Life of John Sterling

To Mr. Carlyle.

"July 6th.—No books have come in my way but Emerson's, which I value full as much as you, though as yet I have read only some corners of it. We have had an Election here, of the usual stamp; to me a droll 'realized Ideal,' after my late metrical adventures in that line. But the oddest sign of the Times I know, is a cheap Translation of Strauss's Leben Jesu, now publishing in numbers, and said to be circulating far and wide. What does—or rather, what does not—this portend?"—

With the Poem called The Election, here alluded to, which had been more than once revised and reconsidered, he was still under some hesitations; but at last had well-nigh resolved, as from the first it was clear he would do, on publishing it. This occupied some occasional portion of his thoughts. But his grand private affair, I believe, was now Strafford; to which, or to its adjuncts, all working hours were devoted. Sterling's notions of Tragedy are high enough. This is what he writes once, in reference to his own task in these weeks: "Few, I fancy, know how much harder it is to write a Tragedy than to realize or be one. Every man has in his heart and lot, if he pleases, and too many whether they please or no, all the woes of OEdipus and Antigone. But it takes the One, the Sophocles of a thousand years, to utter these in the full depth and harmony of creative song. Curious, by the way, how that Dramatic Form of the old Greek, with only some superficial changes, remains a law not only for the stage, but for the thoughts of all Poets; and what a charm it has even for the reader who never saw a theatre. The Greek Plays and Shakspeare have interested a hundred as books, for one who has seen their writings acted. How lightly does the mere clown, the idle school-girl, build a private theatre in the fancy, and laugh or weep with Falstaff and Macbeth: with how entire an oblivion of the artificial nature of the whole contrivance, which thus compels them to be their own architects, machinists, scene-painters, and actors! In fact, the artifice succeeds,—becomes grounded in the substance of the soul: and every one loves to feel how he is thus brought face to face with the brave, the fair, the woful and the great of all past ages; looks into their eyes, and feels the beatings of their hearts; and reads, over the shoulder, the secret written tablets of the busiest and the largest brains; while the Juggler, by whose cunning the whole strange beautiful absurdity is set in motion, keeps himself hidden; sings loud with a mouth unmoving as that of a statue, and makes the human race cheat itself unanimously and delightfully by the illusion that he preordains; while as an obscure Fate, he sits invisible, and hardly lets his being be divined by those who cannot flee him. The Lyric Art is childish, and the Epic barbarous, compared to this. But of the true and perfect Drama it may be said, as of even higher mysteries, Who is sufficient for these things?"—On this Tragedy of Strafford, writing it and again writing it, studying for it, and bending himself with his whole strength to do his best on it, he expended many strenuous months,—"above a year of his life," he computes, in all.

For the rest, what Falmouth has to give him he is willing to take, and mingles freely in it. In Hare's Collection there is given a Lecture which he read in Autumn, 1841 (Mr. Hare says "1842," by mistake), to a certain Public Institution in the place,—of which more anon;—a piece interesting in this, if not much in any other respect. Doubtless his friends the Foxes were at the heart of that lecturing enterprise, and had urged and solicited him. Something like proficiency in certain branches of science, as I have understood, characterized one or more of this estimable family; love of knowledge, taste for art, wish to consort with wisdom and wise men, were the tendencies of all; to opulent means superadd the Quaker beneficence, Quaker purity and reverence, there is a circle in which wise men also may love to be. Sterling made acquaintance here with whatever of notable in worthy persons or things might be afoot in those parts; and was led thereby, now and then, into pleasant reunions, in new circles of activity, which might otherwise have continued foreign to him. The good Calvert, too, was now here; and intended to remain;—which he mostly did henceforth, lodging in Sterling's neighborhood, so long as lodging in this world was permitted him. Still good and clear and cheerful; still a lively comrade, within doors or without,—a diligent rider always,—though now wearing visibly weaker, and less able to exert himself.

Among those accidental Falmouth reunions, perhaps the notablest for Sterling occurred in this his first season. There is in Falmouth an Association called the Cornwall Polytechnic Society, established about twenty years ago, and supported by the wealthy people of the Town and neighborhood, for the encouragement of the arts in that region; it has its Library, its Museum, some kind of Annual Exhibition withal; gives prizes, publishes reports: the main patrons, I believe, are Sir Charles Lemon, a well-known country gentleman of those parts, and the Messrs. Fox. To this, so far as he liked to go in it, Sterling was sure to be introduced and solicited. The Polytechnic meeting of 1841 was unusually distinguished; and Sterling's part in it formed one of the pleasant occurrences for him in Falmouth. It was here that, among other profitable as well as pleasant things, he made acquaintance with Professor Owen (an event of which I too had my benefit in due time, and still have): the bigger assemblage called British Association, which met at Plymouth this year, having now just finished its affairs there, Owen and other distinguished persons had taken Falmouth in their route from it. Sterling's account of this Polytechnic gala still remains,—in three Letters to his Father, which, omitting the extraneous portions, I will give in one,—as a piece worth reading among those still-life pictures:—

"To Edward Sterling, Esq., Knightsbridge, London.

                                             "FALMOUTH, 10th August, 1841.

"MY DEAR FATHER,—I was not well for a day or two after you went; and since, I have been busy about an annual show of the Polytechnic Society here, in which my friends take much interest, and for which I have been acting as one of the judges in the department of the Fine Arts, and have written a little Report for them. As I have not said that Falmouth is as eminent as Athens or Florence, perhaps the Committee will not adopt my statement. But if they do, it will be of some use; for I have hinted, as delicately as possible, that people should not paint historical pictures before they have the power of drawing a decent outline of a pig or a cabbage. I saw Sir Charles Lemon yesterday, who was kind as well as civil in his manner; and promises to be a pleasant neighbor. There are several of the British Association heroes here; but not Whewell, or any one whom I know."

"August 17th.—At the Polytechnic Meeting here we had several very eminent men; among others, Professor Owen, said to be the first of comparative anatomists, and Conybeare the geologist. Both of these gave evening Lectures; and after Conybeare's, at which I happened to be present, I said I would, if they chose, make some remarks on the Busts which happened to be standing there, intended for prizes in the department of the Fine Arts. They agreed gladly. The heads were Homer, Pericles, Augustus, Dante and Michael Angelo. I got into the box-like platform, with these on a shelf before me; and began a talk which must have lasted some three quarters of an hour; describing partly the characters and circumstances of the men, illustrated by anecdotes and compared with their physiognomies, and partly the several styles of sculpture exhibited in the Casts, referring these to what I considered the true principles of the Art. The subject was one that interests me, and I got on in famous style; and had both pit and galleries all applauding, in a way that had had no precedent during any other part of the meeting. Conybeare paid me high compliments; Owen looked much pleased,—an honor well purchased by a year's hard work;—and everybody, in short, seemed delighted. Susan was not there, and I had nothing to make me nervous; so that I worked away freely, and got vigorously over the ground. After so many years' disuse of rhetoric, it was a pleasant surprise to myself to find that I could still handle the old weapons without awkwardness. More by good luck than good guidance, it has done my health no harm. I have been at Sir Charles Lemon's, though only to pay a morning visit, having declined to stay there or dine, the hours not suiting me. They were very civil. The person I saw most of was his sister, Lady Dunstanville; a pleasant, well-informed and well-bred woman. He seems a most amiable, kindly man, of fair good sense and cultivated tastes.—I had a letter to-day from my Mother [in Scotland]; who says she sent you one which you were to forward me; which I hope soon to have."

"August 29th.—I returned yesterday from Carclew, Sir C. Lemon's fine place about five miles off; where I had been staying a couple of days, with apparently the heartiest welcome. Susan was asked; but wanting a Governess, could not leave home.

"Sir Charles is a widower (his Wife was sister to Lord Ilchester) without children; but had a niece staying with him, and his sister Lady Dunstanville, a pleasant and very civil woman. There were also Mr. Bunbury, eldest son of Sir Henry Bunbury, a man of much cultivation and strong talents; Mr. Fox Talbot, son, I think, of another Ilchester lady, and brother of the Talbot of Wales, but himself a man of large fortune, and known for photogenic and other scientific plans of extracting sunbeams from cucumbers. He also is a man of known ability, but chiefly employed in that peculiar department. Item Professors Lloyd and Owen: the former, of Dublin, son of the late Provost, I had seen before and knew; a great mathematician and optician, and a discoverer in those matters; with a clever little Wife, who has a great deal of knowledge, quite free from pretension. Owen is a first-rate comparative anatomist, they say the greatest since Cuvier; lives in London, and lectures there. On the whole, he interested me more than any of them,—by an apparent force and downrightness of mind, combined with much simplicity and frankness.

"Nothing could be pleasanter and easier than the habits of life, with what to me was a very unusual degree of luxury, though probably nothing but what is common among people of large fortune. The library and pictures are nothing extraordinary. The general tone of good nature, good sense and quiet freedom, was what struck me most; and I think besides this there was a disposition to be cordially courteous towards me....

"I took Edward a ride of two hours yesterday on Calvert's pony, and he is improving fast in horsemanship. The school appears to answer very well. We shall have the Governess in a day or two, which will be a great satisfaction. Will you send my Mother this scribble with my love; and believe me,

"Your affectionate son,

                                                          "JOHN STERLING."

One other little event dwells with me, out of those Falmouth times, exact date now forgotten; a pleasant little matter, in which Sterling, and principally the Misses Fox, bright cheery young creatures, were concerned; which, for the sake of its human interest, is worth mention. In a certain Cornish mine, said the Newspapers duly specifying it, two miners deep down in the shaft were engaged putting in a shot for blasting: they had completed their affair, and were about to give the signal for being hoisted up,—one at a time was all their coadjutor at the top could manage, and the second was to kindle the match, and then mount with all speed. Now it chanced while they were both still below, one of them thought the match too long; tried to break it shorter, took a couple of stones, a flat and a sharp, to cut it shorter; did cut it of the due length, but, horrible to relate, kindled it at the same time, and both were still below! Both shouted vehemently to the coadjutor at the windlass, both sprang at the basket; the windlass man could not move it with them both. Here was a moment for poor miner Jack and miner Will! Instant horrible death hangs over both,—when Will generously resigns himself: "Go aloft, Jack," and sits down; "away; in one minute I shall be in Heaven!" Jack bounds aloft, the explosion instantly follows, bruises his face as he looks over; he is safe above ground: and poor Will? Descending eagerly they find Will too, as if by miracle, buried under rocks which had arched themselves over him, and little injured: he too is brought up safe, and all ends joyfully, say the Newspapers.

Such a piece of manful promptitude, and salutary human heroism, was worth investigating. It was investigated; found to be accurate to the letter,—with this addition and explanation, that Will, an honest, ignorant good man, entirely given up to Methodism, had been perfect in the "faith of assurance," certain that he should get to Heaven if he died, certain that Jack would not, which had been the ground of his decision in that great moment;—for the rest, that he much wished to learn reading and writing, and find some way of life above ground instead of below. By aid of the Misses Fox and the rest of that family, a subscription (modest Anti-Hudson testimonial) was raised to this Methodist hero: he emerged into daylight with fifty pounds in his pocket; did strenuously try, for certain months, to learn reading and writing; found he could not learn those arts or either of them; took his money and bought cows with it, wedding at the same time some religious likely milkmaid; and is, last time I heard of him, a prosperous modest dairyman, thankful for the upper light and safety from the wrath to come. Sterling had some hand in this affair: but, as I said, it was the two young ladies of the family that mainly did it.

In the end of 1841, after many hesitations and revisals, The Election came out; a tiny Duodecimo without name attached;[24 - The Election: a Poem, in Seven Books. London, Murray, 1841.] again inquiring of the public what its suffrage was; again to little purpose. My vote had never been loud for this step, but neither was it quite adverse; and now, in reading the poor little Poem over again, after ten years' space, I find it, with a touching mixture of pleasure and repentance, considerably better than it then seemed to me. My encouragement, if not to print this poem, yet to proceed with Poetry, since there was such a resolution for it, might have been a little more decided!

This is a small Piece, but aims at containing great things; a multum in parvo after its sort; and is executed here and there with undeniable success. The style is free and flowing, the rhyme dances along with a certain joyful triumph; everything of due brevity withal. That mixture of mockery on the surface, which finely relieves the real earnestness within, and flavors even what is not very earnest and might even be insipid otherwise, is not ill managed: an amalgam difficult to effect well in writing; nay, impossible in writing,—unless it stand already done and effected, as a general fact, in the writer's mind and character; which will betoken a certain ripeness there.

As I said, great things are intended in this little Piece; the motto itself foreshadowing them:—

"Fluellen.   Ancient Pistol, I do partly understand your meaning.

Pistol. Why, then, rejoice therefor."

A stupid commonplace English Borough has lost its Member suddenly, by apoplexy or otherwise; resolves, in the usual explosive temper of mind, to replace him by one of two others; whereupon strange stirring-up of rival-attorney and other human interests and catastrophes. "Frank Vane" (Sterling himself), and "Peter Mogg," the pattern English blockhead of elections: these are the candidates. There are, of course, fierce rival attorneys; electors of all creeds and complexions to be canvassed: a poor stupid Borough thrown all into red or white heat; into blazing paroxysms of activity and enthusiasm, which render the inner life of it (and of England and the world through it) luminously transparent, so to speak;—of which opportunity our friend and his "Muse" take dexterous advantage, to delineate the same. His pictures are uncommonly good; brief, joyous, sometimes conclusively true: in rigorously compressed shape; all is merry freshness and exuberance: we have leafy summer embowering red bricks and small human interests, presented as in glowing miniature; a mock-heroic action fitly interwoven;—and many a clear glance is carelessly given into the deepest things by the way. Very happy also is the little love-episode; and the absorption of all the interest into that, on the part of Frank Vane and of us, when once this gallant Frank,—having fairly from his barrel-head stated his own (and John Sterling's) views on the aspects of the world, and of course having quite broken down with his attorney and his public,—handsomely, by stratagem, gallops off with the fair Anne; and leaves free field to Mogg, free field to the Hippopotamus if it like. This portrait of Mogg may be considered to have merit:—

"Though short of days, how large the mind of man;
A godlike force enclosed within a span!
To climb the skies we spurn our nature's clog,
And toil as Titans to elect a Mogg.

"And who was Mogg?  O Muse! the man declare,
How excellent his worth, his parts how rare.
A younger son, he learnt in Oxford's halls
The spheral harmonies of billiard-balls,
Drank, hunted, drove, and hid from Virtue's frown
His venial follies in Decorum's gown.
Too wise to doubt on insufficient cause,
He signed old Cranmer's lore without a pause;
And knew that logic's cunning rules are taught
To guard our creed, and not invigorate thought,—
As those bronze steeds at Venice, kept for pride,
Adorn a Town where not one man can ride.

"From Isis sent with all her loud acclaims,
The Laws he studied on the banks of Thames.
Park, race and play, in his capacious plan,
Combined with Coke to form the finished man,
Until the wig's ambrosial influence shed
Its last full glories on the lawyer's head.

"But vain are mortal schemes.  The eldest son
At Harrier Hall had scarce his stud begun,
When Death's pale courser took the Squire away
To lands where never dawns a hunting day:
And so, while Thomas vanished 'mid the fog,
Bright rose the morning-star of Peter Mogg."[25 - Pp. 7, 8.]

And this little picture, in a quite opposite way:—

"Now, in her chamber all alone, the maid
Her polished limbs and shoulders disarrayed;
One little taper gave the only light,
One little mirror caught so dear a sight;
'Mid hangings dusk and shadows wide she stood,
Like some pale Nymph in dark-leafed solitude
Of rocks and gloomy waters all alone,
Where sunshine scarcely breaks on stump or stone
To scare the dreamy vision.  Thus did she,
A star in deepest night, intent but free,
Gleam through the eyeless darkness, heeding not
Her beauty's praise, but musing o'er her lot.

"Her garments one by one she laid aside,
And then her knotted hair's long locks untied
With careless hand, and down her cheeks they fell,
And o'er her maiden bosom's blue-veined swell.
The right-hand fingers played amidst her hair,
And with her reverie wandered here and there:
The other hand sustained the only dress