Blackwood's Edinburgh Magazine, Volume 68, No. 421, November 1850

"Does your lordship propose to remain here?" inquired the innkeeper, in a tone of deep submission.

The officer answered not. He patted his horse on neck and shoulder. Then he turned round to the host and said, briefly and imperiously, "A room!"

The three officers within doors looked at each other with increasing astonishment.

"Do you know him? Who is he?" asked one of them.

He was unknown to all of them.

"He wears the uniform of our regiment!" remarked another.

"That is unaccountable," said the third, shaking his head.

"The horse is nothing extraordinary: a mere campaigning beast."

"You would have him knock up his best chargers, I suppose? They have ridden far. The horses show that."

The room door opened.

"Be so obliging as to step in here for a short time," said the innkeeper. "Your apartment shall be got ready immediately. Here you will find some gentlemen comrades."

The stranger officer entered. He was a tall, slender, and yet powerful man, with features delicately chiselled, and an air of insolent superciliousness in his whole bearing and appearance. He greeted the occupants of the room with engaging courtesy.

"Ah! comrades!" said he, "I have the honour to introduce myself – Prince of Amberg! I am transferred to your regiment – to this squadron. I recommend myself to your friendship and good fellowship!"

The senior of the three officers continued the introduction: "Von der Gruben; Von Martini; my name is Count Engelhart. We are delighted to make a good comrade welcome." They shook hands.

"May I inquire," said Prince Amberg, "where the captain is, that I may report myself to him? Duty before everything."

"The captain is on an excursion in the neighbourhood, to visit an acquaintance," replied Count Engelhart. "We expect him back in about an hour. He will alight here. I am senior lieutenant of the squadron," added he, smiling.

"Then, meanwhile, I report myself to you," replied the Prince.

With a slight smile upon their faces, the two officers interchanged military salutes.

"Excuse me, for a short half-hour," said Prince Amberg. "After four days' fatiguing ride, I feel the necessity of attention to my toilet. Au revoir." And he left the room.

Whilst the Prince embellished his elegant person, the trio of lieutenants laid their heads together to conjecture the causes that had brought him, the model courtier, the butterfly guardsman, the pet of the court ladies, the most brilliant ornament of the court circle, from the attractive capital to their tedious country garrison. The change was too disadvantageous for it possibly to be the consequence of his own caprice or inclination. On his reappearance he volunteered, over a bowl of champagne punch, the desired information. He was in disgrace at court, in consequence of a trifling indiscretion. One of his new comrades immediately guessed what this was. Martini remembered to have seen in the newspaper an account of a scandalous frolic in a public garden, where a number of young officers of aristocratic families had grossly insulted the wives and daughters of the citizens. But Martini's mention of this incident was the signal for the laughter of his friends, who jeered him for his simplicity, and scouted the idea of a nobleman falling into disgrace because he had made free with a few prudish plebeians. A similar affair that had occurred at a masquerade, and which was attended by circumstances of gross indecency, was also treated as an excellent joke. If they could not divert themselves at the expense of the bourgeoisie, Prince Amberg said, what became of the distinction of ranks? The matters in question had furnished high amusement to the whole court: the ladies had laughed heartily behind their fans at the transgressors' glowing descriptions of the consternation and scandal they had caused; and the reigning prince, whom Amberg irreverently designated as "the old gentleman," took no heed of the matter, nor of the muttered discontent of the insulted burgesses. No; his disgrace was certainly for a trifling offence, but not for such harmless drolleries as these. At church, one day, he had ventured to remark to a lady of the household that she held her prayer-book upside down. The lady, who would fain have passed for a devotee, taxed him with impertinence, and with taking her perpetually for a butt; the pious portion of the court took up the matter, talked of irreligious levity in holy places, and the upshot of the whole was his condemnation to exile in country quarters.

Meanwhile arrivals took place at the inn. The officers' attention was excited by the entrance of a slender, sickly-looking youth of nineteen or twenty, bearing a knapsack and a harp, and accompanied by a dark-eyed maiden of fifteen. These were Bernard Hammer and his sister Anna. The first glance at the young girl's blooming countenance suggested to the profligate Amberg a plan of seduction. Whilst he paid his court to Anna, Martini and Gruben took off the brother's attention, plied him with punch, professed sympathy and friendship, and inquired his history and that of his family. Bernard and his sister, it appeared, were not itinerant musicians, as their humble garb and pedestrian mode of traveling had led the officers to believe. Their father, a skilful professor of music, had taught them to play upon the harp, and Anna, grateful for the seemingly disinterested kindness of Prince Amberg, did not refuse, weary though she was, to gratify him by the display of her skill. Meanwhile the others questioned her brother.

"My story will be very short," said the Young man. "We are three in family. My eldest sister was married young to a worthy and prosperous man, and by this union the happiness of all of us seemed insured. Suddenly she experienced a terrible affliction – "

He paused. "Well?" said Von Gruben, encouragingly. The youth opened his lips to continue.

"Bernard!" exclaimed his sister in a warning voice. She had ceased playing, and, amidst the flatteries and compliments of the Prince, her first glance was for her brother. Her quick ear seemed to have caught his words. Or had she a presentiment of what he was about to say?

The brother started, and the words he was on the point of uttering remained unspoken.

Von Gruben's curiosity, previously feigned, was now strongly excited. "You were about to say – ?" he observed. Martini's attention had been attracted by the maiden's exclamation. He, too, approached Bernard, who quickly recovered himself, and continued.

"My brother-in-law," he said, "is lost to my unhappy sister. She has no longer a husband. Spare me the details. They would be too agitating for myself and my little sister. His daughter's grief hurried my father to his grave. It bound his children the closer together. My old infirm mother, my poor sister with her child, and I, have since then lived inseparable, supporting ourselves by the labour of our hands. My sister works with her needle; I draw patterns for manufacturers and embroiderers. Unfortunately, my sister's health has lately given way, and therefore have I now been to fetch home Anna, who has hitherto dwelt with a distant relative. She will take charge of our little household, and nurse our old mother, now nearly bed-ridden."

"Much misery, great cause for grief, is there not, my dear Gruben?" said Martini, twisting his mustache. Then filling the glasses, he drank with Martini and the stranger. Count Engelhart sat motionless behind the punch-bowl, smoking his great meerschaum pipe.

Bernard Hammer's great ambition was to become a painter. He was an enthusiast for art. Whilst his perfidious entertainers kept his glass constantly full, and riveted his attention by their conversation and generous promises, Prince von Amberg, by dint of infernal cunning and of artifices whose real object the simple-minded girl – as yet scarcely emerged from childhood – could not even remotely suspect, inveigled Anna from the apartment. Her departure was unperceived by her brother. Presently, in a lull of the conversation, a scream was heard, proceeding from the upper part of the house. Bernard started up in alarm. The officers would fain have persuaded him to remain, alleging a squabble amongst the servants, when just then the cry was repeated. This time there was no mistaking the sound. It was a woman's voice, its shrillness and power doubled by terror, screaming for aid.

"My sister!" cried Bernard Hammer, and with one bound he was out of the room. Several persons – the host, the hostess, and other inmates of the house – were assembled in the corridor. They looked up the stairs, and seemed uncertain whether or not to ascend. Young Hammer rushed through them, and sprang up stairs. A door was violently pulled open. His sister darted out, her countenance distorted and pale as a corpse. "Wretch! monster! Save me!" she shrieked. Close behind her came Prince Amberg. He appeared quite calm, although his finely-cut features were slightly pale. A supercilious smile played upon his lips.

Anna Hammer flew into her brother's arms. "Save me, Bernard," she cried. "The wretch, the fiend!" She shook like a leaf. Prince Amberg would have passed on, but Bernard let his sister go, and confronted him.

"Sir!" he cried, "what have you done to my sister? What insult have you offered to the child? Answer for yourself! Give me satisfaction!"

The Prince laughed. "Satisfaction! Ask the little strumpet herself what ails her."

"Strumpet! Sir, you stir not hence!" And he grasped the Prince fiercely by the breast. Amberg would have shaken off his hold. The uniform coat was torn in the struggle, and Bernard received a blow in the face from his adversary. But it seemed as if the sickly youth were suddenly endowed with superhuman strength. He seized the Prince with both hands, and shook him till the strong vigorous officer almost lost consciousness. Then he threw him down upon the ground.

The other officers had followed young Hammer, and came hurrying up stairs. They tore him from above the panting Prince.

"Knave! clown!" And Gruben and Martini struck at him with their fists.

"Befoul not your fingers with him," said Count Engelhart. "Leave him to the men." And he pointed to a group of soldiers, now assembled at the stair-foot.

"You are right, comrade; the fellow is like a mad dog. It is out of his power to disgrace our uniform."

Then the officers seized the young man, and with their united strength threw him down stairs.

"Men! there is the strolling musician who dares assault your officers."

The soldiers received Bernard as he fell headlong down the staircase, and dragged him forth with shouts of savage joy, shutting the house-door behind them. The officers returned to their bowl of cardinal, Prince Amberg previously changing his torn uniform. The people of the house looked at each other in silence.

Anna Hammer had remained for a short time in a state of total unconsciousness. She came to herself just as her brother was pushed down the stairs. With a shriek, she flew after him. But she was too late. The soldiers were already forth with their prize, and in vain she shook the door, which was held from without.

In the street there arose a wild tumult; a chorus of shouts and curses, blows and screams.

Notwithstanding her terrible anxiety, the young girl's strength was soon exhausted by her fruitless efforts to open the door. She turned despairingly to the host and hostess. "For the love of God's mercy, save my poor brother! The savages will kill him. He is so weak, so suffering!"

The innkeeper shrugged his shoulders. "What can we do against the military?" he said.

"For the sake of my poor old mother!" implored the maiden. "For my sister's sake! He is our sole support! Without him we perish! And he is so good, so noble!"

The hostess went away, as though unable longer to support the spectacle of the poor girl's despair. Her husband shrugged his shoulders repeatedly. "The soldiery are too powerful. Often the officers themselves cannot restrain them."

The noise outside increased. The voices grew louder and the cries wilder – the scuffle more violent. Nothing could be distinguished of what was going on. Suddenly, above the riot and tumult, young Hammer's voice predominated. In a tone of heartrending agony and despair: "Help!" he cried; "they are murdering me!"

There followed a violent fall upon the pavement, and a wild huzza shouted by many voices. Then all was still as death.

"They have murdered him!" shrieked the maiden. "They have murdered my brother!"