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Time's Laughingstocks, and Other Verses
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’Tis weakness in women to give themselves so;
If you care for your freedom you’ll listen to me,
Make a spouse in your pocket, and let the men be.”
I spake on’t again and again: father cried,
“Why – if you go husbanding, where shall I bide?
For never a home’s for me elsewhere than here!”
And I yielded; for father had ever been dear.
But now father’s gone, and I feel growing old,
And I’m lonely and poor in this house on the wold,
And my sweetheart that was found a partner elsewhere,
And nobody flings me a thought or a care.
THE SPRING CALL
Down Wessex way, when spring’s a-shine,
The blackbird’s “pret-ty de-urr!”
In Wessex accents marked as mine
Is heard afar and near.
He flutes it strong, as if in song
No R’s of feebler tone
Than his appear in “pretty dear,”
Have blackbirds ever known.
Yet they pipe “prattie deerh!” I glean,
Beneath a Scottish sky,
And “pehty de-aw!” amid the treen
Of Middlesex or nigh.
While some folk say – perhaps in play —
Who know the Irish isle,
’Tis “purrity dare!” in treeland there
When songsters would beguile.
Well: I’ll say what the listening birds
Say, hearing “pret-ty de-urr!” —
However strangers sound such words,
That’s how we sound them here.
Yes, in this clime at pairing time,
As soon as eyes can see her
At dawn of day, the proper way
To call is “pret-ty de-urr!”
JULIE-JANE
Sing; how ’a would sing!
How ’a would raise the tune
When we rode in the waggon from harvesting
By the light o’ the moon!
Dance; how ’a would dance!
If a fiddlestring did but sound
She would hold out her coats, give a slanting glance,
And go round and round.
Laugh; how ’a would laugh!
Her peony lips would part
As if none such a place for a lover to quaff
At the deeps of a heart.
Julie, O girl of joy,
Soon, soon that lover he came.
Ah, yes; and gave thee a baby-boy,
But never his name.
– Tolling for her, as you guess;
And the baby too.. ’Tis well.
You knew her in maidhood likewise? – Yes,
That’s her burial bell.
“I suppose,” with a laugh, she said,
“I should blush that I’m not a wife;
But how can it matter, so soon to be dead,
What one does in life!”
When we sat making the mourning
By her death-bed side, said she,
“Dears, how can you keep from your lovers, adorning
In honour of me!”
Bubbling and brightsome eyed!
But now – O never again.
She chose her bearers before she died
From her fancy-men.
Note. – It is, or was, a common custom in Wessex, and probably other country places, to prepare the mourning beside the death-bed, the dying person sometimes assisting, who also selects his or her bearers on such occasions.
“Coats” (line 7). – Old name for petticoats.
NEWS FOR HER MOTHER
I
One mile more is
Where your door is
Mother mine! —
Harvest’s coming,
If you care for your freedom you’ll listen to me,
Make a spouse in your pocket, and let the men be.”
I spake on’t again and again: father cried,
“Why – if you go husbanding, where shall I bide?
For never a home’s for me elsewhere than here!”
And I yielded; for father had ever been dear.
But now father’s gone, and I feel growing old,
And I’m lonely and poor in this house on the wold,
And my sweetheart that was found a partner elsewhere,
And nobody flings me a thought or a care.
THE SPRING CALL
Down Wessex way, when spring’s a-shine,
The blackbird’s “pret-ty de-urr!”
In Wessex accents marked as mine
Is heard afar and near.
He flutes it strong, as if in song
No R’s of feebler tone
Than his appear in “pretty dear,”
Have blackbirds ever known.
Yet they pipe “prattie deerh!” I glean,
Beneath a Scottish sky,
And “pehty de-aw!” amid the treen
Of Middlesex or nigh.
While some folk say – perhaps in play —
Who know the Irish isle,
’Tis “purrity dare!” in treeland there
When songsters would beguile.
Well: I’ll say what the listening birds
Say, hearing “pret-ty de-urr!” —
However strangers sound such words,
That’s how we sound them here.
Yes, in this clime at pairing time,
As soon as eyes can see her
At dawn of day, the proper way
To call is “pret-ty de-urr!”
JULIE-JANE
Sing; how ’a would sing!
How ’a would raise the tune
When we rode in the waggon from harvesting
By the light o’ the moon!
Dance; how ’a would dance!
If a fiddlestring did but sound
She would hold out her coats, give a slanting glance,
And go round and round.
Laugh; how ’a would laugh!
Her peony lips would part
As if none such a place for a lover to quaff
At the deeps of a heart.
Julie, O girl of joy,
Soon, soon that lover he came.
Ah, yes; and gave thee a baby-boy,
But never his name.
– Tolling for her, as you guess;
And the baby too.. ’Tis well.
You knew her in maidhood likewise? – Yes,
That’s her burial bell.
“I suppose,” with a laugh, she said,
“I should blush that I’m not a wife;
But how can it matter, so soon to be dead,
What one does in life!”
When we sat making the mourning
By her death-bed side, said she,
“Dears, how can you keep from your lovers, adorning
In honour of me!”
Bubbling and brightsome eyed!
But now – O never again.
She chose her bearers before she died
From her fancy-men.
Note. – It is, or was, a common custom in Wessex, and probably other country places, to prepare the mourning beside the death-bed, the dying person sometimes assisting, who also selects his or her bearers on such occasions.
“Coats” (line 7). – Old name for petticoats.
NEWS FOR HER MOTHER
I
One mile more is
Where your door is
Mother mine! —
Harvest’s coming,
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