The Original Sinners: The Red Years

Zach shook his head and looked up at the ceiling in disgust.

“She’s a guttersnipe writer at best,” Zach said. “Her mind’s in the gutter, her books are in the gutter. I wouldn’t be surprised if her last publishing house kept its offices in the gutter.”

“She might be a guttersnipe, but she’s our guttersnipe. Well, your guttersnipe now.”

“This isn’t My Fair Lady. I’m not Professor Henry Higgins, and she is no Eliza bloody Doolittle.”

“Whoever she is she’s a damn fine writer. You would know this if you’d bothered to read one of her books.”

“I left England for this job,” Zach reminded him. “I left one of the most respected publishers in Europe because I wanted to work with the best young American writers.”

“She’s young. She’s American.”

“I did not leave England, my life…” Zach stopped himself before he said, “and my wife.” After all, it was his wife who’d left him first.

“This book has real potential. She brought it to us because she’s ready to make a change.”

“Give her twenty shillings for a pound if she wants change. I leave for L.A. in six weeks. I can’t believe you want me to set everything aside and give my last six weeks to Nora Sutherlin. Not a chance.”

“I’ve seen your in-box, Easton. It’s not so full you can’t work with Sutherlin while you tie up loose ends around here. Don’t tell me you don’t have the time when we both know you just don’t have the inclination.”

“Fine. I don’t have the time or the inclination to edit erotica, even good erotica, if there is such an animal. I’m not the only editor here. Give it to Thomas Finley.” Zach named his least favorite coworker, the one who’d given him his nickname. “Or Angie Clark even.”

“Finley? That pansy? He’d make a pass at Sutherlin, and she’d eat him alive. If you punched him in the face, he wouldn’t even know how to bleed right.”

Zach nearly laughed in agreement before remembering he was fighting with J.P.

“Then what about Angie Clark?”

“She’s too busy right now. Besides…”

“Besides what?” Zach demanded.

“Clark’s afraid of her.”

“Can’t say I blame her,” Zach said. “I’ve heard grown men practically whisper her name at parties. The rumor is she slept her way to her first book deal.”

“I’ve heard that rumor, too. But she hasn’t slept her way to this one. Unfortunately,” J.P. said with a playful grin.

“I read on Rachel Bell’s blog that she never leaves the house in any other color than red. She said Sutherlin’s got a sixteen-year-old boy working as her personal assistant.”

J.P. smiled at him. “I believe she prefers ‘intern’ to ‘personal assistant.’”

Zach nearly choked on his own frustration. He’d been ready to leave for the evening, even had his coat on, when some demon voice in his head told him to check his work email one more time. He had a note from J.P. telling him that he was considering acquiring erotica writer Nora Sutherlin and her latest book for their big fall/winter release. And since Zach didn’t have much to occupy him until he left for L.A. in a few weeks…

“I need you to do this for me. You and no one else,” J.P. said.

“Why am I the only one who can handle her?”

“Handle her?” J.P. practically chortled the words before turning serious. “Listen to me—no one handles Nora Sutherlin. No, you’re just the only one I’ve got who can keep up with her. Easton…Zach. Hear me out, please.”

Zach swallowed and resigned himself to a moment’s détente. It was a rare thing indeed when John-Paul Bonner called anyone by his first name.

“She writes romances, J.P.,” Zach said quietly. “I hate romances.”

J.P. met his eyes with sympathy.

“I know you’ve been through hell this past year. I’ve met your Grace, remember? I know what you’ve lost. But Sutherlin…she’s good. We need her.”

Zach took a slow, deep breath.

“Has she signed the contract yet?” Zach asked.

“No. We’re still ironing out the terms.”

“Is there a verbal agreement in place?”

J.P. eyed him warily. “Not yet. I told her we’d have to look at the figures and get back to her, but we were leaning toward yes. Why?”

“I’ll talk to her.”

“A good start.”

“And I’ll read the manuscript. If I think there’s any chance she—we—can make something decent out of her book, I’ll give her my last six weeks. But the book doesn’t go to press until I sign off on it.”

J.P.’s eyes bored into Zach. Zach refused to blink or look away. He was used to having final say on all his books. He wasn’t about to relinquish that power, not for J.P., not for Nora Sutherlin, not for anyone.

“Easton, one Dan Brown title will outsell in a month what the entire poetry section of a bookstore will sell in five years. Sutherlin’s ‘pornography,’ as you call it, could pay for a lot of poetry around here.”

“I want the contract in my hands, J.P., or I won’t even meet her.”

J.P. sat back in his chair and exhaled loudly through his nose.

“Fine. She’s all yours. She’s got a nice little place in Connecticut. Take the train. Take my car. I don’t care. She’ll be home on Monday, she said.”

“Very well then.” Zach knew he was likely safe. When the mood struck him, Zach could be merciless to an author about his or her book’s shortcomings. The great writers took the criticism. The hacks couldn’t handle it. If he was hard enough on her, she’d beg for another editor.

The argument now at a stalemate, Zach rose tiredly from the chair and with hunched and aching shoulders headed toward the door.

A small cough stopped Zach before he could leave the office. J.P. didn’t meet his eyes, only ran his hand over the first page of the Hamlet reader’s copy in front of him.

“You should read this book when it comes out,” J.P. said, tapping the page. “Fascinating exploration of the feigned madness of Hamlet—‘I am but mad north north-west…’”

“‘But when the wind is southerly, I can tell a hawk from a handsaw,’” Zach finished the famous quotation.

“Sutherlin’s only as mad as Hamlet was. Don’t believe everything you’ve heard about her. The lady knows her hawks from her handsaws.”

“Lady?”