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A Graveyard for Lunatics

Год написания книги
2018
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“They build coffins here, so the body’s here.” Roy climbed out of the flivver one long piece of lumber at a time. “The coffin was returned here because it was made here. Come on, before the Indians arrive!”

I caught up with him in a cool grotto where Napoleon’s Empire furniture was hung on racks and Julius Caesar’s throne waited for his long-lost behind.

I looked around.

Nothing ever dies, I thought. It always returns. If you want, that is.

And where does it hide, waiting. Where is it reborn? Here, I thought. Oh, yes, here.

In the minds of men who arrive with lunch buckets, looking like workers, and leave looking like husbands or improbable lovers.

But in between?

Build the Mississippi Belle if you want to steamboat landfall New Orleans, or rear Bernini’s columns on the north forty. Or rebuild the Empire State and then steam-power an ape big enough to climb it.

Your dream is their blueprint, and these are all the sons of the sons of Michelangelo and da Vinci, the fathers of yesterday winding up as sons in tomorrow.

And right now my friend Roy leaned into the dim cavern behind a Western saloon and pulled me along, among the stashed facades of Baghdad and upper Sandusky.

Silence. Everyone had gone to lunch.

Roy snuffed the air and laughed quietly.

“God, yes! Smell that smell! Sawdust! That’s what got me into high school woodshop with you. And the sounds of the bandsaw lathes. Sounded like people were doing things. Made my hands jerk. Looky here.” Roy stopped by a long glass case and looked down at beauty.

The Bounty was there, in miniature, twenty inches long and fully rigged, and sailing through imaginary seas, two long centuries ago.

“Go on,” Roy said, quietly. “Touch gently.”

I touched and marveled and forgot why we were there and wanted to stay on forever. But Roy, at last, drew me away.

“Hot dog,” he whispered. “Take your pick.”

We were looking at a huge display of coffins about fifty feet back in the warm darkness.

“How come so many?” I asked, as we moved up.

“To bury all the turkeys the studio will make between now and Thanksgiving.”

We reached the funeral assembly line.

“It’s all yours,” said Roy. “Choose.”

“Can’t be at the top. Too high. And people are lazy. So—this one.”

I nudged the nearest coffin with my shoe.

“Go on,” urged Roy, laughing at my hesitance. “Open it.”

“You.”

Roy bent and tried the lid.

“Damn!”

The coffin was nailed shut.

A horn sounded somewhere. We glanced out.

Out in the Tombstone street a car was pulling up.

“Quick!” Roy ran to a table, scrabbled around frantically, and found a hammer and crowbar to jimmy the nails.

“Ohmigod,” I gasped.

Manny Leiber’s Rolls-Royce was dusting into the horse yard, out there in the noon glare.

“Let’s go!”

“Not until we see if—there!”

The last nail flew out.

Roy grasped the lid, took a deep breath, and opened the coffin.

Voices sounded in the Western yard, out there in the hot sun.

“Christ, open your eyes,” cried Roy. “Look!”

I had shut my eyes, not wanting to feel the rain again on my face. I opened them.

“Well?” said Roy.

The body was there, lying on its back, its eyes wide, its nostrils flared, and its mouth gaped. But no rain fell to brim over and pour down its cheeks and chin.

“Arbuthnot,” I said.

“Yeah,” gasped Roy. “I remember the photos now. Lord, it’s a good resemblance. But why would anyone put this, whatever it is, up a ladder, for what?”

I heard a door slam. A hundred yards off, in the warm dust, Manny Leiber had got out of his Rolls, and was blinking into the shade, around, about, above us.

I flinched.

“Wait a minute—” Roy said. He snorted and reached down.

“Don’t!”

“Hold on,” he said, and touched the body.
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