Joan Thursday: A Novel

Joan smiled in comprehension.

Breathing long and deep of tepid air flavoured strongly with dust and the effluvia of dead cigars and cigarettes, she turned away from the window, lifted her arms and spread them wide, luxuriously.

"Thank God!" she murmured with profound sincerity – "for a place you can stretch in!"

XXX

With scant delay Joan began to pick up acquaintances: nothing is easier in that milieu to which the girl dedicated herself.

The process of widening her circle began with meeting the girl whom Joan had heard singing in the adjoining bedchamber. They passed twice in the corridors of the Astoria Inn before Joan had been resident there twenty-four hours, and on the second occasion the girl with the voice nodded in a friendly way and enquired if Joan didn't think the weather was simply awf'ly lovely today. Joan replied in the affirmative, and their acquaintanceship languished for as long as twelve hours. Then, toward six in the evening, the girl presented herself at Joan's door in a condition of candid deshabille, wishing to borrow a pair of curling-irons. Being accommodated, she came on into the room, perched herself on the edge of the bed, and made herself known.

Her name was Minnie Hession and she had been singing in the chorus for seven years. Originally a prettyish, plump-bodied brunette, she was at present what she herself termed "black-and-tan": in the middle of the process of "letting her hair go back." Her father was Chief of Police of some Western city (name purposely withheld: Joan was, however, assured that she would be surprised if she knew what city) and her folks had heaps of money and had been wild with her when she insisted on going on the stage.

"But, goodness, dearie, when you've got tempryment, whatcha goin' to do? Nobody outsida the business ever understands."

All the same, much as the folks disapproved of her carving out a career for herself, whenever she got hard up all she had to do was telegraph straight back home…

She was, of course, at present without employment; but Joan was advised to wait until Arlie Arlington got back into Town; Arlie never forgot a girl who had not only a good voice but some figure, if Miss Hession did say it herself.

They went shopping together the following afternoon, and in the evening dined together at a cheap Italian restaurant, counterpart of that to which Quard had first introduced Joan and the Sisters Dean. Joan paid the bill, by no means a heavy one, and before they went home stood treat for "the movies."

After that their friendship ripened at a famous rate, if exclusively at Joan's expense.

Before it had endured a week Joan had loaned Minnie ten dollars. Toward the end of its first fortnight she mortally offended the girl by refusing her an additional twenty, and the next day Minnie moved from the Astoria Inn without the formality of paying her bill or even of giving notice. The management philosophically confiscated an empty suit-case which she had been too timorous to attempt to smuggle out of the house – everything else in her room had mysteriously vanished – and considered the incident closed. In this the management demonstrated its wisdom in its day and generation: it never saw Miss Hession again.

Nor did Joan.

But through the chorus girl, as well as independently, Joan had contracted many other fugitive friendships. She never lacked society, after that, whether masculine or feminine. Men liked her for her good looks and unaffected high spirits; women tolerated her for two reasons, because she was always willing to pay not only her own way but another's, and because she was what they considered a "swell dresser": her presence was an asset to whatever party she lent her countenance.

Frankly revelling in freedom regained, and intoxicated by possession of a considerable amount of money, she let herself go for a time, quite heedless of expense or consequence. Within a month she had become a familiar figure in such restaurants as Burns', Churchill's, and Shanley's; and her laughter was not infrequently heard in Jack's when all other places of its class boasted closed doors and drawn blinds.

Inevitably she acquired a somewhat extensive knowledge of drink. Most of all she learned to love that champagne which Matthias had been too judicious to supply her and from which she had abstained out of consideration for Quard's weakness. But now there was no reason why she should not enjoy it in such moderation as was practised by her chosen associates. She preferred certain sweetish and heady brands whose correspondingly low cost rendered them more easy to obtain…

But with all this she never failed to practise a certain amount of circumspection. In one respect, she refrained from growing too confidential about herself. That she had been the leading woman with "The Lie" was something to brag about: the very cards which she had been quick to have printed proclaimed the fact loudly in imitation Old English engraving. But that she had been wife to its star was something which she was not long in discovering wasn't generally known. The success of the sketch was a by-word of envy among actors facing the prospect of an idle summer; and the route columns of Variety told her that, in line with her prediction, Quard had somehow surmounted his San Francisco predicament and was continuing to guide the little play upon its triumphal course. But Quard himself had always been too closely identified with stock companies of the second class to have many friends among those with whom his wife was now thrown: actors for the most part of the so-called legitimate stage, with scant knowledge or experience (little, at least, that they would own to) of theatrical conditions away from Broadway and the leading theatres of a few principal cities. So Joan kept her own counsel about her matrimonial adventure: its publication could do her no good, if possibly no harm; and she preferred the freedom of ostensible spinsterhood. Her wedding-ring had long since disappeared from her hand, giving place to the handsome diamond with which Matthias had pledged her his faith.

Furthermore, such dissipation as she indulged in was never permitted to carry her beyond the border-line which, in her understanding, limited discretion in her relations with men. She enjoyed leading them on, but marriage had made her too completely cognizant of herself to permit of any affair going beyond a certain clearly defined point: she couldn't afford to throw herself away. And more than once she checked sharply and left an undrained glass, warned by her throbbing pulses that she was responding a trace too ardently to the admiration in the eyes of some male companion of the evening.

But there were only two whom she held dangerous to her peace of mind, one because she was afraid of him, the other because she admired him against her will.

The first was an eccentric dancer and comedian calling himself Billy Salute. A man of middle-age and old beyond his years in viciousness, the gymnastic violence of his calling in great measure counteracted the effects of his excesses and kept him young in body. He was a constant and heavy but what was known to Joan's circle as a safe drinker; drunkenness never obliterated his consciousness or disturbed his physical equilibrium; in spite of its web of wrinkles, his skin remained fair and clear as a boy's, and retained much of the fresh colouring of youth. But his eyes were cold and hard and profoundly informed with knowledge of womankind. His regard affected Joan as had Marbridge's, that day at Tanglewood; under its analysis she felt herself denuded; pretence were futile to combat it: the man knew her.

He made no advances; but he watched her closely whenever they were together; and she knew that he was only waiting, patient in the conviction that he had only to wait.

And thus he affected her with such fear and fascination that she avoided him as much as possible; but he was never far out of her thoughts; he lingered always on the horizon of her consciousness like the seemingly immobile yet portentous bank of cloud that masks the fury of a summer storm…

The other man pursued her without ceasing. He was young, not over twenty-five or six – an age to which Joan felt herself immeasurably superior in the knowledge and practice of life – and happened to be the one man of her acquaintance who was neither an actor nor connected with the business side of the stage. By some accident he had blundered from newspaper reporting to writing for cheaply sensational magazines, and from this to writing for the stage. It is true that his achievements in this last quarter had thus far been confined to collaboration with a successful playwright on the dramatization of one of his stories; but that didn't lessen his self-esteem and assertiveness. He claimed extraordinary ability for himself in a quite matter-of-fact tone, and on his own word was on terms of intimacy with every leading manager and star in the country. Nobody Joan knew troubled to contradict his pretensions, and despite that wide and seasoned view of life she believed herself to possess she was still inexperienced enough to credit more than half that he told her, never appreciating that, had the man been what he claimed, he would have had no time to waste toadying to actors.

He might, if not discouraged, prove very useful to her.

In fact, he promised to – repeatedly.

More than this, his attentions flattered her more than she would have cared to confess even to herself. He didn't lack wit, wasn't without intelligence, and the power of his imagination couldn't be denied; thus he figured to her as the only man of mental attainments she had known since Matthias. It was something to be desired by such as this one, even though his abnormally developed egotism sometimes seemed appalling.

It manifested itself in more ways than one: in his strut, in the foppishness of his dress, in his elaborate affectation of an English accent. He was a small person by the average standard, and slender, but well-formed, and wore clothing admirably tailored if always of an extreme cut. His cheeks were too fleshy, almost plump: something which had the effect of making his rather delicate features seem pinched. Near-sighted, he wore customarily a horn-rimmed pince-nez from which a wide black ribbon dangled like a mourning-band.

His name was Hubert Fowey.

So Joan tolerated him, encouraged him moderately through motives of self-interest, checked him with laughter when he tried to make love to her, secretly admired him even when his conceit was most fatiguing, and wondered what manner of women he had known to make him think that she would ever yield to his insistence…

She had been nearly six weeks in New York when she awoke one morning to rest in languorous regret of a late supper the preceding night, and to wonder whither she was tending, spurred to self-examination by that singularly clear introspective vision which not infrequently follows intemperance – at least, when one is young.

She was reminded sharply that, since returning to Town, she had made hardly a single attempt to find work, beyond having her professional cards printed.

And this was the edge of Summer…

Where would the Autumn find her?

Slipping quickly out of bed, she collected her store of money, and counted it for the first time in several weeks.

The sum total showed a shocking discrepancy between cold fact and the small fortune she had all along been permitting herself to believe she possessed. Even allowing for these heavy initial purchases on returning to New York, her capital had shrunk alarmingly.

She began anew, that day, the rounds of managers' offices.

Also, she laid down for her guidance a rigid schedule of economies. Only by strict observance thereof would she be able to scrape through the Summer without work or financial assistance from some quarter.

Characteristically, she mourned now, but transiently, that she had so long deferred going to see her mother and Edna – something now obviously out of the question; they would want money, to a certainty, and Joan had none to spare them.

A few days later she moved to share, half-and-half, the expenses of a three-room apartment on Fiftieth Street, near Eighth Avenue, with a minor actress whom she had recently met and taken a fancy to. Life was rather less expensive under this régime; the young women got their own breakfasts and, as a rule, lunches that were quite as meagre: repasts chiefly composed of crackers, cold meats from a convenient delicatessen shop, with sometimes a bottle of beer shared between two. If no one offered a dinner in exchange for their society, they would dine frugally at the cheaper restaurants of the neighbourhood. But their admirers they shared loyally: if one were invited to dine, the other accompanied her as a matter of course.

An arrangement apparently conducive to the most complete intimacy; neither party thereto doubted that she was in the full confidence of the other. There were, none the less, reservations on both sides.

Harriet Morrison, Joan's latest companion, was a girl whose very considerable personal attractions and innate love of pleasure were balanced by greenish eyes, a firm jaw, and the sincere conviction that straight-going and hard work would lead her to success upon the legitimate stage. She knew Joan for an incurable opportunist with few convictions of any sort other than that she could act if given a chance, and that men, if properly managed, would give her that chance. For one so temperamentally her opposite, Hattie couldn't help entertaining some unspoken contempt. On the other hand, she believed Joan to be decent, as yet; and halving the cost of living permitted her to indulge in the luxury of a week-end at the seaside once or twice a month.

One day near the first of July the two, happening to meet on Broadway after a morning of fruitless search for engagements, turned for luncheon into Shanley's new restaurant – by way of an unusual treat.

They had barely given their order when Matthias came in accompanied by a manager who had offices in the Bryant Building, and sat down at a table not altogether out of speaking-distance.

To cover her discomfiture, which betrayed itself in flushed cheeks, Joan complained of the heat: an explanation accepted by Hattie without question, since Matthias had not yet looked their way.

Joan prayed that he might not; but the thing was inevitable, and it was no less inevitable that he should look at the precise instant when Joan, unable longer to curb her curiosity, raised her eyes to his.

For a moment she fancied that he didn't recognize her. But then his face brightened, and he nodded and smiled, coolly, perhaps, but civilly, without the least evidence of confusion. They might have been the most casual acquaintances.

And, indeed, the incident would probably have passed unremarked but for the promptings of Joan's conscience. She was sure the glance of Matthias had shifted from her face to the hand on which his diamond shone, and had rested there for a significant moment.

As a matter of fact, nothing of the sort had happened. Matthias was absorbed in negotiations concerning an old play which had caught the fancy of the manager. Joan, though he knew her at sight, was now too inconsiderable a figure in his world for him to recall, off-hand, that he had ever made her a present.

Nevertheless the girl coloured furiously, and blushed again under the inquisitive stare of her companion.