A Random Act of Kindness

This is a brand-new put-down out of a whole array of criticisms. I mean, Mick couldn’t possibly like me for my company, my looks and the fact the sex is good, could he? No. He’s after my flat. Correction: their flat. I take another mouthful of my drink. My eyes water. It hits the back of my nose like mustard powder. It’s more like a punishment than a cocktail.

‘He’s got his own house,’ I point out. ‘In Harpenden.’

That shakes them.

‘Actually his own?’ my father asks dubiously.

‘Yes. Actually his own.’ I’ve got a decent imagination, but even I couldn’t invent a house in Harpenden.

My mother gives me the look she uses when she suspects me of lying. I think of getting up to show her photographs of it on my phone, but I change my mind and sink back down again because honestly, it’s not worth the effort.

I crunch on my celery stick and look at her face with those new, strange eyes and wonder what my father thinks about it. The work she’s had done ages her. Only people afraid of losing their looks have that kind of extreme appearance, the kind that makes them look stretched and plumped and filled and tightened. When you see a face like that you immediately put them in the category of the middle-aged. When I was a personal stylist I saw the same shiny foreheads and immobile mouths on a daily basis. It rarely made women look young. It made them look as if the humanity had been taken out of them.

My parents are leaning towards each other on the red sofa, still recovering from the Harpenden house revelation, forcing them to come up with some new reason for protecting me from Mick or protecting the flat from me. Time to change the subject.

‘I saw an interesting woman today. You’d have liked her,’ I say to my mother. ‘She was wearing Chanel.’

‘You sold her Chanel?’ My mother brightens, visibly impressed. ‘Is she anyone we’d know?’

She’s got the wrong end of the stick, but I don’t want to ruin it, so I smile brightly. ‘I’m afraid I can’t say. Client confidentiality. Can I refresh your glass?’

Vodka, tomato juice, Worcestershire sauce, Tabasco sauce, celery salt, fresh celery. Glasses refreshed, I sit down again on the red footstool and the hit of my drink is so strong that for a moment I have the horrible feeling I’m going to topple off it.

‘Is she a television personality?’ my mother persists eagerly, hankering after the days when she, too, was a name and hung out with the stars.

I smile enigmatically, not wanting to ruin it for her.

‘I can guess who it is,’ she says smugly, mollified by her own imagination.

The doorbell rings. In my semi-drunk state it doesn’t sound like the doorbell. It sounds like an alarm, harsh and urgent and motivating, and the three of us are galvanised out of our alcohol-numbed torpor into action, struggling to our feet in uncomprehending panic.

‘Who is it?’ my mother asks, keeping her voice low as if we’re in hiding.

I open the door and it’s my upstairs neighbour, Lucy. She comes in full of drunken merriment. ‘Hey! I saw your light on and I—’ She suddenly notices my parents. ‘Oh, hello!’

I can guess what my mother is thinking behind her frozen face. She hates people who drop in unexpectedly. She thinks it’s the height of rudeness.

‘Bloody Mary?’ I ask Lucy.

‘Ooh, yes. Is this a party?’

Lucy’s got curly blonde hair and the kind of cheerful superficiality that actors are good at during those times when they’re not talking about a new role. They take acting seriously, but they treat life with a very light touch, which is a welcome relief if you belong to my family. Lucy’s wearing a black unstructured asymmetric dress with a lot of zips. Comme des Garçons. I know because I sold it to her. She’s playing Lady Macbeth at The Gatehouse and she still has her stage make-up on. She’s electrified with post-performance adrenaline.

Lucy’s ambition is to direct. She’s been in all the best crime dramas: Scott & Bailey, Silent Witness, Endeavour, Shetland. Whenever she’s in something, she invites me upstairs so we can watch it together on her flatscreen TV and she points out the flaws in the acting, things that I’d never have noticed – like when someone fluffs a line, or winces before the knife’s been raised, or fails to respond to the scene.

And that’s the way she’s looking at me now, slightly critically, as if I’m not playing the part of host very well, so I introduce her to my parents and while I mix another jug of Bloody Marys she fills us in on how the night has gone. The theatre was packed. There had been a heckler. The audience was so caught up that at the end there was a long, thick silence after Malcolm’s closing lines.

‘Malcolm McDowell?’ my mother asks hopefully, ready to claim acquaintance because he bought her a drink once.

‘Malcolm. Duncan’s son,’ Lucy says. ‘“This dead butcher and his fiend-like queen”.’

My mother’s disappointed. ‘A dead butcher?’ she echoes, confused.

‘He’s talking about Macbeth! The fiend-like queen – that’s me. And they’re holding up Macbeth’s head and this orange light comes over them – it’s like an Isis video. Cheers!’

Lucy brings a whole new element to the night. There are some things that my parents will only say to me, which shows some kind of loyalty, I suppose, so the conversation stops being personal. Lucy sits on the footstool and I sit on the Barcelona chair while my parents loll on the sofa. We’ve reached the hazy stage of drunkenness where words become particularly meaningful.

Lucy’s still talking about the play and her excitement about the concept of the ‘Pahr off sgestion’.

We’re momentarily perplexed but rooting for the concept anyway. ‘Par? Path?’ I prompt helpfully.

She takes a couple of shots at it.

‘Parf – parf –.’ She takes another sip of the drink to clear her head and leans forward. ‘Power of suggestion,’ she says, exaggerating the words at us as if we’re deaf. ‘The three Weird Sisters, psychics as we call them, I play second psychic as well … anyway, the thing is, they put the idea into Macbeth’s head. They plant it there. Hadn’t occurred to him to become the Thane of Cawdor before then but he thought, you know what? I can do that. See what I mean? It’s dark, right?’

‘Aha! Brainwashing,’ my father says.

‘Not brainwashing.’

‘Visualisation,’ I say.

‘You see?’ Lucy asks happily.

‘They didn’t read the future, they just gave him a goal to aim for,’ my father says.

‘Yes!’

My mother’s face turns my way. ‘What are your goals, Fern?’

‘To make a success of my business.’

She remains unimpressed. ‘That’s it?’

‘Well,’ I shrug, ‘the Thane of Cawdor thing’s already gone.’

My mother hates flippancy. ‘She had so much promise,’ she says, turning to Lucy for support. ‘She’s thrown it all away. She needs to do more with her life.’

‘Why does she?’ Lucy asks. ‘She’s got a nice life. You’ve got a nice life, Fern, haven’t you?’

‘Yes.’ I want to hug her.

My mother says icily, ‘She’s got a market stall.’

Cheerfully unaware, Lucy replies, ‘I know. Great, isn’t it? There was a waiting list and everything! She was really lucky to get it, weren’t you, Fern?’

My mother’s not used to people disagreeing with her. She glares at Lucy from the depths of her narrow eye sockets. When Lucy remains oblivious to the silent death stare, my mother stands up and announces coldly, ‘I’m going to bed.’

Retires: hurt.