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The Crown of Wild Olive
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Год написания книги
2018
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From Scott's Works.
p r. Melrose.
f r. Dryburgh.*
c m. Glencoe.
c m. Loch Coriskin.
a l. Caerlaverock.
From the "Rivers of France."
a q. Château of Amboise, with large bridge on right.
l p r. Rouen, looking down the river, poplars on right.*
a l p. Rouen, with cathedral and rainbow, avenue on the left.
a p. Rouen Cathedral.
f p. Pont de l'Arche.
f l p. View on the Seine, with avenue.
a c p. Bridge of Meulan.
c g p r. Caudebec.*
217
As well;—not as minutely: the diamond cuts finer lines on the steel than you can draw on paper with your pen; but you must be able to get tones as even, and touches as firm.
218
See, for account of these plates, the Appendix on "Works to be studied."
219
This sketch is not of a tree standing on its head, though it looks like it. You will find it explained presently.
220
It is meant, I believe, for "Salt Hill."
221
I do not mean that you can approach Turner or Durer in their strength, that is to say, in their imagination or power of design. But you may approach them, by perseverance, in truth of manner.
222
The following are the most desirable plates:
Grande Chartreuse.
Æsacus and Hespérie.
Cephalus and Procris.
Source of Arveron.
Ben Arthur.
Watermill.
Hindhead Hill.
Hedging and Ditching.
Dumblane Abbey.
Morpeth.
Calais Pier.
Pembury Mill.
Little Devil's Bridge.
River Wye (not Wye and Severn).
Holy Island.
Clyde.
Lauffenbourg.
Blair Athol.
Alps from Grenoble.
Raglan. (Subject with quiet brook, trees, and castle on the right.)
If you cannot get one of these, any of the others will be serviceable, except only the twelve following, which are quite useless:—
1. Scene in Italy, with goats on a walled road, and trees above.
2. Interior of church.
p r. Melrose.
f r. Dryburgh.*
c m. Glencoe.
c m. Loch Coriskin.
a l. Caerlaverock.
From the "Rivers of France."
a q. Château of Amboise, with large bridge on right.
l p r. Rouen, looking down the river, poplars on right.*
a l p. Rouen, with cathedral and rainbow, avenue on the left.
a p. Rouen Cathedral.
f p. Pont de l'Arche.
f l p. View on the Seine, with avenue.
a c p. Bridge of Meulan.
c g p r. Caudebec.*
217
As well;—not as minutely: the diamond cuts finer lines on the steel than you can draw on paper with your pen; but you must be able to get tones as even, and touches as firm.
218
See, for account of these plates, the Appendix on "Works to be studied."
219
This sketch is not of a tree standing on its head, though it looks like it. You will find it explained presently.
220
It is meant, I believe, for "Salt Hill."
221
I do not mean that you can approach Turner or Durer in their strength, that is to say, in their imagination or power of design. But you may approach them, by perseverance, in truth of manner.
222
The following are the most desirable plates:
Grande Chartreuse.
Æsacus and Hespérie.
Cephalus and Procris.
Source of Arveron.
Ben Arthur.
Watermill.
Hindhead Hill.
Hedging and Ditching.
Dumblane Abbey.
Morpeth.
Calais Pier.
Pembury Mill.
Little Devil's Bridge.
River Wye (not Wye and Severn).
Holy Island.
Clyde.
Lauffenbourg.
Blair Athol.
Alps from Grenoble.
Raglan. (Subject with quiet brook, trees, and castle on the right.)
If you cannot get one of these, any of the others will be serviceable, except only the twelve following, which are quite useless:—
1. Scene in Italy, with goats on a walled road, and trees above.
2. Interior of church.
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