Harper's New Monthly Magazine, No. VII, December 1850, Vol. II

"'I had a glimpse of him,' continued he, 'out of the quarter-gallery window, and that's enough for me. Let the officer of the watch, or the first lieutenant, tell him to take what he wants, and get rid of him.'

"Now, it seemed to me in my dream that I was dreadfully annoyed at the conduct of the captain in shrinking in such a dastardly manner from his duty; for, from the moment that Bitts had informed me who the stranger was and what he required, I had gone down and reported his advent to the skipper, with as much coolness and unconcern as I should have done the coming alongside of the admiral or any other great personage, and all my terror seemed, for the time, to have vanished as soon as the strange vision became connected with matters of routine or ship's duty. I, therefore, addressed the captain again, as it seemed to me, in a tone more authoritative than respectful: 'But, sir, you must come on deck; for old Bill Bitts says that Davy Jones will hearken to nobody but the captain or commander of the ship for the time being, and he knows Davy of old; and says, that if you don't come up on deck soon and let him go, the old fellow will send a hurricane that will blow the Old Lucifer out of the water, and that we shall find ourselves all, men and officers, down in Davy Jones's locker before you can say Jack Robinson. And I can tell you, sir, that the sky looks very ugly to windward.'

"'Well, Ralph, my boy!' said the captain, apparently quite convinced by my eloquent speech, which seemed to go down capitally in my dream, though I guess I should soon be looking out for squalls at the main-top-gallant-mast head, if I were to venture to address such a cavalier harangue to the skipper in waking earnest. 'Well, Ralph, my boy! give me your arm, and we'll go on deck, and give old Davy his due, since it must be so.' And with my assistance the captain mounted the companion-ladder, still trembling in every limb.

"As soon as we came on deck, I led him over to the lee side of the quarter-deck, and begged him to mount the carronade slide, and give his unwelcome visitor the congé d'élire, for which he seemed waiting, still bowing his head, waving his fiery plumes, and mopping and mowing, and showing his treble row of teeth, as before. At the sight of the frightful demon, the captain seemed more dead than alive, and ready to fall from the gun-carriage, on which I was obliged to support him; he, however, plucked up courage to shriek out, in a voice that trembled with agitation, 'Whoever, or whatever you are, take what you want, and begone;' and having said so, he sank powerless into my arms; upon which the creature uttered one of its strange, thrilling shrieks as of a drowning man, but which seemed mingled with a sort of shrill, demoniac laughter, and disappeared below the waves – the waving plumes of his singular head-gear flashing up half-mast high as he sank out of sight. At the same moment, my eyes were somehow mysteriously directed from it, and I saw Jacob Fell, the forecastle-man, fall dead into the arms of one of his watch-mates, he, whom we call Cadaverous Jack, and whom you christened the Ancient Mariner, because you said he went about his duty looking so miserable, holding his head down on one side, as if he always felt the weight of the murdered albatross hanging about his neck. Immediately a heavy squall threw the ship on her beam-ends, and I awoke" – which was the singular dream related to me by my quondam friend and shipmate, with a gravity quite unusual with him, except when he wanted to play upon the credulity of some of us youngsters, when he used to assume the gravest possible countenance, though I could always, in these cases, discern the lurking devil in his eyes. In this case, however, I could discover no such appearance of fun and frolic; his looks were, on the contrary, perfectly serious, and even allied to sadness, in spite of the bravado with which he had assumed his usual careless levity of manner in certain parts of his narration. I determined, however, not to let him have the laugh against me, and therefore said, "Come, come, Jemmy, you should tell that dream to the marines; the sailors can't bolt it; it's rather too tough. We all of us know that you are always dreaming, but you can't catch old birds with such chaff. I am too old a sea-dog, and have sailed over too many leagues of blue water to bite at such gammon." I prided myself much on being Ralph's senior in the service by a couple of years or so, and felt indignant that he should think of treating me as a youngster, because he had about the same advantage of me in age. He, however, affirmed, in the most solemn manner, that it was an actual bonâ-fide dream, and that it had been reiterated on his falling asleep again, though in broken and disjointed patches, sometimes one part, sometimes another, of the previous vision being presented to his sleepy fancy; but there was always this horrible merman, with his shark's jaws and his flaming tiara, and poor Jacob Fell lying dead in his messmate's arms. But methinks I hear some nautical reader exclaim, "All stuff!" who ever heard of two reefers telling their dreams, and chattering on the sacred precincts of the quarter-deck of one of her Majesty's frigates, like a guinea-pig and an embryo cadet on the quarter-deck of a Bengal trader? Pardon, my noble sea-hossifer, but you must remember that the Old Lucifer was not the crack frigate – not the Eos, six-and-thirty, but only a small frigate; and that, although she was blessed with a real martinet of a first-lieutenant, yet, in point of discipline, she was like most jackass frigates and sloops of war, et hoc genus omne, little better than a privateer; besides, our Portuguese supernumerary lieutenant was the officer of the watch, and Ralph had completely got the weather-gage of him, and could do what he liked with the "pavior." However, the dream was told me by Ralph nearly in the very words in which I have given it, though, perhaps, not all on deck, for the subject was renewed over our allowance of grog in the midshipmen's berth after dinner, for nothing could drive it out of Rattlin's head, and he was all that day singularly silent and distrait on all other subjects. That evening I had the first dog-watch; and when Rattlin came on deck at six o'clock to relieve me, the sun was setting in a red and angry-looking sky, and there was every symptom of a squally night.

"Well, Percy," he said, "this sunset reminds me of my dream. I really think old Davy will be among us before my watch is out."

"Very well, Jemmy, I'll come on deck at seven bells and see," I replied, as I ran down the companion for an hour's snooze, for, as my nautical readers will be aware, I had the middle watch. Mindful of my promise, as soon as I heard seven bells struck, I roused myself from the locker on which I had stretched myself, and went on deck, and I was immediately struck with the perfect coincidence of the weather, and all the accessories to those described by Rattlin in his dream. The ship had just been put about, and was now close hauled on the starboard tack; the night pitch dark, the breeze freshening from the northeast, and the sea beginning to assume that luminous appearance so frequently observable under a dark sky and with a fresh breeze, but which, though generally attributed to myriads of luminous animalculæ, has never yet been fully and satisfactorily accounted for. I joined my friend Rattlin, and said to him, in a low tone, "This looks, indeed, like your dream."

"Yes," he answered, looking very pale and nervous; "it does, indeed. I don't know what to make of it. Davy Jones will certainly lay hold of some of us to-night."

At this moment the first-lieutenant came on deck, followed by the captain, whose sallow countenance, as he stood abaft the binnacle, and the light fell on his face, looked rather more ghastly than usual.

"I think, Mr. Silva," said the former, addressing the officer of the watch, "we had better take another reef in the topsails; it looks very squally to windward; it's drawing near to eight bells, so we'll turn the hands up at once."

"Mr. Rattlin," said Silva, "all hands reef topsails."

"Boatswain's-mate," bawled out Rattlin, going forward on to the weather gangway, "turn the hands up to reef topsails."

"Ay, ay, sir;" and immediately his silver call was between his lips, and after blowing a shrill prelude, his hoarse voice was heard proclaiming, "All hands reef topsails, ahoy," which was re-echoed from the main-deck by the call and voice of the boatswain's-mate of the watch below, and, finally, by those of the boatswain himself, as the men came tumbling up the fore and main hatchways, and were soon seen scampering up the rigging, or making the best of their way to their various stations. In less than five minutes the topsails were double-reefed, and the ship again dashing the spray from her bows. It being now so near the time for relieving the watch, the crew, with the exception of the idlers, all remained on deck, and the topmen scattered in groups about the gangways and forecastle.

All at once the sky grew blacker than before, the breeze freshened, and the surface of the sea became like one sheet of pale blue and white flame.

"Now, Careless," whispered Rattlin, actually trembling with excitement, "my dream to the life!"

The words had scarcely passed his lips, when such a shriek as I never heard before or since, seemed to come out of the very depths of the ocean, close under the ship's counter on the lee quarter. Every one rushed to the lee gangway, or jumped on the quarter-deck guns, to look in the direction from whence the sound came; but nothing could be seen. Once more that doleful cry arose, and it seemed now rather more distant from the ship, and then it ceased forever.

"A man overboard!" cried the first lieutenant, who seemed the first to recover his senses, seizing a grating of the companion-hatchway, and flinging it over the lee bulwark, while the lieutenant of the watch did the same with its fellow. "Down with helm, and heave her all aback – let go the lee braces – lay the main-topsail to the mast – square away the after-yards, my boys – lower the jolly-boat – jump into her, some of ye, and cast off her fastenings."

This latter command had, however, been obeyed ere it was issued, for the captain of the mizen-top and myself had jumped into the boat, where we were soon joined by three other mizen-top-men, and had her all clear for lowering. Two other seamen stood with the boat's tackle-falls in their hands.

"Lower away," cried I; and down we went.

During her descent, I had shipped the rudder, and we were soon pulling away to leeward. In vain we pulled about for more than an hour in the short, tumbling sea, which scintillated as it broke around us, and shed a ghastly hue on our anxious countenances, while the from the blades of our oars at every dip as they rose again from the water. At length the stentorian voice of the first-lieutenant hailed us to come on board, and we gave up our hopeless search, bringing with us nothing but one of the gratings and the life-buoy, which had been thrown overboard to support the drowning man, had he been fortunate enough to lay hold on one or the other of them. Upon passing the word forward to inquire whether any of the ship's company were missing, it was found that Jacob Fell, the forecastle-man, had not been seen since he had laid out with one of his watch-mates to stow the jib, which was hauled down when the topsails were reefed; the other man had left him out on the jib-boom, whence he must have fallen overboard; and it was supposed, from his thrilling and unearthly shriek, that he had been seized by a shark, as that part of the Carribean Sea is peculiarly infested by those voracious creatures; and thus was most singularly accomplished my shipmate Rattlin's dream.

Elfish light
Fell off in hoary flakes

[From Chambers's Edinburgh Journal.]

LETTERS AND LETTER WRITING

Neither history nor tradition tells us aught of the first letter – who was its writer, and on what occasion; how it was transmitted, or in what manner answered. The Chinese, the Hindoo, and the Scandinavian mythologies had each tales regarding the inventors of writing, and the rest of those that by pre-eminence may be called human arts; but concerning the beginner of mankind's epistolary correspondence, neither they nor the classic poets – who by the way, volunteered many an ingenious story on subjects far less important – have given us the least account.

Pope says:

"Heaven first taught letters for some wretch's aid —
Some banished lover, or some captive maid."

The poet evidently refers to the letter-writing art, and it may be so, for aught we can tell; but with all submission to his superior knowledge, banished lovers and captive maids have rarely been the transmitters of such useful inventions. Certainly, whoever first commenced letter-writing, the world has been long his debtor. It is long since the Samaritans wrote a letter against the builders of Jerusalem to Artaxerxes, and it may be observed that the said letter is the earliest epistle mentioned in any history. Older communications appear to have been always verbal, by means of heralds and messengers. Homer, in his account of all the news received and sent between the Greeks and Trojans, never refers to a single letter. The scribe's occupation was not altogether unknown in those days, but it must have been brought to considerable perfection before efforts in the epistolary style were made. That ancient language of picture and symbol, in which Egypt expressed her wisdom, was undoubtedly the earliest mode of writing; but, however, calculated to preserve the memory of great historical events amid the daily life, and toil, and changes of nations, it was but poorly fitted for the purpose of correspondence. How could compliments or insinuations be conveyed by such an autograph? Letters must have been brief and scanty in the hieroglyphic times; yet doubtless not without some representations, for the unalphabeted of mankind have combined to hold mutual intelligence by many a sign and emblem, especially in those affairs designated of the heart, as they above all others contribute to ingenuity. Hence came the Eastern language of flowers, which, with Oriental literature and mythology, is now partially known over the civilized world. In its native clime this natural alphabet is said to be so distinctly understood, that the most minute intimations are expressed by it; but the more frank and practical courtship of Europe has always preferred the pen as its channel of communication, which, besides its greater power of enlargement, prevents those mistakes into which the imperfectly-initiated are apt to fall with flowers. For instance, there is a story of a British officer in Andalusia who, having made a deep impression on the heart of a certain alcaide's daughter, in one of the small old towns of that half-Moorish province, and receiving from her one morning a bouquet, the significance of which was – "My mother is in the way now, but come to visit me in the twilight," supposed in his ignorance, and perhaps presumption, that he was invited to an immediate appointment: whereupon he hurried to the house, just in time to meet the venerable signora, when the lady of his heart boxed his ears with her own fair hands, and vowed she would never again send flowers to a stupid Englishman.

In fine contrast to this sample of misunderstanding stands forth the dexterity with which an Irish serving-maid contrived to signify, by symbols of her own invention, her pleasure, on a still more trying occasion. Poor Kitty, though a belle in her class, could neither read nor write; but her mistress's grown-up daughter undertook, as a labor of love, to carry on a correspondence between her and a certain hedge schoolmaster in the neighborhood, who laid siege to Kitty's heart and hand on account of a small deposit in the savings' bank, and that proverbial attraction which learned men are said to find in rather illiterate ladies. The schoolmaster was, however, providently desirous of fixing on the mind of his future partner an impression of his own superiority sufficient to outlast the wear and tear of married life, and therefore wooed chiefly by long and learned letters, to which Kitty responded in her best style, leaving to her volunteer secretary what she called "the grammar" of her replies; besides declaring, with many hardly-complimentary observations on the schoolmaster's person and manners, that she had not the slightest interest in the affair, but only, in her own words, "to keep up the craythur's heart." Thus the courtship had proceeded prosperously through all the usual stages, when at length the question, par excellence, was popped (of course on paper). Kitty heard that epistle read with wonted disdain; but, alas, for human confidence! there was something in her answer with which she could not trust the writer of so many; for after all her scorn, Kitty intended to say, "Yes," and her mode of doing so merits commemoration. In solitude that evening, beside the kitchen hearth, she sketched on a sheet of white paper, with the help of a burned stick, a rude representation of a human eye, and inclosing a small quantity of wool, dispatched it next morning to the impatient swain by the hand of his head scholar – those primitive tokens expressing to Kitty's mind the important words, "I will," which the teacher, strange to say, understood in the same sense; and their wedding took place, to the unqualified amazement of Kitty's amanuensis. Epistolary forms and fashions have had their mutations like all other human things. The old Eastern mode of securing letters was by folding them in the shape of a roll, and winding round them a thin cord, generally of silk, as the luxury of letters was known only to the rich. In the case of billets-doux – for Eastern lovers did not always speak by flowers when the pen was at their command – enthusiastic ladies sometimes substituted those long silken strings which, from time immemorial, the Oriental women have worn in their hair – a proceeding which was understood to indicate the deepest shade of devotedness.

The mythic importance attached to these hair-strings must, indeed, have been great, as history records that a certain prince, whose dominions were threatened by Mithridates, the great king of Pontus – like other great men, a troublesome neighbor in his day – sent the latter a submissive epistle, offering homage and tribute, and bound with the hair-strings of his nineteen wives, to signify that he and his were entirely at the monarch's service. The custom of securing letters by cords came through the Greek empire into Europe in the middle ages; but the use of the seal seems still earlier, as it is mentioned in Old Testament history. Ancient writers speak of it as an Egyptian Invention, together with the signet-ring, so indispensable throughout the classic world, and regarded as the special appendage of sovereignty in the feudal times.

Of all the letters the Egyptians wrote on their papyrus, no specimens now remain, except perhaps those scrolls in the hands of mummies, referred to by early Christian authors as epistles sent to deceased friends by those unreturning messengers; and they, it may be presumed, were at the best but formal letters, since no reply was ever expected. The classic formula for correspondence, "Augustus to Julius, greeting," is now preserved only in letters-patent, or similar documents. That brief and unvarying style has long been superseded in every language of Europe by a graduated series of endearing terms, rising with the temperature of attachment, from "Dear Sir," or "Madam," to a limit scarcely assignable, but it lies somewhere near "Adored Thomas" or "Margery."

Masters of the fine arts as they were, those ancient nations came far short of the moderns in that of letter-writing. The few specimens of their correspondence that have reached us are either on matters of public business, or dry and dignified epistles from one great man to another, with little life and less gossip in them. It is probable that their practice was somewhat limited, as the facilities of the post-office were unknown to Greece and Rome – the entire agency of modern communication being to the classic world represented only by the post or courier, who formed part of the retinue of every wealthy family. The method of writing in the third person, so suitable for heavy business or ceremony, is evidently a classical bequest. It does not appear to have been practiced in England till about the beginning of the eighteenth century, though it was early in use among the continental nations. Louis XIV. used to say, it was the only style in which a prince should permit himself to write; and in the far East, where it had been in still older repute, the Chinese informed his missionaries that ever since they had been taught manners by the Emperor Tae Sing, no inferior would presume to address a man of rank in any other form, especially as a law of the said emperor had appointed twenty blows of the bamboo for that infraction of plebeian duty.

Of all human writings, letters have been preserved in the smallest proportion. How few of those which the best-informed actors in great events or revolutions must have written, have been copied by elder historians or biographers! Such documents are, by their nature, at once the least accessible and the most liable to destruction; private interests, feelings, and fears, keep watch against their publication; but even when these were taken out of the way, it is to be feared that the narrow-minded habit of overlooking all their wisdom deemed minute, which has made the chronicles of nations so scanty, and many a life in two volumes such dull reading, also induced learned compilers to neglect, as beneath their search, the old letters bundled up in dusty chest or corner, till they served a succeeding generation for waste paper. Such mistakes have occasioned heavy losses to literature. Time leaves no witnesses in the matters of history and character equal to these. How many a disputed tale, on which party controversy has raged, and laborious volumes have been written, would the preservation of one authentic note have set at rest forever?

The practical learning of our times, in its search after confirmation and detail, amply recognizes the importance of old letters; and good service has been done to both history and moral philosophy by those who have given them to the press from state-paper office and family bureau. In such collections one sees the world's talked-of-and-storied people as they were in private business, in social relations, and in what might be justly designated the status of their souls. In spite of the proverbial truisms, that paper never refuses ink, and falsehood can be written as well as spoken, the correspondence of every man contains an actual portrait of the writer's mind, visible through a thousand disguises, and bearing the same relation to the inward man that a correct picture bears to the living face; without change or motion, indeed, but telling the beholder of both, and indicating what direction they are likely to take.

The sayings of wits and the doing of oddities long survive them in the memory of their generation – the actions of public men live in history, and the genius of authors in their works; but in every case the individual, him or herself, lives in letters. One who carried this idea still farther, once called letter-writing the Daguerreotype of mind – ever leaving on the paper its true likeness, according to the light in which it stands for the time; and he added, like the sun's painting, apt to be most correct in the less pleasant lines and lineaments. Unluckily this mental portraiture, after the fashion of other matters, seems less perceptible to the most interested parties. Many an unconcerned reader can at this day trace in Swift's epistles the self-care and worship which neither Stella nor Vanessa could have seen without a change in their histories.

Cardinal Mazarin, however, used to say that an ordinary gentleman might deceive in a series of interviews, but only a complete tactician in one of letters; "that is," observed his eminence, "if people don't deceive themselves." The cardinal's statement strikingly recalls, if it does not explain, a contemporary remark, that the most successful courtships, in the fullest sense of that word, were carried on with the help of secret proxies in the corresponding department. The Count de Lauson, whose days, even to a good old age, were equally divided between the Bastile and the above-mentioned pursuit, in which he must have been rather at home – for though a poor gentleman, with little pretensions to family, still less to fortune, and no talents that the world gave him credit for, he contrived in his youth to marry a princess of the blood-royal of France, who had refused half the kings of Europe, and been an Amazon in the war of the Frondé; and in his age a wealthy court belle – this Count de Lauson declared that he could never have succeeded in his endeavors after high matches but for a certain professional letter-writer of Versailles, on whose death he is said to have poured forth unfeigned lamentations in the presence of his last lady. Letters always appear to have been peculiarly powerful in the count's country. Madame de Genlis, whose "Tales of the Castle," and "Knights of the Swan" delighted at least the juveniles of a now-departing generation, was believed to have made a complete conquest, even before first sight, of the nobleman whose name she bears, by a single letter, addressed to a lady at whose house he was an admiring visitor, when she unadvisedly showed him the epistle. An anxiously-sought introduction and a speedy marriage followed; but the scandal-mongers of the period averred that their separation, which took place some years after, was owing, among other circumstances, to an anonymous letter received by the baron himself.

Frederick the Great used to call the French the first letter-writers of Europe, and it is probable that their national turn for clever gossip gives to their epistles a sort of general interest, for in no other country have letters formed so large a portion of published literature. This was particularly true in Frederick's own age. Never did a death or a quarrel take place – and the latter was not rare among the savants of that period – but comfort or satisfaction was sought in the immediate publication of every scrap of correspondence, to the manifold increase of disputes and heartburnings. Some of the most amusing volumes extant were thus given to the world; and Madame Dunoyer's, though scarcely of that description, must not be forgotten from the tale of its origin. When Voltaire was a young attaché to the French embassy at the Hague, with no reputation but that of being rather unmanageable by his family and confessor, he was on billet-doux terms, it seems, with madame's daughter; but madame found out that he was poor, or something like it, for in no other respect was the lady scrupulous. Her veto was therefore laid on the correspondence, which nevertheless survived under interdict for some time, till Voltaire left the embassy, and it died of itself; for he wrote the "Oedipe," became talked of by all Paris, and noticed by the Marquis de Vellers. Gradually the man grew great in the eyes of his generation, his fame as a poet and philosopher filled all Europe, not forgetting the Hague; and when it had reached the zenith, Madame Dunoyer collected his letters to her daughter, which remained in her custody, the receiver being by this time married, and published them at her own expense in a handsomely-bound volume. Whether to be revenged on fortune for permitting her to miss so notable a son-in-law, or on him for obeying her commands, it is now impossible to determine, but her book served to show the world that the early billets-doux of a great genius might be just as milk-and-watery as those of common people.

Indeed letter-publishing seems to have been quite the rage in the eighteenth century. The Secretary La Beaumelle stole all Madame de Maintenon's letters to her brother, setting forth her difficulties in humoring Louis XIV., and printed them at Copenhagen. Some copies were obligingly forwarded to Versailles, but madame assured the king they were beneath his royal notice, which, being confirmed by his confessor, was of course believed; but the transaction looks like retributive justice on her well-known practice of keeping sundry post-office clerks in pay to furnish a copy of every letter sent or received by the principal persons at court, not excepting even the royal family. Among these were copied the celebrated letters of the Dauphiness Charlotte Elizabeth of Bavaria, which now, in good plain print, present to all readers of taste in that department a complete chronicle of all the scandal, gossip, and follies of Versailles; and that princess, whose pride stood so high on her family quarterings, was gravely rebuked, and obliged to ask pardon seven years after for certain uncomplimentary passages in her epistles regarding madame when she first came to court as nursery governess to the king's children.

Dangerous approvers have old letters been from throne to cottage. Many a specious statement, many a fair profession, ay, and many a promising friendship, have they shaken down. Readers, have a care of your deposits in the post-office; they are pledges given to time. It is strange, though true, how few historical characters are benefited by the publication of their letters, surviving, as such things do, contemporary interests and prejudices, as well as personal influence.

There must be something of the salt that will not lose its savor there to make them serve the writers in the eyes of posterity. What strange confidence the age of hoop and periwig put in letter-writing! Divines published their volumes of controversy or pious exhortation, made up of epistles to imaginary friends. Mrs. Chapone's letters to her niece nourished the wisdom of British belles; while Lord Chesterfield's to his son were the glass of fashion for their brothers; and Madame de Sévigné's to her daughter, written expressly for publication, afforded models for the wit, elegance, and sentiment of every circle wherein her language was spoken. The epistolary style's inherent power of characterization naturally recommended it in the construction of their novels, and many a tale of fame and fashion in its day, besides "La Nouvelle Heloise," and "Sir Charles Grandison," was ingeniously composed of presumed correspondence.

Chinese literature is said to possess numerous fictions in that form; but it is not to be regretted that modern novelists, whose name is more than legion, pass it by in favor of direct narrative; for, under the best arrangement, a number of letters can give but a series of views, telling the principals' tale in a broken, sketchy fashion, and leaving little room for the fortunes of second-rate people, who are not always the lowest company in the novel. Tours and travels tell pleasantly in letters, supposing of course the letters to be well written; for some minds have such a wondrous affinity for the commonplace, that the most important event or exciting scene sinks to the every-day level under their pen.

Sir Andrew Mitchell, who was British embassador to Prussia during the seven years' war, writes from the camp before Prague concerning that great battle which turned the scale of power in Germany, and served Europe to talk of till the French Revolution, in a style, but for quotations from the bulletin, suitable to the election of some civic alderman; and a less known traveler, writing to a friend of the glare of Moscow's burning, which he saw from a Russian country-house, reddening the northern night, describes it as "a very impressive circumstance, calculated to make one guard against fire."

It has been remarked that, as a general rule, poets write the best, and schoolmasters the worst letters. That the former, in common with literary men of any order, should be at least interesting correspondents, seems probable; but why the instructors of youth should be generally stricken with deficiency in letter-writing is not so easy of explanation.

Some one has also observed that, independent of mental gifts and graces, characters somewhat cold and frivolous generally write the most finished letters, and instanced Horace Walpole, whose published epistles even in our distant day command a degree of attention never to be claimed by those of his superior contemporaries – the highly-gifted Burke, and the profound Johnson. It may be that the court gossip in and upon which Horace lived has done much for the letters from Strawberry Hill, but the vein must have been there; and the abilities that shine in the world of action or of letters, the conversational talents or worthiness of soul, do not make the cleverest correspondent.

Count Stadion, prime minister to the Elector of Mayence, according to Goethe, hit on an easy method of making an impression by letters. He obliged his secretary, Laroche, to practice his handwriting, which, it appears, he did with considerable success; and, says the poet in his own memoirs, being "passionately attached to a lady of rank and talent, if he stopped in her society till late at night, his secretary was, in the mean time, sitting at home, and hammering out the most ardent love-letters; the count chose one of these, and sent it that very night to his beloved, who was thus necessarily convinced of the inextinguishable fire of her passionate adorer."

"Hélas!" as Madame d'Epigny remarked, when turning over the printed epistles of a deceased friend, "one can never guess how little truth the post brings one;" but from the following tradition, it would seem the less the better. Among the old-world stories of Germany are many regarding a fairy chief or king, known from rustic times as Number Nip, or Count-the-Turnips. One of his pranks was played in an ancient inn of Heidelberg, where, on a December night, he mixed the wine with a certain essence distilled from the flowers of Elfland, which had the effect of making all who tasted it tell nothing but truth with either tongue or pen till the morning. The series of quarrels which took place in consequence round the kitchen fire belong not to the present subject; but in the red parlor there sat, all from Vienna, a poet, a student, a merchant, and a priest. After supper, each of these remembered that he had a letter to write – the poet to his mistress, the merchant to his wife, the priest to the bishop of his diocese, and the student to his bachelor uncle, Herr Weisser of Leopoldstadt, who had long declared him his heir. Somehow next morning they were all at the post-office beseeching their letters back; but the mail had been dispatched, and the tale records how, after that evening's correspondence, the poet's liege lady dismissed him, the merchant and his wife were divorced, the priest never obtained preferment, and none of the letters were answered except the student's, whom Herr Weisser complimented on having turned out such a prudent, sensible young man, but hoped he wouldn't feel disappointed, as himself intended to marry immediately.

The most curiously-characteristic letters now made public property are those of Sir Walter Raleigh to Queen Elizabeth, written from the Tower (to which the historian of the world was committed for wedding without her majesty's permission), and in the highest tone of desperation that a banished lover could assume; the correspondence between Frederick of Prussia and Voltaire, then of France, after what was called their reconciliation, beginning with the grandest compliments, and ending with reminiscences of quite another kind, particularly that from the royal pen, which opens with, "You, who from the heights of philosophy look down on the weakness and follies of mankind," and concludes with the charge of appropriating candle-ends; and the epistles of Rousseau during his residence in England, which alternate between discoveries of black conspiracies against his life and fame, and threats of adjournment to the workhouse, if his friends would not assist him to live in a better style than most country gentlemen of the period.

There are printed samples with whose writers fame has been busy; but who can say what curiosities of letter-writing daily mingle with the mass that pours through the London Post-Office? Can it be this continual custody and superintendence of so large a share of their fellow-creatures' wisdom, fortunes, and folly, that endows post-office functionaries in every quarter with such an amount of proverbial crustiness, if the word be admissible? Do they, from the nature of their business, know too much about the public to think them worth civility, so that nobody has yet discovered a very polite postmaster or man? A strange life the latter leads in our great cities. The truest representative of destiny seems his scarlet coat, seen far through street and lane: at one door he leaves the news of failure and ruin, and at another the intelligence of a legacy. Here his message is the death of a friend, while to the next neighbor he brings tidings of one long absent, or the increase of kindred; but without care or knowledge of their import, he leaves his letters at house after house, and goes his way like a servant of time and fortune, as he is, to return again, it may be, with far different news, as their tireless wheels move on. Are there any that have never watched for his coming? The dwellers in palaces and garrets, large families, and solitary lodgers, alike look out for him with anxious hope or fear. Strange it is for one to read over those letters so watched and waited for, when years have passed over since their date, and the days of the business, the friendship, or perhaps the wooing, to which they belong are numbered and finished!

How has the world without and within been altered to the correspondents since they were written? Has success or ill fortune attended the speculations by which they set such store? What have been their effects on outward circumstances, and through that certain channel, on the men? Has the love been forgotten? Have the friends become strange or enemies? Have some of them passed to the land whose inhabitants send back no letters? And how have their places been filled? Truly, if evidence were ever wanting regarding the uncertainty of all that rests on earth, it might be found in a packet of old letters.

A CHAPTER ON SHAWLS

We scarcely know a truer test of a gentlewoman's taste in dress than her selection of a shawl, and her manner of wearing it: and yet if the truth must be owned, it is the test from which few Englishwomen come with triumph. Generally speaking, the shawl is not their forte, in fact they are rather afraid of it. They acknowledge its comfort and convenience for the open carriage, or the sea-side promenade, but rarely recognize it for what it is, a garment capable of appearing the most feminine and graceful in the world. They are too often oppressed by a heap of false notions on the subject; have somehow an idea that a shawl is "old" or "dowdy;" and yet have a dim comprehension that the costly shawls which they more frequently hear of than see, must have some unimagined merits to prove an excuse for their price.