Sartor Resartus: The Life and Opinions of Herr Teufelsdröckh

Certainly a most involved, self-secluded, altogether enigmatic nature, this of Teufelsdrockh! Here, however, we gladly recall to mind that once we saw him laugh; once only, perhaps it was the first and last time in his life; but then such a peal of laughter, enough to have awakened the Seven Sleepers! It was of Jean Paul's doing: some single billow in that vast World-Mahlstrom of Humor, with its heaven-kissing coruscations, which is now, alas, all congealed in the frost of death! The large-bodied Poet and the small, both large enough in soul, sat talking miscellaneously together, the present Editor being privileged to listen; and now Paul, in his serious way, was giving one of those inimitable "Extra-Harangues;" and, as it chanced, On the Proposal for a Cast-metal King: gradually a light kindled in our Professor's eyes and face, a beaming, mantling, loveliest light; through those murky features, a radiant ever-young Apollo looked; and he burst forth like the neighing of all Tattersall's,—tears streaming down his cheeks, pipe held aloft, foot clutched into the air,—loud, long-continuing, uncontrollable; a laugh not of the face and diaphragm only, but of the whole man from head to heel. The present Editor, who laughed indeed, yet with measure, began to fear all was not right: however, Teufelsdrockh, composed himself, and sank into his old stillness; on his inscrutable countenance there was, if anything, a slight look of shame; and Richter himself could not rouse him again. Readers who have any tincture of Psychology know how much is to be inferred from this; and that no man who has once heartily and wholly laughed can be altogether irreclaimably bad. How much lies in Laughter: the cipher-key, wherewith we decipher the whole man! Some men wear an everlasting barren simper; in the smile of others lies a cold glitter as of ice: the fewest are able to laugh, what can be called laughing, but only sniff and titter and snigger from the throat outwards; or at best, produce some whiffling husky cachinnation, as if they were laughing through wool: of none such comes good. The man who cannot laugh is not only fit for treasons, stratagems, and spoils; but his whole life is already a treason and a stratagem.

Considered as an Author, Herr Teufelsdrockh has one scarcely pardonable fault, doubtless his worst: an almost total want of arrangement. In this remarkable Volume, it is true, his adherence to the mere course of Time produces, through the Narrative portions, a certain show of outward method; but of true logical method and sequence there is too little. Apart from its multifarious sections and subdivisions, the Work naturally falls into two Parts; a Historical-Descriptive, and a Philosophical-Speculative: but falls, unhappily, by no firm line of demarcation; in that labyrinthic combination, each Part overlaps, and indents, and indeed runs quite through the other. Many sections are of a debatable rubric, or even quite nondescript and unnamable; whereby the Book not only loses in accessibility, but too often distresses us like some mad banquet, wherein all courses had been confounded, and fish and flesh, soup and solid, oyster-sauce, lettuces, Rhine-wine and French mustard, were hurled into one huge tureen or trough, and the hungry Public invited to help itself. To bring what order we can out of this Chaos shall be part of our endeavor.

CHAPTER V. THE WORLD IN CLOTHES

"As Montesquieu wrote a Spirit of Laws," observes our Professor, "so could I write a Spirit of Clothes; thus, with an Esprit des Lois, properly an Esprit de Coutumes, we should have an Esprit de Costumes. For neither in tailoring nor in legislating does man proceed by mere Accident, but the hand is ever guided on by mysterious operations of the mind. In all his Modes, and habilatory endeavors, an Architectural Idea will be found lurking; his Body and the Cloth are the site and materials whereon and whereby his beautified edifice, of a Person, is to be built. Whether he flow gracefully out in folded mantles, based on light sandals; tower up in high headgear, from amid peaks, spangles and bell-girdles; swell out in starched ruffs, buckram stuffings, and monstrous tuberosities; or girth himself into separate sections, and front the world an Agglomeration of four limbs,—will depend on the nature of such Architectural Idea: whether Grecian, Gothic, Later Gothic, or altogether Modern, and Parisian or Anglo-Dandiacal. Again, what meaning lies in Color! From the soberest drab to the high-flaming scarlet, spiritual idiosyncrasies unfold themselves in choice of Color: if the Cut betoken Intellect and Talent, so does the Color betoken Temper and Heart. In all which, among nations as among individuals, there is an incessant, indubitable, though infinitely complex working of Cause and Effect: every snip of the Scissors has been regulated and prescribed by ever-active Influences, which doubtless to Intelligences of a superior order are neither invisible nor illegible.

"For such superior Intelligences a Cause-and-Effect Philosophy of Clothes, as of Laws, were probably a comfortable winter-evening entertainment: nevertheless, for inferior Intelligences, like men, such Philosophies have always seemed to me uninstructive enough. Nay, what is your Montesquieu himself but a clever infant spelling Letters from a hieroglyphical prophetic Book, the lexicon of which lies in Eternity, in Heaven?—Let any Cause-and-Effect Philosopher explain, not why I wear such and such a Garment, obey such and such a Law; but even why I am here, to wear and obey anything!—Much, therefore, if not the whole, of that same Spirit of Clothes I shall suppress, as hypothetical, ineffectual, and even impertinent: naked Facts, and Deductions drawn therefrom in quite another than that omniscient style, are my humbler and proper province."

Acting on which prudent restriction, Teufelsdrockh, has nevertheless contrived to take in a well-nigh boundless extent of field; at least, the boundaries too often lie quite beyond our horizon. Selection being indispensable, we shall here glance over his First Part only in the most cursory manner. This First Part is, no doubt, distinguished by omnivorous learning, and utmost patience and fairness: at the same time, in its results and delineations, it is much more likely to interest the Compilers of some Library of General, Entertaining, Useful, or even Useless Knowledge than the miscellaneous readers of these pages. Was it this Part of the Book which Heuschrecke had in view, when he recommended us to that joint-stock vehicle of publication, "at present the glory of British Literature"? If so, the Library Editors are welcome to dig in it for their own behoof.

To the First Chapter, which turns on Paradise and Fig-leaves, and leads us into interminable disquisitions of a mythological, metaphorical, cabalistico-sartorial and quite antediluvian cast, we shall content ourselves with giving an unconcerned approval. Still less have we to do with "Lilis, Adam's first wife, whom, according to the Talmudists, he had before Eve, and who bore him, in that wedlock, the whole progeny of aerial, aquatic, and terrestrial Devils,"—very needlessly, we think. On this portion of the Work, with its profound glances into the Adam-Kadmon, or Primeval Element, here strangely brought into relation with the Nifl and Muspel (Darkness and Light) of the antique North, it may be enough to say, that its correctness of deduction, and depth of Talmudic and Rabbinical lore have filled perhaps not the worst Hebraist in Britain with something like astonishment.

But, quitting this twilight region, Teufelsdrockh hastens from the Tower of Babel, to follow the dispersion of Mankind over the whole habitable and habilable globe. Walking by the light of Oriental, Pelasgic, Scandinavian, Egyptian, Otaheitean, Ancient and Modern researches of every conceivable kind, he strives to give us in compressed shape (as the Nurnbergers give an Orbis Pictus) an Orbis Vestitus; or view of the costumes of all mankind, in all countries, in all times. It is here that to the Antiquarian, to the Historian, we can triumphantly say: Fall to! Here is learning: an irregular Treasury, if you will; but inexhaustible as the Hoard of King Nibelung, which twelve wagons in twelve days, at the rate of three journeys a day, could not carry off. Sheepskin cloaks and wampum belts; phylacteries, stoles, albs; chlamydes, togas, Chinese silks, Afghaun shawls, trunk-hose, leather breeches, Celtic hilibegs (though breeches, as the name Gallia Braccata indicates, are the more ancient), Hussar cloaks, Vandyke tippets, ruffs, fardingales, are brought vividly before us,—even the Kilmarnock nightcap is not forgotten. For most part, too, we must admit that the Learning, heterogeneous as it is, and tumbled down quite pell-mell, is true concentrated and purified Learning, the drossy parts smelted out and thrown aside.

Philosophical reflections intervene, and sometimes touching pictures of human life. Of this sort the following has surprised us. The first purpose of Clothes, as our Professor imagines, was not warmth or decency, but ornament. "Miserable indeed," says he, "was the condition of the Aboriginal Savage, glaring fiercely from under his fleece of hair, which with the beard reached down to his loins, and hung round him like a matted cloak; the rest of his body sheeted in its thick natural fell. He loitered in the sunny glades of the forest, living on wild-fruits; or, as the ancient Caledonian, squatted himself in morasses, lurking for his bestial or human prey; without implements, without arms, save the ball of heavy Flint, to which, that his sole possession and defence might not be lost, he had attached a long cord of plaited thongs; thereby recovering as well as hurling it with deadly unerring skill. Nevertheless, the pains of Hunger and Revenge once satisfied, his next care was not Comfort but Decoration (Putz). Warmth he found in the toils of the chase; or amid dried leaves, in his hollow tree, in his bark shed, or natural grotto: but for Decoration he must have Clothes. Nay, among wild people, we find tattooing and painting even prior to Clothes. The first spiritual want of a barbarous man is Decoration, as indeed we still see among the barbarous classes in civilized countries.

"Reader, the heaven-inspired melodious Singer; loftiest Serene Highness; nay thy own amber-locked, snow-and-rosebloom Maiden, worthy to glide sylph-like almost on air, whom thou lovest, worshippest as a divine Presence, which, indeed, symbolically taken, she is,—has descended, like thyself, from that same hair-mantled, flint-hurling Aboriginal Anthropophagus! Out of the eater cometh forth meat; out of the strong cometh forth sweetness. What changes are wrought, not by Time, yet in Time! For not Mankind only, but all that Mankind does or beholds, is in continual growth, re-genesis and self-perfecting vitality. Cast forth thy Act, thy Word, into the ever-living, ever-working Universe: it is a seed-grain that cannot die; unnoticed to-day (says one), it will be found flourishing as a Banyan-grove (perhaps, alas, as a Hemlock-forest!) after a thousand years.

"He who first shortened the labor of Copyists by device of Movable Types was disbanding hired Armies, and cashiering most Kings and Senates, and creating a whole new Democratic world: he had invented the Art of Printing. The first ground handful of Nitre, Sulphur, and Charcoal drove Monk Schwartz's pestle through the ceiling: what will the last do? Achieve the final undisputed prostration of Force under Thought, of Animal courage under Spiritual. A simple invention it was in the old-world Grazier,—sick of lugging his slow Ox about the country till he got it bartered for corn or oil,—to take a piece of Leather, and thereon scratch or stamp the mere Figure of an Ox (or Pecus); put it in his pocket, and call it Pecunia, Money. Yet hereby did Barter grow Sale, the Leather Money is now Golden and Paper, and all miracles have been out-miracled: for there are Rothschilds and English National Debts; and whoso has sixpence is sovereign (to the length of sixpence) over all men; commands cooks to feed him, philosophers to teach him, kings to mount guard over him,—to the length of sixpence.—Clothes too, which began in foolishest love of Ornament, what have they not become! Increased Security and pleasurable Heat soon followed: but what of these? Shame, divine Shame (Schaam, Modesty), as yet a stranger to the Anthropophagous bosom, arose there mysteriously under Clothes; a mystic grove-encircled shrine for the Holy in man. Clothes gave us individuality, distinctions, social polity; Clothes have made Men of us; they are threatening to make Clothes-screens of us.

"But, on the whole," continues our eloquent Professor, "Man is a Tool-using Animal (Handthierendes Thier). Weak in himself, and of small stature, he stands on a basis, at most for the flattest-soled, of some half-square foot, insecurely enough; has to straddle out his legs, lest the very wind supplant him. Feeblest of bipeds! Three quintals are a crushing load for him; the steer of the meadow tosses him aloft, like a waste rag. Nevertheless he can use Tools; can devise Tools: with these the granite mountain melts into light dust before him; he kneads glowing iron, as if it were soft paste; seas are his smooth highway, winds and fire his unwearying steeds. Nowhere do you find him without Tools; without Tools he is nothing, with Tools he is all."

Here may we not, for a moment, interrupt the stream of Oratory with a remark, that this Definition of the Tool-using Animal appears to us, of all that Animal-sort, considerably the precisest and best? Man is called a Laughing Animal: but do not the apes also laugh, or attempt to do it; and is the manliest man the greatest and oftenest laugher? Teufelsdrockh himself, as we said, laughed only once. Still less do we make of that other French Definition of the Cooking Animal; which, indeed, for rigorous scientific purposes, is as good as useless. Can a Tartar be said to cook, when he only readies his steak by riding on it? Again, what Cookery does the Greenlander use, beyond stowing up his whale-blubber, as a marmot, in the like case, might do? Or how would Monsieur Ude prosper among those Orinoco Indians who, according to Humboldt, lodge in crow-nests, on the branches of trees; and, for half the year, have no victuals but pipe-clay, the whole country being under water? But, on the other hand, show us the human being, of any period or climate, without his Tools: those very Caledonians, as we saw, had their Flint-ball, and Thong to it, such as no brute has or can have.

"Man is a Tool-using Animal," concludes Teufelsdrockh, in his abrupt way; "of which truth Clothes are but one example: and surely if we consider the interval between the first wooden Dibble fashioned by man, and those Liverpool Steam-carriages, or the British House of Commons, we shall note what progress he has made. He digs up certain black stones from the bosom of the earth, and says to them, Transport me and this luggage at the rate of file-and-thirty miles an hour; and they do it: he collects, apparently by lot, six hundred and fifty-eight miscellaneous individuals, and says to them, Make this nation toil for us, bleed for us, hunger and, sorrow and sin for us; and they do it."

CHAPTER VI. APRONS

One of the most unsatisfactory Sections in the whole Volume is that on Aprons. What though stout old Gao, the Persian Blacksmith, "whose Apron, now indeed hidden under jewels, because raised in revolt which proved successful, is still the royal standard of that country;" what though John Knox's Daughter, "who threatened Sovereign Majesty that she would catch her husband's head in her Apron, rather than he should lie and be a bishop;" what though the Landgravine Elizabeth, with many other Apron worthies,—figure here? An idle wire-drawing spirit, sometimes even a tone of levity, approaching to conventional satire, is too clearly discernible. What, for example, are we to make of such sentences as the following?

"Aprons are Defences; against injury to cleanliness, to safety, to modesty, sometimes to roguery. From the thin slip of notched silk (as it were, the emblem and beatified ghost of an Apron), which some highest-bred housewife, sitting at Nurnberg Work-boxes and Toy-boxes, has gracefully fastened on; to the thick-tanned hide, girt round him with thongs, wherein the Builder builds, and at evening sticks his trowel; or to those jingling sheet-iron Aprons, wherein your otherwise half-naked Vulcans hammer and smelt in their smelt-furnace,—is there not range enough in the fashion and uses of this Vestment? How much has been concealed, how much has been defended in Aprons! Nay, rightly considered, what is your whole Military and Police Establishment, charged at uncalculated millions, but a huge scarlet-colored, iron-fastened Apron, wherein Society works (uneasily enough); guarding itself from some soil and stithy-sparks, in this Devil's-smithy (Teufels-schmiede) of a world? But of all Aprons the most puzzling to me hitherto has been the Episcopal or Cassock. Wherein consists the usefulness of this Apron? The Overseer (Episcopus) of Souls, I notice, has tucked in the corner of it, as if his day's work were done: what does he shadow forth thereby?" &c. &c.

Or again, has it often been the lot of our readers to read such stuff as we shall now quote?

"I consider those printed Paper Aprons, worn by the Parisian Cooks, as a new vent, though a slight one, for Typography; therefore as an encouragement to modern Literature, and deserving of approval: nor is it without satisfaction that I hear of a celebrated London Firm having in view to introduce the same fashion, with important extensions, in England."—We who are on the spot hear of no such thing; and indeed have reason to be thankful that hitherto there are other vents for our Literature, exuberant as it is.—Teufelsdrockh continues: "If such supply of printed Paper should rise so far as to choke up the highways and public thoroughfares, new means must of necessity be had recourse to. In a world existing by Industry, we grudge to employ fire as a destroying element, and not as a creating one. However, Heaven is omnipotent, and will find us an outlet. In the mean while, is it not beautiful to see five million quintals of Rags picked annually from the Laystall; and annually, after being macerated, hot-pressed, printed on, and sold,—returned thither; filling so many hungry mouths by the way? Thus is the Laystall, especially with its Rags or Clothes-rubbish, the grand Electric Battery, and Fountain-of-motion, from which and to which the Social Activities (like vitreous and resinous Electricities) circulate, in larger or smaller circles, through the mighty, billowy, storm-tost chaos of Life, which they keep alive!"—Such passages fill us, who love the man, and partly esteem him, with a very mixed feeling.

Farther down we meet with this: "The Journalists are now the true Kings and Clergy: henceforth Historians, unless they are fools, must write not of Bourbon Dynasties, and Tudors and Hapsburgs; but of Stamped Broad-sheet Dynasties, and quite new successive Names, according as this or the other Able Editor, or Combination of Able Editors, gains the world's ear. Of the British Newspaper Press, perhaps the most important of all, and wonderful enough in its secret constitution and procedure, a valuable descriptive History already exists, in that language, under the title of Satan's Invisible World Displayed; which, however, by search in all the Weissnichtwo Libraries, I have not yet succeeded in procuring (vermochte night aufzutreiben)."

Thus does the good Homer not only nod, but snore. Thus does Teufelsdrockh, wandering in regions where he had little business, confound the old authentic Presbyterian Witchfinder with a new, spurious, imaginary Historian of the Brittische Journalistik; and so stumble on perhaps the most egregious blunder in Modern Literature!

CHAPTER VII. MISCELLANEOUS-HISTORICAL

Happier is our Professor, and more purely scientific and historic, when he reaches the Middle Ages in Europe, and down to the end of the Seventeenth Century; the true era of extravagance in Costume. It is here that the Antiquary and Student of Modes comes upon his richest harvest. Fantastic garbs, beggaring all fancy of a Teniers or a Callot, succeed each other, like monster devouring monster in a Dream. The whole too in brief authentic strokes, and touched not seldom with that breath of genius which makes even old raiment live. Indeed, so learned, precise, graphical, and every way interesting have we found these Chapters, that it may be thrown out as a pertinent question for parties concerned, Whether or not a good English Translation thereof might henceforth be profitably incorporated with Mr. Merrick's valuable Work On Ancient Armor? Take, by way of example, the following sketch; as authority for which Paulinus's Zeitkurzende Lust (ii. 678) is, with seeming confidence, referred to:

"Did we behold the German fashionable dress of the Fifteenth Century, we might smile; as perhaps those bygone Germans, were they to rise again, and see our haberdashery, would cross themselves, and invoke the Virgin. But happily no bygone German, or man, rises again; thus the Present is not needlessly trammelled with the Past; and only grows out of it, like a Tree, whose roots are not intertangled with its branches, but lie peaceably underground. Nay it is very mournful, yet not useless, to see and know, how the Greatest and Dearest, in a short while, would find his place quite filled up here, and no room for him; the very Napoleon, the very Byron, in some seven years, has become obsolete, and were now a foreigner to his Europe. Thus is the Law of Progress secured; and in Clothes, as in all other external things whatsoever, no fashion will continue.

"Of the military classes in those old times, whose buff-belts, complicated chains and gorgets, huge churn-boots, and other riding and fighting gear have been bepainted in modern Romance, till the whole has acquired somewhat of a sign-post character,—I shall here say nothing: the civil and pacific classes, less touched upon, are wonderful enough for us.

"Rich men, I find, have Teusinke [a perhaps untranslatable article]; also a silver girdle, whereat hang little bells; so that when a man walks, it is with continual jingling. Some few, of musical turn, have a whole chime of bells (Glockenspiel) fastened there; which, especially in sudden whirls, and the other accidents of walking, has a grateful effect. Observe too how fond they are of peaks, and Gothic-arch intersections. The male world wears peaked caps, an ell long, which hang bobbing over the side (schief): their shoes are peaked in front, also to the length of an ell, and laced on the side with tags; even the wooden shoes have their ell-long noses: some also clap bells on the peak. Further, according to my authority, the men have breeches without seat (ohne Gesass): these they fasten peakwise to their shirts; and the long round doublet must overlap them.

"Rich maidens, again, flit abroad in gowns scolloped out behind and before, so that back and breast are almost bare. Wives of quality, on the other hand, have train-gowns four or five ells in length; which trains there are boys to carry. Brave Cleopatras, sailing in their silk-cloth Galley, with a Cupid for steersman! Consider their welts, a handbreadth thick, which waver round them by way of hem; the long flood of silver buttons, or rather silver shells, from throat to shoe, wherewith these same welt-gowns are buttoned. The maidens have bound silver snoods about their hair, with gold spangles, and pendent flames (Flammen), that is, sparkling hair-drops: but of their mother's head-gear who shall speak? Neither in love of grace is comfort forgotten. In winter weather you behold the whole fair creation (that can afford it) in long mantles, with skirts wide below, and, for hem, not one but two sufficient hand-broad welts; all ending atop in a thick well-starched Ruff, some twenty inches broad: these are their Ruff-mantles (Kragenmantel).

"As yet among the womankind hoop-petticoats are not; but the men have doublets of fustian, under which lie multiple ruffs of cloth, pasted together with batter (mit Teig zusammengekleistert), which create protuberance enough. Thus do the two sexes vie with each other in the art of Decoration; and as usual the stronger carries it."

Our Professor, whether he have humor himself or not, manifests a certain feeling of the Ludicrous, a sly observance of it which, could emotion of any kind be confidently predicated of so still a man, we might call a real love. None of those bell-girdles, bushel-breeches, counted shoes, or other the like phenomena, of which the History of Dress offers so many, escape him: more especially the mischances, or striking adventures, incident to the wearers of such, are noticed with due fidelity. Sir Walter Raleigh's fine mantle, which he spread in the mud under Queen Elizabeth's feet, appears to provoke little enthusiasm in him; he merely asks, Whether at that period the Maiden Queen "was red-painted on the nose, and white-painted on the cheeks, as her tire-women, when from spleen and wrinkles she would no longer look in any glass, were wont to serve her"? We can answer that Sir Walter knew well what he was doing, and had the Maiden Queen been stuffed parchment dyed in verdigris, would have done the same.

Thus too, treating of those enormous habiliments, that were not only slashed and gallooned, but artificially swollen out on the broader parts of the body, by introduction of Bran,—our Professor fails not to comment on that luckless Courtier, who having seated himself on a chair with some projecting nail on it, and therefrom rising, to pay his devoir on the entrance of Majesty, instantaneously emitted several pecks of dry wheat-dust: and stood there diminished to a spindle, his galloons and slashes dangling sorrowful and flabby round him. Whereupon the Professor publishes this reflection:—

"By what strange chances do we live in History? Erostratus by a torch; Milo by a bullock; Henry Darnley, an unfledged booby and bustard, by his limbs; most Kings and Queens by being born under such and such a bed-tester; Boileau Despreaux (according to Helvetius) by the peck of a turkey; and this ill-starred individual by a rent in his breeches,—for no Memoirist of Kaiser Otto's Court omits him. Vain was the prayer of Themistocles for a talent of Forgetting: my Friends, yield cheerfully to Destiny, and read since it is written."—Has Teufelsdrockh, to be put in mind that, nearly related to the impossible talent of Forgetting, stands that talent of Silence, which even travelling Englishmen manifest?

"The simplest costume," observes our Professor, "which I anywhere find alluded to in History, is that used as regimental, by Bolivar's Cavalry, in the late Colombian wars. A square Blanket, twelve feet in diagonal, is provided (some were wont to cut off the corners, and make it circular): in the centre a slit is effected eighteen inches long; through this the mother-naked Trooper introduces his head and neck; and so rides shielded from all weather, and in battle from many strokes (for he rolls it about his left arm); and not only dressed, but harnessed and draperied."

With which picture of a State of Nature, affecting by its singularity, and Old-Roman contempt of the superfluous, we shall quit this part of our subject.

CHAPTER VIII. THE WORLD OUT OF CLOTHES

If in the Descriptive-Historical portion of this Volume, Teufelsdrockh, discussing merely the Werden (Origin and successive Improvement) of Clothes, has astonished many a reader, much more will he in the Speculative-Philosophical portion, which treats of their Wirken, or Influences. It is here that the present Editor first feels the pressure of his task; for here properly the higher and new Philosophy of Clothes commences: all untried, almost inconceivable region, or chaos; in venturing upon which, how difficult, yet how unspeakably important is it to know what course, of survey and conquest, is the true one; where the footing is firm substance and will bear us, where it is hollow, or mere cloud, and may engulf us! Teufelsdrockh undertakes no less than to expound the moral, political, even religious Influences of Clothes; he undertakes to make manifest, in its thousand-fold bearings, this grand Proposition, that Man's earthly interests "are all hooked and buttoned together, and held up, by Clothes." He says in so many words, "Society is founded upon Cloth;" and again, "Society sails through the Infinitude on Cloth, as on a Faust's Mantle, or rather like the Sheet of clean and unclean beasts in the Apostle's Dream; and without such Sheet or Mantle, would sink to endless depths, or mount to inane limbos, and in either case be no more."

By what chains, or indeed infinitely complected tissues, of Meditation this grand Theorem is here unfolded, and innumerable practical Corollaries are drawn therefrom, it were perhaps a mad ambition to attempt exhibiting. Our Professor's method is not, in any case, that of common school Logic, where the truths all stand in a row, each holding by the skirts of the other; but at best that of practical Reason' proceeding by large Intuition over whole systematic groups and kingdoms; whereby, we might say, a noble complexity, almost like that of Nature, reigns in his Philosophy, or spiritual Picture of Nature: a mighty maze, yet, as faith whispers, not without a plan. Nay we complained above, that a certain ignoble complexity, what we must call mere confusion, was also discernible. Often, also, we have to exclaim: Would to Heaven those same Biographical Documents were come! For it seems as if the demonstration lay much in the Author's individuality; as if it were not Argument that had taught him, but Experience. At present it is only in local glimpses, and by significant fragments, picked often at wide-enough intervals from the original Volume, and carefully collated, that we can hope to impart some outline or foreshadow of this Doctrine. Readers of any intelligence are once more invited to favor us with their most concentrated attention: let these, after intense consideration, and not till then, pronounce, Whether on the utmost verge of our actual horizon there is not a looming as of Land; a promise of new Fortunate Islands, perhaps whole undiscovered Americas, for such as have canvas to sail thither?—As exordium to the whole, stand here the following long citation:—

"With men of a speculative turn," writes Teufelsdrockh, "there come seasons, meditative, sweet, yet awful hours, when in wonder and fear you ask yourself that unanswerable question: Who am I; the thing that can say 'I' (das Wesen das sich ICH nennt)? The world, with its loud trafficking, retires into the distance; and, through the paper-hangings, and stonewalls, and thick-plied tissues of Commerce and Polity, and all the living and lifeless integuments (of Society and a Body), wherewith your Existence sits surrounded,—the sight reaches forth into the void Deep, and you are alone with the Universe, and silently commune with it, as one mysterious Presence with another.

"Who am I; what is this ME? A Voice, a Motion, an Appearance;—some embodied, visualized Idea in the Eternal Mind? Cogito, ergo sum. Alas, poor Cogitator, this takes us but a little way. Sure enough, I am; and lately was not: but Whence? How? Whereto? The answer lies around, written in all colors and motions, uttered in all tones of jubilee and wail, in thousand-figured, thousand-voiced, harmonious Nature: but where is the cunning eye and ear to whom that God-written Apocalypse will yield articulate meaning? We sit as in a boundless Phantasmagoria and Dream-grotto; boundless, for the faintest star, the remotest century, lies not even nearer the verge thereof: sounds and many-colored visions flit round our sense; but Him, the Unslumbering, whose work both Dream and Dreamer are, we see not; except in rare half-waking moments, suspect not. Creation, says one, lies before us, like a glorious Rainbow; but the Sun that made it lies behind us, hidden from us. Then, in that strange Dream, how we clutch at shadows as if they were substances; and sleep deepest while fancying ourselves most awake! Which of your Philosophical Systems is other than a dream-theorem; a net quotient, confidently given out, where divisor and dividend are both unknown? What are all your national Wars, with their Moscow Retreats, and sanguinary hate-filled Revolutions, but the Somnambulism of uneasy Sleepers? This Dreaming, this Somnambulism is what we on Earth call Life; wherein the most indeed undoubtingly wander, as if they knew right hand from left; yet they only are wise who know that they know nothing.

"Pity that all Metaphysics had hitherto proved so inexpressibly unproductive! The secret of Man's Being is still like the Sphinx's secret: a riddle that he cannot rede; and for ignorance of which he suffers death, the worst death, a spiritual. What are your Axioms, and Categories, and Systems, and Aphorisms? Words, words. High Air-castles are cunningly built of Words, the Words well bedded also in good Logic-mortar; wherein, however, no Knowledge will come to lodge. The whole is greater than the part: how exceedingly true! Nature abhors a vacuum: how exceedingly false and calumnious! Again, Nothing can act but where it is: with all my heart; only, WHERE is it? Be not the slave of Words: is not the Distant, the Dead, while I love it, and long for it, and mourn for it, Here, in the genuine sense, as truly as the floor I stand on? But that same WHERE, with its brother WHEN, are from the first the master-colors of our Dream-grotto; say rather, the Canvas (the warp and woof thereof) whereon all our Dreams and Life-visions are painted. Nevertheless, has not a deeper meditation taught certain of every climate and age, that the WHERE and WHEN, so mysteriously inseparable from all our thoughts, are but superficial terrestrial adhesions to thought; that the Seer may discern them where they mount up out of the celestial EVERYWHERE and FOREVER: have not all nations conceived their God as Omnipresent and Eternal; as existing in a universal HERE, an everlasting Now? Think well, thou too wilt find that Space is but a mode of our human Sense, so likewise Time; there is no Space and no Time: WE are—we know not what;—light-sparkles floating in the ether of Deity!

"So that this so solid-seeming World, after all, were but an air-image, our ME the only reality: and Nature, with its thousand-fold production and destruction, but the reflex of our own inward Force, the 'phantasy of our Dream;' or what the Earth-Spirit in Faust names it, the living visible Garment of God:—

"'In Being's floods, in Action's storm,
I walk and work, above, beneath,
Work and weave in endless motion!
Birth and Death,
An infinite ocean;
A seizing and giving
The fire of Living:
'Tis thus at the roaring Loom of Time I ply,
And weave for God the Garment thou seest Him by.'

Of twenty millions that have read and spouted this thunder-speech of the Erdgeist, are there yet twenty units of us that have learned the meaning thereof?

"It was in some such mood, when wearied and fordone with these high speculations, that I first came upon the question of Clothes. Strange enough, it strikes me, is this same fact of there being Tailors and Tailored. The Horse I ride has his own whole fell: strip him of the girths and flaps and extraneous tags I have fastened round him, and the noble creature is his own sempster and weaver and spinner; nay his own boot-maker, jeweller, and man-milliner; he bounds free through the valleys, with a perennial rain-proof court-suit on his body; wherein warmth and easiness of fit have reached perfection; nay, the graces also have been considered, and frills and fringes, with gay variety of color, featly appended, and ever in the right place, are not wanting. While I—good Heaven!—have thatched myself over with the dead fleeces of sheep, the bark of vegetables, the entrails of worms, the hides of oxen or seals, the felt of furred beasts; and walk abroad a moving Rag-screen, overheaped with shreds and tatters raked from the Charnel-house of Nature, where they would have rotted, to rot on me more slowly! Day after day, I must thatch myself anew; day after day, this despicable thatch must lose some film of its thickness; some film of it, frayed away by tear and wear, must be brushed off into the Ashpit, into the Laystall; till by degrees the whole has been brushed thither, and I, the dust-making, patent Rat-grinder, get new material to grind down. O subter-brutish! vile! most vile! For have not I too a compact all-enclosing Skin, whiter or dingier? Am I a botched mass of tailors' and cobblers' shreds, then; or a tightly articulated, homogeneous little Figure, automatic, nay alive?

"Strange enough how creatures of the human-kind shut their eyes to plainest facts; and by the mere inertia of Oblivion and Stupidity, live at ease in the midst of Wonders and Terrors. But indeed man is, and was always, a blockhead and dullard; much readier to feel and digest, than to think and consider. Prejudice, which he pretends to hate, is his absolute lawgiver; mere use-and-wont everywhere leads him by the nose; thus let but a Rising of the Sun, let but a Creation of the World happen twice, and it ceases to be marvellous, to be noteworthy, or noticeable. Perhaps not once in a lifetime does it occur to your ordinary biped, of any country or generation, be he gold-mantled Prince or russet-jerkined Peasant, that his Vestments and his Self are not one and indivisible; that he is naked, without vestments, till he buy or steal such, and by forethought sew and button them.

"For my own part, these considerations, of our Clothes-thatch, and how, reaching inwards even to our heart of hearts, it tailorizes and demoralizes us, fill me with a certain horror at myself and mankind; almost as one feels at those Dutch Cows, which, during the wet season, you see grazing deliberately with jackets and petticoats (of striped sacking), in the meadows of Gouda. Nevertheless there is something great in the moment when a man first strips himself of adventitious wrappages; and sees indeed that he is naked, and, as Swift has it, 'a forked straddling animal with bandy legs;' yet also a Spirit, and unutterable Mystery of Mysteries."

CHAPTER IX. ADAMITISM