As Seen On Tv

On my twelfth birthday, one of his ex-girlfriends sent me a card, wishing me a good year and telling me to call her if I ever needed anything.

“Throw that out,” my father said. “She’s only using you to get to me. Besides, it’s not appropriate for you to still see her socially.”

I threw it out.

Carrie always looked very—Vogue. Now her hair has that three-hundred-dollar blond highlighted, blow-dried straight then attacked with a curling iron look. She’s wearing black boot-cut pants, a tight silver strapless shirt and a black cashmere pashmina draped behind her back and over her arms. She looks shorter than she used to, despite her three-inch stiletto boots—ouch—but I think that’s because the last time I saw her I was only four feet tall. Now she looks about my height, five foot six. My brown patent leather pumps only add an inch. I don’t normally wear shoes like these out, they’re my suit shoes, my interview shoes. According to Dana, they’re called Mary Janes, meaning they’re pumps with a strap. They’re the only shoes I have that match with this dress. I’m not a fashion connoisseur, but I didn’t think my sneakers would go.

The hostess shows us to our table while batting her eyes, swooshing her petal skirt and thrusting her sunflower bikinied breasts at my dad. Carrie notices and wraps her fingers around his wrist like a jaywalking mother clinging to her daughter. Thankfully the waiter in our section is male. For some reason only the female staff members are dressed in garden-appropriate costumes. Maybe no one wants waiters clothed in fig leaves handling their shrimps. Carrie and my dad claim the seats in the corner, facing outward, and I slide into the art deco highly uncomfortable metal chair across from my father and an ivy-covered wall.

Carrie passes me her drink. “Their apple martinis are to die for,” she says. “Try mine.”

I take a careful sip, not wanting to touch her red lipstick marks. “Pretty good.”

“Do you want one?” my dad asks me. He looks at Carrie. “You want another one, doll?” That answers my previous unanswered question. She’s Doll tonight.

Alcohol will surely increase this evening’s enjoyment factor. “Why not?” I answer before Doll has a chance to speak.

Carrie raises her hand and waves over our waiter. “She would like an apple martini, please. Can I have another one, too? Thanks.”

We order appetizers and the main course after listening to Carrie’s endorsements. (“The crab cakes are heavenly, trust me. Do you like ostrich? It’s fabulous here. Try it. The shrimps in black bean sauce are also to die for.”) Eating ostrich sounds mildly grotesque, so I decide on the shrimp. Once we’ve ordered, my dad asks me about my job search.

“I have interviews set up all day on Monday,” I say. “Hopefully some sort of job offer will come out of it.”

“All you need is one, right?” Carrie asks. “Just like a man.” She smiles at my dad. I want to tell her she shouldn’t get her hopes up.

I wonder what she does for a living. What’s the etiquette for asking? People always strike me as crass when they inquire about my work. It’s as if they’re trying to sneak a peek at my paycheck. And what if she doesn’t work? She might be one of those Manhattan socialites. Maybe she’s never set a pedicured toe into a job since summer camp.

Oh, hell. “So what do you do, Carrie?”

She finishes the rest of the martini and swishes it around her mouth like mouthwash. “I’m an associate at Character Casting. It’s a talent agency.”

“Cool. You find actors for movies and commercials?”

“Basically. Lately we’ve been doing a lot of reality TV.”

“I thought reality TV used real people.”

“They do use real people,” she declares. “The reality shows all have open casting, but they also rely on agencies to find people with unique abilities and diverse backgrounds. We cast most of the singles for DreamDates. Have you ever seen it?”

“You watch those reality TV shows?” my father asks me.

“Not really,” I say. “I’m not a huge TV watcher. I watch the news, and Letterman. I used to watch a ton of TV when I was in high school.”

When I lived on my own, there wasn’t much else to do when all my friends were having dinner with their families.

“Honestly, I haven’t gotten into the reality TV trend thing. I watched a DreamDates episode once, and it was kind of funny.” If you consider witnessing someone else’s complete humiliation funny. Ex-boyfriends were there, background music was blasting, people were crying. I was surprised when I read an article reporting the show was incredibly popular.

“They’re everywhere,” Carrie whispers, leaning in like a conspirator. “The networks are premiering dozens more this season. They love them—they don’t have to pay the writers or the actors. Even stodgy cable networks like TRS are launching them. These days it’s the only surefire way to get into the eighteen-to thirty-four market. In the past year we’ve casted for Freshman Year, The Model’s Life, Party Girls, and get this one—Call Girls. Yup. It’s a reality show about a Vegas whorehouse. Unreal, huh?”

I shake my head, incredulous. Don’t individuals have enough problems without wanting to burden themselves with other people’s exaggerated ones? “How did you cast for that? Answer the Village Voice ads?”

“You don’t want to know.” Our drinks and appetizers arrive and Carrie continues between bites of crab cake. “We’re swamped these days. You know what—if none of your interviews work out, we could definitely use a temp at Character.” She looks over at my father, as though seeking approval in the form of a nod or pat on the knee.

My dad says, “That’s a great idea.”

If Carrie were a Labrador, her tail would wag.

Flipping through pictures of anorexic wanna-be actresses all day? Thanks, but no thanks.

A tall brown-haired man wearing a Hawaiian-patterned shirt, black pants, shiny leather loafers, a square goatee and tiny John Lennon glasses approaches our table and lays his hands palms down on our table. “Carrie! What’s up?” he says, his glance glossing over my father and me.

Carrie straightens up in her chair. “Howard, hello. You know my boyfriend, Adam.” He shakes my dad’s hand. “And this is his daughter, Sunny. Sunny, Howard Brown.”

“It’s a pleasure,” he says to me. I lift my hand to shake his, and he kisses the back of it. His lips feel oily and he reminds me of a counselor I knew at Abina, Mark Ryman, who had thought he was the camp’s Danny Zukoe. He would buy the fifteen-year-old counselors-in-training shots of tequila to get them drunk enough to sit on his lap.

Carrie looks around the room. “Who are you here with?”

He rubs his hands together as if he’s trying to warm them up. “My wife. She’s getting us another table. I don’t like where they sat us.” He motions across the room at a blonde in a fur-collared white sweater.

Carrie waves but the wife doesn’t wave back. “Tell her I say hello,” Carrie says.

As soon as he walks away, Carrie hunches toward me and whispers, “That was the executive producer for the show Party Girls I was telling you about. His wife is a complete bitch. A jealous freak. She’s convinced he’s screwing half the women in New York.”

“Why?”

“Because he’s screwing half the women in New York.”

“He has the slime vibe,” I say.

“Yeah, but he’s a genius. He created the show, too. He’s even the one who sold the idea to TRS, which is miraculous, considering that the network is so conservative. Since I cast two of the girls for his show, he’s considering hiring me as a liaison. You know, to make sure they stay gorgeous and do their job.”

“So what are these brilliant producers going to do next? Tape people going to the bathroom?” my dad asks, nipping back into the conversation at the word gorgeous. Maybe Carrie should start peppering her everyday conversation with sexy adjectives. Sizzling weather. Spicy clients.

“You’re so funny, honey.” Carrie giggles a little-girl laugh.

“What does a producer do exactly?” I ask. I’ve never understood what that job title entails.

“Not much,” my father says.

“Very funny, Adam, that’s not true. They plan everything, hire everyone, manage the money, make sure everything is on schedule, premiere the show.”

Sounds like what I do, but with TV shows instead of carbonated fruit juices.

“This concept is very original. It follows four girls at different bars on Saturday nights.”

Aren’t there a million shows like that? “Very original,” I say.

Carrie nods, either missing or ignoring my sarcasm. “The camera only follows the girls on Saturday nights. The unique part is that the show airs the next night. We call it ALR taping, Almost Live Reality. An incredibly quick taping-to-broadcasting turnaround.” Her voice switches into sell-mode. I imagine her shaking hands with prospective spicy clients, nodding profusely. “No one knows what’s going to happen next week, not even Howard. Also, this show is going to be far more accurate in terms of the scene than other Real TV shows. Usually these shows are taped in their entirety, then edited, then broadcasted. But even though a club is sizzling hot during the summer, it could easily be out by winter. With ALR, Party Girls will be a lot more immediate. Much more now. Much more real.”