The Socialist

And to-day, of all days, was important. It was the early afternoon of the evening on which the play called The Socialist was to be presented at the Park Lane Theatre. He had obtained special permission to go to town by the evening train – there would be no accident this time – and he knew that to-morrow, whether the play was a success or a failure, his name would be in every one's mouth.

All Oxford, all London, all Society was talking about the play that would see light in a few hours. The public interest in it was extraordinary; his own interest in it was keen and fierce, with a fierceness and keenness a thousand times more strenuous than any one knew. He did not fear that he, as a typical representative of his class and order, would be caricatured or held up to economic execration. Even if it were so – and he was aware of Rose's intention – he did not care twopence. He feared nothing of that sort. He feared that he might become convinced.

For it had come to that.

A complete change and bouleversement of opinion and outlook is not nearly so long a process as many people are apt to suppose. To some natures it is true that conviction, or change of conviction, comes slowly. In the case of the majority this is not so. With many people a settled order of mind, a definite attitude towards life, a fixed set of principles, are the results of heredity or environment. A man thinks in such-and-such a way, and is content with thinking in such-and-such a way simply because the other side of the question has not been presented to him with sufficient force. A Conservative, for example, hears Radical arguments, as a rule, through the medium of a Conservative paper, with all the answers and regulations in the next column.

It had been thus with the Duke of Paddington. He had lived a life absolutely walled-in from outside influences, Eton and Oxford, an intensely exclusive circle of that society which surrounds the Court. He had been shut away from everything which might have turned his thoughts to the larger issues of life.

Enlightenment, knowledge, had come suddenly and had come with irresistible force. Reviewing the past weeks, as the duke sometimes did with a sort of bitter wonder, he dated the change in his life from the actual moment when he was crushed down into the swift unconsciousness when the railway accident occurred outside Paddington Station. Since then his mental progress had been steady and relentless. James Fabian Rose, Mr. Goodrick, Peter Conrad, the parson, were all men of extreme intellectual power. Arthur Burnside also was unique in his force and grip, his vast and ever-increasing knowledge. And Mary Marriott – Mary, the actress! – the duke thought as little of Mary Marriott as he possibly could – she came into his thoughts too often for the peace of a loyal gentleman pledged irrevocably to another girl.

All these forces, the cumulative effect of them, had been at work. The duke found himself at the parting of the ways. Day by day he deserted all the friends of his own station and all the amusements and pleasures which had always employed his time before. For these he substituted the society of Burnside. He went for long walks with the scholar. He drove him out in his great Mercedes automobile; they talked over coffee during late midnights.

An extraordinary attachment had sprung up between the two young men. They were utterly different. One was plebeian and absolutely poor, the other was a hereditary peer of England and wealthier than many a monarch. Yet they were fast friends, nevertheless. Nothing showed more completely the entire change of the duke's attitude than this simple fact. All his prejudices had disappeared and were overcome. Regardless of the opinions of his friends, forgetful of his rank and state, he was a close friend of Burnside.

Their relations were peculiar. The duke had offered his companion anything and everything. He proposed to make the scholar independent of struggle for the rest of his life. He pressed him to accept a sum of money which would for ever free him from sordid cares and enable his genius to have full play.

Burnside had absolutely refused anything of the sort. He was delighted to accept the sum which the duke was paying him for his work as librarian of Paddington House. It meant everything to him. But he worked for it; he knew that his work was valuable, and he accepted its due wages.

Apart from that, apart from a mutual attraction and liking which was astonishing enough to both of them, and which was, nevertheless, very real and deep, the relations of the two were simply this: the poor young man of the middle classes, the man of brilliant intellect, was the tutor.

The duke was a simple pupil, and day by day he was learning a lesson which would not be denied.

The duke arrived at St. Paul's College and crossed the quadrangle into the second quad., where the "new buildings" were. He went up the oak stairs to his rooms.

His scout, Gardener – the discreet and faithful Gardener! – was making up the fire in the larger of the two sitting-rooms as the duke came in.

"The kit-bag and the suit cases are already packed, sir," he said. "The valet asked me to say so. You will remember that you have given him the afternoon off. Wilkins will be at the station ten minutes before the train starts. Will you kindly tell me where you will be staying, sir, so that the porter can send the late post letters up to reach you at breakfast?"

"Oh, I shall be at the Ritz," the duke answered, "but you'd better send the letters on to me yourself, Gardener."

"At the Ritz? Very good, your Grace," the privileged old servant replied. "I saw in the Telegraph that Lord Camborne and her ladyship were down at Carlton, so I thought as you'd be staying at a hotel, sir. But I'm sorry to say that I must leave the matter of the letters to the porter, because, your Grace, I have leave of absence from the bursar to-night, and I am going to London myself."

"Oh, well, I hope you'll enjoy yourself, Gardener," the duke answered. "If you go to the writing-table you will find a pocket-book with five five-pound notes in it. You can take one, and it will pay your expenses. You're going on pleasure, I suppose?"

Gardener went to the writing-table, expressing well-bred thanks. "Certainly your Grace is most kind," he said. "I hardly know how to thank you, sir. You've been a very kind master to me ever since you've been up. I don't know if you'd call it pleasure exactly, but I'm going up to London to see this abominable play, begging your pardon. I'm going to do the same as your grace is going to do. I'm going to see this here Socialist. In a sense I felt it a kind of duty, sir, to go up and make my bit of a protest – if hissing will do any good – especially so, sir, since all the papers are saying that it's an attack upon your Grace."

The duke was about to reply, somewhat touched and pleased by the old fellow's interest, when Burnside came into the room, walking very quickly and with his face flushed.

"I beg your pardon," he said, "for bursting in like this, but I think you arranged to walk to Iffley with me, didn't you? and I have some specially extraordinary news to tell you!"

The old scout, who did not in the least approve of poor scholars of Paul's becoming the intimate friends of dukes, withdrew with a somewhat grim smile.

"What is it, Burnside?" the duke said. "You seem excited. Good news, I hope?"

"Tremendously good!" said the young man in the black clothes, his keen, intellectual face lit up like a lamp. "An uncle of mine, who emigrated to Canada many years ago as quite a poor labourer, has died and left a fortune of over three hundred thousand pounds. I never knew him, and so I can't pretend to feel sorry for his death. To cut a long story short, however, I must tell you that I am the only surviving heir, and that I have heard this morning from solicitors in London that all this money is absolutely mine!"

The duke's face became animated, he was tremendously pleased. "I'm so glad," he said. "I can't tell you how glad I am, Burnside. Now you will be quite safe. You will be able to complete your destiny unhampered by squalid worries. And you won't owe your good fortune to any one."

"I'm so glad that you see it in that way," Burnside replied. "Three hundred thousand pounds! Think of it, if money means anything to a man of millions, like you. Why, it will mean everything to the cause of Socialism. Fabian Rose will go mad with excitement when I put the whole lot into his hands to be spent for the cause!"

CHAPTER XX

THE DUKE KNOWS AT LAST

The duke went to the theatre early.

The play was announced for nine o'clock, but he was in his box, the stage box on a level with the stalls, by half-past eight. A whole carriage had been reserved for him from Oxford to London, and a dinner basket had been put in for him. He wished to be entirely alone, to think, to adjust his ideas at a time of crisis unparalleled in his life before.

A motor-brougham had met him at Paddington and taken him swiftly down to the Ritz in Piccadilly. There he had bathed and changed into evening clothes, and now, as the clock was striking eight, he sat down in his box.

The curtains were partially drawn and he could not be seen from the auditorium, though he knew that when the theatre filled all Society would know where he was, even though he was not actually visible.

At present the beautiful little theatre was but half lit. There was no pit, and the vista of red-leather armchairs which made the stalls was almost bare of people. There was a sprinkling of folk in the dress-circle, but the upper circle, which took the place of gallery and stretched up to the roof, was packed with people. It was the only part of the aristocratic Park Lane Theatre that was unreserved.

The fire-proof curtain was down, hiding the act-drop, the orchestra was a wilderness of empty chairs, and none of the electric footlights were turned on. Now and again some muffled noises came from the stage, where, probably, the carpenters were putting the finishing touches to the first scene, and a continuous hum of talk fell from the upper circle, sounding like bees swarming in a garden to one who sits in his library with an open window upon a summer day.

The duke sat alone. He was in a curious mood. The perplexity and irritation with life and circumstance which had been so poignant during the afternoon at Oxford had quite left him. He was quite placid now. His nerves were stilled, he remained quietly expectant.

Yet he was sad also, and he had many reasons for sadness. The old life was over, the old ideas had gone, the future, which had seemed so irrevocably ordered, so settled and secure for him, was now a mist, an unknown country full of perils and alarms.

The duke was a young man who was always completely honest with himself. As he sat alone in the box waiting for what was to ensue he knew three things. He knew that something of tremendous importance was going to happen to him on that night. He knew that he could no longer regard his enormous wealth and high rank from the individualistic point of view. And he knew that he had made a horrible, ghastly, and irremediable mistake in asking Lady Constance Camborne to be his wife.

It was the most hideous of all possible mistakes.

It was a mistake for which there was no remedy. Carried away by a sudden gust of passion, he had done what was irrevocable. He had found almost at once that he did not love her, that he had been possessed by the power of her beauty and charm for a moment; but never, under any circumstances could he feel a real and abiding love for her.

A knock came at the door of the box, and a second afterwards James Fabian Rose entered. The gleaming expanse of shirt-front only accentuated the extreme pallor of his face, and beneath the thatch of mustard-coloured hair his eyes shone like lamps.

Rose was nervous and somewhat unlike his usual self. He was always nervous on the first nights of his plays, and lost his cool assurance and readiness of manner. To-night he was particularly so.

"I thought I would just come in and say 'how-do-you-do,'" he said, shaking the duke heartily by the hand. "They told me that you were in the house."

The duke was genuinely glad to see his celebrated friend, and his face reflected the pleasure that he felt. The visit broke in upon sad thoughts and the ever-growing sensation of loneliness. "Oh! do sit down for a minute or two," he said. "It's most kind of you to look me up. I suppose you're frightfully busy, though?"

"On the contrary," Rose replied, "I have nothing on earth to do. Everything is finished and out of my hands now. If you had said that you supposed I was frightfully nervous, you would have been far more correct."

The duke nodded sympathetically. "I know," he said. "I'm sure it must be awful."

"It is; and, of course, it's worse to-night than ever before. I am flying right in the face of Society and all convention. I'm putting on a play which will rouse the fierce antagonism of all the society people, who will be here in a few minutes. I'm going tooth-and-nail for your order. And, finally, I am introducing an unknown actress to the London stage. It's enough to make any one nervous. I'm trying to preach a sermon and produce a work of art at one and the same moment, and I'm afraid the result will be absolute failure."

The duke, for his part, had never expected anything else but failure for the venture until this very evening. But to-night, for some reason or other, he had a curious certainty that the play, would not fail. It was an intuition without reason, but he would have staked anything upon the event.

His strange certainty and confidence was in his voice as he answered the Socialist.

"No," he said, "it is going to be a gigantic success. I am quite definitely sure of it. It is going to be the success of your life. And more than that, it is not only going to be an artistic triumph, but it will be the strongest blow you have ever struck for Socialism!"

Rose looked at the young man with keen scrutiny. Then a little colour came into the linen-white cheeks, and he held out his hand with a sudden and impulsive gesture.