Furze the Cruel

Pendoggat reached in and took her hand. It was large with labour, and red with blood, but quite clean. He pulled her towards him. There was nobody in the court; only the unobservant chickens, pecking diligently. A cloud had settled upon the top of the tor, which was just visible above the barn, an angry cloud purple like a wound, as if the granite had pierced and wounded it. Thomasine wondered if it would be fine for Goose Fair.

Her sleeve was loose. Pendoggat pressed his fingers under it, and paddled the soft flesh like a cat up to her elbow.

"Don't ye, sir," pleaded Thomasine, feeling somehow this was not right.

"You're a fine, lusty maid," he muttered.

"'Tis time master was back from Lydford, I reckon," she murmured.

"You're bloody."

"'Twas that bit o' vuzz."

He drew her closer, threw his arm clumsily round her neck, dragged her half through the window, kissing her savagely on the neck, lips, and chin, until his own lips were smeared with her blood, and he could taste it. She began to struggle. Then she cried out, and he let her go.

"Good blood," he muttered, passing his tongue over his lips. "The strongest and best blood on Dartmoor."

Then, he flung himself across his horse, as if he had been drunk, and rode out of the court.

CHAPTER VI

ABOUT VOCAL AND INSTRUMENTAL MUSIC

There was a concert in Brentor village in aid of that hungry creature the Church, which resembles so many tin- and copper-mines, inasmuch as much more money goes into it than ever comes out. Brentor is overdone with churches. There is one in the village, and the little one on the tor outside. Maids like to be married on the tor. They think it gives them a good start in life, but that idea is owing to tradition, which connects Brentor with the worship of Baal. The transition from Paganism to Christianity was gradual, and in many cases the old gods were merely painted up and made to look like new. The statue of Jove was bereft of its thunderbolt, given a bunch of keys, and called Peter; the goddess of love became a madonna; the sun-temple was turned into a church. Where the original idea was lost sight of a legend was invented; such as that of the merchant who, overtaken by a storm when beating for shore, vowed to build a church upon the first point of land which should appear in sight. There is no getting away from sun-worship upon Dartmoor, and no easy way of escape from tradition either. That is why maids like to be sacrificed upon Brentor, even when the wind is threatening to sweep them down its cliffs.

Local talent was not represented at the concert. People from Tavistock came to perform; all sorts and conditions of amateurs in evening dress and muddy boots. The room was crowded, as it was a fine evening, and therefore there was nothing to prevent the inhabitants of the two holy Tavys from walking across the moor, and a jabbering cartload had come from Lydford also. There was no chattering in the room. The entire audience became appalled by respectability as represented by gentlemen with bulging shirt-fronts and ladies with visible bosoms. They stared, they muttered hoarsely, they turned to and fro like mechanical figures; but they did not chatter. They felt as if they were taking part in a religious ceremony.

The young lady who opened proceedings, after the inevitable duet on the piano – which, to increase the sense of mystery, was called on the practically illegible programme a pianoforte – with a sentimental song, made an error. She merely increased the atmosphere of despondency. When she had finished some of the audience became restless. They were wondering whether the time had come for them to kneel.

"Bain't him a cruel noisy thing?" exclaimed Mary, with a certain amount of enthusiasm. "What du'ye call 'en?" she asked a small, dried-up ancient man who sat beside her, while indicating the instrument of music with an outstretched arm.

The old man tried to explain, which was a thing he was famous for doing. He was a superannuated school-master of the nearly extinct type, the kind that knew nothing and taught as much, but a brave learned man according to some of the old folk.

Peter sat by his sister, trying to look at his ease; and he too listened intently for what school-master had to say. Peter and Mary were blossoming out, and becoming social and gregarious beings.

This was the first grand entertainment they had ever attended. Tickets had been given them, or they would certainly not have been there. As Peter had failed in his efforts to sell the tickets they had decided to use them, although dressing for the event was something of an ordeal. Mary had a black hat and a silk dress, both of early Victorian construction, and beneath, her huge nailed boots innocent of blacking. Peter wore a tie under his chin, and a wondrous collar some three inches lower down. The rest of his costume was also early nineteenth century in make, but effectual. He was very much excited by the music, but dreadfully afraid of showing it.

"That there box," said Master, with an air of diving deep in the well of wisdom "he'm full o' wires and hammers."

"My dear life!" gasped Mary. "Full o' wires and hammers! Du'ye hear, Peter?"

Her brother replied in the affirmative, although in a manner which suggested that the information was superfluous.

"Volks hit them bones, and the bones dra' on the hammers, and the hammers hit the wires," proceeded Master.

"Bain't that artful now?" cried Mary.

"Sure 'nuff," agreed Peter, unable to restrain his admiration.

"Couldn't ye mak' one o' they? You'm main cruel larned wi' your hands," Mary went on.

Peter admitted that was so. Given the material, he had no doubt of his ability to turn out a piano capable of producing that music which his sister described as cruel noisy.

"It taketh a scholard to understand how to mak' they things," said Master, with some severity. "See all that carved wood on the front of him? You couldn't du that, and the piano wouldn't mak' no music if 'twasn't for the carved wood. 'Twould mak' a noise, you see, Peter, but not music. 'Tis the noise coming out through the carving what makes the music. Taketh a scholard to du that."

"Look at she!" cried Mary violently, as another lady rose to warble. This songster had a good bust, and desired to convince her audience of the fact. "Her ha' grown out of her clothes sure 'nuff. Her can't hardly cover her paps."

"Shet thee noise, woman," muttered Peter.

"Her be in full evening dress," explained Master.

Mary subsided in deep reflection. She knew perfectly well what "full" meant. There were plenty of full days upon Tavy Cleave. It meant a heavy wet mist which filled everything so that nothing was visible. For Mary every word had only one meaning. She could not understand how the word "full" could bear two exactly opposite meanings.

The back seats were overflowing. Only threepence was charged there, but seats were not guaranteed. The majority stood, partly to show their independence, chiefly to look as if they had just dropped in, not with any idea of being entertained, but that they might satisfy themselves there was nothing objectionable in the programme. Several men stood huddled together as near the door as possible, showing their disapproval of such frivolity in the usual manner, by standing in antagonistic attitudes and frowning at the performers. Chegwidden was there, containing sufficient liquor to make him grateful for the support of the wall. He had tried to get in for nothing, by explaining that he was a member of the Board of Guardians, and had been from his youth a steadfast opponent of the Church as by law established. These excuses having failed, he had paid the threepence under protest, explaining at the same time that if he heard anything to shock his innocent mind he should demand his money back, visit his solicitor when next in Tavistock with a view to taking action against those who had dared to pervert the public mind, and indite letters to all the local papers. The entertainment committee had a troublesome threepennyworth in Farmer Chegwidden. He had already spent a couple of shillings in liquor, and would spend another couple when the concert was over. That was money spent upon a laudable object. But the threepence demanded for admission was, as he loudly proclaimed, money given to the devil.

Near him stood Pendoggat, his head down as usual, and breathing heavily as if he had gone to sleep. He looked as much at home there as a bat flitting in the sunlight among butterflies. Every one was surprised to see Pendoggat. Members of his own sect decided he was there to collect material for a scathing denunciation of such methods from the pulpit of Ebenezer. Chegwidden pushed closer, and asked hoarsely, "What do 'ye think of it, varmer?"

"Taking money in God's name to square the devil," answered Pendoggat.

"Just what I says," muttered Chegwidden, greatly envying the other's powers of expression. "Immortality! That's what it be, varmer. 'Tis a hard word, but there ain't no other. Dirty immortality!" He meant immorality, but was confused by righteous indignation, the music, and other things.

"Can't us do nought?" Chegwidden went on. "Us lets their religion bide. They'm mocking us, varmer. That there last song was blasphemy, and immortality, and a-mocking us all through."

Pendoggat muttered something about a demonstration outside later on, to mark their disapproval of such infamous attempts to seduce young people from the paths of rectitude. Then he relapsed into taciturnity, while Chegwidden went on babbling of people's sins.

Most of the ill-feeling was due to the fact that the room had been used several years back as a meeting-house, where the pure Gospel had flowed regularly. Chegwidden's father had carried his Bible into a front seat there. Souls had been saved in that room; anniversary teas had been held there; services of song had been given; young couples, whose Nonconformity was unimpeachable, had conducted their amours there; and upon the outside of the door had been scrawled shockingly crude statements concerning such love-affairs, accompanied by anatomical caricatures of the parties in question. It was holy ground, and representatives of a hostile sect were defiling it.

Greater evils followed. An eccentric gentleman rose and recited a story about a lady trying to mount an overcrowded street-car, and being dragged along the entire length of a street, chatting to the conductor the while; quite a harmless story, but it made Brentor to grin. Church-people laughed noisily, and even Methodists tittered. Nonconformist maids of established reputations giggled, and their young men cackled like geese. It was in short a laughing audience. The threepenny-bits shivered. Fire from heaven was already overdue. Complete destruction might be looked for at any moment. One nervous old woman crept out. She had heard the doctrine of eternal punishment expounded in that place, and she explained she could remain there no longer and listen to profanity. The performer again obliged; this time with a comic song which set the seal of blasphemy upon the whole performance. Chegwidden turned his face to the wall, moaned, and demanded of a neighbour what he thought of it all.

"Brave fine singing," came the unscrupulous answer, which seemed to denote that the speaker had also been carried away by enthusiasm.

This was the last straw. Even the lights of Ebenezer were flickering and going out. Chegwidden and Pendoggat appeared to be the only godly men left. The farmer turned upon the irreligious speaker, and crushed him with weighty words.

"'Twas here father prayed," he said, in a voice unsteady with grief and alcohol. "Twice every Sunday, and me with 'en, and he've a-shook me in this chapel, and punched my ear many a time when I was cracking nuts in sermon time. Father led in prayer here, and he've a-told me how he once prayed twenty minutes by the clock. Some said 'twas nineteen, but father knew 'twas twenty, 'cause he had his watch in his hand, and never took his eyes off 'en. Never thought he'd do the last minute, but he did. They was religious volks in them days. Father prayed here, I tells ye, and I learnt Sunday-school here, and 'twas here us all learnt the blessed truths of immorality." – again he blundered in his meaning – "and now it be a place for dancing, and singing, and play-acting, and us will be judged for it, and weighed in the balances and found wanting."

"Us can repent," suggested the neighbour.

Chegwidden would not admit this. "Them what have laughed here to-night won't die natural, not in their beds," he declared. "They'll die sudden. They'll be cut off. They've committed blasphemy, which is the sin what ain't forgiven."

Then Chegwidden turned upon the doorkeeper and demanded his money back. He was not going to remain among the wicked. He was going to spend the rest of the evening respectably at the inn.

After that the programme continued for a little without interruption. Then a young lady, who had been especially imported for the occasion, obliged with a violin solo. She played well, but made the common mistake of amateurs before a rural audience; preferring to exhibit her command over the instrument by rendering classical music, instead of playing something which the young men could whistle to. It was a very soft piece. The performer bent to obtain the least possible amount of sound from a string; and at that critical moment a loud weary voice startled the religious silence of the room —

"Aw, my dear life! Bain't it a shocking waste o' time?"

It was Mary, who was feeling bored. The novelty of the performance had worn off. She was prepared to sit there and hear a good noise. She liked the piano when it was giving forth plenty of crashing chords; but that whining scraping sound was intolerable. It was worse than any old cat.

There was some commotion in the front seats, and shocked faces were turned upon Mary, while the performer almost broke down. She made another effort, but it was no use, for Mary continued at the top of her voice —