The Golden Dream: Adventures in the Far West

“Well, it was this way it happened,” replied the other, putting a quid of tobacco into his cheek, such as only a sailor would venture to masticate. “I was up at the diggin’s about six months, without gittin’ more gold than jist kep’ me in life—for, ye see, I was always an unlucky dog—when one day I goes down to my claim, and, at the very first lick, dug up two chunks o’ gold as big as yer fists; so I sold my claim and shovel, and came down here for a spree. Well, as I was sayin’, I come to the ranche o’ a feller called Bangi, or Bongi, or Bungi, or some sort o’ bang, with a gi at the end o’ ’t. He was clappin’ his little gal on the head, when I comed up, and said good-bye to her. I didn’t rightly hear what she said; but I was so taken with her pretty face that I couldn’t help axin’ if the little thing was his’n. ‘Yees,’ says he—for he was a Mexican, and couldn’t come round the English lingo—‘she me darter.’ I found the man was goin’ to catch a wild horse, so, says I, ‘I’ll go with ye,’ an’, says he, ‘come ’long,’ so away we went, slappin’ over the plains at a great rate, him and me, and a Yankee, a friend o’ his and three or four servants, after a drove o’ wild horses that had been seen that mornin’ near the house. Well, away we went after the wild horses. Oh! it was grand sport! The man had lent me one of his beasts, an’ it went at such a spankin’ pace, I could scarce keep my seat, and had to hold on by the saddle—not bein’ used to ridin’ much, d’ye see. We soon picked out a horse—a splendid-lookin’ feller, with curved neck, and free gallop, and wide nostrils. My eye! how he did snort and plunge, when the Mexican threw the lasso, it went right over his head the first cast, but the wild horse pulled the rope out o’ his grip. ‘It’s all up,’ thought I; but never a bit. The Mexican put spurs to his horse, an’ while at full gallop, made a dive with his body, and actually caught the end o’ the line, as it trailed over the ground, and recovered his seat again. It was done in a crack; an’, I believe, he held on by means of his spurs, which were big enough, I think, to make wheels for a small carronade. Takin’ a turn o’ the line round the horn of his saddle, he reined in a bit, and then gave the spurs for another spurt, and soon after reined in again—in fact, he jist played the wild horse like a trout, until he well-nigh choked him; an’, in an hour, or less, he was led steamin’, and startin’, and jumpin’, into the corral, where the man kept his other horses.”

At this point in the narrative, the cries for music became so deafening, that the sailor was obliged to pause, to the evident annoyance of the negro, who seemed intensely interested in what he had heard; and, also, to the regret of Larry, who had listened eagerly the whole time. In a few minutes the “music” came in, in the shape of two bald-headed Frenchmen, a wild-looking bearded German, and several lean men, who might, as far as appearance went, have belonged to almost any nation; and who would have, as far as musical ability went, been repudiated by every nation, except, perhaps, the Chinese. During the quarter of an hour in which these performers quieted the impatient audience with sweet sounds, the sailor continued his anecdote.

“Well, you see,” said he to the negro, while Larry bent forward to listen, “the Mexican mounted, and raced and spurred him for about an hour; but, just at the last, the wild horse gave a tremendous leap and a plunge, and we noticed the rider fall forward, as if he’d got a sprain. The Yankee an’ one o’ the servants ran up, and caught the horse by the head, but its rider didn’t move—he was stone dead, and was held in his seat by the spurs sticking in the saddle-cloth. The last bound must have ruptured some blood-vessel inside, for there was no sign of hurt upon him anywhere.”

“You don’ say dat?” said the negro, with a look of horror.

“’Deed do I; an’ we took the poor feller home, where his little daughter cried for him as if she’d break her heart. I asked the Yankee what we should do, but he looked at me somewhat offended like, an’ said he was a relation o’ the dead man’s wife, and could manage the affairs o’ the family without help; so I bid him good mornin’, and went my way. But I believe in my heart he was tellin’ a lie, and that he’s no right to go hawkin’ the poor gal about the country in this fashion.”

Larry was deeply interested in this narrative, and felt so strong a disposition to make further inquiries, that he made up his mind to question the sailor, and was about to address him when a small bell tinkled, the music ceased, and three Ethiopian minstrels, banjo in hand, advanced to the foot-lights, made their bow, and then seated themselves on the three chairs, with that intensity of consummate, impudent, easy familiarity peculiar to the ebony sons of song.

“Go it, darkies!” shouted an enthusiastic individual in the middle of the room.

“Three cheers for the niggers!” roared a sailor, who had just returned from a twelvemonth’s cruise at the mines, and whose delight at the prospect of once more hearing a good song was quite irrepressible.

The audience responded to the call with shouts of laughter, and a cheer that would have done your heart good to listen to, while the niggers shewed their teeth in acknowledgment of the compliment.

The first song was “Lilly Dale,” and the men, who, we need scarcely say, were fictitious negroes, sang it so well that the audience listened with breathless attention and evident delight, and encored it vociferously. The next song was “Oh! Massa, how he wopped me,” a ditty of quite a different stamp, but equally popular. It also was encored, as indeed was every song sting that evening; but the performers had counted on this. After the third song there was a hornpipe, in the performance of which the dancer’s chief aim seemed to be to shew in what a variety of complex ways he could shake himself to pieces if he chose. Then there was another trio, and then a short pause, in order duly to prepare the public mind for the reception of the great cantatrice Mademoiselle Nelina. When she was led to the foot-lights by the tallest of the three negroes, there was a momentary pause, as if men caught their breath; then there was a prolonged cheer of enthusiastic admiration. And little wonder, for the creature that appeared before these rough miners seemed more like an angelic visitant than a mortal.

There was nothing strikingly beautiful about the child, but she possessed that inexpressibly sweet character of face that takes the human heart by storm at first sight; and this, added to the fact that she was almost the only one of her sex who had been seen for many months by any of those present,—that she was fair, blue-eyed, delicate, modestly dressed, and innocent, filled them with an amount of enthusiasm that would have predisposed them to call a scream melodious, had it been uttered by Mademoiselle Nelina.

But the voice which came timidly from her lips was in harmony with her appearance. There was no attempt at execution, and the poor child was too frightened to succeed in imparting much expression to the simple ballad which she warbled; but there was an inherent richness in the tones of her voice that entranced the ear, and dwelt for weeks and months afterwards on the memory of those who heard it that night.

It is needless to add, that all her songs were encored with rapturous applause. The second song she sang was the popular one, “Erin, my country!” and it created quite a furore among the audience, many of whom were natives of the Green Isle.

“Oh! ye purty creature! sing it again, do!” yelled an Irishman in the front seats, while he waved his hat, and cheered in mad enthusiasm. The multitude shouted, “Encore!” and the song was sung for the third time.

While it was singing, Larry O’Neil sat with his hands clasped before him, his bosom heaving, and his eyes riveted on the child’s face.

“Mr Sinton,” he said, in a deep, earnest tone, touching Ned on the shoulder, as the last sweet notes of the air were drowned in the thunder of applause that followed Mademoiselle Nelina off the stage; “Mr Sinton, I’d lay me life that it’s her!”

“Who?” inquired Ned, smiling at the serious expression of his comrade’s face.

“Who but Nelly Morgan, av course. She’s the born image o’ Kate. They’re as like as two paise. Sure av it’s her, I’ll know it, I will; an’ I’ll make that black thief of a Yankee explain how he comed to possess stolen goods.”

Ned and the captain at first expressed doubts as to Larry’s being able to swear to the identity of one whom he had never seen before; but the earnest assurances of the Irishman convinced them that he must be right, and they at once entered into his feelings, and planned, in an eager undertone, how the child was to be communicated with.

“It won’t do,” said Ned, “to tax the man right out with his villainy. The miners would say we wanted to get possession of the child to make money by her.”

“But if the child herself admitted that the man was not her relative!” suggested Captain Bunting.

“Perhaps,” returned Ned, “she might at the same time admit that she didn’t like the appearance of the strangers who made such earnest inquiries about her, and prefer to remain with her present guardian.”

“Niver fear,” said Larry, in a hoarse whisper; “she’ll not say that if I tell her I know her sister Kate, and can take her to her. Besides, hasn’t she got an Irish heart? an’ don’t I know the way to touch it? Jist stay where ye are, both o’ ye, an’ I’ll go behind the scenes. The niggers are comin’ on again, so I’ll try; maybe there’s nobody there but herself.”

Before they could reply, Larry was gone. In a few minutes he reached the front seats, and, leaning his back against the wall, as if he were watching the performers, he gradually edged himself into the dark corner where the side curtain shut off the orchestra from the public. To his great satisfaction he found that this was only secured to the wall by one or two nails, which he easily removed, and then, in the midst of an uproarious laugh, caused by a joke of the serenaders, he pushed the curtain aside, and stood before the astonished gaze of Mademoiselle Nelina, who sat on a chair, with her hands clasped and resting on her knee. Unfortunately for the success of Larry’s enterprise, he also stood before the curtain-raiser—a broad, sturdy man, in rough miner’s costume—whose back was turned towards him, but whose surprised visage instantly faced him on hearing the muffled noise caused by his entry. There was a burly negro also in the place, seated on a small stool, who looked at him with unqualified astonishment.

“Halloo! wot do you want?” exclaimed the curtain-raiser.

“Eh! tare an’ ages!” cried Larry, in amazement. “May I niver! Sure it’s draimin’ I am; an’ the ghost o’ Bill Jones is comed to see me!”

It was, indeed, no other than Bill Jones who stood revealed before him; but no friendly glance of recognition did his old comrade vouchsafe him. He continued, after the first look of surprise, to frown steadily on the intruder.

“You’ve the advantage o’ me, young man,” said Bill, in a stern, though subdued tone, for he feared to disturb the men on the stage; “moreover, you’ve comed in where ye’ve got no right to be. When a man goes where he shouldn’t ought to, an’ things looks as if they wasn’t all square, in them circumstances, blow high or blow low, I always goes straight for’ard an’ shoves him out. If he don’t shove easy, why, put on more steam—that’s wot I say.”

“But sure ye don’t forgit me, Bill!” pleaded Larry, in amazement.

“Well, p’r’aps I don’t, an’ p’r’aps I do. W’en I last enjoyed the dishonour o’ yer acquaintance, ye wos a blackguard. It ain’t likely yer improved, so be good enough to back yer top-sails, and clear out.”

Bill Jones pointed, as he spoke, to the opening through which Larry had entered, but, suddenly changing his mind, he said, “Hold on; there’s a back door, an’ it’ll be easier to kick you through that than through the consart-room.”

So saying, Bill seized Larry O’Neil by the collar, and led that individual, in a state of helpless and wondering consternation, through a back door, where, however, instead of kicking him out, he released him, and suddenly changed his tone to an eager whisper.

“Oh! Larry, lad, I’m glad to see ye. Wherever did ye come from? I’ve no time to speak. Uncle Ned’s jist buried, and Jim Crow comes on in three minutes. I had to pretend, ye know, ’cause it wouldn’t do to let Jim see I know’d ye—that wos him on the stool—I know wot brought ye here—an’ I’ve fund out who she is. Where d’ye stop?”

Larry’s surprise just permitted him to gasp out the words “City Hotel,” when a roar of laughter and applause met their ears, followed by the tinkle of a small bell. Bill sprang through the doorway, and slammed the door in his old comrade’s face.

It would be difficult to say, looking at that face at that particular time, whether the owner thereof was mad or drunk—or both—so strangely did it wrinkle and contort as it gradually dawned upon its owner that Bill Jones, true to his present profession, was acting a part; that he knew about the mystery of Mademoiselle Nelina; was now acquainted with his, (Larry’s), place of abode; and would infallibly find him out after the concert was over. As these things crossed his mind, Larry smote his thigh so often and so vigorously, that he ran the risk of being taken up for unwarrantably discharging his revolver in the streets, and he whistled once or twice so significantly, that at least five stray dogs answered to the call. At last he hitched up the band of his trousers, and, hastening round to the front door, essayed to re-enter the concert-room.

“Pay here, please,” cried the money-taker, in an extremely nasal tone, as he passed the little hole in the wall.

“I’ve paid already,” answered Larry.

“Shew your check, then.”

“Sure I don’t know what that is.”

The doorkeeper smiled contemptuously, and shut down with a bang the bar that kept off the public. Larry doubled his fist, and flushed crimson; then he remembered the importance of the business he had on hand, and quietly drew the requisite sum from his leather purse.

“Come along,” said he to Ned Sinton, on re-entering the room. “I’ve see’d her; an’ Bill Jones, too!”

“Bill Jones!” cried Ned and the captain simultaneously.

“Whist!” said Larry; “don’t be makin’ people obsarve us. Come along home; it’s all right—I’ll tell ye all about it when we’re out.”

In another minute the three friends were in the street, conversing eagerly and earnestly as they hastened to their quarters through the thronged and noisy streets of Sacramento.

Chapter Twenty Six.

Deep Plots and Plans—Bill Jones relates his Misadventures—Mademoiselle Nelina consents to run off with Larry O’Neil—A Yankee Musician outwitted—The Escape

As Larry had rightly anticipated, Bill Jones made his appearance at the City Hotel the moment the concert was over, and found his old comrades waiting anxiously for him.

It did not take long to tell him how they had discovered the existence of Nelly Morgan, as we shall now call her, but it took much longer to drag from Bill the account of his career since they last met, and the explanation of how he came to be placed in his present circumstances.

“Ye see, friends,” said he, puffing at a pipe, from which, to look at him, one would suppose he derived most of his information, “this is how it happened. When I set sail from the diggin’s to come here for grub, I had a pleasant trip at first. But after a little things began to look bad; the feller that steered us lost his reckoning, an’ so we took two or three wrong turns by way o’ makin’ short cuts. That’s always how it Is. There’s a proverb somewhere—”

“In Milton, maybe, or Napier’s book o’ logarithms,” suggested Captain Bunting.