The Mountain Divide

“What do you mean?”

“I mean you have got to be careful how you do things out in this country.”

“But, Bill,” persisted the lad, “if there is going to be any business done in this office we have got to have order, haven’t we?” The lineman snorted and the operator saw that his appeal had fallen flat. “My batteries, Bill,” he added, changing the subject, “are no good at all. I sent for you because I want you to go over them now, to-night, and start me right. What are you going to do?”

Dancing had begun to poke at the ashes in the stove. “Build a fire,” he returned, looking about for material. He gathered up what waste paper was at hand, pushed it into the stove, and catching up the way-bills from the desk, threw them in on the paper and began to feel in his wet pockets for matches.

“Hold on,” cried Bucks. “What do you mean? You must be crazy!” he exclaimed, running to the stove and pulling the way-bills out.

“Not half so crazy as you are,” replied Dancing undisturbed. “I’m only trying to show you how crazy you are. Burning up way-bills isn’t a circumstance to what you did just now. You are the looniest operator I ever saw.” As he looked at Bucks he extended his finger impressively. “When you laid your hand on that man’s shoulder to-night–the one sitting on your stool–I wouldn’t have given ten cents for your life.”

Bucks regarded him with astonishment. “Why so?”

“He’s the meanest man between here and Fort Bridger,” asserted Dancing. “He’d think no more of shooting you than I would of scratching a match.” Bucks stared at the comparison. “He is the worst scoundrel in this country and partners with Seagrue and John Rebstock in everything that’s going on, and even they are afraid of him.”

Dancing stopped for breath. “Talk about my making a fire out of way-bills! When I saw you lay your hand on that man, I stopped breathing–can’t breathe just right yet,” he muttered, pulling at his shirt collar. “Do you know why you didn’t get killed?”

“Why, no, Bill, not exactly,” confessed Bucks in embarrassment.

“Because Levake was out of cartridges. I heard him tell Rebstock so when they walked past me.”

“Thank you for posting me. How should I know he was Seagrue’s partner, or who Rebstock is? Let’s make a bargain. I will be more careful in clearing out the office, and you be more careful about building fires. There’s wood in the baggage-room. I couldn’t get out to get it for fear the crowd would steal the tickets.”

“Well, you are ‘out’ four dollars and sixty cents charges on the cartridges,” continued Dancing, “and you had better say nothing about it. If you ever ask Levake for the money he will kill you.”

Bucks looked rebellious. “It’s only right for him to pay the charges. I shall ask him for them the next time I see him. And what is more he will have to pay, I don’t care whose partner he is.”

Dancing now regarded the operator with unconcealed impatience. “I suppose there are more where you came from,” he muttered. “They will need a lot of them here, if they carry on like that. How old are you?” he demanded of Bucks abruptly.

“Seventeen.”

“How long have you been in this country?”

Bucks looked at the clock. “About five hours, Bill.”

“Reckon time close, don’t you?”

“Have to, Bill, in the railroad business.”

Dancing reflected a moment. “Five hours,” he repeated. “If you don’t get killed within the next five you may live to be a useful citizen of Medicine Bend. Where are you from, and how did you happen to come away out here on the plains?”

“I am from Pittsburgh. I had to quit school and go to work.”

“Where did you go to school?”

“Well, I didn’t go–”

“Quit before you went, did you?”

“I mean, I was preparing for Van Dyne College. One of my brothers teaches there. I couldn’t start there after I lost my father–he was killed in the Wilderness Campaign, Bill. But when I can earn money enough, I am going back to Van Dyne and take an engineering course.”

“Got it all figured out, have you?”

“Then I heard they were building the Union Pacific, and I knew something about telegraphing–Jim Foster and I had a line from the house to the barn.”

“Had a line from the house to the barn, eh?” chuckled Dancing.

“So I bought a railroad ticket to Des Moines from Pittsburgh and staged it to Omaha, and General Park gave me a job right away and sent me out on the first train to take this office, nights. I didn’t even know where Medicine Bend was.”

“Don’t believe you know yet. Now that’s right, I don’t believe you know yet. You’re a good boy, but you talk too much.”

“How old are you, Bill?”

“I am twenty.”

“Twenty!” echoed Bucks, as if that were not very much, either.

“Twenty!” repeated the lineman. “But,” he added, drawing himself up in his tremendous stature, with dignity, “I have been on the plains driving wagons and building telegraph lines for seven years–”

“Seven years!” echoed Bucks, now genuinely admiring his companion.

“My father was a Forty-niner. I was a line foreman when I was seventeen, for Edward Creighton, and we put the first telegraph line through from the Missouri River to the Pacific,” continued Dancing, ready to back his words with blows if necessary.

“You are an old-timer,” cried Bucks enviously. “Any good rabbit-shooting around here, Bill?”

“Rabbit-shooting?” echoed Dancing in scorn. “The only rabbits they shoot around here, young fellow, are Pittsburgh rabbits, that don’t keep their ears hid proper. When we go hunting, we go antelope-hunting, buffalo-hunting, grizzly-bear hunting, elk-hunting. Now I don’t say I don’t like you and I don’t say you won’t do. What I say is, you talk too much. I’ll tell you what I’ve learned. I’ve learned not to say too much at a time. And when I say it, I don’t say it very loud. And if you don’t get killed, in advance, you will learn the same thing in the same way I learned it. Where are your blamed batteries?”

“Bill, you are all right.”

“I am, am I?”

“First help me enter these way-bills and check up the express packages so I can deliver them to this mob.”

“My business isn’t checking up express; but I like you, young fellow, so, go ahead. Only you talk too much.”

“Just a moment!”

At these words coming from the other end of the office, the lineman and the operator looked around. The military-looking man and his companion had entered the room unobserved and stood at the counter listening to the colloquy between the Eastern boy and the plainsman–for neither of the two were more than boys. Dancing saluted the new-comers. “It’s Colonel Stanley and Bob Scott,” he exclaimed.

Bucks walked forward. Stanley handed him a message. “You are the night operator? Here is a despatch for General Park. Get it out for me right away, will you?”

Dancing came forward to the railing. “How are you, Bill?” said Stanley, greeting the lineman as Bucks read the long message. “I am going up into the mountains next week, and I am just asking General Park for a cavalry detail.”

“Going to need me, Colonel?”

“Better hold yourself ready. Can you read that, young man?” he asked, speaking to Bucks.

“Yes, sir.”