The Republic

On the other hand, Plato is far in advance of modern philosophers and theologians when he teaches that education is to be continued through life and will begin again in another. He would never allow education of some kind to cease; although he was aware that the proverbial saying of Solon, 'I grow old learning many things,' cannot be applied literally. Himself ravished with the contemplation of the idea of good, and delighting in solid geometry (Rep.), he has no difficulty in imagining that a lifetime might be passed happily in such pursuits. We who know how many more men of business there are in the world than real students or thinkers, are not equally sanguine. The education which he proposes for his citizens is really the ideal life of the philosopher or man of genius, interrupted, but only for a time, by practical duties, – a life not for the many, but for the few.

Yet the thought of Plato may not be wholly incapable of application to our own times. Even if regarded as an ideal which can never be realized, it may have a great effect in elevating the characters of mankind, and raising them above the routine of their ordinary occupation or profession. It is the best form under which we can conceive the whole of life. Nevertheless the idea of Plato is not easily put into practice. For the education of after life is necessarily the education which each one gives himself. Men and women cannot be brought together in schools or colleges at forty or fifty years of age; and if they could the result would be disappointing. The destination of most men is what Plato would call 'the Den' for the whole of life, and with that they are content. Neither have they teachers or advisers with whom they can take counsel in riper years. There is no 'schoolmaster abroad' who will tell them of their faults, or inspire them with the higher sense of duty, or with the ambition of a true success in life; no Socrates who will convict them of ignorance; no Christ, or follower of Christ, who will reprove them of sin. Hence they have a difficulty in receiving the first element of improvement, which is self-knowledge. The hopes of youth no longer stir them; they rather wish to rest than to pursue high objects. A few only who have come across great men and women, or eminent teachers of religion and morality, have received a second life from them, and have lighted a candle from the fire of their genius.

The want of energy is one of the main reasons why so few persons continue to improve in later years. They have not the will, and do not know the way. They 'never try an experiment,' or look up a point of interest for themselves; they make no sacrifices for the sake of knowledge; their minds, like their bodies, at a certain age become fixed. Genius has been defined as 'the power of taking pains'; but hardly any one keeps up his interest in knowledge throughout a whole life. The troubles of a family, the business of making money, the demands of a profession destroy the elasticity of the mind. The waxen tablet of the memory which was once capable of receiving 'true thoughts and clear impressions' becomes hard and crowded; there is not room for the accumulations of a long life (Theaet.). The student, as years advance, rather makes an exchange of knowledge than adds to his stores. There is no pressing necessity to learn; the stock of Classics or History or Natural Science which was enough for a man at twenty-five is enough for him at fifty. Neither is it easy to give a definite answer to any one who asks how he is to improve. For self-education consists in a thousand things, commonplace in themselves, – in adding to what we are by nature something of what we are not; in learning to see ourselves as others see us; in judging, not by opinion, but by the evidence of facts; in seeking out the society of superior minds; in a study of lives and writings of great men; in observation of the world and character; in receiving kindly the natural influence of different times of life; in any act or thought which is raised above the practice or opinions of mankind; in the pursuit of some new or original enquiry; in any effort of mind which calls forth some latent power.

If any one is desirous of carrying out in detail the Platonic education of after-life, some such counsels as the following may be offered to him: – That he shall choose the branch of knowledge to which his own mind most distinctly inclines, and in which he takes the greatest delight, either one which seems to connect with his own daily employment, or, perhaps, furnishes the greatest contrast to it. He may study from the speculative side the profession or business in which he is practically engaged. He may make Homer, Dante, Shakespeare, Plato, Bacon the friends and companions of his life. He may find opportunities of hearing the living voice of a great teacher. He may select for enquiry some point of history or some unexplained phenomenon of nature. An hour a day passed in such scientific or literary pursuits will furnish as many facts as the memory can retain, and will give him 'a pleasure not to be repented of' (Timaeus). Only let him beware of being the slave of crotchets, or of running after a Will o' the Wisp in his ignorance, or in his vanity of attributing to himself the gifts of a poet or assuming the air of a philosopher. He should know the limits of his own powers. Better to build up the mind by slow additions, to creep on quietly from one thing to another, to gain insensibly new powers and new interests in knowledge, than to form vast schemes which are never destined to be realized. But perhaps, as Plato would say, 'This is part of another subject' (Tim.); though we may also defend our digression by his example (Theaet.).

4. We remark with surprise that the progress of nations or the natural growth of institutions which fill modern treatises on political philosophy seem hardly ever to have attracted the attention of Plato and Aristotle. The ancients were familiar with the mutability of human affairs; they could moralize over the ruins of cities and the fall of empires (Plato, Statesman, and Sulpicius' Letter to Cicero); by them fate and chance were deemed to be real powers, almost persons, and to have had a great share in political events. The wiser of them like Thucydides believed that 'what had been would be again,' and that a tolerable idea of the future could be gathered from the past. Also they had dreams of a Golden Age which existed once upon a time and might still exist in some unknown land, or might return again in the remote future. But the regular growth of a state enlightened by experience, progressing in knowledge, improving in the arts, of which the citizens were educated by the fulfilment of political duties, appears never to have come within the range of their hopes and aspirations. Such a state had never been seen, and therefore could not be conceived by them. Their experience (Aristot. Metaph.; Plato, Laws) led them to conclude that there had been cycles of civilization in which the arts had been discovered and lost many times over, and cities had been overthrown and rebuilt again and again, and deluges and volcanoes and other natural convulsions had altered the face of the earth. Tradition told them of many destructions of mankind and of the preservation of a remnant. The world began again after a deluge and was reconstructed out of the fragments of itself. Also they were acquainted with empires of unknown antiquity, like the Egyptian or Assyrian; but they had never seen them grow, and could not imagine, any more than we can, the state of man which preceded them. They were puzzled and awestricken by the Egyptian monuments, of which the forms, as Plato says, not in a figure, but literally, were ten thousand years old (Laws), and they contrasted the antiquity of Egypt with their own short memories.

The early legends of Hellas have no real connection with the later history: they are at a distance, and the intermediate region is concealed from view; there is no road or path which leads from one to the other. At the beginning of Greek history, in the vestibule of the temple, is seen standing first of all the figure of the legislator, himself the interpreter and servant of the God. The fundamental laws which he gives are not supposed to change with time and circumstances. The salvation of the state is held rather to depend on the inviolable maintenance of them. They were sanctioned by the authority of heaven, and it was deemed impiety to alter them. The desire to maintain them unaltered seems to be the origin of what at first sight is very surprising to us – the intolerant zeal of Plato against innovators in religion or politics (Laws); although with a happy inconsistency he is also willing that the laws of other countries should be studied and improvements in legislation privately communicated to the Nocturnal Council (Laws). The additions which were made to them in later ages in order to meet the increasing complexity of affairs were still ascribed by a fiction to the original legislator; and the words of such enactments at Athens were disputed over as if they had been the words of Solon himself. Plato hopes to preserve in a later generation the mind of the legislator; he would have his citizens remain within the lines which he has laid down for them. He would not harass them with minute regulations, he would have allowed some changes in the laws: but not changes which would affect the fundamental institutions of the state, such for example as would convert an aristocracy into a timocracy, or a timocracy into a popular form of government.

Passing from speculations to facts, we observe that progress has been the exception rather than the law of human history. And therefore we are not surprised to find that the idea of progress is of modern rather than of ancient date; and, like the idea of a philosophy of history, is not more than a century or two old. It seems to have arisen out of the impression left on the human mind by the growth of the Roman Empire and of the Christian Church, and to be due to the political and social improvements which they introduced into the world; and still more in our own century to the idealism of the first French Revolution and the triumph of American Independence; and in a yet greater degree to the vast material prosperity and growth of population in England and her colonies and in America. It is also to be ascribed in a measure to the greater study of the philosophy of history. The optimist temperament of some great writers has assisted the creation of it, while the opposite character has led a few to regard the future of the world as dark. The 'spectator of all time and of all existence' sees more of 'the increasing purpose which through the ages ran' than formerly: but to the inhabitant of a small state of Hellas the vision was necessarily limited like the valley in which he dwelt. There was no remote past on which his eye could rest, nor any future from which the veil was partly lifted up by the analogy of history. The narrowness of view, which to ourselves appears so singular, was to him natural, if not unavoidable.

5. For the relation of the Republic to the Statesman and the Laws, and the two other works of Plato which directly treat of politics, see the Introductions to the two latter; a few general points of comparison may be touched upon in this place.

And first of the Laws.

(1) The Republic, though probably written at intervals, yet speaking generally and judging by the indications of thought and style, may be reasonably ascribed to the middle period of Plato's life: the Laws are certainly the work of his declining years, and some portions of them at any rate seem to have been written in extreme old age.

(2) The Republic is full of hope and aspiration: the Laws bear the stamp of failure and disappointment. The one is a finished work which received the last touches of the author: the other is imperfectly executed, and apparently unfinished. The one has the grace and beauty of youth: the other has lost the poetical form, but has more of the severity and knowledge of life which is characteristic of old age.

(3) The most conspicuous defect of the Laws is the failure of dramatic power, whereas the Republic is full of striking contrasts of ideas and oppositions of character.

(4) The Laws may be said to have more the nature of a sermon, the Republic of a poem; the one is more religious, the other more intellectual.

(5) Many theories of Plato, such as the doctrine of ideas, the government of the world by philosophers, are not found in the Laws; the immortality of the soul is first mentioned in xii; the person of Socrates has altogether disappeared. The community of women and children is renounced; the institution of common or public meals for women (Laws) is for the first time introduced (Ar. Pol.).

(6) There remains in the Laws the old enmity to the poets, who are ironically saluted in high-flown terms, and, at the same time, are peremptorily ordered out of the city, if they are not willing to submit their poems to the censorship of the magistrates (Rep.).

(7) Though the work is in most respects inferior, there are a few passages in the Laws, such as the honour due to the soul, the evils of licentious or unnatural love, the whole of Book x. (religion), the dishonesty of retail trade, and bequests, which come more home to us, and contain more of what may be termed the modern element in Plato than almost anything in the Republic.

The relation of the two works to one another is very well given:

(1) by Aristotle in the Politics from the side of the Laws: —

'The same, or nearly the same, objections apply to Plato's later work, the Laws, and therefore we had better examine briefly the constitution which is therein described. In the Republic, Socrates has definitely settled in all a few questions only; such as the community of women and children, the community of property, and the constitution of the state. The population is divided into two classes – one of husbandmen, and the other of warriors; from this latter is taken a third class of counsellors and rulers of the state. But Socrates has not determined whether the husbandmen and artists are to have a share in the government, and whether they too are to carry arms and share in military service or not. He certainly thinks that the women ought to share in the education of the guardians, and to fight by their side. The remainder of the work is filled up with digressions foreign to the main subject, and with discussions about the education of the guardians. In the Laws there is hardly anything but laws; not much is said about the constitution. This, which he had intended to make more of the ordinary type, he gradually brings round to the other or ideal form. For with the exception of the community of women and property, he supposes everything to be the same in both states; there is to be the same education; the citizens of both are to live free from servile occupations, and there are to be common meals in both. The only difference is that in the Laws the common meals are extended to women, and the warriors number about 5000, but in the Republic only 1000.'

(2) by Plato in the Laws (Book v.), from the side of the Republic: —

'The first and highest form of the state and of the government and of the law is that in which there prevails most widely the ancient saying that "Friends have all things in common." Whether there is now, or ever will be, this communion of women and children and of property, in which the private and individual is altogether banished from life, and things which are by nature private, such as eyes and ears and hands, have become common, and all men express praise and blame, and feel joy and sorrow, on the same occasions, and the laws unite the city to the utmost, – whether all this is possible or not, I say that no man, acting upon any other principle, will ever constitute a state more exalted in virtue, or truer or better than this. Such a state, whether inhabited by Gods or sons of Gods, will make them blessed who dwell therein; and therefore to this we are to look for the pattern of the state, and to cling to this, and, as far as possible, to seek for one which is like this. The state which we have now in hand, when created, will be nearest to immortality and unity in the next degree; and after that, by the grace of God, we will complete the third one. And we will begin by speaking of the nature and origin of the second.'

The comparatively short work called the Statesman or Politicus in its style and manner is more akin to the Laws, while in its idealism it rather resembles the Republic. As far as we can judge by various indications of language and thought, it must be later than the one and of course earlier than the other. In both the Republic and Statesman a close connection is maintained between Politics and Dialectic. In the Statesman, enquiries into the principles of Method are interspersed with discussions about Politics. The comparative advantages of the rule of law and of a person are considered, and the decision given in favour of a person (Arist. Pol.). But much may be said on the other side, nor is the opposition necessary; for a person may rule by law, and law may be so applied as to be the living voice of the legislator. As in the Republic, there is a myth, describing, however, not a future, but a former existence of mankind. The question is asked, 'Whether the state of innocence which is described in the myth, or a state like our own which possesses art and science and distinguishes good from evil, is the preferable condition of man.' To this question of the comparative happiness of civilized and primitive life, which was so often discussed in the last century and in our own, no answer is given. The Statesman, though less perfect in style than the Republic and of far less range, may justly be regarded as one of the greatest of Plato's dialogues.

6. Others as well as Plato have chosen an ideal Republic to be the vehicle of thoughts which they could not definitely express, or which went beyond their own age. The classical writing which approaches most nearly to the Republic of Plato is the 'De Republica' of Cicero; but neither in this nor in any other of his dialogues does he rival the art of Plato. The manners are clumsy and inferior; the hand of the rhetorician is apparent at every turn. Yet noble sentiments are constantly recurring: the true note of Roman patriotism – 'We Romans are a great people' – resounds through the whole work. Like Socrates, Cicero turns away from the phenomena of the heavens to civil and political life. He would rather not discuss the 'two Suns' of which all Rome was talking, when he can converse about 'the two nations in one' which had divided Rome ever since the days of the Gracchi. Like Socrates again, speaking in the person of Scipio, he is afraid lest he should assume too much the character of a teacher, rather than of an equal who is discussing among friends the two sides of a question. He would confine the terms King or State to the rule of reason and justice, and he will not concede that title either to a democracy or to a monarchy. But under the rule of reason and justice he is willing to include the natural superior ruling over the natural inferior, which he compares to the soul ruling over the body. He prefers a mixture of forms of government to any single one. The two portraits of the just and the unjust, which occur in the second book of the Republic, are transferred to the state – Philus, one of the interlocutors, maintaining against his will the necessity of injustice as a principle of government, while the other, Laelius, supports the opposite thesis. His views of language and number are derived from Plato; like him he denounces the drama. He also declares that if his life were to be twice as long he would have no time to read the lyric poets. The picture of democracy is translated by him word for word, though he had hardly shown himself able to 'carry the jest' of Plato. He converts into a stately sentence the humorous fancy about the animals, who 'are so imbued with the spirit of democracy that they make the passers-by get out of their way.' His description of the tyrant is imitated from Plato, but is far inferior. The second book is historical, and claims for the Roman constitution (which is to him the ideal) a foundation of fact such as Plato probably intended to have given to the Republic in the Critias. His most remarkable imitation of Plato is the adaptation of the vision of Er, which is converted by Cicero into the 'Somnium Scipionis'; he has 'romanized' the myth of the Republic, adding an argument for the immortality of the soul taken from the Phaedrus, and some other touches derived from the Phaedo and the Timaeus. Though a beautiful tale and containing splendid passages, the 'Somnium Scipionis; is very inferior to the vision of Er; it is only a dream, and hardly allows the reader to suppose that the writer believes in his own creation. Whether his dialogues were framed on the model of the lost dialogues of Aristotle, as he himself tells us, or of Plato, to which they bear many superficial resemblances, he is still the Roman orator; he is not conversing, but making speeches, and is never able to mould the intractable Latin to the grace and ease of the Greek Platonic dialogue. But if he is defective in form, much more is he inferior to the Greek in matter; he nowhere in his philosophical writings leaves upon our minds the impression of an original thinker.

Plato's Republic has been said to be a church and not a state; and such an ideal of a city in the heavens has always hovered over the Christian world, and is embodied in St. Augustine's 'De Civitate Dei,' which is suggested by the decay and fall of the Roman Empire, much in the same manner in which we may imagine the Republic of Plato to have been influenced by the decline of Greek politics in the writer's own age. The difference is that in the time of Plato the degeneracy, though certain, was gradual and insensible: whereas the taking of Rome by the Goths stirred like an earthquake the age of St. Augustine. Men were inclined to believe that the overthrow of the city was to be ascribed to the anger felt by the old Roman deities at the neglect of their worship. St. Augustine maintains the opposite thesis; he argues that the destruction of the Roman Empire is due, not to the rise of Christianity, but to the vices of Paganism. He wanders over Roman history, and over Greek philosophy and mythology, and finds everywhere crime, impiety and falsehood. He compares the worst parts of the Gentile religions with the best elements of the faith of Christ. He shows nothing of the spirit which led others of the early Christian Fathers to recognize in the writings of the Greek philosophers the power of the divine truth. He traces the parallel of the kingdom of God, that is, the history of the Jews, contained in their scriptures, and of the kingdoms of the world, which are found in gentile writers, and pursues them both into an ideal future. It need hardly be remarked that his use both of Greek and of Roman historians and of the sacred writings of the Jews is wholly uncritical. The heathen mythology, the Sybilline oracles, the myths of Plato, the dreams of Neo-Platonists are equally regarded by him as matter of fact. He must be acknowledged to be a strictly polemical or controversial writer who makes the best of everything on one side and the worst of everything on the other. He has no sympathy with the old Roman life as Plato has with Greek life, nor has he any idea of the ecclesiastical kingdom which was to arise out of the ruins of the Roman empire. He is not blind to the defects of the Christian Church, and looks forward to a time when Christian and Pagan shall be alike brought before the judgment-seat, and the true City of God shall appear…The work of St. Augustine is a curious repertory of antiquarian learning and quotations, deeply penetrated with Christian ethics, but showing little power of reasoning, and a slender knowledge of the Greek literature and language. He was a great genius, and a noble character, yet hardly capable of feeling or understanding anything external to his own theology. Of all the ancient philosophers he is most attracted by Plato, though he is very slightly acquainted with his writings. He is inclined to believe that the idea of creation in the Timaeus is derived from the narrative in Genesis; and he is strangely taken with the coincidence (?) of Plato's saying that 'the philosopher is the lover of God,' and the words of the Book of Exodus in which God reveals himself to Moses (Exod.) He dwells at length on miracles performed in his own day, of which the evidence is regarded by him as irresistible. He speaks in a very interesting manner of the beauty and utility of nature and of the human frame, which he conceives to afford a foretaste of the heavenly state and of the resurrection of the body. The book is not really what to most persons the title of it would imply, and belongs to an age which has passed away. But it contains many fine passages and thoughts which are for all time.

The short treatise de Monarchia of Dante is by far the most remarkable of mediaeval ideals, and bears the impress of the great genius in whom Italy and the Middle Ages are so vividly reflected. It is the vision of an Universal Empire, which is supposed to be the natural and necessary government of the world, having a divine authority distinct from the Papacy, yet coextensive with it. It is not 'the ghost of the dead Roman Empire sitting crowned upon the grave thereof,' but the legitimate heir and successor of it, justified by the ancient virtues of the Romans and the beneficence of their rule. Their right to be the governors of the world is also confirmed by the testimony of miracles, and acknowledged by St. Paul when he appealed to Caesar, and even more emphatically by Christ Himself, Who could not have made atonement for the sins of men if He had not been condemned by a divinely authorized tribunal. The necessity for the establishment of an Universal Empire is proved partly by a priori arguments such as the unity of God and the unity of the family or nation; partly by perversions of Scripture and history, by false analogies of nature, by misapplied quotations from the classics, and by odd scraps and commonplaces of logic, showing a familiar but by no means exact knowledge of Aristotle (of Plato there is none). But a more convincing argument still is the miserable state of the world, which he touchingly describes. He sees no hope of happiness or peace for mankind until all nations of the earth are comprehended in a single empire. The whole treatise shows how deeply the idea of the Roman Empire was fixed in the minds of his contemporaries. Not much argument was needed to maintain the truth of a theory which to his own contemporaries seemed so natural and congenial. He speaks, or rather preaches, from the point of view, not of the ecclesiastic, but of the layman, although, as a good Catholic, he is willing to acknowledge that in certain respects the Empire must submit to the Church. The beginning and end of all his noble reflections and of his arguments, good and bad, is the aspiration 'that in this little plot of earth belonging to mortal man life may pass in freedom and peace.' So inextricably is his vision of the future bound up with the beliefs and circumstances of his own age.

The 'Utopia' of Sir Thomas More is a surprising monument of his genius, and shows a reach of thought far beyond his contemporaries. The book was written by him at the age of about 34 or 35, and is full of the generous sentiments of youth. He brings the light of Plato to bear upon the miserable state of his own country. Living not long after the Wars of the Roses, and in the dregs of the Catholic Church in England, he is indignant at the corruption of the clergy, at the luxury of the nobility and gentry, at the sufferings of the poor, at the calamities caused by war. To the eye of More the whole world was in dissolution and decay; and side by side with the misery and oppression which he has described in the First Book of the Utopia, he places in the Second Book the ideal state which by the help of Plato he had constructed. The times were full of stir and intellectual interest. The distant murmur of the Reformation was beginning to be heard. To minds like More's, Greek literature was a revelation: there had arisen an art of interpretation, and the New Testament was beginning to be understood as it had never been before, and has not often been since, in its natural sense. The life there depicted appeared to him wholly unlike that of Christian commonwealths, in which 'he saw nothing but a certain conspiracy of rich men procuring their own commodities under the name and title of the Commonwealth.' He thought that Christ, like Plato, 'instituted all things common,' for which reason, he tells us, the citizens of Utopia were the more willing to receive his doctrines ('Howbeit, I think this was no small help and furtherance in the matter, that they heard us say that Christ instituted among his, all things common, and that the same community doth yet remain in the rightest Christian communities' (Utopia).). The community of property is a fixed idea with him, though he is aware of the arguments which may be urged on the other side ('These things (I say), when I consider with myself, I hold well with Plato, and do nothing marvel that he would make no laws for them that refused those laws, whereby all men should have and enjoy equal portions of riches and commodities. For the wise men did easily foresee this to be the one and only way to the wealth of a community, if equality of all things should be brought in and established' (Utopia).). We wonder how in the reign of Henry VIII, though veiled in another language and published in a foreign country, such speculations could have been endured.

He is gifted with far greater dramatic invention than any one who succeeded him, with the exception of Swift. In the art of feigning he is a worthy disciple of Plato. Like him, starting from a small portion of fact, he founds his tale with admirable skill on a few lines in the Latin narrative of the voyages of Amerigo Vespucci. He is very precise about dates and facts, and has the power of making us believe that the narrator of the tale must have been an eyewitness. We are fairly puzzled by his manner of mixing up real and imaginary persons; his boy John Clement and Peter Giles, citizen of Antwerp, with whom he disputes about the precise words which are supposed to have been used by the (imaginary) Portuguese traveller, Raphael Hythloday. 'I have the more cause,' says Hythloday, 'to fear that my words shall not be believed, for that I know how difficultly and hardly I myself would have believed another man telling the same, if I had not myself seen it with mine own eyes.' Or again: 'If you had been with me in Utopia, and had presently seen their fashions and laws as I did which lived there five years and more, and would never have come thence, but only to make the new land known here,' etc. More greatly regrets that he forgot to ask Hythloday in what part of the world Utopia is situated; he 'would have spent no small sum of money rather than it should have escaped him,' and he begs Peter Giles to see Hythloday or write to him and obtain an answer to the question. After this we are not surprised to hear that a Professor of Divinity (perhaps 'a late famous vicar of Croydon in Surrey,' as the translator thinks) is desirous of being sent thither as a missionary by the High Bishop, 'yea, and that he may himself be made Bishop of Utopia, nothing doubting that he must obtain this Bishopric with suit; and he counteth that a godly suit which proceedeth not of the desire of honour or lucre, but only of a godly zeal.' The design may have failed through the disappearance of Hythloday, concerning whom we have 'very uncertain news' after his departure. There is no doubt, however, that he had told More and Giles the exact situation of the island, but unfortunately at the same moment More's attention, as he is reminded in a letter from Giles, was drawn off by a servant, and one of the company from a cold caught on shipboard coughed so loud as to prevent Giles from hearing. And 'the secret has perished' with him; to this day the place of Utopia remains unknown.

The words of Phaedrus, 'O Socrates, you can easily invent Egyptians or anything,' are recalled to our mind as we read this lifelike fiction. Yet the greater merit of the work is not the admirable art, but the originality of thought. More is as free as Plato from the prejudices of his age, and far more tolerant. The Utopians do not allow him who believes not in the immortality of the soul to share in the administration of the state (Laws), 'howbeit they put him to no punishment, because they be persuaded that it is in no man's power to believe what he list'; and 'no man is to be blamed for reasoning in support of his own religion ('One of our company in my presence was sharply punished. He, as soon as he was baptised, began, against our wills, with more earnest affection than wisdom, to reason of Christ's religion, and began to wax so hot in his matter, that he did not only prefer our religion before all other, but also did despise and condemn all other, calling them profane, and the followers of them wicked and devilish, and the children of everlasting damnation. When he had thus long reasoned the matter, they laid hold on him, accused him, and condemned him into exile, not as a despiser of religion, but as a seditious person and a raiser up of dissension among the people').' In the public services 'no prayers be used, but such as every man may boldly pronounce without giving offence to any sect.' He says significantly, 'There be that give worship to a man that was once of excellent virtue or of famous glory, not only as God, but also the chiefest and highest God. But the most and the wisest part, rejecting all these, believe that there is a certain godly power unknown, far above the capacity and reach of man's wit, dispersed throughout all the world, not in bigness, but in virtue and power. Him they call the Father of all. To Him alone they attribute the beginnings, the increasings, the proceedings, the changes, and the ends of all things. Neither give they any divine honours to any other than him.' So far was More from sharing the popular beliefs of his time. Yet at the end he reminds us that he does not in all respects agree with the customs and opinions of the Utopians which he describes. And we should let him have the benefit of this saving clause, and not rudely withdraw the veil behind which he has been pleased to conceal himself.

Nor is he less in advance of popular opinion in his political and moral speculations. He would like to bring military glory into contempt; he would set all sorts of idle people to profitable occupation, including in the same class, priests, women, noblemen, gentlemen, and 'sturdy and valiant beggars,' that the labour of all may be reduced to six hours a day. His dislike of capital punishment, and plans for the reformation of offenders; his detestation of priests and lawyers (Compare his satirical observation: 'They (the Utopians) have priests of exceeding holiness, and therefore very few.); his remark that 'although every one may hear of ravenous dogs and wolves and cruel man-eaters, it is not easy to find states that are well and wisely governed,' are curiously at variance with the notions of his age and indeed with his own life. There are many points in which he shows a modern feeling and a prophetic insight like Plato. He is a sanitary reformer; he maintains that civilized states have a right to the soil of waste countries; he is inclined to the opinion which places happiness in virtuous pleasures, but herein, as he thinks, not disagreeing from those other philosophers who define virtue to be a life according to nature. He extends the idea of happiness so as to include the happiness of others; and he argues ingeniously, 'All men agree that we ought to make others happy; but if others, how much more ourselves!' And still he thinks that there may be a more excellent way, but to this no man's reason can attain unless heaven should inspire him with a higher truth. His ceremonies before marriage; his humane proposal that war should be carried on by assassinating the leaders of the enemy, may be compared to some of the paradoxes of Plato. He has a charming fancy, like the affinities of Greeks and barbarians in the Timaeus, that the Utopians learnt the language of the Greeks with the more readiness because they were originally of the same race with them. He is penetrated with the spirit of Plato, and quotes or adapts many thoughts both from the Republic and from the Timaeus. He prefers public duties to private, and is somewhat impatient of the importunity of relations. His citizens have no silver or gold of their own, but are ready enough to pay them to their mercenaries. There is nothing of which he is more contemptuous than the love of money. Gold is used for fetters of criminals, and diamonds and pearls for children's necklaces (When the ambassadors came arrayed in gold and peacocks' feathers 'to the eyes of all the Utopians except very few, which had been in other countries for some reasonable cause, all that gorgeousness of apparel seemed shameful and reproachful. In so much that they most reverently saluted the vilest and most abject of them for lords – passing over the ambassadors themselves without any honour, judging them by their wearing of golden chains to be bondmen. You should have seen children also, that had cast away their pearls and precious stones, when they saw the like sticking upon the ambassadors' caps, dig and push their mothers under the sides, saying thus to them – "Look, though he were a little child still." But the mother; yea and that also in good earnest: "Peace, son," saith she, "I think he be some of the ambassadors' fools."')

Like Plato he is full of satirical reflections on governments and princes; on the state of the world and of knowledge. The hero of his discourse (Hythloday) is very unwilling to become a minister of state, considering that he would lose his independence and his advice would never be heeded (Compare an exquisite passage, of which the conclusion is as follows: 'And verily it is naturally given…suppressed and ended.') He ridicules the new logic of his time; the Utopians could never be made to understand the doctrine of Second Intentions ('For they have not devised one of all those rules of restrictions, amplifications, and suppositions, very wittily invented in the small Logicals, which here our children in every place do learn. Furthermore, they were never yet able to find out the second intentions; insomuch that none of them all could ever see man himself in common, as they call him, though he be (as you know) bigger than was ever any giant, yea, and pointed to of us even with our finger.') He is very severe on the sports of the gentry; the Utopians count 'hunting the lowest, the vilest, and the most abject part of butchery.' He quotes the words of the Republic in which the philosopher is described 'standing out of the way under a wall until the driving storm of sleet and rain be overpast,' which admit of a singular application to More's own fate; although, writing twenty years before (about the year 1514), he can hardly be supposed to have foreseen this. There is no touch of satire which strikes deeper than his quiet remark that the greater part of the precepts of Christ are more at variance with the lives of ordinary Christians than the discourse of Utopia ('And yet the most part of them is more dissident from the manners of the world now a days, than my communication was. But preachers, sly and wily men, following your counsel (as I suppose) because they saw men evil-willing to frame their manners to Christ's rule, they have wrested and wried his doctrine, and, like a rule of lead, have applied it to men's manners, that by some means at the least way, they might agree together.')

The 'New Atlantis' is only a fragment, and far inferior in merit to the 'Utopia.' The work is full of ingenuity, but wanting in creative fancy, and by no means impresses the reader with a sense of credibility. In some places Lord Bacon is characteristically different from Sir Thomas More, as, for example, in the external state which he attributes to the governor of Solomon's House, whose dress he minutely describes, while to Sir Thomas More such trappings appear simple ridiculous. Yet, after this programme of dress, Bacon adds the beautiful trait, 'that he had a look as though he pitied men.' Several things are borrowed by him from the Timaeus; but he has injured the unity of style by adding thoughts and passages which are taken from the Hebrew Scriptures.

The 'City of the Sun' written by Campanella (1568-1639), a Dominican friar, several years after the 'New Atlantis' of Bacon, has many resemblances to the Republic of Plato. The citizens have wives and children in common; their marriages are of the same temporary sort, and are arranged by the magistrates from time to time. They do not, however, adopt his system of lots, but bring together the best natures, male and female, 'according to philosophical rules.' The infants until two years of age are brought up by their mothers in public temples; and since individuals for the most part educate their children badly, at the beginning of their third year they are committed to the care of the State, and are taught at first, not out of books, but from paintings of all kinds, which are emblazoned on the walls of the city. The city has six interior circuits of walls, and an outer wall which is the seventh. On this outer wall are painted the figures of legislators and philosophers, and on each of the interior walls the symbols or forms of some one of the sciences are delineated. The women are, for the most part, trained, like the men, in warlike and other exercises; but they have two special occupations of their own. After a battle, they and the boys soothe and relieve the wounded warriors; also they encourage them with embraces and pleasant words. Some elements of the Christian or Catholic religion are preserved among them. The life of the Apostles is greatly admired by this people because they had all things in common; and the short prayer which Jesus Christ taught men is used in their worship. It is a duty of the chief magistrates to pardon sins, and therefore the whole people make secret confession of them to the magistrates, and they to their chief, who is a sort of Rector Metaphysicus; and by this means he is well informed of all that is going on in the minds of men. After confession, absolution is granted to the citizens collectively, but no one is mentioned by name. There also exists among them a practice of perpetual prayer, performed by a succession of priests, who change every hour. Their religion is a worship of God in Trinity, that is of Wisdom, Love and Power, but without any distinction of persons. They behold in the sun the reflection of His glory; mere graven images they reject, refusing to fall under the 'tyranny' of idolatry.

Many details are given about their customs of eating and drinking, about their mode of dressing, their employments, their wars. Campanella looks forward to a new mode of education, which is to be a study of nature, and not of Aristotle. He would not have his citizens waste their time in the consideration of what he calls 'the dead signs of things.' He remarks that he who knows one science only, does not really know that one any more than the rest, and insists strongly on the necessity of a variety of knowledge. More scholars are turned out in the City of the Sun in one year than by contemporary methods in ten or fifteen. He evidently believes, like Bacon, that henceforward natural science will play a great part in education, a hope which seems hardly to have been realized, either in our own or in any former age; at any rate the fulfilment of it has been long deferred.

There is a good deal of ingenuity and even originality in this work, and a most enlightened spirit pervades it. But it has little or no charm of style, and falls very far short of the 'New Atlantis' of Bacon, and still more of the 'Utopia' of Sir Thomas More. It is full of inconsistencies, and though borrowed from Plato, shows but a superficial acquaintance with his writings. It is a work such as one might expect to have been written by a philosopher and man of genius who was also a friar, and who had spent twenty-seven years of his life in a prison of the Inquisition. The most interesting feature of the book, common to Plato and Sir Thomas More, is the deep feeling which is shown by the writer, of the misery and ignorance prevailing among the lower classes in his own time. Campanella takes note of Aristotle's answer to Plato's community of property, that in a society where all things are common, no individual would have any motive to work (Arist. Pol.): he replies, that his citizens being happy and contented in themselves (they are required to work only four hours a day), will have greater regard for their fellows than exists among men at present. He thinks, like Plato, that if he abolishes private feelings and interests, a great public feeling will take their place.

Other writings on ideal states, such as the 'Oceana' of Harrington, in which the Lord Archon, meaning Cromwell, is described, not as he was, but as he ought to have been; or the 'Argenis' of Barclay, which is an historical allegory of his own time, are too unlike Plato to be worth mentioning. More interesting than either of these, and far more Platonic in style and thought, is Sir John Eliot's 'Monarchy of Man,' in which the prisoner of the Tower, no longer able 'to be a politician in the land of his birth,' turns away from politics to view 'that other city which is within him,' and finds on the very threshold of the grave that the secret of human happiness is the mastery of self. The change of government in the time of the English Commonwealth set men thinking about first principles, and gave rise to many works of this class…The great original genius of Swift owes nothing to Plato; nor is there any trace in the conversation or in the works of Dr. Johnson of any acquaintance with his writings. He probably would have refuted Plato without reading him, in the same fashion in which he supposed himself to have refuted Bishop Berkeley's theory of the non-existence of matter. If we except the so-called English Platonists, or rather Neo-Platonists, who never understood their master, and the writings of Coleridge, who was to some extent a kindred spirit, Plato has left no permanent impression on English literature.

7. Human life and conduct are affected by ideals in the same way that they are affected by the examples of eminent men. Neither the one nor the other are immediately applicable to practice, but there is a virtue flowing from them which tends to raise individuals above the common routine of society or trade, and to elevate States above the mere interests of commerce or the necessities of self-defence. Like the ideals of art they are partly framed by the omission of particulars; they require to be viewed at a certain distance, and are apt to fade away if we attempt to approach them. They gain an imaginary distinctness when embodied in a State or in a system of philosophy, but they still remain the visions of 'a world unrealized.' More striking and obvious to the ordinary mind are the examples of great men, who have served their own generation and are remembered in another. Even in our own family circle there may have been some one, a woman, or even a child, in whose face has shone forth a goodness more than human. The ideal then approaches nearer to us, and we fondly cling to it. The ideal of the past, whether of our own past lives or of former states of society, has a singular fascination for the minds of many. Too late we learn that such ideals cannot be recalled, though the recollection of them may have a humanizing influence on other times. But the abstractions of philosophy are to most persons cold and vacant; they give light without warmth; they are like the full moon in the heavens when there are no stars appearing. Men cannot live by thought alone; the world of sense is always breaking in upon them. They are for the most part confined to a corner of earth, and see but a little way beyond their own home or place of abode; they 'do not lift up their eyes to the hills'; they are not awake when the dawn appears. But in Plato we have reached a height from which a man may look into the distance and behold the future of the world and of philosophy. The ideal of the State and of the life of the philosopher; the ideal of an education continuing through life and extending equally to both sexes; the ideal of the unity and correlation of knowledge; the faith in good and immortality – are the vacant forms of light on which Plato is seeking to fix the eye of mankind.

8. Two other ideals, which never appeared above the horizon in Greek Philosophy, float before the minds of men in our own day: one seen more clearly than formerly, as though each year and each generation brought us nearer to some great change; the other almost in the same degree retiring from view behind the laws of nature, as if oppressed by them, but still remaining a silent hope of we know not what hidden in the heart of man. The first ideal is the future of the human race in this world; the second the future of the individual in another. The first is the more perfect realization of our own present life; the second, the abnegation of it: the one, limited by experience, the other, transcending it. Both of them have been and are powerful motives of action; there are a few in whom they have taken the place of all earthly interests. The hope of a future for the human race at first sight seems to be the more disinterested, the hope of individual existence the more egotistical, of the two motives. But when men have learned to resolve their hope of a future either for themselves or for the world into the will of God – 'not my will but Thine,' the difference between them falls away; and they may be allowed to make either of them the basis of their lives, according to their own individual character or temperament. There is as much faith in the willingness to work for an unseen future in this world as in another. Neither is it inconceivable that some rare nature may feel his duty to another generation, or to another century, almost as strongly as to his own, or that living always in the presence of God, he may realize another world as vividly as he does this.

The greatest of all ideals may, or rather must be conceived by us under similitudes derived from human qualities; although sometimes, like the Jewish prophets, we may dash away these figures of speech and describe the nature of God only in negatives. These again by degrees acquire a positive meaning. It would be well, if when meditating on the higher truths either of philosophy or religion, we sometimes substituted one form of expression for another, lest through the necessities of language we should become the slaves of mere words.

There is a third ideal, not the same, but akin to these, which has a place in the home and heart of every believer in the religion of Christ, and in which men seem to find a nearer and more familiar truth, the Divine man, the Son of Man, the Saviour of mankind, Who is the first-born and head of the whole family in heaven and earth, in Whom the Divine and human, that which is without and that which is within the range of our earthly faculties, are indissolubly united. Neither is this divine form of goodness wholly separable from the ideal of the Christian Church, which is said in the New Testament to be 'His body,' or at variance with those other images of good which Plato sets before us. We see Him in a figure only, and of figures of speech we select but a few, and those the simplest, to be the expression of Him. We behold Him in a picture, but He is not there. We gather up the fragments of His discourses, but neither do they represent Him as He truly was. His dwelling is neither in heaven nor earth, but in the heart of man. This is that image which Plato saw dimly in the distance, which, when existing among men, he called, in the language of Homer, 'the likeness of God,' the likeness of a nature which in all ages men have felt to be greater and better than themselves, and which in endless forms, whether derived from Scripture or nature, from the witness of history or from the human heart, regarded as a person or not as a person, with or without parts or passions, existing in space or not in space, is and will always continue to be to mankind the Idea of Good.

PERSONS OF THE DIALOGUE

Socrates, who is the narrator.

Glaucon.

Adeimantus.

Polemarchus.

Cephalus.

Thrasymachus.

Cleitophon.

And others who are mute auditors.

The scene is laid in the house of Cephalus at the Piraeus; and the whole dialogue is narrated by Socrates the day after it actually took place to Timaeus, Hermocrates, Critias, and a nameless person, who are introduced in the Timaeus.

BOOK I