Queen of Silks

Isabel nodded mutely, looking away; looking down; willing herself not to weep.

‘But, Isabel,’ Jane went on, in the same sweetly reasonable voice. ‘It was just an arranged marriage. Don't you remember? A month ago, you didn't want Thomas Claver for a husband. You can't really believe you're heartbroken enough now to sign away half your life to his mother.’

Isabel flinched. She'd known, really, that Jane wouldn't understand.

‘Even if you really do think now that you'll always feel like this, you must know it will pass,’ Jane said, and now Isabel could hear the familiar patronising big-sister note creeping into the voice in her ears. ‘What if a year goes by and you want to marry again? If you're an apprentice you'll have to wait till you're twenty-four. And you'll be even older before you can have a baby.’

Twenty-four, Isabel thought, before her defences came up against that tone of voice. An eternity. Then, with startling simplicity, it came to her that she didn't want to marry again and become a hostage to someone else's fortune. It wasn't just something to say defiantly to her father. It wasn't just that she had no choice but to apprentice herself to Alice Claver if she were to protect Thomas's memory. This future might actually be for the best. Widows were legally free; their fathers couldn't control them; they could make their own money and spend it as they chose. Alice Claver was robust. She'd used the freedom of widowhood to make a good life. Maybe she'd teach Isabel to do the same thing. With a flash of defiance, Isabel thought: ‘I won't marry again. Not unless I'm free to choose someone who makes me feel …’ She didn't know what she would want to feel; the nearest she could come to it was something like that brief moment, before all this, in the tavern, when the touch of a man who was not Thomas Claver had sparked through her like lightning. So she smiled, tightly, and crossed her arms against her sister, and repeated: ‘No going back.’

Jane sighed. ‘Well,’ she said, rather sadly, ‘I suppose we all find our own escapes.’

Isabel could see her sister had given in. She thought, suddenly, that she might have judged Jane's intervention too harshly. Jane was only doing her best in uncertain circumstances. She hadn't meant to give offence.

Jane started pinning a dark gown from the wardrobe against Isabel. ‘You've lost weight,’ she said, with a mouthful of pins. Then: ‘You must have found something better than you expected in Thomas Claver …’ There was a question in her eyes.

Isabel pressed her lips together and nodded. She felt tears near. To stave them off, she answered with her own question: ‘Doesn't everyone?’ She hadn't even asked Jane how things were turning out with Will Shore, she realised. Hastily, she added: ‘Isn't living with Will better than you expected?’

It seemed a safe question. Jane had given no sign of being unhappy. If anything, she was more radiantly beautiful than ever; her skin glowed gold.

Jane laughed. It was such a joyful laugh that Isabel thought she must be agreeing. It was only later, going back to Catte Street, with one dark gown on her back and another in a basket, that Isabel realised she hadn't paid attention to what Jane Shore's words had been: ‘Will is exactly what I expected.’

It wasn't the glowing endorsement of life with a husband that Jane's air of barely suppressed pleasure in living led you to expect.

Lord Hastings and the Duke of Gloucester were strolling through the Broad Seld after the leisurely meal they'd taken at the Tumbling Bear. They were side by side, talking quietly and occasionally laughing at remarks no one else could hear. Unlike most strangers, who tend to think themselves unobserved when on unfamiliar terrain, not realising how sharply they stood out to everyone else, these two noblemen – soldiers by instinct and experience – were aware of the eyes on their backs; on their swords and spurs. But they didn't mind.

Hastings was saying, with a touch of self-mockery: ‘blonde … sings like a nightingale … witty, too … and dances like thistledown. You should see her dance. And her eyes …’ Then: ‘The same green as that velvet. She'll look beautiful in it. I'll send it to her as soon as I get it.’

His long limbs were made for war, but the troubadour words made his voice sound made for love. The thought of Jane Shore's skin and smile had filled him with sunshine for weeks. He looked cheerfully down at his companion, a few inches shorter than him and twenty years younger: his battle companion, his dearest friend's brother, a boy now grown to manhood and fast becoming a friend in his own right. He wanted them to share the irony of buying a rich cloth from a merchant and giving it to the merchant's lovely daughter.

But Dickon wasn't really listening or meeting Hastings' eyes. There was a polite half-smile on the younger man's thin, sallow face, but his eyes were wandering: from stall to stall, from one white-fingered embroiderer to the next, as if he were looking for someone.

‘Looking for someone?’ Hastings asked lightly; a question not meant to be taken seriously.

Dickon came to; for a moment he looked almost start led. Then he grinned his wolf-grin and shook his head. ‘We're not all hankering after merchants' daughters, Will,’ he said breezily. Then, with his grin turning into a laugh, ‘though enough people seem to be hankering after your one.’

He looked around again (for a second, William Hastings thought he glimpsed the questing look in those narrow dark eyes again), and added, even more breezily: ‘And there are plenty of pretty girls here, of course.’

Dickon's eyes never looked lost. Dickon's decisiveness was one of the qualities Hastings admired in the Duke. Hastings knew there was a fatal softness in his own soul that might, one day, do for him; it made him appreciate the cheerful ruthlessness of Dickon's approach to life even more. Dickon's flintiness had saved him once already, on that night they'd been half-walking, half-running across the Wash after everything had gone so wrong at Doncaster; when the tide had come rushing treacherously in on them and some of his men, with mud and sand gluing their wet boots down, hadn't had the strength to pull up their exhausted legs to sprint to the tussocks of grass that suddenly meant safety. It was the knight right behind Hastings who'd been swept back into the boiling water – Thomas de Teffont, a Wiltshireman; Hastings still remembered the young man's look of terror as he was pulled back, wide eyes and mouth open in a soundless scream, teeth glittering in the moonlight. Hastings had been about to release his own hold on the grasses to stretch back for Teffont, who was hardly more than a boy; who shouldn't die there, when Dickon had stopped him. Dickon, one hand grabbing into the heart of a spindly bush, the other hand hard on Hastings' soaking brigandine. Dickon: a voice as cold as Hell frozen over, grating: ‘Leave him. It's more important to save yourself.’

So Hastings was surprised to find he didn't completely believe in Dickon's breeziness today. The voice of the man who never dissembled didn't, for once, ring quite true; it carried a different message from the one in his eyes. Hastings listened with the beginning of curiosity as the duke went on, still casually, but with hungry eyes: ‘Wasn't Lambert marrying off two daughters, anyway? The blonde one we've been hearing so much about ever since, but another one too – a redhead?’

Hastings nodded, suddenly swept away by the memory of his first sight of Jane Shore in Lambert's great hall at that wedding feast: Edward dancing with her until her cheeks flushed with roses and her teeth flashed in the smile that had swept him away.

Hastings had poured her a goblet of wine as Edward sat her down next to him. He'd leaned forward and given it to her himself, and she'd touched his hand for a fraction longer than she'd needed to, and looked at him with soft, shining eyes.

‘Well,’ Dickon's voice went on, with a hint of impatience, ‘where is she now?’

‘Who?’ Hastings said blankly. Then, with slight embarrassment: ‘Ah – the redhead.’ He spread his arms wide in a parody of bewilderment and shook his head and let his courtier's smile – a smile of great charm – spread over his face. ‘Married,’ he replied, and shrugged a little more. ‘So who can say?’

They walked out into Cheapside. Hastings could hear Dickon humming under his breath.

‘Didn't you want to buy something too?’ he said awkwardly, as they reached their horses. ‘I thought you said …’

Dickon's eyes glinted at him with characteristic dry amusement over the knotted reins, as if relieved Hastings wasn't too love-struck to have noticed his friend had come away empty-handed. ‘Nothing caught my fancy,’ he answered easily.

Isabel wouldn't wait any longer. She knew her father would sulk for months. She was past caring. She called in a notary from Guildhall the very next morning to draw up the apprenticeship agreement, as soon as she'd taken in the two dark robes. She didn't want to be dissuaded. It would be too easy to give in and go home.

The young man who turned up at Catte Street was the younger of the two Lynom boys; the tall, clean-cut sons of Hugh Lynom, silk merchant of Old Jewry, the Prattes' and the Shores' closest neighbour; the boys every girl in the Mercery had always dreamed of marrying. They were twins: so alike Isabel had never been able to tell them apart, though she thought this one was called Robert. But the sight of his eyes (topaz, she remembered Elizabeth Marchpane calling the colour of the Lynom boys' eyes; no, manticore, Anne Hagour had dreamily contradicted her: man-tiger) reminded her of the one definite thing she knew about them: that they'd both chosen not to go into their father's business but to train as lawyers instead. Their father had gone round telling people, with wistfulness in his voice and hurt in his eyes, ‘they say there are opportunities I'm too old to understand in government; they'll see the world and better themselves faster outside the Mercery, they say.’ Thomas had told his father that with all the redistribution of lands and estates that the wars had brought, he'd get richer faster if he went into drawing up property transfer agreements. Robert had told his father he'd get richer faster if he stayed in the City but went into representing City merchants and the Guildhall in negotiations with the Royal Wardrobe. They weren't the only young men to see new horizons beyond the City walls; and everyone knew their father was longing to amass a big enough fortune to buy his way into the gentry anyway; but the fact of both sons leaving the Mercery had aroused comment. The selds had buzzed with it for weeks.

Isabel gritted her teeth. It was just her luck. A Lynom wasn't going to sympathise with her decision to sign up for a ten-year silkworking apprenticeship. If she wasn't careful he might even delay things; let her father know before the papers were signed and sealed.

For once she was grateful for Alice Claver's warhorse ways. ‘Sit down, young man, and take down the terms,’ her mother-in-law rattled out, breaking through the visitor's formal regrets over the death in the family; and the Lynom boy sat obediently at the table and began unpacking his box of pens and parchment. If Isabel hadn't felt certain nothing could make Alice Claver nervous, she might have thought the silkwoman was in even more haste than she was. ‘Term, ten years. Premium, five pounds.’

The Lynom boy's good-humoured eyes were laughing. He could feel her haste too. And he was intrigued. Isabel thought for a moment he must sense a story to tell the selds – at least until she remembered that he'd changed his own life to get away from the selds. Perhaps, she thought, reassured, he was the right person to be making this document after all.

As it turned out, he didn't try to delay. He'd become a lawyer through and through. He wrote the usual promises into the document: that Isabel would cherish her mistress's interests, not waste her goods or trade without her permission, behave well, and not withdraw unlawfully from her service; that Alice Claver would ‘teach, take charge of, and instruct her apprentice’ in her craft, chastise her in meet fashion, and find her footwear, clothing, a bed, and all other suitable necessities.

Alice Claver looked over his shoulder. ‘What's this?’ she said sharply as he carried on writing. He stopped, looking confused, and ran his hand through his tawny-blond hair. He'd started to add the final boilerplate phrase of contracts involving girl apprentices – that Isabel should be treated pulchrior modo, more kindly than a boy. ‘She's my family,’ Alice Claver said brusquely. ‘How else would I treat her?’ She barked with laughter. After a pause, Isabel laughed too. The Lynom boy looked from the older woman to the younger, both in their black gowns. Then he smiled and crossed out the offending line. But Isabel felt his gaze linger curiously on her as he packed up his pens.

‘My fee for drawing up the indentures and registering them with the Mercers' Company clerk is one shilling,’ the Lynom boy said, sanding what he'd written with fluid muscles.

Alice Claver nodded. ‘Do it today,’ she said.

The Lynom boy brought copies of the documents back two days later, duly registered. Isabel received him, wondering at the discreet sympathy in his eyes until he gave her the other letter he was also carrying for her.

It was a cold, brief letter from her father: formal notice that he was rewriting his will to leave his estate to Jane, ‘my one dutiful daughter’. Isabel could see from Robert Lynom's expression that he knew what it said.

She glanced over it. Nodded curtly. Let the hand holding the letter flutter down to her side. Kept the anger and contempt and hurt boiling inside her tightly shut down. She knew what her father would want her to do, but she wasn't going to weep or run begging to him to change his mind. She wouldn't let herself be bullied. She was learning not to let her face show her feelings.

Alice Claver and Anne Pratte swept in. When Alice Claver saw the young lawyer, she held her hand out for the documents she was expecting. He smiled, bowed courteously, and passed them over. She gave them a careful reading, then grunted with satisfaction. She tucked them into her large purse. She didn't look at Isabel or ask what the letter still held loosely in her apprentice's hand was.

Alice fixed Robert Lynom with a sudden, fierce smile. Now the business was done, she had time for conversation. ‘I hear Lord Hastings has been buying in the selds. In person. From’, she gestured sideways at Isabel without catching her eye, ‘my new apprentice's father.’

Isabel looked away; perhaps she should have told Alice Claver about Lord Hastings' visit herself, but her quarrel with her father had made her forget it. However, Robert Lynom knew enough to satisfy the silkwoman. He nodded easily. ‘He has indeed,’ he said, including Isabel in his answering smile, putting away his papers in his box. ‘A cloth of green figured velvet. From Lucca, if I remember rightly. They say he paid a good price for it too.’

It was natural to discuss this new phenomenon. It was unusual for noblemen to visit the markets themselves. If they were of the blood royal, they usually placed orders through the King's Wardrobe in Old Jewry, and administrators such as Robert Lynom would find merchants to meet their requirements. Otherwise lords might send representatives to the markets to bargain for luxury goods in their place.

But unusual things had been happening since King Edward came back, and Lord Hastings, his closest adviser, was an unusual nobleman anyway. He'd survived the times of exile and poverty by living on his considerable wits; he'd gradually turned the meagre estates of his inheritance into a magnate's fabulous wealth. Now that his lord was back on the throne, Hastings was showing he wasn't the kind to stand grandly on his aristocratic dignity, willing only to live by the sword. As a mark of the King's trust, he'd recently been named Governor of Calais, and the markets were full of the rumour that he planned not just to run the garrison there but to take a personal interest in the port's trade as well. There was even talk that Lord Hastings was courting the staplers of Calais, who controlled all the exports of raw wool from England, by becoming a merchant of the staple himself. They said he had the wit and imagination to find common ground with anyone, noble or not. Remembering his merry, kindly eyes from the wedding feast (before he started staring so hungrily at Jane, at least), Isabel could believe it.

Alice Claver wanted to know more, but she didn't want to show her envy of John Lambert's deal too openly. She didn't ask the price her competitor had charged for his cloth. Instead, she asked casually: ‘And did his lordship say what he was going to do with the velvet?’

Isabel was trying to think of nothing more than enjoying the story. She would have time enough later to fret about her father; there was nothing she could do about him anyway. She leaned encouragingly towards Robert Lynom.

‘He didn't,’ the Lynom boy said briefly.

But Anne Pratte knew more. She always did. She'd quietly taken up a seat on a little footstool by the window; she had a piece of work in her hands; but she was following everything like a small bloodhound. She picked up the narrative by piping up, with gusto: ‘But there's talk, of course. They say he sent it as a gift to a lady, don't they?’

At her voice, Robert Lynom suddenly started to look excruciatingly uncomfortable. He stopped; bit his tongue; blushed. Isabel couldn't understand what was going through his head. ‘Well,’ Alice said impatiently. ‘Who to? You must know. You'll have done the paperwork, won't you? Spit it out, man.’