The train, male and female, who attended immediately upon the Queen’s person, were, of course, of the bravest and the fairest – the highest born nobles, and the wisest counsellors, of that distinguished reign, to repeat whose names were but to weary the reader. Behind came a long crowd of knights and gentlemen, whose rank and birth, however distinguished, were thrown into shade, as their persons into the rear of a procession whose front was of such august majesty.
Thus marshalled, the cavalcade approached the Gallery-tower, which formed, as we have often observed, the extreme barrier of the Castle.
It was now the part of the huge porter to step forward; but the lubbard was so overwhelmed with confusion of spirit – the contents of one immense black jack of double ale, which he had just drunk to quicken his memory, having treacherously confused the brain it was intended to clear – that he only groaned piteously, and remained sitting on his stone seat; and the Queen would have passed on without greeting, had not the gigantic warder’s secret ally, Flibbertigibbet, who lay perdue behind him, thrust a pin into the rear of the short femoral garment which we elsewhere described.
The porter uttered a sort of yell, which came not amiss into his part, started up with his club, and dealt a sound douse or two on each side of him; and then, like a coach-horse pricked by the spur, started off at once into the full career of his address, and by dint of active prompting on the part of Dickie Sludge, delivered, in sounds of gigantic intonation, a speech which may be thus abridged – the reader being to suppose that the first lines were addressed to the throng who approached the gateway; the conclusion, at the approach of the Queen, upon sight of whom, as struck by some heavenly vision, the gigantic warder dropped his club, resigned his keys, and gave open way to the Goddess of the night, and all her magnificent train.
“What stir, what turmoil, have we for the nones? Stand back, my masters, or beware your bones! Sirs, I’m a warder, and no man of straw, My voice keeps order, and my club gives law. Yet soft – nay, stay – what vision have we here? What dainty darling’s this – what peerless peer? What loveliest face, that loving ranks unfold, Like brightest diamond chased in purest gold? Dazzled and blind, mine office I forsake, My club, my key, my knee, my homage take. Bright paragon, pass on in joy and bliss; — Beshrew the gate that opes not wide at such a sight as this!”[This is an imitation of Gascoigne’s verses spoken by the Herculean porter, as mentioned in the text. The original may be found in the republication of the Princely Pleasures of Kenilworth, by the same author, in the History of Kenilworth already quoted. Chiswick, 1821.]
Elizabeth received most graciously the homage of the Herculean porter, and, bending her head to him in requital, passed through his guarded tower, from the top of which was poured a clamorous blast of warlike music, which was replied to by other bands of minstrelsy placed at different points on the Castle walls, and by others again stationed in the Chase; while the tones of the one, as they yet vibrated on the echoes, were caught up and answered by new harmony from different quarters.
Amidst these bursts of music, which, as if the work of enchantment, seemed now close at hand, now softened by distant space, now wailing so low and sweet as if that distance were gradually prolonged until only the last lingering strains could reach the ear, Queen Elizabeth crossed the Gallery-tower, and came upon the long bridge, which extended from thence to Mortimer’s Tower, and which was already as light as day, so many torches had been fastened to the palisades on either side. Most of the nobles here alighted, and sent their horses to the neighbouring village of Kenilworth, following the Queen on foot, as did the gentlemen who had stood in array to receive her at the Gallery-tower.
On this occasion, as at different times during the evening, Raleigh addressed himself to Tressilian, and was not a little surprised at his vague and unsatisfactory answers; which, joined to his leaving his apartment without any assigned reason, appearing in an undress when it was likely to be offensive to the Queen, and some other symptoms of irregularity which he thought he discovered, led him to doubt whether his friend did not labour under some temporary derangement.
Meanwhile, the Queen had no sooner stepped on the bridge than a new spectacle was provided; for as soon as the music gave signal that she was so far advanced, a raft, so disposed as to resemble a small floating island, illuminated by a great variety of torches, and surrounded by floating pageants formed to represent sea-horses, on which sat Tritons, Nereids, and other fabulous deities of the seas and rivers, made its appearance upon the lake, and issuing from behind a small heronry where it had been concealed, floated gently towards the farther end of the bridge.
On the islet appeared a beautiful woman, clad in a watchet-coloured silken mantle, bound with a broad girdle inscribed with characters like the phylacteries of the Hebrews. Her feet and arms were bare, but her wrists and ankles were adorned with gold bracelets of uncommon size. Amidst her long, silky black hair she wore a crown or chaplet of artificial mistletoe, and bore in her hand a rod of ebony tipped with silver. Two Nymphs attended on her, dressed in the same antique and mystical guise.
The pageant was so well managed that this Lady of the Floating Island, having performed her voyage with much picturesque effect, landed at Mortimer’s Tower with her two attendants just as Elizabeth presented herself before that outwork. The stranger then, in a well-penned speech, announced herself as that famous Lady of the Lake renowned in the stories of King Arthur, who had nursed the youth of the redoubted Sir Lancelot, and whose beauty ‘had proved too powerful both for the wisdom and the spells of the mighty Merlin. Since that early period she had remained possessed of her crystal dominions, she said, despite the various men of fame and might by whom Kenilworth had been successively tenanted. ‘The Saxons, the Danes, the Normans, the Saintlowes, the Clintons, the Montforts, the Mortimers, the Plantagenets, great though they were in arms and magnificence, had never, she said, caused her to raise her head from the waters which hid her crystal palace. But a greater than all these great names had now appeared, and she came in homage and duty to welcome the peerless Elizabeth to all sport which the Castle and its environs, which lake or land, could afford.
The Queen received this address also with great courtesy, and made answer in raillery, “We thought this lake had belonged to our own dominions, fair dame; but since so famed a lady claims it for hers, we will be glad at some other time to have further communing with you touching our joint interests.”
With this gracious answer the Lady of the Lake vanished, and Arion, who was amongst the maritime deities, appeared upon his dolphin. But Lambourne, who had taken upon him the part in the absence of Wayland, being chilled with remaining immersed in an element to which he was not friendly, having never got his speech by heart, and not having, like the porter, the advantage of a prompter, paid it off with impudence, tearing off his vizard, and swearing, “Cogs bones! he was none of Arion or Orion either, but honest Mike Lambourne, that had been drinking her Majesty’s health from morning till midnight, and was come to bid her heartily welcome to Kenilworth Castle.”
This unpremeditated buffoonery answered the purpose probably better than the set speech would have done. The Queen laughed heartily, and swore (in her turn) that he had made the best speech she had heard that day. Lambourne, who instantly saw his jest had saved his bones, jumped on shore, gave his dolphin a kick, and declared he would never meddle with fish again, except at dinner.
At the same time that the Queen was about to enter the Castle, that memorable discharge of fireworks by water and land took place, which Master Laneham, formerly introduced to the reader, has strained all his eloquence to describe.
“Such,” says the Clerk of the Council-chamber door “was the blaze of burning darts, the gleams of stars coruscant, the streams and hail of fiery sparks, lightnings of wildfire, and flight-shot of thunderbolts, with continuance, terror, and vehemency, that the heavens thundered, the waters surged, and the earth shook; and for my part, hardy as I am, it made me very vengeably afraid.”
[See Laneham’s Account of the Queen’s Entertainment at Killingworth Castle, in 1575, a very diverting tract, written by as great a coxcomb as ever blotted paper. [See Note 6] The original is extremely rare, but it has been twice reprinted; once in Mr. Nichols’s very curious and interesting collection of the Progresses and Public Processions of Queen Elizabeth, vol.i. and more lately in a beautiful antiquarian publication, termed KENILWORTH ILLUSTRATED, printed at Chiswick, for Meridew of Coventry and Radcliffe of Birmingham. It contains reprints of Laneham’s Letter, Gascoigne’s Princely Progress, and other scarce pieces, annotated with accuracy and ability. The author takes the liberty to refer to this work as his authority for the account of the festivities.
I am indebted for a curious ground-plan of the Castle of Kenilworth, as it existed in Queen Elizabeth’s time, to the voluntary kindness of Richard Badnall Esq. of Olivebank, near Liverpool. From his obliging communication, I learn that the original sketch was found among the manuscripts of the celebrated J. J. Rousseau, when he left England. These were entrusted by the philosopher to the care of his friend Mr. Davenport, and passed from his legatee into the possession of Mr. Badnall.]
CHAPTER XXXI
Nay, this is matter for the month of March, When hares are maddest. Either speak in reason, Giving cold argument the wall of passion, Or I break up the court.– BEAUMONT AND FLETCHER.It is by no means our purpose to detail minutely all the princely festivities of Kenilworth, after the fashion of Master Robert Laneham, whom we quoted in the conclusion of the last chapter. It is sufficient to say that under discharge of the splendid fireworks, which we have borrowed Laneham’s eloquence to describe, the Queen entered the base-court of Kenilworth, through Mortimer’s Tower, and moving on through pageants of heathen gods and heroes of antiquity, who offered gifts and compliments on the bended knee, at length found her way to the Great Hall of the Castle, gorgeously hung for her reception with the richest silken tapestry, misty with perfumes, and sounding to strains of soft and delicious music. From the highly-carved oaken roof hung a superb chandelier of gilt bronze, formed like a spread eagle, whose outstretched wings supported three male and three female figures, grasping a pair of branches in each hand. The Hall was thus illuminated by twenty-four torches of wax. At the upper end of the splendid apartment was a state canopy, overshadowing a royal throne, and beside it was a door, which opened to a long suite of apartments, decorated with the utmost magnificence for the Queen and her ladies, whenever it should be her pleasure to be private.
The Earl of Leicester having handed the Queen up to her throne, and seated her there, knelt down before her, and kissing the hand which she held out, with an air in which romantic and respectful gallantry was happily mingled with the air of loyal devotion, he thanked her, in terms of the deepest gratitude, for the highest honour which a sovereign could render to a subject. So handsome did he look when kneeling before her, that Elizabeth was tempted to prolong the scene a little longer than there was, strictly speaking, necessity for; and ere she raised him, she passed her hand over his head, so near as almost to touch his long, curled, and perfumed hair, and with a movement of fondness that seemed to intimate she would, if she dared, have made the motion a slight caress.
[To justify what may be considered as a high-coloured picture, the author quotes the original of the courtly and shrewd Sir James Melville, being then Queen Mary’s envoy at the court of London.
“I was required,” says Sir James, “to stay till I had seen him made Earle of Leicester, and Baron of Denbigh, with great solemnity; herself (Elizabeth) helping to put on his ceremonial, he sitting on his knees before her, keeping a great gravity and a discreet behaviour; but she could not refrain from putting her hand to his neck to kittle (i.e., tickle) him, smilingly, the French Ambassador and I standing beside her.” – MELVILLE’S MEMOIRS, BANNATYNE EDITION, p. 120.]
She at length raised him, and standing beside the throne, he explained to her the various preparations which had been made for her amusement and accommodation, all of which received her prompt and gracious approbation. The Earl then prayed her Majesty for permission that he himself, and the nobles who had been in attendance upon her during the journey, might retire for a few minutes, and put themselves into a guise more fitting for dutiful attendance, during which space those gentlemen of worship (pointing to Varney, Blount, Tressilian, and others), who had already put themselves into fresh attire, would have the honour of keeping her presence-chamber.
“Be it so, my lord,” answered the Queen; “you could manage a theatre well, who can thus command a double set of actors. For ourselves, we will receive your courtesies this evening but clownishly, since it is not our purpose to change our riding attire, being in effect something fatigued with a journey which the concourse of our good people hath rendered slow, though the love they have shown our person hath, at the same time, made it delightful.”
Leicester, having received this permission, retired accordingly, and was followed by those nobles who had attended the Queen to Kenilworth in person. The gentlemen who had preceded them, and were, of course, dressed for the solemnity, remained in attendance. But being most of them of rather inferior rank, they remained at an awful distance from the throne which Elizabeth occupied. The Queen’s sharp eye soon distinguished Raleigh amongst them, with one or two others who were personally known to her, and she instantly made them a sign to approach, and accosted them very graciously. Raleigh, in particular, the adventure of whose cloak, as well as the incident of the verses, remained on her mind, was very graciously received; and to him she most frequently applied for information concerning the names and rank of those who were in presence. These he communicated concisely, and not without some traits of humorous satire, by which Elizabeth seemed much amused. “And who is yonder clownish fellow?” she said, looking at Tressilian, whose soiled dress on this occasion greatly obscured his good mien.
“A poet, if it please your Grace,” replied Raleigh.
“I might have guessed that from his careless garb,” said Elizabeth. “I have known some poets so thoughtless as to throw their cloaks into gutters.”
“It must have been when the sun dazzled both their eyes and their judgment,” answered Raleigh.
Elizabeth smiled, and proceeded, “I asked that slovenly fellow’s name, and you only told me his profession.”
“Tressilian is his name,” said Raleigh, with internal reluctance, for he foresaw nothing favourable to his friend from the manner in which she took notice of him.
“Tressilian!” answered Elizabeth. “Oh, the Menelaus of our romance. Why, he has dressed himself in a guise that will go far to exculpate his fair and false Helen. And where is Farnham, or whatever his name is – my Lord of Leicester’s man, I mean – the Paris of this Devonshire tale?”
With still greater reluctance Raleigh named and pointed out to her Varney, for whom the tailor had done all that art could perform in making his exterior agreeable; and who, if he had not grace, had a sort of tact and habitual knowledge of breeding, which came in place of it.
The Queen turned her eyes from the one to the other. “I doubt,” she said, “this same poetical Master Tressilian, who is too learned, I warrant me, to remember whose presence he was to appear in, may be one of those of whom Geoffrey Chaucer says wittily, the wisest clerks are not the wisest men. I remember that Varney is a smooth-tongued varlet. I doubt this fair runaway hath had reasons for breaking her faith.”
To this Raleigh durst make no answer, aware how little he should benefit Tressilian by contradicting the Queen’s sentiments, and not at all certain, on the whole, whether the best thing that could befall him would not be that she should put an end at once by her authority to this affair, upon which it seemed to him Tressilian’s thoughts were fixed with unavailing and distressing pertinacity. As these reflections passed through his active brain, the lower door of the hall opened, and Leicester, accompanied by several of his kinsmen, and of the nobles who had embraced his faction, re-entered the Castle Hall.
The favourite Earl was now apparelled all in white, his shoes being of white velvet; his under-stocks (or stockings) of knit silk; his upper stocks of white velvet, lined with cloth of silver, which was shown at the slashed part of the middle thigh; his doublet of cloth of silver, the close jerkin of white velvet, embroidered with silver and seed-pearl, his girdle and the scabbard of his sword of white velvet with golden buckles; his poniard and sword hilted and mounted with gold; and over all a rich, loose robe of white satin, with a border of golden embroidery a foot in breadth. The collar of the Garter, and the azure garter itself around his knee, completed the appointments of the Earl of Leicester; which were so well matched by his fair stature, graceful gesture, fine proportion of body, and handsome countenance, that at that moment he was admitted by all who saw him as the goodliest person whom they had ever looked upon. Sussex and the other nobles were also richly attired, but in point of splendour and gracefulness of mien Leicester far exceeded them all.
Elizabeth received him with great complacency. “We have one piece of royal justice,” she said, “to attend to. It is a piece of justice, too, which interests us as a woman, as well as in the character of mother and guardian of the English people.”
An involuntary shudder came over Leicester as he bowed low, expressive of his readiness to receive her royal commands; and a similar cold fit came over Varney, whose eyes (seldom during that evening removed from his patron) instantly perceived from the change in his looks, slight as that was, of what the Queen was speaking. But Leicester had wrought his resolution up to the point which, in his crooked policy, he judged necessary; and when Elizabeth added, “it is of the matter of Varney and Tressilian we speak – is the lady here, my lord?” his answer was ready – “Gracious madam, she is not.”
Elizabeth bent her brows and compressed her lips. “Our orders were strict and positive, my lord,” was her answer —
“And should have been obeyed, good my liege,” replied Leicester, “had they been expressed in the form of the lightest wish. But – Varney, step forward – this gentleman will inform your Grace of the cause why the lady” (he could not force his rebellious tongue to utter the words – HIS WIFE) “cannot attend on your royal presence.”
Varney advanced, and pleaded with readiness, what indeed he firmly believed, the absolute incapacity of the party (for neither did he dare, in Leicester’s presence, term her his wife) to wait on her Grace.
“Here,” said he, “are attestations from a most learned physician, whose skill and honour are well known to my good Lord of Leicester, and from an honest and devout Protestant, a man of credit and substance, one Anthony Foster, the gentleman in whose house she is at present bestowed, that she now labours under an illness which altogether unfits her for such a journey as betwixt this Castle and the neighbourhood of Oxford.”
“This alters the matter,” said the Queen, taking the certificates in her hand, and glancing at their contents. – “Let Tressilian come forward. – Master Tressilian, we have much sympathy for your situation, the rather that you seem to have set your heart deeply on this Amy Robsart, or Varney. Our power, thanks to God, and the willing obedience of a loving people, is worth much, but there are some things which it cannot compass. We cannot, for example, command the affections of a giddy young girl, or make her love sense and learning better than a courtier’s fine doublet; and we cannot control sickness, with which it seems this lady is afflicted, who may not, by reason of such infirmity, attend our court here, as we had required her to do. Here are the testimonials of the physician who hath her under his charge, and the gentleman in whose house she resides, so setting forth.”
“Under your Majesty’s favour,” said Tressilian hastily, and in his alarm for the consequence of the imposition practised on the Queen forgetting in part at least his own promise to Amy, “these certificates speak not the truth.”
“How, sir!” said the Queen – “impeach my Lord of Leicester’s veracity! But you shall have a fair hearing. In our presence the meanest of our subjects shall be heard against the proudest, and the least known against the most favoured; therefore you shall be heard fairly, but beware you speak not without a warrant! Take these certificates in your own hand, look at them carefully, and say manfully if you impugn the truth of them, and upon what evidence.”
As the Queen spoke, his promise and all its consequences rushed on the mind of the unfortunate Tressilian, and while it controlled his natural inclination to pronounce that a falsehood which he knew from the evidence of his senses to be untrue, gave an indecision and irresolution to his appearance and utterance which made strongly against him in the mind of Elizabeth, as well as of all who beheld him. He turned the papers over and over, as if he had been an idiot, incapable of comprehending their contents. The Queen’s impatience began to become visible. “You are a scholar, sir,” she said, “and of some note, as I have heard; yet you seem wondrous slow in reading text hand. How say you, are these certificates true or no?”
“Madam,” said Tressilian, with obvious embarrassment and hesitation, anxious to avoid admitting evidence which he might afterwards have reason to confute, yet equally desirous to keep his word to Amy, and to give her, as he had promised, space to plead her own cause in her own way – “Madam – Madam, your Grace calls on me to admit evidence which ought to be proved valid by those who found their defence upon them.”
“Why, Tressilian, thou art critical as well as poetical,” said the Queen, bending on him a brow of displeasure; “methinks these writings, being produced in the presence of the noble Earl to whom this Castle pertains, and his honour being appealed to as the guarantee of their authenticity, might be evidence enough for thee. But since thou listest to be so formal – Varney, or rather my Lord of Leicester, for the affair becomes yours” (these words, though spoken at random, thrilled through the Earl’s marrow and bones), “what evidence have you as touching these certificates?”
Varney hastened to reply, preventing Leicester – “So please your Majesty, my young Lord of Oxford, who is here in presence, knows Master Anthony Foster’s hand and his character.”
The Earl of Oxford, a young unthrift, whom Foster had more than once accommodated with loans on usurious interest, acknowledged, on this appeal, that he knew him as a wealthy and independent franklin, supposed to be worth much money, and verified the certificate produced to be his handwriting.
“And who speaks to the Doctor’s certificate?” said the Queen. “Alasco, methinks, is his name.”
Masters, her Majesty’s physician (not the less willingly that he remembered his repulse from Sayes Court, and thought that his present testimony might gratify Leicester, and mortify the Earl of Sussex and his faction), acknowledged he had more than once consulted with Doctor Alasco, and spoke of him as a man of extraordinary learning and hidden acquirements, though not altogether in the regular course of practice. The Earl of Huntingdon, Lord Leicester’s brother-in-law, and the old Countess of Rutland, next sang his praises, and both remembered the thin, beautiful Italian hand in which he was wont to write his receipts, and which corresponded to the certificate produced as his.
