That have lagged too late.”
“Why do I? Alas, far times ago
A woman lyred here
In the evenfall; one who fain did so
From year to year;
And, in loneliness bending wistfully,
Would wake each note
In sick sad rote,
None to listen or see!
“I would not join. I would not stay,
But drew away,
Though the winter fire beamed brightly.. Aye!
I do to-day
What I would not then; and the chill old keys,
Like a skull’s brown teeth
Loose in their sheath,
Freeze my touch; yes, freeze.”
“I LOOK IN HER FACE”
(Song: Minor)
I look in her face and say,
“Sing as you used to sing
About Love’s blossoming”;
But she hints not Yea or Nay.
“Sing, then, that Love’s a pain,
If, Dear, you think it so,
Whether it be or no;”
But dumb her lips remain.
I go to a far-off room,
A faint song ghosts my ear;
Which song I cannot hear,
But it seems to come from a tomb.
AFTER THE WAR
Last Post sounded
Across the mead
To where he loitered
With absent heed.
Five years before
In the evening there
Had flown that call
To him and his Dear.
“You’ll never come back;
Good-bye!” she had said;
“Here I’ll be living,
And my Love dead!”
Those closing minims
Had been as shafts darting
Through him and her pressed
In that last parting;
They thrilled him not now,
In the selfsame place
With the selfsame sun
On his war-seamed face.
“Lurks a god’s laughter
In this?” he said,
“That I am the living
And she the dead!”
“IF YOU HAD KNOWN”
If you had known
When listening with her to the far-down moan
Of the white-selvaged and empurpled sea,
And rain came on that did not hinder talk,
Or damp your flashing facile gaiety
In turning home, despite the slow wet walk
By crooked ways, and over stiles of stone;
If you had known
You would lay roses,
Fifty years thence, on her monument, that discloses
Its graying shape upon the luxuriant green;
Fifty years thence to an hour, by chance led there,
What might have moved you? – yea, had you foreseen
That on the tomb of the selfsame one, gone where
The dawn of every day is as the close is,
You would lay roses!
1920.
THE CHAPEL-ORGANIST
(A.D. 185–)
I’ve been thinking it through, as I play here to-night, to play never again,
By the light of that lowering sun peering in at the window-pane,
And over the back-street roofs, throwing shades from the boys of the chore
In the gallery, right upon me, sitting up to these keys once more…
How I used to hear tongues ask, as I sat here when I was new:
“Who is she playing the organ? She touches it mightily true!”