Orders from Berlin

The fact that the only immediate light came from one weak bulb in a pale green art deco wall fixture on the side wall of the hallway made the crime scene seem even more macabre. Several people – other neighbours, obviously – were milling about at the back near where some stairs went down into the basement, and up above, a wide curving staircase with a thick mahogany banister wound its way up into murky shadows, broken only by a faint light visible near the top.

Suddenly a woman came out into the hall from a doorway on the right, swaying from side to side. She was wearing a knee-length brown woollen coat, as if she had just come in from outside, and a rose-patterned scarf had fallen back from her light brown hair to hang loosely around her shoulders. Her face was white with shock and her eyes were swollen from crying. She was one hell of a mess, but she was also pretty; Quaid had been right about that.

Instinctively guessing that the woman was the dead man’s daughter, Trave stepped quickly forward, blocking her view of the corpse, but she was looking up, not down, as if searching for something or someone in the shadows at the top of the stairs.

‘Someone pushed him. I couldn’t see who it was – it was too dark,’ she blurted out. ‘But I saw my father. He was struggling up there, shouting “no”, swaying backwards and forwards in the air, trying to stay upright, trying not to fall, and then – then he fell.’ Her voice came in gasps, words expelled between deep gulping breaths until she’d finished telling them what had happened, whereupon her eyes travelled down to the crimson carpet at her feet in imitation of her father’s descent, and she fell forward herself in a dead faint.

Trave had seen it coming – he leant forward and caught her in his arms.

‘Take her back in my flat,’ said the old lady, pointing to the open door through which the dead man’s daughter had appeared a moment before. ‘I told her to stay still, but she wouldn’t listen. It’s the shock – makes you do stupid things. I remember when my husband died. Put her there,’ she instructed Trave from the doorway once they were inside, pointing to a sofa across from the fireplace. ‘She’ll be all right. I’ll look after her.’

‘Did you see what happened?’ Quaid asked a little impatiently. He didn’t want to admit it to himself, but he felt a little envious of the way Trave had been able to step forward and catch the woman as she fell and then carry her away as if she weighed no more than a feather in his arms. For a moment, it made Quaid wish he were young again – not that he had ever had such an instinctive sense of timing as his assistant so clearly possessed.

‘No, I didn’t,’ said the old lady. ‘The caretaker’s nice. He lets us use his place down in the basement as a shelter when there are raids, and so I went down there when the siren sounded with the rest of the people who live here. Not Mr Morrison – he didn’t like it down there for some reason, except when his daughter forced him,’ she said, making the sign of the cross as she gestured with averted eyes towards the corpse. ‘And then a few minutes later we heard Ava screaming the house down. It was just when the all clear sounded, and it was like the two of them, her and the siren, were competing with each other, if you know what I mean—’

She broke off, realizing the inappropriateness of her comment, although it was obvious that she hadn’t meant to sound heartless. She seemed to be a kind woman.

‘Which is his flat?’ asked Quaid, pointing to the corpse.

‘Second floor on the left,’ said the old lady, pointing up into the shadowy darkness above their heads to where an upper landing was half-lit by some invisible light. ‘I don’t think anyone’s been up or down the stairs since I came up from the basement or I’d have heard them, but there’s a fire escape at the back. Whoever pushed him could have got away down that, I suppose.’

Quaid and Trave exchanged a look and took out their guns. Fire escape or no fire escape, there was no point taking any chances. The police had been issued firearms in the first year of the war, but neither the inspector nor his assistant had had occasion to use them yet. Quaid went first, with Trave just behind, both of them shining their torches up into the darkness. The stairs creaked under their shoes, but otherwise there was no sound.

Two flights up, the two policemen became more aware of the line of light above their heads, and when they turned the corner, they saw that it was a shaft coming through a half-open door on the other side of the next landing. Moving forward, their hearts hammering against their chests, they felt a current of cold air coming towards them.

Signalling to Trave to get ready, Quaid flattened himself against the wall behind the door and gently pushed it open, and Trave found himself looking down the length of an empty corridor lit by a single overhead light to where a metal curtain rail had been pulled down onto the carpet and a second door stood wide open to the night air. Quickly he ran to the end and then came to an abrupt halt. Outside, snaking down to the ground below his feet, a black iron fire escape clung to the back of the building like some parasitic creature missing its head and tail.

Trave shone his torch down into the shadows but saw nothing except the outline of a row of squat municipal dustbins behind a railing near the bottom of the ladder that looked for a moment like a line of men at a bar. Everything was silent – the killer was long gone. That much was obvious.

‘What can you see?’ asked Quaid, coming up behind Trave as he was examining the outside of the door frame.

‘Whoever it is got out this way—’

‘I know that.’

‘But I don’t think this is how he got in,’ said Trave, finishing his sentence.

‘Why do you say that?’

‘There are no signs of forcible entry, and the key’s in the door,’ said Trave, pointing. ‘And I don’t think the killer put it there.’

‘Why not?’

‘I just don’t see him going round the flat looking for it when he knew someone had seen him. He’d have been too desperate to get away.’

‘Maybe he knew where to look,’ said Quaid. ‘He certainly knew where to find the fire escape.’

‘Yes, but I don’t think that means he’s been here before,’ said Trave. ‘Most of these Victorian apartment blocks have fire escapes like this at the back.’

‘Well, aren’t you the expert?’ said Quaid sarcastically. And then apologized immediately when he saw how Trave recoiled, obviously offended. He hadn’t had Trave working for him that long, but there’d already been several cases where his assistant had noticed something that seemed minor at the time but turned out afterwards to be important. Quaid was an arrogant man, but he was clever enough to realize that two sets of eyes were better than one. After all, what did it matter who saw what, provided Quaid got the credit for solving the case afterwards. ‘Come on, William, have a sense of humour,’ he said, clapping Trave on the back. ‘I expect you’re right. Our dead friend probably had the door locked – unless he was too busy with his books and got absent-minded, which is always a possibility. Have you seen how many he’s got? The flat’s stuffed to the rafters with them. Come and take a look.’

Trave followed Quaid back down the corridor to the living room. The inspector was right. Books were everywhere, lined up horizontal and vertical on overloaded shelves or piled in precarious leaning towers on tables and chairs. From a side table over by the window, Trave picked up a copy of Hitler’s Mein Kampf in the original German that had been heavily annotated in blue ink; lying underneath it was a copy of The Communist Manifesto, this time in translation.

There were papers too, all covered with the same distinctive spidery handwriting, and yellowing articles cut out of newspapers. There didn’t seem to be any surface in the flat that wasn’t covered in some way.

‘Christ, he’s got more books than the bloody public library,’ said Quaid, whistling through his teeth. ‘You’d need a compass to find your way round here.’

‘No, I think that he knew where everything was. Or almost everything,’ Trave said meditatively. It was almost as if he were speaking to himself.

‘So you think there’s method in the madness, eh, William?’ Quaid observed, eyeing his assistant with interest and glancing back round the jam-packed room.

‘I had an uncle who lost one of his legs in the last war,’ said Trave. ‘He didn’t do anything except read.’

‘Like you,’ said Quaid with a smile.

‘Worse. His house was just like this, and yet when he wanted to show me something in one of his books, he could lay his hands on it in a minute.’

‘Well, good for him,’ said Quaid. ‘But why did you say “almost everything”? What was that about?’

‘I’m not sure. Maybe it’s nothing. It’s just these papers on the floor here, they’re different somehow,’ said Trave, pointing to a small heap of documents near his feet that were lying on the carpet in the space between the desk and the fireplace.

‘In what way different?’

‘They look like they’ve been thrown there, maybe from off the desk. They’re not stacked up like the other papers.’

‘Yes, maybe you’re right,’ said Quaid, looking down. ‘Good work, William. You’ll make a decent detective yet. Okay, leave everything where it is for now. We need to get back downstairs. We can bring the daughter up here when she’s back on her feet – see what she says; see if anything’s missing. You can carry her if you like,’ he added with a grin as he went out of the door.

Trave shook his head and gave a weary smile. He’d already picked up on his boss’s irritation at the way he’d helped the bereaved woman downstairs, but what was he supposed to do – leave her to faint on top of her father’s corpse?

Carefully he replaced Mein Kampf on the table where he’d found it and looked curiously around the room one last time before he followed his boss down the stairs. Strange, he thought, how all the books seemed to be about different kinds of politics. Reference books, language primers, treatises – but as far as he could see, there wasn’t one novel in the whole damn place. But then fact, of course, could be a great deal stranger than fiction.

Downstairs, Trave went to check on the dead man’s daughter and was pleased to see that she’d recovered her senses while he’d been away. She was sitting up on the sofa where he had laid her before he went upstairs, sipping from a glass of brandy that the old lady must have given her. There was even some colour in her pale cheeks.

Reassured, Trave returned to the hall, where Quaid was standing by the remains of the woman’s father.

‘There’s no point waiting for a doctor,’ said Quaid, sounding typically decisive. ‘We know he’s dead and we know what killed him, so we’d better get on with finding out who did it.’

Trave knew in the immediate sense that ‘we’ meant him. It was his job, not Quaid’s, to handle the dead and go through their possessions. So he took out his evidence gloves, pulled them carefully over his hands, and began methodically to go through the dead man’s pockets, doing his best to keep his eyes averted from the mess of shattered bone and blood that had once been a human face.

‘What’ve you got there?’ asked Quaid, watching at the side.

‘A wallet,’ said Trave, holding up a battered leather notecase that he’d extracted from inside the dead man’s jacket. He took out his torch to shine a brighter light on the contents. ‘There’s an ID card in the name of Albert Morrison, aged sixty-eight; address 7 Gloucester Mansions, Prince of Wales Drive, SW11,’ he went on. ‘Plus three pounds ten shillings in banknotes, a ration card, and two ticket stubs. Oh, and a piece of paper – same inside pocket, but not in the wallet, folded into four. There’s a bit of blood on it, but you can read what it says: “Provide detailed written report. What are the chances of success? C.” And there’s a name written underneath with a question mark – Hayrich or Hayrick, maybe.’

‘Never heard of him,’ said Quaid.

‘I think it’s all the same handwriting – same as on the papers upstairs,’ said Trave, peering closely, ‘but the name’s a bit of a scrawl, like it’s been written in a hurry, sometime after the sentence, I’d say.’

‘All right, bag it. Is there anything else?’