“I told you I don’t know this Tatiana Pavlova.” He drank more tea, setting the cup off balance on the saucer, so much so that it tipped off on its side with a clatter; he left it, pressed his cloth napkin to his lips, then put the napkin back in his lap. “Dmitri Rusakov hired us twenty years ago. I met with him in Moscow. Then he hired us again four years ago. And I sent Emma to him in London.”
“Granddad,” Lucas said, “why don’t I know any of this?”
He tapped the tip of his index finger to his temple. “Because it’s one of those cases that’s in here and not in the files.” He got stiffly to his feet and glanced at his watch. “I don’t want to be late for church.”
“I’ll go with you,” Lucas said, rising.
Wendell’s eyes sparked with sudden humor and energy. “Now I will have to warn Father O’Leary or the rafters will cave in for sure.”
“You can tell me about Dmitri Rusakov on the way.”
* * *
After sitting impatiently through church with his grandfather, Lucas let himself into the Dublin office of Sharpe Fine Art Recovery on the second floor of a small brick building on a cobblestone street a few blocks off St. Stephen’s Green. He shut the door quietly behind him and noticed through the tall windows that the day had gone gray again. He didn’t mind. He just needed time to think.
His grandfather was having a postchurch full Irish breakfast with friends. In preparation for his retirement, he had removed all his personal items and personal files from the office where he had worked for the past decade and a half, leaving behind two desks, shelves, a credenza and a computer. There was no hint of the intriguing work that had gone on there. He had never been one for bulking up a staff, instead taking on consultants and temporary assistants as needed. Lucas wanted to keep a Dublin office but needed to identify a role for it now that his grandfather wouldn’t be there on a daily basis.
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