic correspond. He who mingles them in harmonious concord is the true musician, – he shall be the presiding genius of our State.

The next question is, Who are to be our rulers? First, the elder must rule the younger; and the best of the elders will be the best guardians. Now they will be the best who love their subjects most, and think that they have a common interest with them in the welfare of the state. These we must select; but they must be watched at every epoch of life to see whether they have retained the same opinions and held out against force and enchantment. For time and persuasion and the love of pleasure may enchant a man into a change of purpose, and the force of grief and pain may compel him. And therefore our guardians must be men who have been tried by many tests, like gold in the refiner's fire, and have been passed first through danger, then through pleasure, and at every age have come out of such trials victorious and without stain, in full command of themselves and their principles; having all their faculties in harmonious exercise for their country's good. These shall receive the highest honours both in life and death. (It would perhaps be better to confine the term 'guardians' to this select class: the younger men may be called 'auxiliaries.')

And now for one magnificent lie, in the belief of which, Oh that we could train our rulers! – at any rate let us make the attempt with the rest of the world. What I am going to tell is only another version of the legend of Cadmus; but our unbelieving generation will be slow to accept such a story. The tale must be imparted, first to the rulers, then to the soldiers, lastly to the people. We will inform them that their youth was a dream, and that during the time when they seemed to be undergoing their education they were really being fashioned in the earth, who sent them up when they were ready; and that they must protect and cherish her whose children they are, and regard each other as brothers and sisters. 'I do not wonder at your being ashamed to propound such a fiction.' There is more behind. These brothers and sisters have different natures, and some of them God framed to rule, whom he fashioned of gold; others he made of silver, to be auxiliaries; others again to be husbandmen and craftsmen, and these were formed by him of brass and iron. But as they are all sprung from a common stock, a golden parent may have a silver son, or a silver parent a golden son, and then there must be a change of rank; the son of the rich must descend, and the child of the artisan rise, in the social scale; for an oracle says 'that the State will come to an end if governed by a man of brass or iron.' Will our citizens ever believe all this? 'Not in the present generation, but in the next, perhaps, Yes.'

Now let the earthborn men go forth under the command of their rulers, and look about and pitch their camp in a high place, which will be safe against enemies from without, and likewise against insurrections from within. There let them sacrifice and set up their tents; for soldiers they are to be and not shopkeepers, the watchdogs and guardians of the sheep; and luxury and avarice will turn them into wolves and tyrants. Their habits and their dwellings should correspond to their education. They should have no property; their pay should only meet their expenses; and they should have common meals. Gold and silver we will tell them that they have from God, and this divine gift in their souls they must not alloy with that earthly dross which passes under the name of gold. They only of the citizens may not touch it, or be under the same roof with it, or drink from it; it is the accursed thing. Should they ever acquire houses or lands or money of their own, they will become householders and tradesmen instead of guardians, enemies and tyrants instead of helpers, and the hour of ruin, both to themselves and the rest of the State, will be at hand.

The religious and ethical aspect of Plato's education will hereafter be considered under a separate head. Some lesser points may be more conveniently noticed in this place.

1. The constant appeal to the authority of Homer, whom, with grave irony, Plato, after the manner of his age, summons as a witness about ethics and psychology, as well as about diet and medicine; attempting to distinguish the better lesson from the worse, sometimes altering the text from design; more than once quoting or alluding to Homer inaccurately, after the manner of the early logographers turning the Iliad into prose, and delighting to draw far-fetched inferences from his words, or to make ludicrous applications of them. He does not, like Heracleitus, get into a rage with Homer and Archilochus (Heracl.), but uses their words and expressions as vehicles of a higher truth; not on a system like Theagenes of Rhegium or Metrodorus, or in later times the Stoics, but as fancy may dictate. And the conclusions drawn from them are sound, although the premises are fictitious. These fanciful appeals to Homer add a charm to Plato's style, and at the same time they have the effect of a satire on the follies of Homeric interpretation. To us (and probably to himself), although they take the form of arguments, they are really figures of speech. They may be compared with modern citations from Scripture, which have often a great rhetorical power even when the original meaning of the words is entirely lost sight of. The real, like the Platonic Socrates, as we gather from the Memorabilia of Xenophon, was fond of making similar adaptations. Great in all ages and countries, in religion as well as in law and literature, has been the art of interpretation.

2. 'The style is to conform to the subject and the metre to the style.' Notwithstanding the fascination which the word 'classical' exercises over us, we can hardly maintain that this rule is observed in all the Greek poetry which has come down to us. We cannot deny that the thought often exceeds the power of lucid expression in Aeschylus and Pindar; or that rhetoric gets the better of the thought in the Sophist-poet Euripides. Only perhaps in Sophocles is there a perfect harmony of the two; in him alone do we find a grace of language like the beauty of a Greek statue, in which there is nothing to add or to take away; at least this is true of single plays or of large portions of them. The connection in the Tragic Choruses and in the Greek lyric poets is not unfrequently a tangled thread which in an age before logic the poet was unable to draw out. Many thoughts and feelings mingled in his mind, and he had no power of disengaging or arranging them. For there is a subtle influence of logic which requires to be transferred from prose to poetry, just as the music and perfection of language are infused by poetry into prose. In all ages the poet has been a bad judge of his own meaning (Apol.); for he does not see that the word which is full of associations to his own mind is difficult and unmeaning to that of another; or that the sequence which is clear to himself is puzzling to others. There are many passages in some of our greatest modern poets which are far too obscure; in which there is no proportion between style and subject, in which any half-expressed figure, any harsh construction, any distorted collocation of words, any remote sequence of ideas is admitted; and there is no voice 'coming sweetly from nature,' or music adding the expression of feeling to thought. As if there could be poetry without beauty, or beauty without ease and clearness. The obscurities of early Greek poets arose necessarily out of the state of language and logic which existed in their age. They are not examples to be followed by us; for the use of language ought in every generation to become clearer and clearer. Like Shakespere, they were great in spite, not in consequence, of their imperfections of expression. But there is no reason for returning to the necessary obscurity which prevailed in the infancy of literature. The English poets of the last century were certainly not obscure; and we have no excuse for losing what they had gained, or for going back to the earlier or transitional age which preceded them. The thought of our own times has not out-stripped language; a want of Plato's 'art of measuring' is the rule cause of the disproportion between them.

3. In the third book of the Republic a nearer approach is made to a theory of art than anywhere else in Plato. His views may be summed up as follows: – True art is not fanciful and imitative, but simple and ideal, – the expression of the highest moral energy, whether in action or repose. To live among works of plastic art which are of this noble and simple character, or to listen to such strains, is the best of influences, – the true Greek atmosphere, in which youth should be brought up. That is the way to create in them a natural good taste, which will have a feeling of truth and beauty in all things. For though the poets are to be expelled, still art is recognized as another aspect of reason – like love in the Symposium, extending over the same sphere, but confined to the preliminary education, and acting through the power of habit; and this conception of art is not limited to strains of music or the forms of plastic art, but pervades all nature and has a wide kindred in the world. The Republic of Plato, like the Athens of Pericles, has an artistic as well as a political side.

There is hardly any mention in Plato of the creative arts; only in two or three passages does he even allude to them (Rep.; Soph.). He is not lost in rapture at the great works of Phidias, the Parthenon, the Propylea, the statues of Zeus or Athene. He would probably have regarded any abstract truth of number or figure as higher than the greatest of them. Yet it is hard to suppose that some influence, such as he hopes to inspire in youth, did not pass into his own mind from the works of art which he saw around him. We are living upon the fragments of them, and find in a few broken stones the standard of truth and beauty. But in Plato this feeling has no expression; he nowhere says that beauty is the object of art; he seems to deny that wisdom can take an external form (Phaedrus); he does not distinguish the fine from the mechanical arts. Whether or no, like some writers, he felt more than he expressed, it is at any rate remarkable that the greatest perfection of the fine arts should coincide with an almost entire silence about them. In one very striking passage he tells us that a work of art, like the State, is a whole; and this conception of a whole and the love of the newly-born mathematical sciences may be regarded, if not as the inspiring, at any rate as the regulating principles of Greek art (Xen. Mem.; and Sophist).

4. Plato makes the true and subtle remark that the physician had better not be in robust health; and should have known what illness is in his own person. But the judge ought to have had no similar experience of evil; he is to be a good man who, having passed his youth in innocence, became acquainted late in life with the vices of others. And therefore, according to Plato, a judge should not be young, just as a young man according to Aristotle is not fit to be a hearer of moral philosophy. The bad, on the other hand, have a knowledge of vice, but no knowledge of virtue. It may be doubted, however, whether this train of reflection is well founded. In a remarkable passage of the Laws it is acknowledged that the evil may form a correct estimate of the good. The union of gentleness and courage in Book ii. at first seemed to be a paradox, yet was afterwards ascertained to be a truth. And Plato might also have found that the intuition of evil may be consistent with the abhorrence of it. There is a directness of aim in virtue which gives an insight into vice. And the knowledge of character is in some degree a natural sense independent of any special experience of good or evil.

5. One of the most remarkable conceptions of Plato, because un-Greek and also very different from anything which existed at all in his age of the world, is the transposition of ranks. In the Spartan state there had been enfranchisement of Helots and degradation of citizens under special circumstances. And in the ancient Greek aristocracies, merit was certainly recognized as one of the elements on which government was based. The founders of states were supposed to be their benefactors, who were raised by their great actions above the ordinary level of humanity; at a later period, the services of warriors and legislators were held to entitle them and their descendants to the privileges of citizenship and to the first rank in the state. And although the existence of an ideal aristocracy is slenderly proven from the remains of early Greek history, and we have a difficulty in ascribing such a character, however the idea may be defined, to any actual Hellenic state – or indeed to any state which has ever existed in the world – still the rule of the best was certainly the aspiration of philosophers, who probably accommodated a good deal their views of primitive history to their own notions of good government. Plato further insists on applying to the guardians of his state a series of tests by which all those who fell short of a fixed standard were either removed from the governing body, or not admitted to it; and this 'academic' discipline did to a certain extent prevail in Greek states, especially in Sparta. He also indicates that the system of caste, which existed in a great part of the ancient, and is by no means extinct in the modern European world, should be set aside from time to time in favour of merit. He is aware how deeply the greater part of mankind resent any interference with the order of society, and therefore he proposes his novel idea in the form of what he himself calls a 'monstrous fiction.' (Compare the ceremony of preparation for the two 'great waves' in Book v.) Two principles are indicated by him: first, that there is a distinction of ranks dependent on circumstances prior to the individual: second, that this distinction is and ought to be broken through by personal qualities. He adapts mythology like the Homeric poems to the wants of the state, making 'the Phoenician tale' the vehicle of his ideas. Every Greek state had a myth respecting its own origin; the Platonic republic may also have a tale of earthborn men. The gravity and verisimilitude with which the tale is told, and the analogy of Greek tradition, are a sufficient verification of the 'monstrous falsehood.' Ancient poetry had spoken of a gold and silver and brass and iron age succeeding one another, but Plato supposes these differences in the natures of men to exist together in a single state. Mythology supplies a figure under which the lesson may be taught (as Protagoras says, 'the myth is more interesting'), and also enables Plato to touch lightly on new principles without going into details. In this passage he shadows forth a general truth, but he does not tell us by what steps the transposition of ranks is to be effected. Indeed throughout the Republic he allows the lower ranks to fade into the distance. We do not know whether they are to carry arms, and whether in the fifth book they are or are not included in the communistic regulations respecting property and marriage. Nor is there any use in arguing strictly either from a few chance words, or from the silence of Plato, or in drawing inferences which were beyond his vision. Aristotle, in his criticism on the position of the lower classes, does not perceive that the poetical creation is 'like the air, invulnerable,' and cannot be penetrated by the shafts of his logic (Pol.).

6. Two paradoxes which strike the modern reader as in the highest degree fanciful and ideal, and which suggest to him many reflections, are to be found in the third book of the Republic: first, the great power of music, so much beyond any influence which is experienced by us in modern times, when the art or science has been far more developed, and has found the secret of harmony, as well as of melody; secondly, the indefinite and almost absolute control which the soul is supposed to exercise over the body.

In the first we suspect some degree of exaggeration, such as we may also observe among certain masters of the art, not unknown to us, at the present day. With this natural enthusiasm, which is felt by a few only, there seems to mingle in Plato a sort of Pythagorean reverence for numbers and numerical proportion to which Aristotle is a stranger. Intervals of sound and number are to him sacred things which have a law of their own, not dependent on the variations of sense. They rise above sense, and become a connecting link with the world of ideas. But it is evident that Plato is describing what to him appears to be also a fact. The power of a simple and characteristic melody on the impressible mind of the Greek is more than we can easily appreciate. The effect of national airs may bear some comparison with it. And, besides all this, there is a confusion between the harmony of musical notes and the harmony of soul and body, which is so potently inspired by them.

The second paradox leads up to some curious and interesting questions – How far can the mind control the body? Is the relation between them one of mutual antagonism or of mutual harmony? Are they two or one, and is either of them the cause of the other? May we not at times drop the opposition between them, and the mode of describing them, which is so familiar to us, and yet hardly conveys any precise meaning, and try to view this composite creature, man, in a more simple manner? Must we not at any rate admit that there is in human nature a higher and a lower principle, divided by no distinct line, which at times break asunder and take up arms against one another? Or again, they are reconciled and move together, either unconsciously in the ordinary work of life, or consciously in the pursuit of some noble aim, to be attained not without an effort, and for which every thought and nerve are strained. And then the body becomes the good friend or ally, or servant or instrument of the mind. And the mind has often a wonderful and almost superhuman power of banishing disease and weakness and calling out a hidden strength. Reason and the desires, the intellect and the senses are brought into harmony and obedience so as to form a single human being. They are ever parting, ever meeting; and the identity or diversity of their tendencies or operations is for the most part unnoticed by us. When the mind touches the body through the appetites, we acknowledge the responsibility of the one to the other. There is a tendency in us which says 'Drink.' There is another which says, 'Do not drink; it is not good for you.' And we all of us know which is the rightful superior. We are also responsible for our health, although into this sphere there enter some elements of necessity which may be beyond our control. Still even in the management of health, care and thought, continued over many years, may make us almost free agents, if we do not exact too much of ourselves, and if we acknowledge that all human freedom is limited by the laws of nature and of mind.

We are disappointed to find that Plato, in the general condemnation which he passes on the practice of medicine prevailing in his own day, depreciates the effects of diet. He would like to have diseases of a definite character and capable of receiving a definite treatment. He is afraid of invalidism interfering with the business of life. He does not recognize that time is the great healer both of mental and bodily disorders; and that remedies which are gradual and proceed little by little are safer than those which produce a sudden catastrophe. Neither does he see that there is no way in which the mind can more surely influence the body than by the control of eating and drinking; or any other action or occasion of human life on which the higher freedom of the will can be more simple or truly asserted.

7. Lesser matters of style may be remarked.

(1) The affected ignorance of music, which is Plato's way of expressing that he is passing lightly over the subject.