The German Classics of the Nineteenth and Twentieth Centuries, Volume 02

"It is well," he cried, "for the man who is happy, who has all that he desires, to talk; but he would be ashamed of it if he could see how intolerable it was to the sufferer. Nothing short of an infinite endurance would be enough, and easy and contented as he was, what could he know of an infinite agony? There are cases," he continued, "yes, there are, where comfort is a lie, and despair is a duty. Go, heap your scorn upon the noble Greek, who well knows how to delineate heroes, when in their anguish he lets those heroes weep. He has even a proverb, 'Men who can weep are good.' Leave me, all you with dry heart and dry eye. Curses on the happy, to whom the wretched serve but for a spectacle. When body and soul are torn in pieces with agony, they are to bear it—yes, to be noble and bear it, if they are to be allowed to go off the scene with applause. Like the gladiators, they must die gracefully before the eyes of the multitude. My dear Mittler, I thank you for your visit; but really you would oblige me much, if you would go out and look about you in the garden. We will meet again. I will try to compose myself, and become more like you."

Mittler was unwilling to let a conversation drop which it might be difficult to begin again, and still persevered. Edward, too, was quite ready to go on with it; besides that of itself, it was tending toward the issue which he desired.

"Indeed," said the latter, "This thinking and arguing backward and forward leads to nothing. In this very conversation I myself have first come to understand myself; I have first felt decided as to what I must make up my mind to do. My present and my future life I see before me; I have to choose only between misery and happiness. Do you, my best friend, bring about the separation which must take place, which, in fact, is already made; gain Charlotte's consent for me. I will not enter upon the reasons why I believe there will be the less difficulty in prevailing upon her. You, my dear friend, must go. Go, and give us all peace; make us all happy."

Mittler hesitated. Edward continued:

"My fate and Ottilie's cannot be divided, and shall not be shipwrecked. Look at this glass; our initials are engraved upon it. A gay reveller flung it into the air, that no one should drink of it more. It was to fall on the rock and be dashed to pieces; but it did not fall; it was caught. At a high price I bought it back, and now I drink out of it daily—to convince myself that the connection between us cannot be broken; that destiny has decided."

"Alas! alas!" cried Mittler, "what must I not endure with my friends? Here comes superstition, which of all things I hate the worse—the most mischievous and accursed of all the plagues of mankind. We trifle with prophecies, with forebodings, and dreams, and give a seriousness to our every-day life with them; but when the seriousness of life itself begins to show, when everything around us is heaving and rolling, then come in these spectres to make the storm more terrible."

"In this uncertainty of life," cried Edward, "poised as it is between hope and fear, leave the poor heart its guiding-star. It may gaze toward it, if it cannot steer toward it."

"Yes, I might leave it; and it would be very well," replied Mittler, "if there were but one consequence to expect; but I have always found that nobody will attend to symptoms of warning. Man cares for nothing except what flatters him and promises him fair; and his faith is alive exclusively for the sunny side."

Mittler, finding himself carried off into the shadowy regions, in which the longer he remained the more uncomfortable he always felt, was the more ready to assent to Edward's eager wish that he should go to Charlotte. Indeed, if he stayed, what was there further which at that moment he could urge on Edward? To gain time, to inquire in what state things were with the ladies, was the best thing which even he himself could suggest as at present possible.

He hastened to Charlotte, whom he found as usual, calm and in good spirits. She told him readily of everything which had occurred; for from what Edward had said he had only been able to gather the effects. On his own side, he felt his way with the utmost caution. He could not prevail upon himself even cursorily to mention the word separation. It was a surprise, indeed, to him, but from his point of view an unspeakably delightful one, when Charlotte, at the end of a number of unpleasant things, finished with saying:

"I must believe, I must hope, that things will all work round again, and that Edward will return to me. How can it be otherwise as soon as I become a mother?"

"Do I understand you right?" returned Mittler.

"Perfectly," Charlotte answered.

"A thousand times blessed be this news!" he cried, clasping his hands together. "I know the strength of this argument on the mind of a man. Many a marriage have I seen first cemented by it, and restored again when broken. Such a good hope as this is worth more than a thousand words. Now indeed it is the best hope which we can have. For myself, though," he continued, "I have all reason to be vexed about it. In this case I can see clearly no self-love of mine will be flattered. I shall earn no thanks from you by my services; I am in the same case as a certain medical friend of mine, who succeeds in all cures which he undertakes with the poor for the love of God; but can seldom do anything for the rich who will pay him. Here, thank God, the thing cures itself, after all my talking and trying had proved fruitless."

Charlotte now asked him if he would carry the news to Edward: if he would take a letter to him from her, and then see what should be done. But he declined undertaking this. "All is done," he cried; "do you write your letter—any messenger will do as well as I—I will come back to wish you joy. I will come to the christening!"

For this refusal she was vexed with him—as she frequently was. His eager, impetuous character brought about much good; but his over-haste was the occasion of many a failure. No one was more dependent than he on the impressions which he formed on the moment. Charlotte's messenger came to Edward, who received him half in terror. The letter was to decide his fate, and it might as well contain No as Yes. He did not venture, for a long time, to open it. At last he tore off the cover, and stood petrified at the following passage, with which it concluded:

"Remember the night-adventure when you visited your wife as a lover—how you drew her to you, and clasped her as a well-beloved bride in your arms. In this strange accident let us revere the providence of heaven, which has woven a new link to bind us, at the moment when the happiness of our lives was threatening to fall asunder and to vanish."

What passed from that moment in Edward's soul it would be difficult to describe! Under the weight of such a stroke, old habits and fancies come out again to assist to kill the time and fill up the chasms of life. Hunting and fighting are an ever-ready resource of this kind for a nobleman; Edward longed for some outward peril, as a counterbalance to the storm within him. He craved for death, because the burden of life threatened to become too heavy for him to bear. It comforted him to think that he would soon cease to be, and so would make those whom he loved happy by his departure.

No one made any difficulty in his doing what he purposed—because he kept his intention a secret. He made his will with all due formalities. It gave him a very sweet feeling to secure Ottilie's fortune—provision was made for Charlotte, for the unborn child, for the Captain, and for the servants. The war, which had again broken out, favored his wishes: he had disliked exceedingly the half-soldiering which had fallen to him in his youth, and that was the reason why he had left the service. Now it gave him a fine exhilarating feeling to be able to rejoin it under a commander of whom it could be said that, under his conduct, death was likely and victory was sure.

Ottilie, when Charlotte's secret was made known to her, bewildered by it, like Edward, and more than he, retired into herself—she had nothing further to say: hope she could not, and wish she dared not. A glimpse into what was passing in her we can gather from her Diary, some passages of which we think to communicate.

There often happens to us in common life what, in an epic poem, we are accustomed to praise as a stroke of art in the poet; namely, that when the chief figures go off the scene, conceal themselves or retire into inactivity, some other or others, whom hitherto we have scarcely observed, come forward and fill their places. And these putting out all their force, at once fix our attention and sympathy on themselves, and earn our praise and admiration.

Thus, after the Captain and Edward were gone, the Architect, of whom we have spoken, appeared every day a more important person. The ordering and executing of a number of undertakings depended entirely upon him, and he proved himself thoroughly understanding and businesslike in the style in which he went to work; while in a number of other ways he was able also to make himself of assistance to the ladies, and find amusement for their weary hours. His outward air and appearance were of the kind which win confidence and awake affection. A youth in the full sense of the word, well-formed, tall, perhaps a little too stout; modest without being timid, and easy without being obtrusive, there was no work and no trouble which he was not delighted to take upon himself; and as he could keep accounts with great facility, the whole economy of the household soon was no secret to him, and everywhere his salutary influence made itself felt. Any stranger who came he was commonly set to entertain, and he was skilful either at declining unexpected visits, or at least so far preparing the ladies for them as to spare them any disagreeableness.

Among others, he had one day no little trouble with a young lawyer, who had been sent by a neighboring nobleman to speak about a matter which, although of no particular moment, yet touched Charlotte to the quick. We have to mention this incident because it gave occasion for a number of things which otherwise might perhaps have remained long untouched.

We remember certain alterations which Charlotte had made in the churchyard. The entire body of the monuments had been removed from their places, and had been ranged along the walls of the church, leaning against the string-course. The remaining space had been levelled, except a broad walk which led up to the church, and past it to the opposite gate; and it had been all sown with various kinds of trefoil, which had shot up and flowered most beautifully.

The new graves were to follow one after another in a regular order from the end, but the spot on each occasion was to be carefully smoothed over and again sown. No one could deny that on Sundays and holidays when the people went to church the change had given it a most cheerful and pleasant appearance. At the same time the clergyman, an old man and clinging to old customs, who at first had not been especially pleased with the alteration, had become thoroughly delighted with it, all the more because when he sat out like Philemon with his Baucis under the old linden trees at his back door, instead of the humps and mounds he had a beautiful clean lawn to look out upon; and which, moreover, Charlotte having secured the use of the spot to the Parsonage, was no little convenience to his household.

Notwithstanding this, however, many members of the congregation had been displeased that the means of marking the spots where their forefathers rested had been removed, and all memorials of them thereby obliterated. However well preserved the monuments might be, they could only show who had been buried, but not where he had been buried, and the where, as many maintained, was everything.

Of this opinion was a family in the neighborhood, who for many years had been in possession of a considerable vault for a general resting-place of themselves and their relations, and in consequence had settled a small annual sum for the use of the church. And now this young lawyer had been sent to cancel this settlement, and to show that his client did not intend to pay it any more, because the conditions under which it had been hitherto made had not been observed by the other party, and no regard had been paid to objection and remonstrance. Charlotte, who was the originator of the alteration herself, chose to speak to the young man, who in a decided though not a violent manner, laid down the grounds on which his client proceeded, and gave occasion in what he said for much serious reflection.

"You see," he said, after a slight introduction, in which he sought to justify his peremptoriness; "you see, it is right for the lowest as well as for the highest to mark the spot which holds those who are dearest to him. The poorest, peasant, who buries a child, finds it some consolation to plant a light wooden cross upon the grave, and hang a garland upon it, to keep alive the memorial, at least as long as the sorrow remains; although such a mark, like the mourning, will pass away with time. Those better off change the cross of wood into iron, and fix it down and guard it in various ways; and here we have endurance for many years. But because this too will sink at last, and become invisible, those who are able to bear the expense see nothing fitter than to raise a stone which shall promise to endure for generations, and which can be restored and made fresh again by posterity. Yet this stone it is not which attracts us; it is that which is contained beneath it, which is intrusted, where it stands, to the earth. It is not the memorial so much of which we speak, as of the person himself; not of what once was, but of what is. Far better, far more closely, can I embrace some dear departed one in the mound which rises over his bed, than in a monumental writing which only tells us that once he was. In itself, indeed, it is but little; but around it, as around a central mark, the wife, the husband, the kinsman, the friend, after their departure, shall gather in again; and the living shall have the right to keep far off all strangers and evil-wishers from the side of the dear one who is sleeping there. And, therefore, I hold it quite fair and fitting that my principal shall withdraw his grant to you. It is, indeed, but too reasonable that he should do it, for the members of his family are injured in a way for which no compensation could be even proposed. They are deprived of the sad sweet feelings of laying offerings on the remains of their dead, and of the one comfort in their sorrow of one day lying down at their side."

"The matter is not of that importance," Charlotte answered, "that we should disquiet ourselves about it with the vexation of a lawsuit. I regret so little what I have done, that I will gladly myself indemnify the church for what it loses through you. Only I must confess candidly to you, your arguments have not convinced me; the pure feeling of an universal equality at last, after death, seems to me more composing than this hard determined persistence in our personalities and in the conditions and circumstances of our lives. What do you say to it?" she added, turning to the Architect.

"It is not for me," replied he, "either to argue, or to attempt to judge in such a case. Let me venture, however, to say what my own art and my own habits of thinking suggest to me. Since we are no longer so happy as to be able to press to our breasts the in-urned remains of those we have loved; since we are neither wealthy enough nor of cheerful heart enough to preserve them undecayed in large elaborate sarcophagi; since, indeed, we cannot even find place any more for ourselves and ours in the churches, and are banished out into the open air, we all, I think, ought to approve the method which you, my gracious lady, have introduced. If the members of a common congregation are laid out side by side, they are resting by the side of, and among their kindred; and, if the earth be once to receive us all, I can find nothing more natural or more desirable than that the mounds, which, if they are thrown up, are sure to sink slowly in again together, should be smoothed off at once, and the covering, which all bear alike, will press lighter upon each."

"And is it all, is it all to pass away," asked Ottilie, "without one token of remembrance, without anything to call back the past?"

"By no means," continued the Architect; "it is not from remembrance, it is from place that men should be set free. The architect, the sculptor, are highly interested that men should look to their art—to their hand, for a continuance of their being; and, therefore, I should wish to see well-designed, well-executed monuments; not sown up and down by themselves at random, but erected all in a single spot, where they can promise themselves endurance. Inasmuch as even the good and the great are contented to surrender the privilege of resting in person in the churches, we may, at least, erect there or in some fair hall near the burying place, either monuments or monumental writings. A thousand forms might be suggested for them, and a thousand ornaments with which they might be decorated."

"If the artists are so rich," replied Charlotte, "then tell me how it is that they are never able to escape from little obelisks, dwarf pillars, and urns for ashes? Instead of your thousand forms of which you boast, I have never seen anything but a thousand repetitions."

"It is very generally so with us," returned the Architect, "but it is not universal; and very likely the right taste and the proper application of it may be a peculiar art. In this case especially we have this great difficulty, that the monument must be something cheerful and yet commemorate a solemn subject; while its matter is melancholy, it must not itself be melancholy. As regards designs for monuments of all kinds, I have collected numbers of them, and I will take some opportunity of showing them to you; but at all times the fairest memorial of a man remains some likeness of himself. This better than anything else, will give a notion of what he was; it is the best text for many or for few notes, only it ought to be made when he is at his best age, and that is generally neglected; no one thinks of preserving forms while they are alive, and if it is done at all, it is done carelessly and incompletely; and then comes death; a cast is taken swiftly of the face; this mask is set upon a block of stone, and that is what is called a bust. How seldom is the artist in a position to put any real life into such things as these!"

"You have contrived," said Charlotte, "without perhaps knowing it or wishing it, to lead the conversation altogether in my favor. The likeness of a man is quite independent; everywhere that it stands, it stands for itself, and we do not require it to mark the site of a particular grave. But I must acknowledge to you to having a strange feeling; even to likenesses I have a kind of disinclination. Whenever I see them they seem to be silently reproaching me. They point to something far away from us—gone from us; and they remind me how difficult it is to pay right honor to the present. If we think how many people we have seen and known, and consider how little we have been to them and how little they have been to us, it is no very pleasant reflection. We have met a man of genius without having enjoyed much with him—a learned man without having learnt from him—a traveler without having been instructed,—a man to love without having shown him any kindness.

"And, unhappily, this is not the case only with accidental meetings. Societies and families behave in the same way toward their dearest members, towns toward their worthiest citizens, people toward their most admirable princes, nations toward their most distinguished men.

"I have heard it asked why we heard nothing but good spoken of the dead, while of the living it is never without some exception. It should be answered, because from the former we have nothing any more to fear, while the latter may still, here or there, fall in our way. So unreal is our anxiety to preserve the memory of others—generally no more than a mere selfish amusement; and the real, holy, earnest feeling would be what should prompt us to be more diligent and assiduous in our attentions toward those who still are left to us."

CHAPTER II

Under the stimulus of this accident, and of the conversations which arose out of it, they went the following day to look over the burying-place, for the ornamenting of which and relieving it in some degree of its sombre look, the Architect made many a happy proposal. His interest too had to extend itself to the church as well; a building which had caught his attention from the moment of his arrival.

It had been standing for many centuries, built in old German style, the proportions good, the decorating elaborate and excellent; and one might easily gather that the architect of the neighboring monastery had left the stamp of his art and of his love on this smaller building also; it worked on the beholder with a solemnity and a sweetness, although the change in its internal arrangements for the Protestant service had taken from it something of its repose and majesty.

The Architect found no great difficulty in prevailing on Charlotte to give him a considerable sum of money to restore it externally and internally, in the original spirit, and thus, as he thought, to bring it into harmony with the resurrection-field which lay in front of it. He had himself much practical skill, and a few laborers who were still busy at the lodge might easily be kept together, until this pious work too should be completed.

The building itself, therefore, with all its environs, and whatever was attached to it, was now carefully and thoroughly examined; and then showed itself, to the greatest surprise and delight of the Architect, a little side chapel, which nobody had thought of, beautifully and delicately proportioned, and displaying still greater care and pains in its decoration. It contained at the same time many remnants, carved and painted, of the implements used in the old services, when the different festivals were distinguished by a variety of pictures and ceremonies, and each was celebrated in its own peculiar style.

It was impossible for him not at once to take this chapel into his plan; and he determined to bestow especial pains on the restoring of this little spot, as a memorial of old times and of their taste. He saw exactly how he would like to have the vacant surfaces of the walls ornamented, and delighted himself with the prospect, of exercising his talent for painting upon them; but of this, at first, he made a secret to the rest of the party.

Before doing anything else, he fulfilled his promise of showing the ladies the various imitations of, and designs from, old monuments, vases, and other such things which he had made, and when they came to speak of the simple barrow-sepulchres of the northern nations, he brought a collection of weapons and implements which had been found in them. He had got them exceedingly nicely and conveniently arranged in drawers and compartments, laid on boards cut to fit them, and covered over with cloth; so that these solemn old things, in the way he treated them, had a smart dressy appearance, and it was like looking into the box of a trinket merchant.

Having once begun to show his curiosities, and finding them prove serviceable to entertain our friends in their loneliness, every evening he would produce one or other of his treasures. They were most of them of German origin—pieces of metal, old coins, seals, and such like. All these things directed the imagination back upon old times; and when at last they came to amuse themselves with the first specimens of printing, woodcuts, and the earliest copper-plate engraving, and when the church, in the same spirit, was growing out, every day, more and more in form and color like the past, they had almost to ask themselves whether they really were living in a modern time, whether it were not a dream, that manners, customs, modes of life, and convictions were all really so changed.

After such preparation, a great portfolio, which at last he produced, had the best possible effect. It contained indeed principally only outlines and figures, but as these had been traced upon original pictures, they retained perfectly their ancient character, and most captivating indeed this character was to the spectators. All the figures breathed only the purest feeling; every one, if not noble, at any rate was good; cheerful composure, ready recognition of One above us, to whom all reverence is due; silent devotion, in love and tranquil expectation, was expressed on every face, on every gesture. The old bald-headed man, the curly-pated boy, the light-hearted youth, the earnest man, the glorified saint, the angel hovering in the air, all seemed happy in an innocent, satisfied, pious expectation. The commonest object had a trait of celestial life; and every nature seemed adapted to the service of God, and to be, in some way or other, employed upon it.

Toward such a region most of them gazed as toward a vanished golden age, or on some lost paradise; only perhaps Ottilie had a chance of finding herself among beings of her own nature. Who could offer any proposition when the Architect asked to be allowed to paint the spaces between the arches and the walls of the chapel in the style of these old pictures and thereby leave his own distinct memorial at a place where life had gone so pleasantly with him?

He spoke of it with some sadness, for he could see, in the state in which things were, that his sojourn in such delightful society could not last forever; indeed, that perhaps it would now soon be ended.

For the rest, these days were not rich in incidents; yet full of occasion for serious entertainment. We therefore take the opportunity of communicating something of the remarks which Ottilie noted down among her manuscripts, to which we cannot find a fitter transition than through a simile which suggested itself to us on contemplating her exquisite pages.

There is, we are told, a curious contrivance in the service of the English marine. The ropes in use in the royal navy, from the largest to the smallest, are so twisted that a red thread runs through them from end to end, which cannot be extracted without undoing the whole; and by which the smallest pieces may be recognized as belonging to the crown.