John Jago’s Ghost

For some incomprehensible reason, John Jago seemed to be ill at ease in the presence of his young countrywoman. He looked up at Naomi doubtingly from his plate, and looked down again slowly with a frown. When I addressed him, he answered constrainedly. Even when he spoke to Mr. Meadowcroft, he was still on his guard – on his guard against the two young men, as I fancied by the direction which his eyes took on these occasions. When we began our meal, I had noticed for the first time that Silas Meadowcroft’s left hand was strapped up with surgical plaster; and I now further observed that John Jago’s wandering brown eyes, furtively looking at everybody round the table in turn, looked with a curious, cynical scrutiny at the young man’s injured hand.

By way of making my first evening at the farm all the more embarrassing to me as a stranger, I discovered before long that the father and sons were talking indirectly at each other, through Mr. Jago and through me. When old Mr. Meadowcroft spoke disparagingly to his overlooker of some past mistake made in the cultivation of the arable land of the farm, old Mr. Meadowcroft’s eyes pointed the application of his hostile criticism straight in the direction of his two sons. When the two sons seized a stray remark of mine about animals in general, and applied it satirically to the mismanagement of sheep and oxen in particular, they looked at John Jago, while they talked to me. On occasions of this sort – and they happened frequently – Naomi struck in resolutely at the right moment, and turned the talk to some harmless topic. Every time she took a prominent part in this way in keeping the peace, melancholy Miss Meadowcroft looked slowly round at her in stern and silent disparagement of her interference. A more dreary and more disunited family party I never sat at the table with. Envy, hatred, malice and uncharitableness are never so essentially detestable to my mind as when they are animated by a sense of propriety, and work under the surface. But for my interest in Naomi, and my other interest in the little love-looks which I now and then surprised passing between her and Ambrose, I should never have sat through that supper. I should certainly have taken refuge in my French novel and my own room.

At last the unendurably long meal, served with ostentatious profusion, was at an end. Miss Meadowcroft rose with her ghostly solemnity, and granted me my dismissal in these words:

“We are early people at the farm, Mr. Lefrank. I wish you good-night.”

She laid her bony hands on the back of Mr. Meadowcroft’s invalid-chair, cut him short in his farewell salutation to me, and wheeled him out to his bed as if she were wheeling him out to his grave.

“Do you go to your room immediately, sir? If not, may I offer you a cigar – provided the young gentlemen will permit it?”

So, picking his words with painful deliberation, and pointing his reference to “the young gentlemen” with one sardonic side-look at them, Mr. John Jago performed the duties of hospitality on his side. I excused myself from accepting the cigar. With studied politeness, the man of the glittering brown eyes wished me a good night’s rest, and left the room.

Ambrose and Silas both approached me hospitably, with their open cigar-cases in their hands.

“You were quite right to say ‘No,’” Ambrose began. “Never smoke with John Jago. His cigars will poison you.”

“And never believe a word John Jago says to you,” added Silas. “He is the greatest liar in America, let the other be whom he may.”

Naomi shook her forefinger reproachfully at them, as if the two sturdy young farmers had been two children.

“What will Mr. Lefrank think,” she said, “if you talk in that way of a person whom your father respects and trusts? Go and smoke. I am ashamed of both of you.”

Silas slunk away without a word of protest. Ambrose stood his ground, evidently bent on making his peace with Naomi before he left her.

Seeing that I was in the way, I walked aside toward a glass door at the lower end of the room. The door opened on the trim little farm-garden, bathed at that moment in lovely moonlight. I stepped out to enjoy the scene, and found my way to a seat under an elm-tree. The grand repose of nature had never looked so unutterably solemn and beautiful as it now appeared, after what I had seen and heard inside the house. I understood, or thought I understood, the sad despair of humanity which led men into monasteries in the old times. The misanthropical side of my nature (where is the sick man who is not conscious of that side of him?) was fast getting the upper hand of me when I felt a light touch laid on my shoulder, and found myself reconciled to my species once more by Naomi Colebrook.

Chapter III

The Moonlight Meeting

“I want to speak to you,” Naomi began “You don’t think ill of me for following you out here? We are not accustomed to stand much on ceremony in America.”

“You are quite right in America. Pray sit down.”

She seated herself by my side, looking at me frankly and fearlessly by the light of the moon.

“You are related to the family here,” she resumed, “and I am related too. I guess I may say to you what I couldn’t say to a stranger. I am right glad you have come here, Mr. Lefrank; and for a reason, sir, which you don’t suspect.”

“Thank you for the compliment you pay me, Miss Colebrook, whatever the reason may be.”

She took no notice of my reply; she steadily pursued her own train of thought.

“I guess you may do some good, sir, in this wretched house,” the girl went on, with her eyes still earnestly fixed on my face. “There is no love, no trust, no peace, at Morwick Farm. They want somebody here, except Ambrose. Don’t think ill of Ambrose; he is only thoughtless. I say, the rest of them want somebody here to make them ashamed of their hard hearts, and their horrid, false, envious ways. You are a gentleman; you know more than they know; they can’t help themselves; they must look up to you. Try, Mr. Lefrank, when you have the opportunity – pray try, sir, to make peace among them. You heard what went on at supper-time; and you were disgusted with it. Oh yes, you were! I saw you frown to yourself; and I know what that means in you Englishmen.”

There was no choice but to speak one’s mind plainly to Naomi. I acknowledged the impression which had been produced on me at supper-time just as plainly as I have acknowledged it in these pages. Naomi nodded her head in undisguised approval of my candor.

“That will do, that’s speaking out,” she said. “But – oh my! you put it a deal too mildly, sir, when you say the men don’t seem to be on friendly terms together here. They hate each other. That’s the word, Mr. Lefrank – hate; bitter, bitter, bitter hate!” She clinched her little fists; she shook them vehemently, by way of adding emphasis to her last words; and then she suddenly remembered Ambrose. “Except Ambrose,” she added, opening her hand again, and laying it very earnestly on my arm. “Don’t go and misjudge Ambrose, sir. There is no harm in poor Ambrose.”

The girl’s innocent frankness was really irresistible.

“Should I be altogether wrong,” I asked, “if I guessed that you were a little partial to Ambrose?”

An Englishwoman would have felt, or would at least have assumed, some little hesitation at replying to my question. Naomi did not hesitate for an instant.

“You are quite right, sir,” she said with the most perfect composure. “If things go well, I mean to marry Ambrose.”

“If things go well,” I repeated. “What does that mean? Money?”

She shook her head.

“It means a fear that I have in my own mind,” she answered – “a fear, Mr. Lefrank, of matters taking a bad turn among the men here – the wicked, hard-hearted, unfeeling men. I don’t mean Ambrose, sir; I mean his brother Silas, and John Jago. Did you notice Silas’s hand? John Jago did that, sir, with a knife.”

“By accident?” I asked.

“On purpose,” she answered. “In return for a blow.”

This plain revelation of the state of things at Morwick Farm rather staggered me – blows and knives under the rich and respectable roof-tree of old Mr. Meadowcroft – blows and knives, not among the laborers, but among the masters! My first impression was like your first impression, no doubt. I could hardly believe it.

“Are you sure of what you say?” I inquired.

“I have it from Ambrose. Ambrose would never deceive me. Ambrose knows all about it.”

My curiosity was powerfully excited. To what sort of household had I rashly voyaged across the ocean in search of rest and quiet?

“May I know all about it too?” I said.

“Well, I will try and tell you what Ambrose told me. But you must promise me one thing first, sir. Promise you won’t go away and leave us when you know the whole truth. Shake hands on it, Mr. Lefrank; come, shake hands on it.”

There was no resisting her fearless frankness. I shook hands on it. Naomi entered on her narrative the moment I had given her my pledge, without wasting a word by way of preface.

“When you are shown over the farm here,” she began, “you will see that it is really two farms in one. On this side of it, as we look from under this tree, they raise crops: on the other side – on much the larger half of the land, mind – they raise cattle. When Mr. Meadowcroft got too old and too sick to look after his farm himself, the boys (I mean Ambrose and Silas) divided the work between them. Ambrose looked after the crops, and Silas after the cattle. Things didn’t go well, somehow, under their management. I can’t tell you why. I am only sure Ambrose was not in fault. The old man got more and more dissatisfied, especially about his beasts. His pride is in his beasts. Without saying a word to the boys, he looked about privately (I think he was wrong in that, sir; don’t you?) – he looked about privately for help; and, in an evil hour, he heard of John Jago. Do you like John Jago, Mr. Lefrank?”

“So far, no. I don’t like him.”

“Just my sentiments, sir. But I don’t know: it’s likely we may be wrong. There’s nothing against John Jago, except that he is so odd in his ways. They do say he wears all that nasty hair on his face (I hate hair on a man’s face) on account of a vow he made when he lost his wife. Don’t you think, Mr. Lefrank, a man must be a little mad who shows his grief at losing his wife by vowing that he will never shave himself again? Well, that’s what they do say John Jago vowed. Perhaps it’s a lie. People are such liars here! Anyway, it’s truth (the boys themselves confess that), when John came to the farm, he came with a firstrate character. The old father here isn’t easy to please; and he pleased the old father. Yes, that’s so. Mr. Meadowcroft don’t like my countrymen in general. He’s like his sons – English, bitter English, to the marrow of his bones. Somehow, in spite of that, John Jago got round him; maybe because John does certainly know his business. Oh yes! Cattle and crops, John knows his business. Since he’s been overlooker, things have prospered as they didn’t prosper in the time of the boys. Ambrose owned as much to me himself. Still, sir, it’s hard to be set aside for a stranger; isn’t it? John gives the orders now. The boys do their work; but they have no voice in it when John and the old man put their heads together over the business of the farm. I have been long in telling you of it, sir, but now you know how the envy and the hatred grew among the men before my time. Since I have been here, things seem to get worse and worse. There’s hardly a day goes by that hard words don’t pass between the boys and John, or the boys and their father. The old man has an aggravating way, Mr. Lefrank – a nasty way, as we do call it – of taking John Jago’s part. Do speak to him about it when you get the chance. The main blame of the quarrel between Silas and John the other day lies at his door, as I think. I don’t want to excuse Silas, either. It was brutal of him – though he is Ambrose’s brother – to strike John, who is the smaller and weaker man of the two. But it was worse than brutal in John, sir, to out with his knife and try to stab Silas. Oh, he did it! If Silas had not caught the knife in his hand (his hand’s awfully cut, I can tell you; I dressed it myself), it might have ended, for anything I know, in murder —”

She stopped as the word passed her lips, looked back over her shoulder, and started violently.

I looked where my companion was looking. The dark figure of a man was standing, watching us, in the shadow of the elm-tree. I rose directly to approach him. Naomi recovered her self-possession, and checked me before I could interfere.

“Who are you?” she asked, turning sharply toward the stranger. “What do you want there?”

The man stepped out from the shadow into the moonlight, and stood revealed to us as John Jago.

“I hope I am not intruding?” he said, looking hard at me.

“What do you want?” Naomi repeated.