The Destroying Angel

Toward noon they parted ashore, each taking a taxicab to his lodgings. The understanding was that they were to dine together – all three, Whitaker promising for his wife – upon the morrow.

At six that evening, returning to his rooms to dress, Whitaker found another note awaiting him, in a handwriting that his heart recognized with a sensation of wretched apprehension.

He dared not trust himself to read it in the public hall. It was agony to wait through the maddeningly deliberate upward flight of the elevator. When he at length attained to the privacy of his own apartment, he was sweating like a panic-stricken horse. He could hardly control his fingers to open the envelope. He comprehended its contents with difficulty, half blinded by a swimming mist of foreboding.

"My Dear: I find my strength unequal to the strain of seeing you to-night. Indeed, I am so worn out and nerve-racked that I have had to consult my physician. He orders me immediately to a sanatorium, to rest for a week or two. Don't worry about me. I shan't fail to let you know as soon as I feel strong enough to see you. Forgive me. I love you dearly.

"Mary."

The paper slipped from Whitaker's trembling hand and fluttered unheeded to the floor. He sprang to the telephone and presently had the Waldorf on the wire; it was true, he learned: Mrs. Whitaker had registered at the hotel in the morning, and had left at four in the afternoon. He was refused information as to whether she had left a forwarding address for her mail.

He wrote her immediately, and perhaps not altogether wisely, under stress of distraction, sending the letter by special delivery in care of the hotel. It was returned him in due course of time, embellished with a pencilled memorandum to the effect that Mrs. Whitaker had left no address.

He communicated at once with Ember, promptly enlisting his willing services. But after several days of earnest investigation the detective confessed himself baffled.

"If you ask me," he commented at the conclusion of his report, "the answer is: she means to be let alone until she's quite ready to see you again. I don't pin any medals on myself for this demonstration of extraordinary penetration; I merely point out the obvious for your own good. Contain yourself, my dear man – and stop gnawing your knuckles like the heavy man in a Third Avenue melodrama. It won't do any good; your wife promised to communicate with you as soon as her health was restored. And not only is she a woman who keeps her promise, but it is quite comprehensible that she should have been shaken up by her extraordinary experience to an extent we can hardly appreciate who haven't the highly sensitive organization of a woman to contend with. Give her time."

"I don't believe it!" Whitaker raged. "She – she loved me there on the island. She couldn't change so quickly, bring herself to treat me so cruelly, unless some infernal influence had been brought to bear upon her."

"It's possible, but I – "

"Oh, I don't mean that foolishness about her love being a man's death-warrant. That may have something to do with it, but – but, damn it! – I conquered that once. She promised … was in my arms … I'd won her… She loved me; there wasn't any make-believe about it. If there were any foundation for that poppycock, I'd be a dead man now – instead of a man damnably ill-used!.. No: somebody has got hold of her, worked on her sympathies, maligned me…"

"Do you object to telling me whom you have in mind?"

"The man you suspect as well as I – the one man to whom her allegiance means everything: the man you named to me the night we met for the first time, as the one who'd profit the most by keeping her from leaving the stage!"

"Well, if it's Max, you'll know in time. It won't profit him to hide the light of his star under a bushel; he can only make money by displaying it."

"I'll know before long. As soon as he gets back in town – "

"So you've been after him?"

"Why not? But he's out on the Pacific coast; or so they tell me at the theatre."

"And expected back – when?"

"Soon."

"Do you know when he left?"

"About the middle of July – they say in his office."

"Then that lets him out."

"But it's a lie."

"Well – ?"

"I've just remembered: Max was at the Fiske place, urging her to return, the night before you caught Drummond at the bungalow. I saw them, walking up and down in front of the cottage, arguing earnestly: I could tell by her bearing she was refusing whatever he proposed. But I didn't know her then, and naturally I never connected Max with the fellow I saw, disguised in a motoring coat and cap. Neither of 'em had any place in my thoughts that night."

Ember uttered a thoughtful "Oh?" adding: "Did you find out at all definitely when Max is expected back?"

"Two or three weeks now, they say. He's got his winter productions to get under way. As a matter of fact, it looks to me as if he must be neglecting 'em strangely; it's my impression that the late summer is a producing manager's busiest time."

"Max runs himself by his own original code, I'm afraid. The chances are he's trying to raise money out on the Coast. No money, no productions – in other words."

"I shouldn't wonder."

"But there may be something in what you say – suspect, that is. If I agree to keep an eye on him, will you promise to give me a free hand?"

"Meaning – ?"

"Keep out of Max's way: don't risk a wrangle with him."

"Why the devil should I be afraid of Max?"

"I know of no reason – as yet. But I prefer to work unhampered by the indiscretions of my principals."

"Oh – go ahead – to blazes – as far as you like."

"Thanks," Ember dryly wound up the conference; "but these passing flirtations with your present-day temper leave me with no hankering for greater warmth…"

Days ran stolidly on into weeks, and these into a month. Nothing happened. Max did not return; the whispered rumour played wild-fire in theatrical circles that the eccentric manager had encountered financial difficulties insuperable. The billboards flanking the entrance to the Theatre Max continued to display posters announcing the reopening early in September with a musical comedy by Tynan Dodd; but the comedy was not even in rehearsal by September fifteenth.

Ember went darkly about his various businesses, taciturn – even a trace more than ever reserved in his communication with Whitaker – preoccupied, but constant in his endeavour to enhearten the desponding husband. He refused to hazard any surmises whatever until the return of Max or the reappearance of Mary Whitaker.

She made no sign. Now and then Whitaker would lose patience and write to her: desperate letters, fond and endearing, passionate and insistent, wistful and pleading, strung upon a single theme. Despatched under the address of her town house, they vanished from his ken as mysteriously and completely as she herself had vanished. He received not a line of acknowledgment.

Day by day he made up his mind finally and definitely to give it up, to make an end of waiting, to accept the harsh cruelty of her treatment of him as an absolute definition of her wishes – to sever his renewed life in New York and return once and for all to the Antipodes. And day by day he paltered, doubted, put off going to the steamship office to engage passage. The memory of that last day on the lonely island would not down. Surely she dared not deny the self she had then revealed to him! Surely she must be desperately ill and unable to write, rather than ignoring him so heartlessly and intentionally. Surely the morrow would bring word of her!

Sometimes, fretted to a frenzy, he sought out Ember and made wild and unreasonable demands upon him. These failing of any effect other than the resigned retort, "I am a detective, not a miracle-monger," he would fly into desperate, gnawing, black rages that made Ember fear for his sanity and self-control and caused him to be haunted by that gentleman for hours – once or twice for days – until he resumed his normal poise of a sober and civilized man. He was, however, not often aware of this sedulous espionage.

September waned and October dawned in grateful coolness: an exquisite month of crisp nights and enlivening days, of mellowing sunlight and early gloamings tenderly coloured. Country houses were closed and theatres reopened. Fifth Avenue after four in the afternoon became thronged with an ever thickening army – horse, foot and motor-car. Several main-travelled thoroughfares were promptly torn to pieces and set up on end by municipal authorities with a keen eye for the discomfort of the public. A fresh electric sign blazed on Broadway every evening, and from Thirty-fourth Street to Columbus Circle the first nights crackled, detonated, sputtered and fizzled like a string of cheap Chinese firecrackers. One after another the most exorbitant restaurants advanced their prices and decreased their portions to the prompt and extraordinary multiplication of their clientèle: restaurant French for a species of citizen whose birth-rate is said to be steadfast to the ratio of sixty to the hour. Wall Street wailed loudly of its poverty and hurled bitter anathemas at the President, the business interest of the country continued to suffer excruciating agonies, and the proprietors of leading hotels continued to add odd thousands of acres to their game preserves.

Then suddenly the town blossomed overnight with huge eight-sheet posters on every available hoarding, blazoning the news:

JULES MAX

begs to announce the return of

SARA LAW

in a new Comedy entitled Faith by JULES MAX

Theatre MAX – Friday October 15th

But Whitaker had the information before he saw the broad-sides in the streets. The morning paper propped up on his breakfast table contained the illuminating note under the caption, "News of Plays and Players":