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Fledermausse was absent fully five hours. For myself, I went, I came, I meditated. The time seemed insupportable. The sun heated the slate of the roof, and scorched my brain.

Now I saw, at the window, the good man who occupied the fatal Green Chamber; he was a brave peasant of Nassau, with a large three-cornered hat, a scarlet vest, and a laughing face; he smoked his pipe of Ulm tranquillity, and seemed to fear no evil.

I felt a strong desire to cry out to him: "Good man, be on your guard! Do not allow yourself to be entrapped by the old wretch; distrust yourself!" but he would not have comprehended me. Toward two o'clock Fledermausse returned. The noise of her door resounded through the vestibule. Then alone, all alone, she entered the yard, and seated herself on the interior step of the stairway; she put down her basket before her, and drew out first some packets of herbs, then vegetables, then a red vest, then a three-cornered hat, a coat of brown velvet, pants of plush, and coarse woolen hose – the complete costume of the peasant from Nassau.

For a moment I felt stunned; then flames passed before my eyes.

I recollected those precipices which entice with an irresistible power; those wells or pits, which the police have been compelled to close, because men threw themselves into them; those trees which had been cut down because they inspired men with the idea of hanging themselves; that contagion of suicides, of robberies, of murders, at certain epochs, by desperate means; that strange and subtile enticement of example, which makes you yawn because another yawns, suffer because you see another suffer, kill yourself because you see others kill themselves – and my hair stood up with horror.

How could this Fledermausse, this base, sordid creature, have derived so profound a law of human nature? how had she found the means to use this law to the profit or indulgence of her sanguinary instincts? This I could not comprehend; it surpassed my wildest imaginations.

But reflecting longer upon this inexplicable mystery, I resolved to turn the fatal law against her, and to draw the old murderess into her own net.

So many innocent victims called out for vengeance!

I felt myself to be on the right path.

I went to all the old-clothes sellers in Nuremberg, and returned in the afternoon to the Inn Boeuf-Gras, with an enormous packet under my arm.

Nichel Schmidt had known me for a long time; his wife was fat and good-looking; I had painted her portrait.

"Ah, Master Christian," said he, squeezing my hand, "what happy circumstance brings you here? What procures me the pleasure of seeing you?"

"My dear Monsieur Schmidt, I feel a vehement, insatiable desire to sleep in the Green Room."

We were standing on the threshold of the inn, and I pointed to the room. The good man looked at me distrustfully.

"Fear nothing," I said; "I have no desire to hang myself.".

"À la bonne heure! à la bonne heure! For frankly that would give me pain; an artist of such merit! When do you wish the room, Master Christian?"

"This evening."

"Impossible! it is occupied!"

"Monsieur can enter immediately," said a voice just behind me, "I will not be in the way."

We turned around in great surprise; the peasant of Nassau stood before us, with his three-cornered hat, and his packet at the end of his walking stick. He had just learned the history of his three predecessors in the Green Room, and was trembling with rage.

"Rooms like yours!" cried he, stuttering; "but it is murderous to put people there – it is assassination! You deserve to be sent to the galleys immediately!"

"Go – go – calm yourself," said the innkeeper; "that did not prevent you from sleeping well."

"Happily, I said my prayers at night," said the peasant; "without that, where would I be?" and he withdrew, with his hands raised to heaven.

"Well," said Nichel Schmidt, stupefied, "the room is vacant, but I entreat you, do not serve me a bad trick."

"It would be a worse trick for myself than for you, monsieur."

I gave my packet to the servants, and installed myself for the time with the drinkers. For a long time I had not felt so calm and happy. After so many doubts and disquietudes, I touched the goal. The horizon seemed to clear up, and it appeared that some invisible power gave me the hand. I lighted my pipe, placed my elbow on the table, my wine before me, and listened to the chorus in "Freischütz," played by a troupe of gypsies from the Black Forest. The trumpets, the hue and cry of the chase, the hautboys, plunged me into a vague reverie, and, at times rousing up to look at the hour, I asked myself gravely, if all which had happened to me was not a dream. But the watchman came to ask us to leave the salle, and soon other and more solemn thoughts were surging in my soul, and in deep meditation I followed little Charlotte, who preceded me with a candle to my room.

We mounted the stairs to the third story. Charlotte gave me the candle and pointed to the door.

"There," said she, and descended rapidly.

I opened the door. The Green Room was like any other inn room. The ceiling was very low, the bed very high. With one glance I explored the interior, and then glided to the window.

Nothing was to be seen in the house of Fledermausse; only, in some distant room, an obscure light was burning. Some one was on the watch. "That is well," said I, closing the curtain. "I have all necessary time."

I opened my packet, I put on a woman's bonnet with hanging lace; then, placing myself before a mirror, I took a brush and painted wrinkles in my face. This took me nearly an hour. Then I put on the dress and a large shawl, and I was actually afraid of myself. Fledermausse seemed to me to look at me from the mirror.

At this moment the watchman cried out, "Eleven o'clock!" I seized the manikin which I had brought in my packet, and muffled it in a costume precisely similar to that worn by the old wretch. I then opened the curtain.

Certainly, after all that I had seen of the Fledermausse, of her infernal cunning, her prudence, her adroitness, she could not in any way surprise me; and yet I was afraid. The light which I had remarked in the chamber was still immovable, and now cast its yellow rays on the manikin of the peasant of Nassau, which was crouched on the corner of the bed, with the head hanging on the breast, the three-cornered hat pulled down over the face, the arms suspended, and the whole aspect that of absolute despair.

The shadows, managed with diabolical art, allowed nothing to be seen but the general effect of the face. The red vest, and six round buttons alone, seemed top shine out in the darkness. But the silence of the night, the complete immobility of the figure, the exhausted, mournful air, were well calculated to take possession of a spectator with a strange power. For myself, although forewarned, I was chilled even to my bones.

How would it, then, have fared with the poor, simple peasant, if he had been surprised unawares? He would have been utterly cast down. Despairing, he would have lost all power of self-control, and the spirit of imitation would have done the rest.

Scarcely had I moved the curtain, when I saw Fledermausse on the watch behind her window. She could not see me. I opened my window softly; the window opposite was opened! Then her manikin appeared to rise slowly and advance before me. I, also, advanced my manikin, and seizing my torch with one hand, with the other I quickly opened the shutters. And now the old woman and myself were face to face. Struck with sudden terror, she had let her manikin fall!

We gazed at each other with almost equal horror. She extended her finger – I advanced mine. She moved her lips – I agitated mine. She breathed a profound sigh, and leaned upon her elbow. I imitated her.

To describe all the terrors of this scene would be impossible. It bordered upon confusion, madness, delirium. It was a death struggle between two wills; between two intelligences; between two souls – each one wishing to destroy the other; and, in this struggle, I had the advantage – her victims struggled with me.

After having imitated for some seconds every movement of Fledermausse, I pulled a rope from under my skirt, and attached it to the crossbeam.

The old woman gazed at me with gaping mouth. I passed the rope around my neck; her pupils expanded, lightened; her face was convulsed.

"No, no!" said she, in a whistling voice.

I pursued her with the impassability of an executioner.

Then rage seemed to take possession of her.

"Old fool!" she exclaimed, straightening herself up, and her hands contracted on the crossbeam. "Old fool!" I gave her no time to go on blowing out my lamp. I stooped, like a man going to make a vigorous spring, and, seizing my manikin, I passed the rope around its neck, and precipitated it below.

A terrible cry resounded through the street, and then silence, which I seemed to feel. Perspiration bathed my forehead. I listened a long time. At the end of a quarter of an hour I heard, far away, very far away, the voice of the watchman, crying, "Inhabitants of Nuremberg, midnight, midnight sounds!"

"Now justice is satisfied!" I cried, "and three victims are avenged. Pardon me, O Lord!"

About five minutes after the cry of the watchman, I saw Fledermausse attracted, allured by my manikin (her exact image), spring from the window, with a rope around her neck, and rest suspended from the crossbeam.

I saw the shadow of death undulating through her body, while the moon, calm, silent, majestic, inundated the summit of the roof, and her cold, pale rays reposed upon the old, disheveled, hideous head.

Just as I had seen the poor young student of Heidelberg, just so did I now see Fledermausse.

In the morning, all Nuremberg learned that the old wretch had hanged herself, and this was the last event of that kind in the Street Minnesänger.