The Heart of Mid-Lothian, Complete

This threat conveyed all that is terrible to the imagination of poor Jeanie, who saw in him that “was of milder mood” her only protection from the most brutal treatment. She, therefore, not only followed him, but even held him by the sleeve, lest he should escape from her; and the fellow, hardened as he was, seemed something touched by these marks of confidence, and repeatedly assured her, that he would suffer her to receive no harm.

They conducted their prisoner in a direction leading more and more from the public road, but she observed that they kept a sort of track or by-path, which relieved her from part of her apprehensions, which would have been greatly increased had they not seemed to follow a determined and ascertained route. After about half-an-hour’s walking, all three in profound silence, they approached an old barn, which stood on the edge of some cultivated ground, but remote from everything like a habitation. It was itself, however, tenanted, for there was light in the windows.

One of the footpads scratched at the door, which was opened by a female, and they entered with their unhappy prisoner. An old woman, who was preparing food by the assistance of a stifling fire of lighted charcoal, asked them, in the name of the devil, what they brought the wench there for, and why they did not strip her and turn her abroad on the common?

“Come, come, Mother Blood,” said the tall man, “we’ll do what’s right to oblige you, and we’ll do no more; we are bad enough, but not such as you would make us,—devils incarnate.”

“She has got a jark from Jim Ratcliffe,” said the short fellow, “and Frank here won’t hear of our putting her through the mill.”

“No, that I will not, by G—d!” answered Frank; “but if old Mother Blood could keep her here for a little while, or send her back to Scotland, without hurting her, why, I see no harm in that—not I.”

“I’ll tell you what, Frank Levitt,” said the old woman, “if you call me Mother Blood again, I’ll paint this gully” (and she held a knife up as if about to make good her threat) “in the best blood in your body, my bonny boy.”

“The price of ointment must be up in the north,” said Frank, “that puts Mother Blood so much out of humour.”

Without a moment’s hesitation the fury darted her knife at him with the vengeful dexterity of a wild Indian. As he was on his guard, he avoided the missile by a sudden motion of his head, but it whistled past his ear, and stuck deep in the clay wall of a partition behind.

“Come, come, mother,” said the robber, seizing her by both wrists, “I shall teach you who’s master;” and so saying, he forced the hag backwards by main force, who strove vehemently until she sunk on a bunch of straw, and then, letting go her hands, he held up his finger towards her in the menacing posture by which a maniac is intimidated by his keeper. It appeared to produce the desired effect; for she did not attempt to rise from the seat on which he had placed her, or to resume any measures of actual violence, but wrung her withered hands with impotent rage, and brayed and howled like a demoniac.

“I will keep my promise with you, you old devil,” said Frank; “the wench shall not go forward on the London road, but I will not have you touch a hair of her head, if it were but for your insolence.”

This intimation seemed to compose in some degree the vehement passion of the old hag; and while her exclamations and howls sunk into a low, maundering, growling tone of voice, another personage was added to this singular party.

“Eh, Frank Levitt,” said this new-comer, who entered with a hop, step, and jump, which at once conveyed her from the door into the centre of the party, “were ye killing our mother? or were ye cutting the grunter’s weasand that Tam brought in this morning? or have ye been reading your prayers backward, to bring up my auld acquaintance the deil amang ye?”

The tone of the speaker was so particular, that Jeanie immediately recognised the woman who had rode foremost of the pair which passed her just before she met the robbers; a circumstance which greatly increased her terror, as it served to show that the mischief designed against her was premeditated, though by whom, or for what cause, she was totally at a loss to conjecture. From the style of her conversation, the reader also may probably acknowledge in this female an old acquaintance in the earlier part of our narrative.

“Out, ye mad devil!” said Tom, whom she had disturbed in the middle of a draught of some liquor with which he had found means of accommodating himself; “betwixt your Bess of Bedlam pranks, and your dam’s frenzies, a man might live quieter in the devil’s ken than here.”—And he again resumed the broken jug out of which he had been drinking.

“And wha’s this o’t?” said the mad woman, dancing up to Jeanie Deans, who, although in great terror, yet watched the scene with a resolution to let nothing pass unnoticed which might be serviceable in assisting her to escape, or informing her as to the true nature of her situation, and the danger attending it,—“Wha’s this o’t?” again exclaimed Madge Wildfire.

“Douce Davie Deans, the auld doited whig body’s daughter, in a gipsy’s barn, and the night setting in? This is a sight for sair een!—Eh, sirs, the falling off o’ the godly!—and the t’other sister’s in the Tolbooth of Edinburgh; I am very sorry for her, for my share—it’s my mother wusses ill to her, and no me—though maybe I hae as muckle cause.”

“Hark ye, Madge,” said the taller ruffian, “you have not such a touch of the devil’s blood as the hag your mother, who may be his dam for what I know—take this young woman to your kennel, and do not let the devil enter, though he should ask in God’s name.”

“Ou ay; that I will, Frank,” said Madge, taking hold of Jeanie by the arm, and pulling her along; “for it’s no for decent Christian young leddies, like her and me, to be keeping the like o’ you and Tyburn Tam company at this time o’ night. Sae gude-e’en t’ye, sirs, and mony o’ them; and may ye a’ sleep till the hangman wauken ye, and then it will be weel for the country.”

She then, as her wild fancy seemed suddenly to prompt her, walked demurely towards her mother, who, seated by the charcoal fire, with the reflection of the red light on her withered and distorted features marked by every evil passion, seemed the very picture of Hecate at her infernal rites; and, suddenly dropping on her knees, said, with the manner of a six years’ old child, “Mammie, hear me say my prayers before I go to bed, and say God bless my bonny face, as ye used to do lang syne.”

“The deil flay the hide o’ it to sole his brogues wi’!” said the old lady, aiming a buffet at the supplicant, in answer to her duteous request.

The blow missed Madge, who, being probably acquainted by experience with the mode in which her mother was wont to confer her maternal benedictions, slipt out of arm’s length with great dexterity and quickness. The hag then started up, and, seizing a pair of old fire-tongs, would have amended her motion, by beating out the brains either of her daughter or Jeanie (she did not seem greatly to care which), when her hand was once more arrested by the man whom they called Frank Levitt, who, seizing her by the shoulder, flung her from him with great violence, exclaiming, “What, Mother Damnable—again, and in my sovereign presence!—Hark ye, Madge of Bedlam! get to your hole with your playfellow, or we shall have the devil to pay here, and nothing to pay him with.”

Madge took Levitt’s advice, retreating as fast as she could, and dragging Jeanie along with her into a sort of recess, partitioned off from the rest of the barn, and filled with straw, from which it appeared that it was intended for the purpose of slumber. The moonlight shone, through an open hole, upon a pillion, a pack-saddle, and one or two wallets, the travelling furniture of Madge and her amiable mother.—“Now, saw ye e’er in your life,” said Madge, “sae dainty a chamber of deas? see as the moon shines down sae caller on the fresh strae! There’s no a pleasanter cell in Bedlam, for as braw a place as it is on the outside.—Were ye ever in Bedlam?”

“No,” answered Jeanie faintly, appalled by the question, and the way in which it was put, yet willing to soothe her insane companion, being in circumstances so unhappily precarious, that even the society of this gibbering madwoman seemed a species of protection.

“Never in Bedlam?” said Madge, as if with some surprise.—“But ye’ll hae been in the cells at Edinburgh!”

“Never,” repeated Jeanie.

“Weel, I think thae daft carles the magistrates send naebody to Bedlam but me—thae maun hae an unco respect for me, for whenever I am brought to them, thae aye hae me back to Bedlam. But troth, Jeanie” (she said this in a very confidential tone), “to tell ye my private mind about it, I think ye are at nae great loss; for the keeper’s a cross-patch, and he maun hae it a’ his ain gate, to be sure, or he makes the place waur than hell. I often tell him he’s the daftest in a’ the house.—But what are they making sic a skirling for?—Deil ane o’ them’s get in here—it wadna be mensfu’! I will sit wi’ my back again the door; it winna be that easy stirring me.”

“Madge!”—“Madge!”—“Madge Wildfire!”—“Madge devil! what have ye done with the horse?” was repeatedly asked by the men without.

“He’s e’en at his supper, puir thing,” answered Madge; “deil an ye were at yours, too, an it were scauding brimstone, and then we wad hae less o’ your din.”

“His supper!” answered the more sulky ruffian—“What d’ye mean by that!—Tell me where he is, or I will knock your Bedlam brains out!”

“He’s in Gaffer Gablewood’s wheat-close, an ye maun ken.”

“His wheat-close, you crazed jilt!” answered the other, with an accent of great indignation.

“O, dear Tyburn Tam, man, what ill will the blades of the young wheat do to the puir nag?”

“That is not the question,” said the other robber; “but what the country will say to us to-morrow, when they see him in such quarters?—Go, Tom, and bring him in; and avoid the soft ground, my lad; leave no hoof-track behind you.”

“I think you give me always the fag of it, whatever is to be done,” grumbled his companion.

“Leap, Laurence, you’re long enough,” said the other; and the fellow left the barn accordingly, without farther remonstrance.

In the meanwhile, Madge had arranged herself for repose on the straw; but still in a half-sitting posture, with her back resting against the door of the hovel, which, as it opened inwards, was in this manner kept shut by the weight of the person.

“There’s mair shifts by stealing, Jeanie,” said Madge Wildfire; “though whiles I can hardly get our mother to think sae. Wha wad hae thought but mysell of making a bolt of my ain back-bane? But it’s no sae strong as thae that I hae seen in the Tolbooth at Edinburgh. The hammermen of Edinburgh are to my mind afore the warld for making stancheons, ring-bolts, fetter-bolts, bars, and locks. And they arena that bad at girdles for carcakes neither, though the Cu’ross hammermen have the gree for that. My mother had ance a bonny Cu’ross girdle, and I thought to have baked carcakes on it for my puir wean that’s dead and gane nae fair way—But we maun a’ dee, ye ken, Jeanie—You Cameronian bodies ken that brawlies; and ye’re for making a hell upon earth that ye may be less unwillin’ to part wi’ it. But as touching Bedlam that ye were speaking about, I’se ne’er recommend it muckle the tae gate or the other, be it right—be it wrang. But ye ken what the sang says.” And, pursuing the unconnected and floating wanderings of her mind, she sung aloud—

“In the bonny cells of Bedlam,
Ere I was ane-and-twenty,
I had hempen bracelets strong,
And merry whips, ding-dong,
And prayer and fasting plenty.

“Weel, Jeanie, I am something herse the night, and I canna sing muckle mair; and troth, I think, I am gaun to sleep.”

She drooped her head on her breast, a posture from which Jeanie, who would have given the world for an opportunity of quiet to consider the means and the probability of her escape, was very careful not to disturb her. After nodding, however, for a minute’or two, with her eyes half-closed, the unquiet and restless spirit of her malady again assailed Madge. She raised her head, and spoke, but with a lowered tone, which was again gradually overcome by drowsiness, to which the fatigue of a day’s journey on horseback had probably given unwonted occasion,—“I dinna ken what makes me sae sleepy—I amaist never sleep till my bonny Lady Moon gangs till her bed—mair by token, when she’s at the full, ye ken, rowing aboon us yonder in her grand silver coach—I have danced to her my lane sometimes for very joy—and whiles dead folk came and danced wi’ me—the like o’ Jock Porteous, or ony body I had ken’d when I was living—for ye maun ken I was ance dead mysell.” Here the poor maniac sung, in a low and wild tone,

“My banes are buried in yon kirkyard
Sae far ayont the sea,
And it is but my blithesome ghaist
That’s speaking now to thee.

“But after a’, Jeanie, my woman, naebody kens weel wha’s living and wha’s dead—or wha’s gone to Fairyland—there’s another question. Whiles I think my puir bairn’s dead—ye ken very weel it’s buried—but that signifies naething. I have had it on my knee a hundred times, and a hundred till that, since it was buried—and how could that be were it dead, ye ken?—it’s merely impossible.”—And here, some conviction half-overcoming the reveries of her imagination, she burst into a fit of crying and ejaculation, “Wae’s me! wae’s me! wae’s me!” till at length she moaned and sobbed herself into a deep sleep, which was soon intimated by her breathing hard, leaving Jeanie to her own melancholy reflections and observations.

CHAPTER SIXTH

Bind her quickly; or, by this steel,
I’ll tell, although I truss for company.

                                           Fletcher.