Linda Lee, Incorporated: A Novel

Lucinda's mouth tightened, for an instant her eyes held a sullen light. "How tiresome! You sound just like Bel. How often have I heard him use almost the same words: 'Julie Allingham – you know – really!'"

"Sorry," Dobbin said stiffly.

"What's the matter with Julie Allingham?" Lucinda demanded in a pet. "She's amusing, I like her."

"Then there's nothing more to be said."

"Oh, you're all alike, you, Bel, and all the rest of you!"

"Think so?"

"What if Julie has made history of a few husbands? At least, she's been honest about her changes of heart; when she tired of one, she got rid of him legally before taking on another. I call that more decent treatment than most men give their wives."

"Never having had a wife, can't argue."

"Oh, you sound more like Bel every minute! Do come along."

All at once her succès had evaporated into thin air, the flavour of it, that had been so sweet, had gone flat, like champagne too long uncorked. And all (she thought) because Dobbin with his stupid prejudices had reminded her of Bel!

It began to seem as if there might have been more truth than she had guessed in her assertion that men were all alike in their attitude toward women, toward their wives and toward – the others.

But if that were so (surely she wasn't the first to glimpse an immortal truth) why did women ever marry?

And why, in the name of reason! having once worried through the ordeal of having a husband, did any woman ever repeat an experiment which experience should have taught her was predestined to prove a failure?

She emerged from a brown study to find herself in the car, with Dobbin at her side watching her thoughtfully.

"Cross with me, Cinda?"

With an effort Lucinda shrugged out of her ill-humour.

"No, of course not. With myself, rather, for being a silly. Dobbin: you're a dear."

"I know," he agreed with comic complacence; "but it doesn't get me anywhere."

"You're not very flattering. I don't tell every man he's a dear."

"I'm wondering what the term means to you."

"It means a great deal."

"But what are the privileges and appurtenances of a dear's estate in your esteem? Does it carry the right to take liberties?"

"It might be worth your while to try and find out."

"Well… It's been a question in my mind ever since last night, and something you said just now… Is the inference justified, you and Druce aren't getting along too well?"

"Oh, do stop reminding me of Bel! I do so want to forget him for tonight."

"Then it's worse than I thought."

"It's worse than anybody thinks that doesn't know, Dobbin."

"So he hasn't changed…"

"How do you mean?"

"Why, I used to know Bellamy pretty well, pal around with him and that sort of thing…"

"No," said Lucinda slowly, eyes straight ahead – "if you mean what I mean, Bel hasn't changed."

"Then…" Daubeney found a hand which Lucinda resigned to his without a struggle. "As a man who truly loves you, dear, and always has, I think the right is mine to ask yet another question: What are you going to do?"

She shook her head dolefully: "I don't know yet."

"You said last night you were still in love…"

"Last night it was true."

"But today – ?"

"I don't know."

"I won't ask you what has happened, Cinda – "

"Please don't. I don't want to talk about it."

"Only I must know one thing: Is there anyone else – with you, I mean?"

Lucinda met those devoted eyes honestly. "No, Dobbin, I'm sorry – not even you…"

"Then that's all right. No need for either of us to worry. You'll come through with flying colours. Only, don't do anything in haste, and right or wrong, count on me."

Lucinda gave his fingers a friendly pressure and disengaged her hand. "Dear Dobbin," she said gently.

The car was pulling in toward a corner.

XII

Though they had left the Metropolitan long before the final curtain, on Broadway the midnight tidal bore of motor traffic was even then gathering way and volume, the first waves of after-theatre patrons were washing the doorsteps of those sturdy restaurants which had withstood the blast of Prohibition, the foyer of the Palais Royal already held a throng of some proportions. In this omnium-gatherum of confirmed New Yorkers and self-determined suburbicides, arrayed in every graduation of formal, semi-formal and informal dress, and drawn together by the happy coup of that year's press-agent in heralding the establishment as a favorite resort of what the Four Million still styles its Four Hundred, the women stood grouped in their wraps and wistfully watching their men-folk importune a headwaiter who was heroically holding the staircase against all-comers, passing only the fore-handed in the matter of reservations, and putting all others to ignominious rout with the standardized statement that there was not a table upstairs left untaken.

At first glance, the huge main room on the second story, with its serried semicircles of tables and its flamboyant colour scheme, seemed less frequented by clients than by waiters; but the influx of the former was constant, and when, shortly after Lucinda and Daubeney had been seated, a gang of incurable melomaniacs crashed, blared and whanged into a jazz fox-trot, the oval dance floor was quickly hidden by swaying couples.

For some minutes Lucinda sat looking out over without seeing these herded dancers, only aware of the shifting swirl of colour and the hypnotic influence of savage music, her thoughts far from this decadent adaptation of jungle orgies which she had come to witness. And presently a smile began to flicker in the depths of her eyes.

"Oh!" she said, rousing when Daubeney uttered a note of interrogation – "I was thinking about this afternoon, remembering that funny little man moping and mowing in his magnificent delusion that he was conducting an orchestra."

"It was amusing, illuminating, too. One begins to understand why the movies are what they are. If I'm not mistaken, the author of that asinine exhibition is rated as one of the ablest directors in the business."