Risking It All

She did not want to edit X-treme videos for the rest of her life. The money and the experience were both great, but it was all just a stepping stone to the big prize—the annual grant contest sponsored by the World Film Organization.

Rina wanted to showcase people who made a difference in the world, and by doing so, she’d also be making a difference. It was her Uncle David’s legacy, a continuation of the work he’d started but had never completed. By submitting part of this footage, along with pieces she’d shot herself and Stella’s narrative in a mini-film version of this particular X-treme video—well, this would be the most important part of their grant application.

“And we will get it. But you really need to give your karma a shine. And I think he’s exactly the one to give it to you.” Stella pointed to the freeze-frame close-up of Cash, and Rina cursed herself for not turning off the footage before opening the door.

“My karma’s fine.”

“Your karma hasn’t been cleansed, so to speak, in over six months, and even then it wasn’t properly shined.”

Leave it to her friend to bring up her last relationship, which Rina could admit to herself was less than satisfying on many different levels. “I’ll bypass the bad boys. You go for it.” But even as she said it and motioned to Cash, her stomach tightened.

You’re pathetic.

“So you’re telling me that this guy does nothing for you?” Stella asked, arms crossed as she continued to stare at Cash’s image.

“I didn’t say that. But he’s not my type.”

“Because he’s not boring and predictable?”

“I prefer to think of my past boyfriends as stable.”

Her friend sniffed indignantly. “Many of the men I’ve dated are stable.”

“Yeah, sure. That’s a word I associate with a grown man who skateboards off the roof for fun.”

“I’ll have you know that Dan did that because he was practicing a new stunt. Besides, we broke up and I know you too well. Whenever you want to avoid talking about your love life, you bring up mine. Nice try, though, but I think that surfer’s definitely the one to break your dry spell.”

“The only thing he’s going to do is help me make this video the best one yet. And I thought you’d agreed to swear off bad boys to cleanse your own karma?” she countered, and Stella sighed with momentary defeat.

“Did you get the end done?”

“I did. And you’ve got to see it.” Rina rewound the tape to the spot, as she’d done at least a hundred times in the last hour or so.

Stella glanced at the screen where Rina had paused the video on an image of Cash, full-on, staring straight ahead toward the camera and smiling. Then Stella stole the remote from Rina’s hand while simultaneously pushing Rina’s chair out of the way to get a closer view. “I can’t wait to write this copy,” she murmured.

“Hey, I’m not done editing yet.” Rina snatched the remote back out of her friend’s hand. “Besides, don’t you have our grant proposal you’re supposed to be finishing up?”

Stella sat down, opened her sandwich and still didn’t take her eyes off the screen. “It’s all finished. The only thing left to include is a copy of the most kick-ass piece of work we’ve got.”

“It’s this one, Stel.”

“Nothing at all to do with the hottie on the board, right?”

Rina grinned. “Maybe just a little.” But she certainly wouldn’t do anything about it. A fantasy never hurt anyone—it was when you got to know the guy that the fantasy was ruined. Keeping him on screen guaranteed that he’d stay the perfect man. It was easier that way. She didn’t need to get bogged down in a bad relationship, couldn’t afford to have her focus torn away now, when she and Stella were so close to realizing their dream of being their own bosses.

Rina wasn’t the type to have her head turned by a pretty face anyway. Part of it was her inherent shyness, and the other part was the intensity with which she approached her work. It was an odd combination that didn’t sit well with many men. Or any men, if her past relationships were a means to judge.

Instead of spending time looking for love and having relationships, she and Stella had been furiously dedicated to getting the funding to one day make the documentary that would put their partnership on the map. Rina had been involved in documentary filmmaking since she’d graduated college, and she’d taken internships while she’d still been in school. She’d met Stella on one of those jobs, both of them nothing more than glorified gofer for the gofers, but in between coffee runs and changing camera batteries, they’d bonded. And they’d learned everything they could about short filmmaking.

The main topic of their shared thesis for the grant proposal dealt with the psychology of danger, and showcasing the way that ordinary people were pushed to do extraordinary things. So getting a chance to work on this X-treme series was a fantastic wrap-up session for both of them.

“Your uncle would be proud of you, Rina.” Stella smiled at her, put a hand on her shoulder, and Rina knew Stella was right. Her Uncle David had been the one to put the camera into her hands in the first place, the one to show her how and why pitch was important, the one to recognize her talent for drawing people out in front of the lens.

David had been killed by a land mine while filming a rebel outbreak along the Western Tanzanian border where it met Burundi when Rina was just fifteen. He’d also been one of the earliest journalists to embed with troops, long before the term was actually coined and the concept became popular.

Things were never the same in her family after that. Her mother tried to put her children in a protective bubble, especially after Rina’s father died a few years later and her aunt went wild and ended up impulsively marrying a Navy SEAL who was as much, if not more, of a wild man than her uncle had been.

And Rina had done a little of both extremes, a little pushing of boundaries and then retreating to safety. And, as much as she wanted the grant proposal to go through, as much as she wanted to travel and see the world and meet extraordinary people—people who made a difference—and continue her uncle’s work, she was scared.

One year behind the camera on projects that pushed men and women to their physical limits and beyond hadn’t helped matters any. A good filmmaker had to keep an emotional distance from the subject on the other side of the lens, and her fear of getting involved, pulled in to any of that, helped a great deal on this project. Impartiality, being able to look at what the subjects were doing with a critical and non-judgmental eye, was crucial.

Rina wasn’t sure what had happened when she saw Cash, but nothing would beyond watching the tape pretty often over the next few weeks, anyway.

Her uncle would have pushed her hard to get that grant as soon as possible to go into Africa and begin shooting the first segment in the proposal. And she was scared to death at the thought of moving forward like that, and of telling her mother her plans.

Cross that bridge, and a few oceans, when you get to it. Her uncle had been passionate enough about his work to put himself out there, at risk. When the time was right, she’d need to rise to the challenge. Until then, just getting to that opportunity took up her focus.

“My uncle would be out there on the board himself,” she said.

“Maybe that surfer could show you a few moves. Loosen you up and remind you that there’s more to life than what happens behind the scenes.”

“I’ll leave the wild-child act to you, okay?”

Stella shook her head. “Well, at least hurry up and show the video to Vic. Like, this afternoon would work,” Stella urged.

“Not going to be a problem,” she murmured, more to the man named Cash than herself, who still smiled at her from the screen. “Not going to be a problem at all.”

“WE’VE GOT A not-so-small problem,” Vic said, and her heart sank.

Rina stared at her boss, who’d managed to find the loudest Hawaiian shirt she’d ever seen and pair it with bright orange swim trunks. How everyone else on this project managed to slip time in for vacation while she’d been holed up in this cubicle was beyond her, but now wasn’t the time for complaints. “Okay. Tell me.”

“This is shaping up to be the best video in the series. The best work you’ve ever done,” he said, and she waited, held her breath because so far she hadn’t heard anything that constituted a problem. “But Zoot’s assistant never got a release form from one of the surfers. That guy named Cash.”

Without a signed release form, she wouldn’t be allowed to use Cash’s face on film. These days, many people even balked at being a faceless image on a screen, and Vic insisted on signed releases for everyone captured on film in his video productions.

Her stomach sank and she could literally feel her big chance slipping through her fingers. She fisted her hands in an attempt to stop that from happening.

“Are you sure? Maybe the paperwork just got misplaced.” She heard the panic in her voice and she wished Stella was here with her instead of with Zoot in a jeep headed to the other side of the island.

“I’m sure. You’ll have to cut him out.”

“Vic, cutting him out is going to ruin everything,” she said. Everything. It would also require days of work, and the video just wouldn’t have the same impact.

Cash’s face—and her career dreams—flashed before her eyes. To have to hire a big-name surfer would cost money the production company didn’t have, and their focus on this particular line of videos was not to showcase pros, but rather, rabid fanatics of the sport who wanted to turn pro and devoted all their time and energy to it.

“I don’t see any other choice.”

“I can track him down,” she said, and Vic sighed and shook his head.