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Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850.

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2017
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"The very stars themselves are nearer to us than to-morrow."

"The great man … is set
Among us pigmies, with a heavenlier stature,
And brighter face than ours, that we must leap
Even to smite it."

"Great merchants, men
Who dealt in kingdoms; ruddy aruspex,
And pale philosopher, who bent beneath
The keys of wisdom."

"The Coliseum … stood out dark
With thoughts of ages: like some mighty captive
Upon his death-bed in a Christian land,
And lying, through the chant of Psalm and Creed
Unshriven and stern, with peace upon his brow,
And on his lips strange gods."

Our readers must perceive from such extracts, that our author belongs more to the masculine than to the mystic school. Deep in thought, he is clear in language and in purpose. Since Byron's dramas, we have seldom had such fiery and vigorous verse. He blends the strong with the tender, in natural and sweet proportions. His genius, too, vaults into the lyric motion with very great ease and mastery. He is a minstrel as well as a bard, and has shown power over almost every form of lyrical composition. His sentiment is clear without being commonplace, original, yet not extravagant, and betokens, as well as his style, a masculine health, maturity, and completeness, rarely to be met with in a first attempt. Above all, his tone of mind, while sympathizing to rapture with the liberal progress of the age, is that of one who feels the eternal divinity and paramount power of the Christian religion; that what God has once pronounced true can never become a lie; that what was once really alive may change, but can never die; that Christianity is a fact, great, real, and permanent, as birth or death; and that its seeming decay is only the symptom that it is putting off the old skin, and about to renew its mighty youth.

We have thus found many, if not all, the qualities of our ideal poet united in the author of the "Roman," and are not ashamed to say that we expect more from him than from any other of our rising "Sons of the Morning." But he must work and walk worthy of his high vocation, and of the hopes which now lie upon him – hopes which must either be the ribbons of his crown or the cords of his sacrifice. He must discard his tendency to diffusion, and break in that demon-steed of eloquence, who sometimes is apt to run away with him. He must give us next, not scattered scenes, but a whole epic, the middle of which shall be as obvious as the beginning or the end. He should, in his next work, seek less to please, startle, or gain an audience, than to tell them in thunder and in music what they ought to believe and to do. Thus acting, he may "fill his crescent-sphere;" revive the power and glory of song; give voice to a great dumb struggle in the mind of the age; rescue the lyre from the camp of the Philistines, where it has been but too long detained; and render possible the hope, that the day shall come when again, as formerly, the names "of poet and of prophet are the same."

[From Sharpe's London Magazine.]

RECOLLECTIONS OF THOMAS CAMPBELL

In his intercourse with society, Campbell was a shrewd observer of those often contradictory elements of which it is composed. Adverting to the absurd and ludicrous, he had the art or talent of heightening their effect by touches peculiarly his own; while the quiet gravity with which he related his personal anecdotes or adventures, added greatly to the charm, and often threw his unsuspecting hearers into uncontrollable fits of laughter. Nor was the pathos with which he dilated on some tale of human misery less captivating; it runs through all his poetry, and in hearing or relating a story of human wrongs or suffering, we have often seen him affected to tears, which he vainly strove to conceal by an abrupt transition to some ludicrous incident in his own personal history. As an example, which has not yet found its way to the public, we may relate the following, which he told one evening in our little domestic circle where he was a frequent visitor, and where the conversation had taken, as he thought, a somewhat too serious turn:

"In my early life, when I resided in the island of Mull, most of those old feudal customs which civilization had almost banished from the Lowlands, were still religiously observed in the Hebrides – more especially those of a social and festive character, which it was thought had the effect of keeping up old acquaintance, and of tightening the bonds of good fellowship. Rural weddings and "roaring wakes" were then occasions for social rendezvous, which were not to be overlooked. Both these ceremonies were accompanied by feasting, music, dancing, and that liberal enjoyment of the native browst which was too often carried to excess. I was in general a willing and a welcome guest at these doings; for, smitten as I often was with melancholy in this dreary solitude, I was glad to avail myself of any occasion that promised even temporary exhilaration. Well, the first of these meetings at which I was present one evening, happened to be a dredgee, a term which I need only explain, by saying that it was got up for the sake of a young widow, who had just put on her weeds, and stood much in need of friendly sympathy, and consolation. At first it was rather a dull affair, for the widow looked very disconsolate, and every look of her fair face was contagious. But as the quaigh was active, and the whisky went its frequent round, the circle became more lively; until at last, to my utter astonishment, the bagpipes were introduced; and after a coronach or so – just to quiet the spirit of their departed host – up started a couple of dancers, and began jigging it over the floor with all the grace and agility peculiar to my Hebridean friends. This movement was infectious: another and another couple started up – reel followed upon reel, until the only parties who had resisted the infection," continued the poet, "were the widow and myself, she, oppressed with her own private sorrow, and I, restrained by feelings of courtesy from quitting her side. I observed, however, that she 'kept time' with her hand – all unconsciously, no doubt – against the bench where we sat, while her thoughts were wandering about the moorland Cairn, which had that very morning received her husband's remains. I pitied her from my very heart. But, behold, just as I was addressing to her one of my most sympathizing looks, up came a brisk Highlander, whose step and figure in the dance had excited both admiration and envy; and, making a low bow to the widow, followed by a few words of condolence, he craved the honor of her hand for the next reel. The widow, as you may well suppose, was shocked beyond measure! while I starting to my feet, made a show as if I meant to resent the insult. But she, pulling me gently back, rebuked the kilted stranger with a look, at which he instantly withdrew. In a few minutes, however, the young chieftain returned to the charge. The widow frowned, and wept, and declared that nothing on earth should ever tempt her to such a breach of decorum. But the more she frowned, the more he smiled, and pressed his suit: 'Just one reel,' he repeated, 'only one! Allan of Mull, the best piper in the Isles, was only waiting her bidding to strike up.' The plea was irresistible. 'Weel, weel,' sighed the widow, rising, and giving him her hand, 'what maun be, maun be! But, hech, sirs, let it be a lightsome spring, for I hae a heavy, heavy heart!' The next minute the widow was capering away to a most 'lightsome' air – hands across – cast off – down the middle, and up again. And a merrier dredgee," concluded the poet, "was never seen in Mull."

On another occasion, when he presented a copy of some verses, which he had just finished, to a lady of our family, he described their origin as follows: "Many long years ago, while I was sealed up in the Hebrides, I became intimate with a family who had a beautiful parrot, which a young mariner had brought from South America, as a present to his sweetheart. This happened long before my arrival in Mull; and Poll for many years had been a much-prized and petted favorite in the household. He was a captive, to be sure, but allowed at times to be outside his cage on parole; and, always observing good faith and gratitude for such indulgences, they were repeated as often as appeared consistent with safe custody. The few words of Gaelic which he had picked up in his voyage to the north, were just sufficient, on his arrival, to bespeak the good-will of the family, and recommend himself to their hospitality; but his vocabulary was soon increased – he became a great mimic – he could imitate the cries of every domestic animal – the voices of the servants: he could laugh, whistle, and scold, like any other biped around him. He was, in short, a match even for Kelly's renowned parrot: for although he could not, or would not, sing 'God save the King,' he was a proficient in 'Charlie is my Darling,' and other Jacobite airs, with which he never failed to regale the company, when properly introduced.

"Poll was indeed a remarkable specimen of his tribe, and the daily wonder of the whole neighborhood. Years flew by: and although kind treatment had quite reconciled him to his cage, it could not ward off the usual effects of old age, particularly in a climate where the sun rarely penetrated within the bars of his prison. When I first saw him, his memory had greatly failed him; while his bright green plumage was vast verging into a silvery gray He had but little left of that triumphant chuckle which used to provoke such laughter among the younkers; and day after day he would sit mute and moping on his perch, seldom answering the numerous questions that were put to him regarding the cause of his malady. Had any child of the family been sick, it could hardly have been treated with greater tenderness than Poll.

"At last, one fine morning, just as the vernal equinox had blown a few ships into harbor, a stranger was announced, and immediately recognized by the master of the house as a 'Don' something – a Spanish merchant, whose kindness to a young member of the family had been often mentioned in his letters from Mexico. One of his own ships, a brig, in which he had made the voyage, was then in the bay, driven in by stress of weather, for Mull was no market for Spanish goods. But that was not my business; he would most likely pay a visit to Greenock, where, in the present day at least, Spanish cargoes are rife enough.

"No sooner had their visitor exchanged salutations with the master of the house and his family, than the parrot caught his eye; and, going up to the cage, he addressed the aged bird in familiar Spanish. The effect was electric: the poor blind captive seemed as if suddenly awakened to a new existence; he fluttered his wings in ecstasy – opened his eyes, fixed them, dim and sightless as they were, intently on the stranger; then answered him in the same speech – not an accent of which he had ever heard for twenty years. His joy was excessive – but it was very short; for in the midst of his screams and antics, poor Poll dropped dead from his perch."

Such was the incident upon which Campbell composed the little ballad entitled "The Parrot." It had taken strong hold of his memory, and, after the lapse of forty years,[19 - See "Life and Letters of Campbell." Vol. I. Residence in Mull.] found its way into the pages of the "New Monthly," and is now incorporated with his acknowledged poems.

[From Sharpe's London Magazine.]

GALILEO AND HIS DAUGHTER

BY J. B

I had been walking in a grove of lime-trees, arched above me, like the stately roofing of a cathedral. As I entered, the daylight was yet strong; but when I left my temporary retreat, the heavens were clustered over with stars, and one of them, high above the old gray tower of the ancient monastery of St. Augustine, almost cast a shadow across the landscape – it was the planet Jupiter: and I have never observed it – at least, thus eminent among its brethren – without being more or less reminded of,

"The starry Galileo, and his woes."

To this planet did the philosopher direct the then newly-invented telescope, the result being the discovery of four attendant moons: while the analogy derived from the motions of these little stars, performing their revolutions round the primary planet in perfect order and concord, afforded an argument that had a powerful influence in confirming Galileo's own views in favor of the Copernican system of the universe, and ultimately converting the scientific world to the same opinion.

Yet little more than two centuries since, on the 14th February, 1633, the astronomer, cited before the Inquisition, arrived at Rome, to answer the charge of heresy and blasphemy; while, a few months ago, in the brief but glorious day-burst of Roman liberty, that very Inquisition was invaded by an exultant populace, and among its archives, full memorials of martyred worth and of heroic endurance, most eagerly, but in vain, was sought the record of the process against the great philosopher.

Galileo, on a former occasion, in reference to some of his scientific discoveries, had heard rumors of papal persecution, and as a cautious friend whispered to him the unpleasing tidings, he had exclaimed, "Never will I barter the freedom of my intellect to one as liable to err as myself!"

The time quickly arrived to test his courage and his resolution.

For a little while, we are informed, he was allowed to remain secluded in the palace of his friend Nicolini. In a few months, however, he was removed to an apartment in the Exchequer of the Inquisition, still being permitted the attendance of his own servant, and many indulgences of which they had not decided to deprive him. On the twenty-first of June, of the same year, he appeared before the Holy Office. Through its gloomy halls and passages he passed to the tribunal. There was little here, as in the other ecclesiastical buildings of Rome, to captivate the senses. The dark walls were unadorned with the creations of art; state and ceremony were the gloomy ushers to the chamber of intolerance. In silence and in mystery commenced the preparations. The familiars of the office advanced to the astronomer, and arrayed him in the penitential garment; and as he approached, with a slow and measured step, the tribunal, cardinals, and prelates noiselessly assembled, and a dark circle of officers and priests closed in, while, as if conscious that the battle had commenced in earnest between mind and power, all the pomp and splendor of the hierarchy of Rome – that system which had hitherto possessed a sway unlimited over the fears and opinions of mankind – was summoned up to increase the solemnity and significance of the judgment about to be pronounced against him.

To the tedious succession of technical proceedings, mocking justice by their very assumption of formality, it would be needless to refer. Solemnly, however, and by an authority which it was fatal to resist, Galileo was called on to renounce a truth which his whole life had been consecrated to reveal and to maintain, "The motion through space of the Earth and Planets round the Sun."

Then, immediately, assuming he had nothing to allege, would attempt no resistance, and offer no defense, came the sentence of the tribunal, banning and anathematizing all who held the doctrine, that the sun is the centre of the system, as a tenet "philosophically false, and formally heretical."

And then they sentenced the old and infirm philosopher – this band of infallibles! – they bade him abjure and detest the said errors and heresies. They decreed his book to the flames, and they condemned him for life to the dungeons of the Inquisition, bidding him recite, "once a week, seven penitential psalms for the good of his soul!"

Did Galileo yield? Did he renounce that theory now affording such ample proof of the beauty and order of the universe; to whose very laws Kepler, the friend and contemporary of the philosopher, was even then, though unconsciously, bearing evidence, by his wonderful theorem of velocities and distances, a problem which Newton afterward confirmed and illustrated?

Did Galileo yield? He did. Broken by age and infirmity, importuned by friends more alarmed than himself, perhaps, at the terrors of that merciless tribunal, he signed his abjuration; yielded all his judges demanded; echoed their curse and ban, as their superstition or their hate required. There is a darker tale dimly hinted by those familiar with the technicalities of the Holy Office, that the terms, "Il rigoroso esame," during which Galileo is reported to have answered like a good Christian, officially announce the application of the torture.

Then occurred, perhaps scarcely an hour afterward, that remarkable episode in this man's history. As he arose from the ground on which, all kneeling, he had pronounced his abjuration, he gave a significant stamp, and whispered to a friend, "E pur si muove!" "Yet it does move" – ay, and in spite of Inquisitions, has gone round – nay, the whole world of thought itself has moved, and having received an impulse from such minds, will revolve for ages in a glorious cycle for mankind! But the most touching incident of Galileo's story is yet to come.

After several years of confinement at Arcetri, the great astronomer was permitted to retire to Florence, upon the conditions that he should neither quit his house, nor receive the visits of his friends. They removed him from a prison, to make a prison of his home. Alas! it was even worse than this.

Much as the greatest minds love fame, and struggle to obtain it, the proudest triumphs of genius and of science, the applause of the world itself, ever loud and obtrusive, is not to be compared to the low and gentle murmurs of pleasure and of pride from those we love. There was one being from whom Galileo had been accustomed to hear those consolations – his child his gentle Maria Galilei. He had been otherwise a solitary indeed, and now more than ever so, when he was cut off from the communion of the greatest minds. To his lovely girl, his daughter, his heart clung with more than fondness. No wife of Pliny, perhaps, ever wafted to her husband with sweeter devotion the echoes of the applauding world without, greeting him she loved, than she did – his Maria Galilei. As he returned from prison, the way seemed tedious, the fleetest traveling all too slow, till he should once more fold her to his heart; and she, too, she anticipated meeting her father with a pleasure greater than ever before enjoyed, since he had now become a victim, sainted in her eyes, by the persecution he had suffered.

Short, indeed, was this happiness, if enjoyed at all. Within the month, she died, and the home of Galileo was more than a prison – it was a desolate altar, on which the last and most precious of his household gods was shivered. And he died too, a few years afterward, that good old man!

But he had yielded – he was no martyr! Yes, indeed! But be it remembered, that if he possessed not the moral courage of a Huss, a Savonarola, or a Luther, he was not called to exercise it in so high a cause. The assertion and support of a religious truth is impressed with far deeper obligations than the advocacy of a scientific one, however well maintained by analogy, and confirmed by reason.

Still there was a deep devotional sentiment that pervaded the character of Galileo. Before he died, he became totally blind; yet he did not despair. Like Milton, he labored on for mankind – nay, pursued his scientific studies, inventing mechanical substitutes for his loss of vision, to enable him still to pursue his arduous researches.

It is true he was shut out, like the elder Herschel, from the view of that glorious company, toward which his spirit had so often soared. Well might his friend Castelli say, in allusion to his infirmity, "that the noblest eyes were darkened which nature had ever made – eyes so privileged, and gifted with such rare qualities, that they might be said to have seen more than all those who had gone before him, and to have opened the eyes of all who were to come." Galileo himself bore noble tribute to his friend, when he exclaimed,

"Never, never will I cease to use the senses which God has left me; and though this heaven, this earth, this universe, be henceforth shrunk for me into the narrow space which I myself fill, so it please God, it shall content me."

The malice of his enemies long survived his death. The partisans of Rome disputed his right to make a will. They denied him a monument for which large sums had been subscribed.

A hundred years afterward, when a splendid memorial was about to be erected to his memory, the President of the Florentine Academy descended into his grave, and desecrated his remains, by bearing off, as relics for a museum, the thumb of his right hand, and one of his vertebræ! So the victims of the religious fury of one age become the martyrs of science in another!

And what is the moral of what we have written concerning Galileo? Is there no teaching that may instruct our own times, especially when we see how, through scorn and persecution, and this world's contumely, and through the gloom and shadows of ignorance and fear, the form and substance of mighty Truth rises, slowly and dimly, perchance, at first, but grandly and majestically ere long? Little more than two hundred years have passed since the death of Galileo, but ample justice has been done to his memory. His name will be a watchword through all time, to urge men forward in the great cause of moral and intellectual progress; and the Tree of Knowledge, whose fruits were once on earth, plucked, perhaps, ere they were matured, has shot up with its golden branches into the skies, over which has radiated the smiles of a beneficent Providence to cheer man onward in the career of virtue and intelligence.

"There is something," as a profound writer has observed,[20 - Channing.] "in the spirit of the present age, greater than the age itself. It is, the appearance of a new power in the world, the multitude of minds now pressing forward in the great task of the moral and intellectual regeneration of mankind."

And this cause must ultimately triumph. The energies and discoveries of men like Galileo, remote as their history becomes, have an undying influence.

The power of a great mind is like the attraction of a sun. It appears in the infinite bounds of space, far, far away, as a grain among other gold dust at the feet of the Eternal, or, at most, but as a luminous spot; and yet we know that its influence controls, and is necessary for, the order and arrangement of the nearest, as well is the remotest system. So in the moral and intellectual universe, from world to world, from star to star, the influence of one great mind extends, and we are drawn toward it by an unseen, but all-pervading affinity. Thus has the cause of moral and intellectual progress a sure guarantee of success. It has become a necessity, interwoven with the spirit of the age – a necessity impressed by every revelation of social evil, as well as proclaimed by every scientific discovery – gaining increased energy and power from the manifestation of every new wonder and mystery of nature – nay, from the building of every steam-ship, the laying down of every new line of railway.

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