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Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces
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Unpinned and drew as from a sheath
An ostrich-feathered hat.
And where the hat had hung she now
Concealed and pinned the dowdy hood,
And set the hat upon her brow,
And thus emerging from the wood
Tripped on in jaunty mood.
The sun was low and crimson-faced
As two came that way from the town,
And plunged into the wood untraced.
When separately therefrom they paced
The sun had quite gone down.
The hat and feather disappeared,
The dowdy hood again was donned,
And in the gloom the fair one neared
Her home and husband dour, who conned
Calmly his blue-eyed blonde.
“To-day,” he said, “you have shown good sense,
A dress so modest and so meek
Should always deck your goings hence
Alone.” And as a recompense
He kissed her on the cheek.
THE ROMAN GRAVEMOUNDS
By Rome’s dim relics there walks a man,
Eyes bent; and he carries a basket and spade;
I guess what impels him to scrape and scan;
Yea, his dreams of that Empire long decayed.
“Vast was Rome,” he must muse, “in the world’s regard,
Vast it looms there still, vast it ever will be;”
And he stoops as to dig and unmine some shard
Left by those who are held in such memory.
But no; in his basket, see, he has brought
A little white furred thing, stiff of limb,
Whose life never won from the world a thought;
It is this, and not Rome, that is moving him.
And to make it a grave he has come to the spot,
And he delves in the ancient dead’s long home;
Their fames, their achievements, the man knows not;
The furred thing is all to him – nothing Rome!
“Here say you that Cæsar’s warriors lie? —
But my little white cat was my only friend!
Could she but live, might the record die
Of Cæsar, his legions, his aims, his end!”
Well, Rome’s long rule here is oft and again
A theme for the sages of history,
And the small furred life was worth no one’s pen;
Yet its mourner’s mood has a charm for me.
November 1910.
THE WORKBOX
“See, here’s the workbox, little wife,
That I made of polished oak.”
He was a joiner, of village life;
She came of borough folk.
He holds the present up to her
As with a smile she nears
And answers to the profferer,
“’Twill last all my sewing years!”
“I warrant it will. And longer too.
’Tis a scantling that I got
Off poor John Wayward’s coffin, who
Died of they knew not what.
“The shingled pattern that seems to cease
Against your box’s rim
Continues right on in the piece
That’s underground with him.
“And while I worked it made me think
Of timber’s varied doom;
One inch where people eat and drink,
The next inch in a tomb.
“But why do you look so white, my dear,
And turn aside your face?
You knew not that good lad, I fear,
Though he came from your native place?”
“How could I know that good young man,
Though he came from my native town,
When he must have left there earlier than
I was a woman grown?”
“Ah no. I should have understood!
It shocked you that I gave
An ostrich-feathered hat.
And where the hat had hung she now
Concealed and pinned the dowdy hood,
And set the hat upon her brow,
And thus emerging from the wood
Tripped on in jaunty mood.
The sun was low and crimson-faced
As two came that way from the town,
And plunged into the wood untraced.
When separately therefrom they paced
The sun had quite gone down.
The hat and feather disappeared,
The dowdy hood again was donned,
And in the gloom the fair one neared
Her home and husband dour, who conned
Calmly his blue-eyed blonde.
“To-day,” he said, “you have shown good sense,
A dress so modest and so meek
Should always deck your goings hence
Alone.” And as a recompense
He kissed her on the cheek.
THE ROMAN GRAVEMOUNDS
By Rome’s dim relics there walks a man,
Eyes bent; and he carries a basket and spade;
I guess what impels him to scrape and scan;
Yea, his dreams of that Empire long decayed.
“Vast was Rome,” he must muse, “in the world’s regard,
Vast it looms there still, vast it ever will be;”
And he stoops as to dig and unmine some shard
Left by those who are held in such memory.
But no; in his basket, see, he has brought
A little white furred thing, stiff of limb,
Whose life never won from the world a thought;
It is this, and not Rome, that is moving him.
And to make it a grave he has come to the spot,
And he delves in the ancient dead’s long home;
Their fames, their achievements, the man knows not;
The furred thing is all to him – nothing Rome!
“Here say you that Cæsar’s warriors lie? —
But my little white cat was my only friend!
Could she but live, might the record die
Of Cæsar, his legions, his aims, his end!”
Well, Rome’s long rule here is oft and again
A theme for the sages of history,
And the small furred life was worth no one’s pen;
Yet its mourner’s mood has a charm for me.
November 1910.
THE WORKBOX
“See, here’s the workbox, little wife,
That I made of polished oak.”
He was a joiner, of village life;
She came of borough folk.
He holds the present up to her
As with a smile she nears
And answers to the profferer,
“’Twill last all my sewing years!”
“I warrant it will. And longer too.
’Tis a scantling that I got
Off poor John Wayward’s coffin, who
Died of they knew not what.
“The shingled pattern that seems to cease
Against your box’s rim
Continues right on in the piece
That’s underground with him.
“And while I worked it made me think
Of timber’s varied doom;
One inch where people eat and drink,
The next inch in a tomb.
“But why do you look so white, my dear,
And turn aside your face?
You knew not that good lad, I fear,
Though he came from your native place?”
“How could I know that good young man,
Though he came from my native town,
When he must have left there earlier than
I was a woman grown?”
“Ah no. I should have understood!
It shocked you that I gave
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