Joan Thursday: A Novel

On the morrow she went back to her typewriter like Cinderella to her kitchen. But what work Matthias was able to invent for her was neither arduous nor urgent; she was able to take her time on it, and wasted many an hour in dreaming. Her mind was, indeed, more engaged with thoughts of new frocks than with the circumstances of her love or her services to her lover.

She was to receive thenceforward twenty-five instead of ten dollars a week. Matthias had experienced little difficulty in over-ruling her faint protestations: they were to be together a great deal, he argued, and she must be able to dress at least neatly; moreover, by requiring her promise to marry him at some future time when his fortunes would permit, he had in a measure made her dependent upon him; she couldn't reasonably be asked to wait for long on a bare pittance.

His arguments were reinforced by one he knew nothing of, a maxim culled from the wisdom of Miss Maizie Dean: It was up to a girl to look out for herself first, last, and all the time. The platitude had made an ineffaceable impression upon Joan's sense of self-preservation. And if Matthias were able to afford nightly dinners for two at good restaurants, in addition to theater tickets several times a week, he ought to be able to afford a decent compensation to his stenographer; especially when it was his wish that she refrain from attempting to earn more money on the stage.

It was, however, true that no offer had come to Joan of other theatrical work, and that the issue of her ambition remained in abeyance, a subject which she didn't care to raise and which Matthias, since that first night, had considered settled.

Customarily they met each evening about half-past six at some distance from their lodgings: a precaution against gossip on the part of the other inmates of the Maison Duprat. Thence they would go to dine at some favourite restaurant, where food was good and evening dress not obligatory – the café of their first supper by preference, or else the Lafayette, in University Place, the Brevoort House, or one of a few minor French establishments upon which Matthias had conferred the approval of a discriminating taste. Thereafter, if he meant to work, they would take a taxicab for a brief whirl through Central Park or up Riverside Drive to Grant's Tomb and back. Or if he considered attendance upon some first representation important enough to interfere with his work, as forming part of the education of a student of contemporaneous drama, they would go to a theatre, where he always contrived to have good but inconspicuous seats.

In all, Joan must have attended with him eight or nine first-nights; and since Matthias refused to waste his time on musical comedy, they witnessed for the most part plays dealing with one phase or another of social life in either London or New York. From these Joan derived an amount of benefit which would have surprised anyone ignorant of the quickness of perception and intelligent adaptability characteristic of the American girl, however humble her origin. The poorest plays furnished her with material for self-criticism and improvement. As plays, indeed, she was but vaguely interested in them, but as schools of deportment, they held her breathlessly attentive. She never took her gaze from the stage so long as there remained upon it an actress portraying, however indifferently, a woman of any degree of cultivation whatever. Gestures, postures, vocal inflections, the character of their gowns and the manner in which they contrived to impart to them something of their wearer's personality, the management of a tea-cup or a fashion of shaking hands: all these were registered and stored away in the girl's memory, to be recalled when alone, reviewed, dissected, modified to fit her individually, practised, and eventually to be adopted with varying discretion and success.

She who was to be the wife of a man of position, was determined that his friends and associates should find little to censure in her manners. For long Helena Tankerville figured to Joan as an impeccable model of tact, distinction, taste, and gentlewomanliness. To become as Helena was, summed up the dearest aspirations of the girl. She began to be very guarded in her use of English, eschewed as far as her means permitted the uniform style of costume to which New York women are largely prone, dressed her hair differently and upon no superstructure other than its own, and spent long hours manicuring and observing the minor niceties of the feminine toilet.

Paradoxically, with the obtuseness characteristic of a certain type of imaginative man, Matthias appreciated and was grateful for the improvement in his fiancée without realizing it objectively; what pleased his sensitive tastes, he accepted as normal expressions of innate good-breeding; what jarred, he glossed with charity. It was inconceivable that he should love any woman but one instinctively fine: he endowed Joan with many a grace and many a virtue that she did not possess; and this implicit assertion of his, that she was all that the mistress of his heart ought to be, incited her to more determined efforts to resemble all that by birth and training she was not.

It was some time before the novelty palled and she grew restive under the strain of it all…

"I had a talk with Rideout today," he observed during dinner, on an evening about a fortnight subsequent to the disbanding of "The Jade God" company. "He's dickering with Algerson – thinks the thing may possibly come to a deal before long."

"How do you mean?" Joan enquired with quick interest.

"Algerson wants to buy Rideout's interest in the play – at a bargain to himself, of course. Rideout is holding out for a better offer, but he's hard pressed, and I rather think he'll close with Algerson within a few days."

"Who's Algerson?" Joan asked, after an interval devoted to ransacking her memory for some echo of that name; resulting in the conviction that she had never heard it before.

"He runs a chain of stock companies out on the Pacific Coast, and now he's anxious to branch out into the producing business."

"And if he gets 'The Jade God' – when will he put it on?"

"Can't say – haven't seen him. I'm not supposed to know he's interested as yet; though of course they'll have to come to me before the deal can be ratified."

"But you'll consent?"

"Rather! Especially if Algerson will take over Rideout's contract as it stands. It provides for pretty good royalties, and as a prospective bridegroom I'm very much interested in such sordid matters."

Joan traced a meaningless pattern on the cloth with a tine of her fork; glanced surreptitiously at Matthias; remembered that toying with the tableware wasn't good form, and quietly abandoned the occupation.

"I wonder …" she murmured abstractedly.

"You wonder what – ?" Matthias prompted when she failed to round out her thought.

She laughed uneasily. "I was just wondering if – if he gets the piece – Algerson would give me a chance at my old part?"

"Not with my consent," said Matthias promptly. "You know I don't want you to stick at that game."

"But I'm tired doing nothing," she pouted prettily.

Matthias shook his stubborn head. "Besides," he added quickly, "Algerson will probably try the show out in one of his stock houses before he goes to the expense of organizing a new and separate production. I mean, he'll use people already on his pay roll, and not engage outsiders until he knows pretty well whether he's got a success or a failure on his hands."

"You think he will produce out West?"

"Probably."

"And will you have to go?"

"I don't know. I shan't unless I get some guarantee of expenses. Although … I don't know … perhaps I ought to. Wilbrow and I are the only people who know how the thing ought to be done, and Algerson most certainly won't pay what Wilbrow asks for making a production – and his expenses to the Coast and back, besides… It would be a shame to let a valuable property go smash for want of intelligent supervision."

"Then you may go, after all?"

"I can't say until something definite is arranged. I'll have to think it over."

Joan sighed.

A week elapsed before the subject came up again.

Matthias had been out all day; Joan, with no typing to engage her, had sought surcease of ennui with a book and an easy chair in the back-parlour. But the story was badly chosen for her purpose. Its heroine, like herself, had in the beginning been merely a girl of the people, little if any better equipped for the struggle to the top: Joan could see no reason why she should not rise with a rapidity as wonderful, given but the chance denied her through the unreasonable prejudice of her lover.

And presently the book lay open and neglected in her lap, while her thoughts engaged mutinously with this obstruction to her desires, seeking a way to circumvent it without imperilling her conquest.

Joan was proud and sure of her power over Matthias, but she realized that in spite of it she didn't as yet fill his life; there existed in his nature reticences her imagination might not plumb; and until chance, or the confidence only to be engendered through long, slow processes of intimate association, should make these known to her, she hesitated to join issue with his will.

And yet … she was continually restless and discontented. Sometimes she felt that the old order of uncertainty and stifled longings had been better for her soul; that she couldn't much longer endure the tension of living up to the rigorous standards of Matthias and his kind; that she might even be happier as the object of a passion less honourable and honest than that which he offered her.

But never before this day had she admitted so much to herself, even in her most secret hours of egoistic self-communion…

Matthias came in briskly, in a glow of high spirits, shortly before sunset; and immediately, as always, her every doubt and misgiving vanished like mists in the morning-glow of his love.

Throwing hat and stick upon the couch, he went directly to her chair, knelt beside it, gathered her to him. She yielded with a sedate yet warm tenderness perhaps the more sincere today because of a conscience stricken by the memory of her late disloyalty of thought. And something of her fond gravity and gentleness penetrated and sobered his own mood. He held her very close for many minutes. But when he drew back at arm's-length to worship her with his eyes, she turned her head aside quickly, if not quickly enough to deceive him. He was instant to detect the glimmer of tears in her long lashes, the childish tremor of her sweet lips, and again drew her to him.

"My dearest one!" he whispered with infinite gentleness and solicitude. "What is it? Tell me."

"Nothing," she breathed brokenly in return. "Nothing – only – I guess – I'm a little blue – lonely without you, dear. I'm afraid I need either to be at work or – with you always."

"Then be comforted, sweetest girl; the time won't be long, now – I believe in my very soul."

"Till when – ?" She leaned back in her chair, examining his face with eyes that shone with infectious fire of his confident excitement. "Till when? What do you mean? Something has happened!"

"You're right," he laughed exultantly: "two big things have happened to me today. Wylie has accepted 'Tomorrow's People': we signed the contract this afternoon; he's to put it on about the first of the year."

"Oh, I'm so glad!"

"But that isn't all: Algerson has bought Rideout's contract and is to produce 'The Jade God' in Los Angeles as soon as it can be got ready."

"Dearest!"

There was an interval…

"Only," he said presently, "it's going to mean a little real loneliness for you, dear – not more than a few weeks – "