The Atlantic Monthly, Volume 14, No. 84, October, 1864

This letter had the desired effect. Madame Récamier concluded not to abandon her husband, and returned to Paris, but without undeceiving the Prince, who started for Berlin. According to her biographer, Madame Récamier trusted that absence would soften the disappointment she had in store for him; but, if this was the case, the means she took to accomplish it were very inadequate. She sent him her portrait soon after her return to Paris, which the Prince acknowledged in a letter, of which the following is an extract:—

"April 24th, 1808.

"I hope that my letter of the 31st has already been received. I could only very feebly express to you the happiness I felt on the receipt of your last, but it will give you some idea of my sensations when reading it, and in receiving your portrait. For whole hours I looked at this enchanting picture, dreaming of a happiness which must surpass the most delicious reveries of imagination. What fate can be compared to that of the man whom you love?"

When Madame Récamier subsequently wrote to him more candidly, the Prince was astonished. "Your letter was a thunderbolt," he replied; but he would not accept her decision, and claimed the right of seeing her again. Three years passed in uncertainty, and in 1811 Madame Récamier consented to meet him at Schaffhausen; but she did not fulfil her engagement, giving the sentence of exile which had just been passed upon her as an excuse. The Prince, after waiting in vain, wrote indignantly to Madame de Staël, "I hope I am now cured of a foolish love, which I have nourished for four years." But when the news of her exile reached him, he wrote to her expressing his sympathy, but at the same time reproaching her for her breach of faith. "After four years of absence I hoped to see you again, and this exile seemed to furnish you with a pretext for coming to Switzerland. But you have cruelly deceived me. I cannot conceive, if you could not or would not see me, why you did not condescend to tell me so, and I might have been spared a useless journey of three hundred leagues."

Madame Récamier's conduct to the Prince, even viewed in the light of her biographer's representations, is scarcely justifiable. Madame Möhl attempts to defend her. She alleges, that, at the time Prince Augustus was paying his addresses to her, he had contracted a left-handed marriage at Berlin. Even if this story be true, there is no evidence that Madame Récamier was then acquainted with the fact, and if she had been, there was only the more reason for breaking with the Prince at once, instead of keeping him so long alternating between hope and despair. In speaking of him to Madame Möhl, Madame Récamier said that he was desperately in love, but he was very gallant and had many other fancies. The impression she made upon him, however, seems to have been lasting. Three months before his death, in 1845, he wrote to her that the ring she had given him should follow him to the tomb, and her portrait, painted by Gérard, was, at his death, returned to her by his orders. Either the Prince had two portraits of Madame Récamier, or else Madame Lenormant's statements are contradictory. She says that her aunt sent him her portrait soon after her return to Paris, and the date of the Prince's letter acknowledging the favor confirms this statement. It is afterward asserted that Madame Récamier gave him her portrait in exchange for one of Madame de Staël, painted by Gérard, as Corinne.

The next important event in Madame Récamier's life is her exile, caused by a visit she paid Madame de Staël when the surveillance exercised over the latter by the government had become more rigorous. Montmorency had been already exiled for the same offence. But, disregarding this warning, Madame Récamier persisted in going to Coppet, and though she only remained one night there, she was exiled forty leagues from Paris.

She bore her exile with dignity. She would not solicit a recall, and she forbade those of her friends, who, like Junot, were on familiar terms with the Emperor, to mention her name in his presence. She doubtless felt all its deprivations, even more keenly than Madame de Staël, though she made no complaints. Her means were narrow, as she does not appear to have been in the full possession of her mother's fortune until after the Restoration. She had lived, with scarcely an interruption, a life of society; now she was thrown on her own resources, with little except music to cheer and enliven her. It was not only the loss of Paris that exiles under the Empire had to endure. They were subjected to an annoying surveillance by the police, and even the friends who paid them any attention became objects of suspicion.

The first eight months of her exile Madame Récamier passed at Chalons. She had for companionship a little niece of her husband's, whom she had previously adopted. At the suggestion of Madame de Staël, she removed to Lyons, where Monsieur Récamier had many influential relatives. Here she formed an intimacy with a companion in misfortune, the high-spirited Duchess of Chevreuse, whose proud refusal to enter into the service of the captive Spanish Queen was the cause of her exile. "I can be a prisoner," she replied, when the offer was made to her, "but I will never be a jailer."

Though the society of friends offered Madame Récamier many diversions, she was often a prey to melancholy. The Duchess D'Abrantes, who saw her here, casually mentions her dejection in her Memoirs, and Châteaubriand says that the separation from Madame de Staël weighed heavily upon her spirits. He also alludes to a coolness between the friends, caused by Madame de Staël's marriage with Monsieur de Rocca. The desire to keep this connection secret induced Madame de Staël to write to her friend, declining a proposed visit from her, on the plea that she was about to leave Switzerland. Châteaubriand asserts that Madame Récamier felt this slight severely, but Madame Lenormant makes no allusion to the circumstance.

At Lyons Madame Récamier met the author, Monsieur Ballanche. He was presented to her by Camille Jordan, and, in the words of her biographer, "from that moment Monsieur Ballanche belonged to Madame Récamier." He was the least exacting of any of her friends. All he asked was to devote his life to her, and to be allowed to worship her. His friends called her his Beatrice. As he was an extremely awkward and ugly man, the two might have been termed with equal propriety "Beauty and the Beast." Monsieur Ballanche's face had been frightfully disfigured by an operation, and though his friends thought that his fine eyes and expression redeemed his appearance, he was, to strangers, particularly unprepossessing. He was, moreover, very absent-minded. When he joined Madame Récamier at Rome, she noticed, during an evening walk with him, that he had no hat. In reply to her questions, he quietly said, "Oh, yes, he had left it at Alexandria." He had, in fact, forgotten it; and it never occurred to him to replace it by another. Madame Lenormant relates an anecdote of his second interview with Madame Récamier, which is illustrative of his simplicity.

"He found her alone, working on embroidery. The conversation at first languished, but soon became interesting,—for, though Monsieur Ballanche had no chit-chat, he talked extremely well on subjects which interested him, such as philosophy, morals, politics, and literature. Unfortunately, his shoes had an odor about them which was very disagreeable to Madame Récamier. It finally made her faint, and, overcoming with difficulty the embarrassment she felt in speaking of so prosaic an annoyance, she timidly avowed to him that the smell of his shoes was unpleasant. Monsieur Ballanche apologized, humbly regretting that she had not spoken before, and then went out of the room. He returned in a few moments without his shoes, resumed his seat, and continued the conversation. Other persons came in, and noticing him in this situation, he said, by way of explanation, 'The smell of my shoes annoyed Madame Récamier, so I left them in the antechamber.'"

After the death of his father, Monsieur Ballanche left Lyons, and passed the rest of his life in the society of her whom he worshipped with so single-minded a devotion.

Madame Récamier subsequently left Lyons for Italy, and the next new admirer whose attentions we have to chronicle is Canova. During her stay in Rome he wrote a note to her every morning, and the heat of the city growing excessive, he invited her to share his lodgings at Albano. Taking with her her niece and waiting-maid, she became his guest for two months. A Roman artist painted a picture of this retreat, with Madame Récamier sitting near a window, reading. Canova sent the picture to her in 1816. When she left Rome for a short absence, Canova modelled two busts of her from memory, in the hope of giving her a pleasant surprise,—one with the hair simply arranged, the other with a veil. Madame Récamier was not pleased, and her annoyance did not escape the penetrating eye of the artist. She tried in vain to efface the unfavorable impression he had received, but he only half forgave her. He added a crown of olives to the one with the veil, and when she asked him about it, he replied, "It did not please you, so I made a Beatrice of it."

Madame Récamier left Rome for Naples when Napoleon's power was on the decline. The sovereigns Murat and Caroline Bonaparte treated her with marked distinction, especially the Queen, who was not only gracious, but confidential. Madame Récamier was with Caroline the day that Murat pledged himself to the allied cause. He returned to the palace in great agitation, and, stating the case to her without telling her that he had already made his decision, asked what course he ought to pursue. She replied, "You are a Frenchman, Sire. It is to France that you owe allegiance." Murat turned pale, and, throwing open the window, showed her the English fleet entering the harbor, and exclaimed, "I am, then, a traitor!" He threw himself on a couch, burst into tears, covering his face with his hands. Madame Récamier's candor did not affect their friendly relations. When the Queen acted as Regent in the absence of her husband, she signed the pardon of a condemned criminal at her request, and, upon her return to Rome, wrote, begging her to come back to Naples. She did so, though her stay was necessarily short. Paris was again open to her by the overthrow of Napoleon, and she hastened to rejoin her friends. Still she was not unmindful of the princess who had shown her such marks of friendship. She did many kind services for her in Paris, and after the execution of Murat, when Caroline lived in obscurity as the Countess of Lipona, she paid her a visit, which cheered the neglected woman whose prosperity had been of such short duration.

The Restoration was the beginning of a new era in the life of Madame Récamier, one even more brilliant and animated, if not so thoughtlessly gay as that of her youth. Her husband had, in a measure, retrieved his fallen fortunes. She was in possession of her mother's property, able to have a box at the Opera, and to keep her carriage, which was a necessity, as she never walked in the street. Her exile had made her more famous, while her joy at being restored to Paris and her friends lent another charm to the seduction of her manners. Her association with the Montmorencys, who were in high favor with the new court, increased her political influence. She held nightly receptions after the Opera, and her salon was neutral ground, the resort of persons of all parties. Paris was full of foreigners of distinction, who were curious to know a person of so much celebrity, and they swelled the ranks of her admirers. Among them was the Duke of Wellington, who, if Madame Récamier's vanity did not mislead her, was willing and anxious to wear her chains. But she never forgave his boastful speech after the Battle of Waterloo. Remembering her personal dislike of the Emperor, and forgetting that she was a Frenchwoman, he said to her, on his return to Paris, "Je l'ai bien battu." The next time he called he was not admitted. The Duke complained to Madame de Staël, and when he next met Madame Récamier in society treated her with coldness, and devoted himself to a young English lady. They rarely met afterward, though the Duke came once to the Abbaye-aux-Bois.

Madame Récamier had at this time a much more earnest admirer in Benjamin Constant. As common friends of Madame de Staël, they had been acquainted for years, and had played together in private theatricals at Coppet. Still it was not until 1814, when Madame Récamier had an interview with him in regard to the affairs of the King and Queen of Naples, that the relations between them assumed a serious aspect. He left her at the end of this interview violently enamored. According to Madame Lenormant, Benjamin Constant had not the slightest encouragement to justify his madness, but it is clear from other testimony that Madame Récamier was not free from blame in respect to him. Sainte-Beuve hints that the subject is unpleasant, and summarily dismisses it; and Madame Möhl, ever ready to defend Madame Récamier, acknowledges that in this case she was to blame, and that Madame Récamier thought so herself, and wished Constant's letters to be published after her death, in order to justify him. She adds, that it was a mistake not to publish them, as their suppression has given occasion for surmises utterly false. There is nothing in the "Souvenirs" to explain either the vague hints of Sainte-Beuve or the obscure allusions of Madame Möhl; and the biographical sketches of Constant throw no light upon the subject: they are chiefly narratives of his political career.

If we except Châteaubriand, who was more loved than loving, Benjamin Constant stands last on the list of Madame Récamier's conquests; for, after the author of "Atala" and of the "Genius of Christianity" crossed her path, we hear of no more flirtations, no more despairing lovers. Châteaubriand and Madame Récamier first met, familiarly, at the death-bed of Madame de Staël, whose loss they mutually deplored. It was not, however, until the next year, 1818, when Madame Récamier had retired to the Abbaye-aux-Bois, that the acquaintance ripened into intimacy. A second reverse of fortune was the cause of this retirement, to which we shall briefly refer before entering upon the more complicated subject of this friendship.

New and unfortunate speculations on the part of Monsieur Récamier had not only left him penniless, but had to some extent involved his wife's fortune, which she had confided to him. In this emergency, Madame Récamier acted with her usual promptitude and decision. She had two objects in view in her plans for the future,—economy, and a separation from her husband. An asylum in the Abbaye-aux-Bois secured to her both advantages. She established her husband and father in the vicinity of the Convent, and they with Ballanche dined with her every day. From Monsieur Récamier she exacted a promise to engage in no more speculations, while she supplied his wants. "She anticipated his needs with a filial affection, and until the last studied to make his life mild and pleasant,—a singularly easy task on account of his optimism." Monsieur Récamier had need to be a philosopher. The nominal husband of a beautiful woman, with whom he had shared his prosperity, he had not only to bear her indifference, but to see her form friendships and make plans from which he was excluded. When his misfortunes left him a dependent upon her bounty, he was a mere cipher in her household,—kindly treated, but with a kindness that savored more of toleration than affection. Monsieur Récamier died at the advanced age of eighty. Shortly before his death, his wife obtained permission from the Convent to remove him to the Abbaye, where he was tenderly cared for by her in his last moments.

The retirement forced upon Madame Récamier by her husband's reverses was far from being seclusion. "La petite cellule" as Châteaubriand called her retreat, was as much frequented as her brilliant salons in Paris had been, and she was even more highly considered. Châteaubriand visited her regularly at three o'clock; they passed an hour alone, when other persons favored by him were admitted. In the evening her door was open to all. She no longer mingled in society, people came to her, and nothing could be more delightful than her receptions. All parties and all ranks met there, and her salon gradually became a literary centre and focus. Delphine Gay (Madame Émile de Girardin) recited her first verses there, Rachel declaimed there, and Lamartine's "Méditations" were read and applauded there before publication. Among distinguished strangers who sought admittance to the Abbaye, we notice the names of Humboldt, Sir Humphry Davy, and Maria Edgeworth. De Tocqueville, Monsieur Ampére, and Sainte-Beuve were frequent visitors. Peace and serenity reigned there, for Madame Récamier softened asperities and healed dissensions by the mere magnetism of her presence. "It was Eurydice," said Sainte-Beuve, "playing the part of Orpheus." But while she was the presiding genius of this varied and brilliant society, Châteaubriand was the controlling spirit. Everybody deferred to him, if not for his sake, then for the sake of her whose greatest happiness was to see him pleased and amused.

Madame Récamier has frequently been called cold and heartless. English reviewers have doubted whether she was capable of any warm, deep attachment. Sainte-Beuve even, with all his insight, believed that the desire to be loved had satisfied her heart, and that she herself had never loved. But he formed this opinion before the publication of Madame Récamier's memoirs. Châteaubriand's letters, together with other corroborating facts, warrant a totally different conclusion. It is very evident that Madame Récamier loved Châteaubriand with all the strength of a reticent and constant nature. That he was the only man she did love, we think is also clear. Prince Augustus captivated her for a time, but her conduct toward him, in contrast with that toward Châteaubriand, proves that her heart had not then been touched. The one she treated with caprice and coldness, the other with unvarying consideration and tenderness. There is no reason to conclude that the Prince ever made her unhappy, while it is certain that Châteaubriand made her miserable, and a mere friendship, however deep, does not render a woman wretched. This attachment not only shaped and colored the remainder of Madame Récamier's life, but it threatened at one time to completely subvert all other interests. She who was so equable, such a perfect mistress of herself, so careful to give every one due meed of attention, became fitful and indifferent. Her friends saw the change with alarm, and Montmorency remonstrated bitterly with her. "I was extremely troubled and ashamed," he writes, "at the sudden change in your manner toward others and myself. Ah, Madame, the evil that your best friends have been dreading has made rapid progress in a few weeks! Does not this thought make you tremble? Ah, turn, while yet there is time, to Him who gives strength to them who pray for it! He can cure all, repair all. God and a generous heart are all-sufficient. I implore Him, from the bottom of my heart, to sustain and enlighten you."

Ballanche, equally concerned and jealous, strove to interest her in literature, and urged her to translate Petrarch. Madame Récamier speedily recovered herself. She listened graciously to the admonitions of Montmorency, and she consented to undertake Petrarch, but made little progress in the work. Still, as far as her feelings for Châteaubriand were concerned, the efforts of her friends were in vain. He occupied the first place in her affections, and she regulated her time and pursuits to please and accommodate him, though for a long time he but poorly repaid her devotion. He admired and perhaps loved her, as well as he was capable of loving anybody but himself, but it was not until disappointments had sobered him that he fully appreciated her worth. At the time their intimacy commenced he was the pet and favorite of the whole French nation. "The Genius of Christianity" had been received with acclamations by a people just recovering from the wild skepticism of the Revolution. The reaction had taken place, the Goddess of Reason was dethroned, and the burning words and vivid eloquence of Châteaubriand appealed at once to the heart and the imagination of his countrymen. They did not criticise, they only admired. Politically he was also a rising man. The world, or at least the French world, expected great things from the writer of the pamphlet, "De Buonaparte et des Bourbons." His manners were courtly and distinguished, and women especially flattered and courted him. Their attentions fostered his natural vanity, and his fancy, if not his heart, wandered from Madame Récamier, and she knew it. The tables were turned: she who had been so passionately beloved was now to feel some of the pangs she had all her life been unconsciously inflicting. Wounded and jealous, she stooped to reproaches. The following extracts from letters addressed to her by Châteaubriand while he was ambassador at London clearly betray the state of her mind.

"I will not ask you again for an explanation, since you will not give it. I have written you by the last courier a letter which ought to content you, if you still love me."

"Do not delude yourself with the idea that you can fly from me. I will seek you everywhere. But if I go to the Congress, it will be an occasion to put you to the proof. I shall see then if you keep your promises."

"Allons,—I much prefer to understand your folly than to read mysterious and angry notes. I comprehend now, or at least I think I do. It is apparently that woman of whom the friend of the Queen of Sweden has spoken to you. But, tell me, have I the means to prevent Vernet, Mademoiselle Levert, who writes me declarations, and thirty artistes, men and women, from coming to England in order to get money? And if I have been culpable, do you think that such fancies can do you the least injury, or take from you anything which I have given you? You have been told a thousand falsehoods. Herein I recognize my friends. But tranquillize yourself: the lady leaves, and will never return to England. But perhaps you would like me to remain here on that account: a very useless precaution; for, whatever happens, Congress or no Congress, I cannot live so long separated from you, and am determined to see you at any cost."

The letters from which we quote are very characteristic of their author. While protesting eternal fidelity, and declaring his intention to renounce the world and live but for Madame Récamier, he begs her at the same time to use all her influence to get him sent to the approaching Congress at Vienna as one of the French representatives,—an appointment which would necessarily separate him still longer from her. "Songez au Congrès" is the refrain to all his poetical expressions of attachment.

It is to be hoped that Madame Récamier did not perceive the inconsistency of which he was totally unconscious. Though Châteaubriand was perpetually analyzing himself and his emotions, no man had less self-knowledge. He was too much absorbed by his "self-study, self-wonder, and self-worship," as one of his critics styles his egotism, to be clear-sighted. He had generous impulses, but no uniform generosity of heart; and while glorying in the few ostentatious sacrifices he made to pet ideas, he had no perception of the nature of self-sacrifice. Much, therefore, as he was gratified at the devotion of a woman of Madame Récamier's position and influence, he did not value it sufficiently to make any sacrifices to secure it, and consequently she was continually annoyed and distressed. Her life was also embittered by his political differences with Mathieu de Montmorency, to whom, by means which can scarcely be deemed honorable, he had succeeded as Minister of Foreign Affairs. The confidential friend of both parties, her position was a very difficult one; but she was equal to the emergency. She satisfied each, without being false to, or unmindful of, the interests of either.

But her relations to Châteaubriand were fast becoming intolerable, and she resolved to break her chains and leave Paris. He regarded this resolution as a mere threat. "No," he wrote, "you have not bid farewell to all earthly joys. If you go, you will return." She did go, however, taking with her Ballanche and her adopted daughter, whose delicate health was the ostensible cause of her departure. What it cost her to leave Paris may well be conjectured, and nothing is more indicative of her power of self-control than this voluntary withdrawal from a companionship which fascinated while it tortured her. Châteaubriand sent letters after her full of protestations and upbraidings; but after a while he wrote less frequently, and for a year they ceased to correspond. To a friend who urged her to return Madame Récamier wrote,—"If I return at present to Paris, I shall again meet with the agitations that induced me to leave it. If Monsieur Châteaubriand were unhappy on my account, I should be grieved; if he were not, I should have another trouble, which I am determined henceforth to avoid. I find here diversion in art, and a support in religion which shall shelter me from all these storms. It is painful to me to remain absent six months longer from my friends; but it is better to make this sacrifice, and I confess to you that I feel it to be necessary."

There was much to make a stay in Italy attractive to Madame Récamier, if she could have forgotten Châteaubriand, Her old admirer, the Duc de Laval, was ambassador at Rome, and put his horses and servants at her disposal. She renewed her acquaintance with the celebrated Duchess of Devonshire, (Lady Elizabeth Foster,) whose career was quite as singular as her own, while it was more open to reproach. The Duchess was a liberal patron of the fine arts, and the devoted friend of Cardinal Gonsalvi, from the shock of whose death she never recovered. Madame Récamier also found at Rome the Duchess of Saint-Leu, whom she had slightly known when she was Queen of Holland. For political reasons it was unwise for them to visit openly, so they contrived private and romantic interviews. Their friendship seems to have been close and sincere. Subsequently, Madame Récamier was able, through her political influence, to serve Hortense in many ways. She also took an interest in her son Louis Napoleon, and visited him in prison after his unsuccessful attempt at Strasbourg, which kindness he afterwards acknowledged in several notes preserved by Madame Lenormant.

But while accepting all the diversions offered her by the pleasant society at, Rome, Madame Récamier was not unmindful of Châteaubriand. She ordered from the artist Tenerani a bas-relief, the subject to be taken from Châteaubriand's poem of "The Martyrs." She wrote constantly to her friends in Paris for intelligence respecting him, and watched his course from afar with interest and anxiety. It was not one to tranquillize her. He had quarrelled with the President of the Council, Villèle; and being also personally disliked by the King, he was peremptorily dismissed, and he bore this disgrace with neither dignity nor composure. Turning his pen against the government, he did as much by his persistent savage opposition, clothed as it was in the language of superb invective, to bring about the final overthrow of the elder Bourbon dynasty, as either the stupid arrogance of Charles X. or the dogged tyranny of Polignac. Yet no man was more concerned and disgusted than he was at the result of the Revolution of 1830. So far true to his convictions, he refused office under Louis Philippe, priding himself greatly on his allegiance to the exiled princes, when neither his loyalty nor his services could be of any use. The truth is, that, though Châteaubriand was fond of meddling and making a noise, he had none of the fundamental qualities of a statesman. By the inspiration of his genius, he could seize the right moment for making a telling speech, or he could promulgate in a pamphlet a striking truth, calculated to electrify and convince. But he could not be calmly deliberate. Always enthusiastic, he was never temperate. He was the slave of his partialities and prejudices. Harriet Martineau, who for keen analysis and nice discrimination of character has few equals among historians, characterizes him as "the wordy Châteaubriand," and Guizot says of him, "It was his illusion to think himself the equal of the most consummate statesmen, and his soul was filled with bitterness because men would not admit him to be the rival of Napoleon as well as of Milton." It was this bitterness with which Madame Récamier had to contend, for his literary successes did not console him for his political disappointments, and his temper, never very equable, was now more variable and uncertain.

After an absence of eighteen months she returned to Paris. She apprised Châteaubriand of her arrival by a note. He came immediately to see her, and was rapturous with delight. No word of reproach passed between them, and he fell at once into his old habits. From this time his behavior was respectful and devoted. Absence and his disappointments had taught him the inestimable value of such a friend. She daily became more and more necessary to him. After his resignation of the Roman embassy in 1829, which had been secured to him through her instrumentality, he no longer engaged actively in politics, and, deprived of the stimulus of ambition, he looked to her for excitement. She encouraged his literary exertions, drew him out from his fits of depression, and soothed his wounded self-love. This was no light task; for Châteaubriand's self-complacency was not of that imperturbable sort which, however intolerable to others, has at least the merit of keeping its possessor content and tranquil. With him it partook more of the nature of egotism than of self-conceit, and it therefore made him always restless and continually dissatisfied. But no effort was too great for Madame Récamier's devotion. Her friends looked upon her sacrifices with feelings of mingled regret and admiration, but she herself was unconscious of them. They were simply a labor of love; and much as her tranquillity must have been disturbed at times by the caprices and exactions of this moody, melancholy man, she was probably happy in being allowed to sacrifice herself. Of the success of her efforts Sainte-Beuve thus gracefully speaks:—"Madame de Maintenon was never more ingenious in amusing Louis XIV. than Madame Récamier in interesting Châteaubriand. 'I have always remarked,' said Boileau, on returning from Versailles, 'that, when the conversation does not turn on himself, the King directly gets tired, and is either ready to yawn or to go away.' Every great poet, when he is growing old, is a little like Louis XIV. in this respect. Madame Récamier had each day a thousand pleasant contrivances to excite and flatter him. She assembled from all quarters friends for him,—new admirers. She chained us all to the feet of her idol with links of gold."

One of her most successful efforts in amusing him was the reading of "Les Mémoires d'Outre-Tombe" to a select and admiring audience at the Abbaye. He first read them in private to Madame Récamier, who passed judgment upon them, and they were then read aloud by M. Charles Lenormant. This device worked like a charm; everybody applauded, and the author was content. The personal interest attached to the chief parties concerned, no doubt, made these readings very delightful. But it would now be impossible for any reader to be enthusiastic about the Memoirs themselves. Out of France it would be difficult to find a more egotistical piece of self-portraiture. Châteaubriand is not quite so ostentatious in his egotism as the Prince de Ligne, who headed the chapters in his "Mémoires et Mélanges," "De moi pendant le jour," "De moi pendant la nuit," "De moi encore," "Mémoirs pour mon cœur"; still he parades himself on every possible occasion, and not always to his own advantage. His conduct in passing himself off as a single man in an English family who were kind to him during his exile, thereby engaging the daughter's affections, is entirely inexcusable. That a person of Madame Récamier's good judgment did not perceive the discredit that must attach to such revelations is only to be accounted for by supposing her blind to Châteaubriand's follies. But with all her partiality, it is still surprising that she should have given her sanction to his deliberate and cold analysis of the character of his parents, and his equally heartless and selfish reflections on his marriage.

Châteaubriand married simply to please his sisters, feeling that he "had none of the qualifications of a husband," and for years he seemed entirely oblivious of his wife's existence. After he gave up his wandering life, and became distinguished, he treated her with more consideration. Madame de Châteaubriand was a pretty, delicate woman, of quick natural intelligence. M. Danielo, Châteaubriand's secretary, has written an interesting sketch of her, which is affixed to her husband's memoirs. She was a person of eccentric habits, but of a warm heart and lively sensibilities, and was devoted to her religious duties and the Infirmary of Maria Theresa. She professed a great contempt for literature, and asserted that she had never read a line of her husband's works; but this was regarded as an affectation. Madame de Châteaubriand was not an amiable person, but very frank and sincere. She often reproached herself for her faults and love of contradiction. Though she appears to have loved her husband, she was not blind to his weaknesses, and he was afraid of her sallies. So vain and sensitive a man could not feel comfortable in the society of a woman of her keen penetration, and her wit was not always tempered by discretion. Madame Récamier gained by the contrast. She believed in him, and "there are few things so pleasant," says a writer in Fraser, "as to have a woman at hand that believes in you." Madame Récamier's insight never disturbed Châteaubriand, for it was of the heart, not of the intellect. It was not a critical analysis that probes and dissects, but a sympathy that cheered and tranquillized. There could be but little in common between two such women, though they were on friendly terms; and when Châteaubriand left his wife in Paris, he always commended her to Madame Récamier's care. On one occasion he writes,—"I must again request you to go and see Madame de Châteaubriand, who complains that she has not seen you. What would you have? Since you have become associated in my life, it is necessary to share it fully."

There is nothing to indicate Madame Récamier's sentiments toward the wife of her friend, except a significant passage in one of Châteaubriand's letters:—"Your judgments are very severe on the Rue du Bac.[4 - Madame de Châteaubriand.] But think of the difference of habit. If you look upon her occupations as trifles, she may on her side think the same with regard to yours. It is only necessary to change the point of view."

Madame de Châteaubriand died in February, 1847, from the effects of dieting. A few months after her death her husband offered himself in marriage to Madame Récamier, who rejected him. "Why should we marry?" she said. "There can be no impropriety in my taking care of you at our age. If you find solitude oppressive, I am willing to live with you. The world, I am confident, will do justice to the purity of our friendship, and sanction all my efforts to render your old age comfortable and happy. If we were younger, I would not hesitate,—I would accept with joy the right to consecrate my life to you. Tears and blindness have given me that right. Let us change nothing."

We have heard this refusal of Madame Récamier's urged as a proof that she did not love Châteaubriand; but when we consider their respective ages at the time, this objection has little weight. Châteaubriand was seventy-nine; Madame Récamier seventy. The former was tottering on the brink of the grave. He had lost the use of his limbs, and his mind was visibly failing. Madame Récamier was keenly sensible of the decay of his faculties, though she succeeded so well in concealing the fact from others that few of the habitual visitors at the Abbaye recognized its extent. The reason she gave to her friends for refusing him was undoubtedly the true one. She said that his daily visit to her was his only diversion, and he would lose that, if she married him.

The record of these last years of Madame Récamier's life is inexpressibly touching, telling as it does of self-denial, patient suffering, and silent devotion. To avert the blindness which was gradually stealing upon her, she submitted to an operation, which might have been successful, had she obeyed the injunctions of her physicians. But Ballanche lay dying in the opposite house, and, true to the noble instincts of her heart, she could not let the friend who had loved her so long and well die alone. She crossed the street, and took her place by his bedside, thus sealing her own fate, for all hopes of recovering her sight were lost. Her health also was extremely delicate; but, much as she needed quiet and repose, she kept up her relations with society and held her receptions for Châteaubriand's sake. But both their lives were fast approaching to a close. Châteaubriand died on the 4th of July, 1848. For some time before his death he was speechless, but kept his dying eyes fixed upon Madame Récamier. She could not see him, and this dark, dreary silence filled her soul with despair.

Madame Récamier shed no tears over her loss, and uttered no lamentations. She received the condolences of her friends with gratitude, and strove to interest herself in their pursuits. But a deadly paleness, which never left her, spread over her face, and "the sad smile on her lips was heart-breaking." Sightless and sad, it was time for her to die. Madame de Staël and Montmorency, the friends of her youth, had long since departed. Ballanche was gone, and now Châteaubriand. She survived the latter only eleven months. Stricken with cholera the following summer, her illness was short, but severe, and her last words to Madame Lenormant, who bent over her, were, "Nous nous reverrons,—nous nous reverrons."

So impalpable was the attraction that brought the world to the feet of Madame Récamier that it is interesting to analyze it. It did not lie in her beauty and wealth alone; for she lost the one, while time blighted the other. Nor was it due to power of will; for she was not great intellectually. And had she been a person of strong convictions, she would never have been so universally popular. As it was, she pleased equally persons of every shade of opinion and principle. Her instinctive coquetry can partly account for her sway over men, but not over women. What, then, was the secret of her influence? It lay in the subtile power of a marvellous tact. This tact had its roots deep in her nature. It was part and parcel of herself, the distinguishing trait in a rare combination of qualities. Though nurtured and ripened by experience, it was not the offspring of art. It was an effect, not a cause,—not simply the result of an intense desire to please, regulated by a fine intuitive perception, but of higher, finer characteristics, such as natural sweetness of temper, kindness of heart, and forgetfulness of self. Her successes were the triumph of impulse rather than of design. In order to please she did not study character, she divined it. Keenly alive to outward influences, and losing in part her own personality when coming in contact with that of others, she readily adapted herself to their moods,—and her apprehension was quick, if not profound. It is always gratifying to feel one's self understood, and every person who talked with Madame Récamier enjoyed this pleasant consciousness. No one felt a humiliating sense of inferiority in her presence, and this was owing as much to the character of her intellect as to her tact. Partial friends detected genius in her conversation and letters, and tried to excite her to literary effort; but other and stronger evidence forces us to look upon such praise as mere delicate flattery. A woman more beautiful than gifted was far more likely to be gratified by a compliment to her intellect than to her personal charms, as Madame de Staël was more delighted at an allusion to the beauty of her neck and arms than to the merits of "L'Allemagne" or "Corinne." But if Madame Récamier did not possess genius, she had unerring instincts which stood her in lieu of it, and her mind, if not original, was appreciative. The genuine admiration she felt for her literary friends stimulated as well as gratified them. She drew them out, and, dazzled by their own brilliancy, they gave her credit for thoughts which were in reality their own. To this faculty of intelligent appreciation was joined another still more captivating. She was a good listener. "Bien écouter c'est presque répondre," quotes Jean Paul from Marivaux, and Sainte-Beuve said of Madame Récamier that she listened "avec séduction." She was also an extremely indulgent and charitable person, and was severe neither on the faults nor on the foibles of others. "No one knew so well as she how to spread balm on the wounds that are never acknowledged, how to calm and exorcise the bitterness of rivalry or literary animosity. For moral chagrins and imaginary sorrows, which are so intense in some natures, she was, par excellence, the Sister of Charity." The repose of her manner made this sympathy more effective. Hers was not a stormy nature, but calm and equable. If she had emotion to master, it was mastered in secret, and not a ripple on the surface betrayed the agitation beneath. She had no nervous likes or dislikes, no changeful humors, few unequal moods. She did not sparkle and then die out. The fire was always kindled on the hearth, the lamp serenely burning. Some women charm by their mutability; she attracted by her uniformity. But in her uniformity there was no monotony. Like the continuous murmur of a brook, it gladdened as well as soothed.

It was probably these sweet womanly qualities, together with the meekness with which she bore her honors, that endeared her to her feminine friends. All her life had been a series of triumphs, which were not won by any conscious effort on her part, but were spontaneous gifts of fortune,—

"As though a shower of fairy wreaths
Had fallen upon her from the sky."

Yet her manner was entirely free from pretension or self-assertion.

It is not one of the least remarkable things about Madame Récamier, that one who had been so petted from childhood, so exposed to pernicious influences, should have continued unspoiled by adulation, uncorrupted by example. The gay life she led was calculated to make her selfish and arrogant, yet she was to an eminent degree self-sacrificing and gentle. Constant in her affections, she never lost a friend through waywardness, or alienated any by indifference. It has been prettily said of her, that she brought the art of friendship to perfection. Coquettish she was,—seldom capricious. Her coquetry was owing more to an instinctive desire to please than to any systematic attempt to swell the list of her conquests. She had received the gift of fascination at her birth: and can a woman be fascinating who has not a touch of coquetry? It was as natural in Madame Récamier to charm as it was to breathe. It was a necessity of her nature, which her unnatural position developed and fostered to a reprehensible extent. But while she permitted herself to be loved, and rejoiced in the consciousness of this power, she never carried her flirtations so far as to lose her own self-respect or the respect of her admirers. She was ever dignified and circumspect, though gracious and captivating. To most of her lovers, therefore, she was more a goddess whom they worshipped than a woman whom they loved. Ballanche compared her to the solitary phœnix, nourished by perfumes, and living in the purest regions of the air,—

"Who sings to the last his own death-lay,
And in music and perfume dies away."

It is a singular fact, that the men who began by loving her passionately usually ended by becoming her true friends. Still there were exceptions to this rule, exceptions which her biographer does not care to dwell upon, but which the more candid Sainte-Beuve acknowledges, giving as his authority Madame Récamier, who was fond of talking over the past with her new friends. "'C'est une manière,' disait-elle, 'de mettre du passé devant l'amitié.'" The subtile and piquant critic cannot resist saying, in regard to these reminiscences, that "elle se souvenait avec goût." Still, pleasant as her recollections were, she often looked back self-reproachfully upon passages of her youth; and Sainte-Beuve, though he calls her coquetry "une coquetterie angelique," recognizes it as a blemish. "She, who was so good, brought sorrow to many hearts, not only to indignant and soured men, but to poor feminine rivals, whom she sacrificed and wounded without knowing it. It is the dark side of her life, which she lived to comprehend."

This "dark side" suggests itself. It is impossible to read the record of Madame Récamier's conquests without thinking of women slighted and neglected for her sake. The greater number of her admirers were married men. That their wives did not hate this all-conquering woman is strange indeed; that they witnessed her triumphs unmoved is scarcely credible. For, while French society allows great laxity in such matters, and a domestic husband, as we understand the term, is a rarity, still French wives, we imagine, differ very little from other women in wishing to be considered a first object. Public desertion is rarely relished even where there is no affection to be wounded, for it is not necessary to love to be jealous. But whatever heart-aches and jealousies were caused by Madame Récamier's conquests, they do not appear on the surface. In her voluminous correspondence we find tender letters from husbands side by side with friendly notes from their wives. Her biographer parades the latter with some ostentation, as a proof of the friendship these women entertained for Madame Récamier. That they respected her is evident; that they loved her is not so apparent. Mere complimentary notes prove but little. He must be but a superficial judge of life who draws decided conclusions simply from appearances. Madame Lucien Bonaparte might invite Madame Récamier to her fêtes; but the consciousness that all her world knew that her husband was épris with her beautiful guest did not tend to make her cordial at heart. Madame Moreau, young and lovely, might visit her intimately, and even cherish friendship for her; but she could scarcely be an indifferent spectator, when the great General demanded a white ribbon from her friend's dress as a favor, and afterward wrote to her that he had worn it in every battle, and that it had been the talisman that led him on to victory. Nor is it probable that Madame de Montmorency and Madame de Châteaubriand, unloved wives, saw without a pang another woman possess the influence which they exerted in vain. But, if they suffered, it was in secret; and, moreover, they did justice to the character of their rival. Madame Récamier's reputation was compromised neither in their eyes nor in the eyes of the world. Society is seldom just to any woman whose career in life is exceptional; but to her it was not only just, but indulgent. When we reflect upon her peculiar position, so exposed to injurious suspicions, the doubtful reputation of some of her associates, the character for gallantry possessed by many of her avowed admirers, it seems scarcely possible that she should have escaped calumny. The few scandals caused by some of her early indiscretions were soon dissipated, and she lived down all unpleasant rumors. She, indeed, seemed to possess some talisman, as potent as the magic ring that bewitched King Charlemagne, by whose spell she disarmed envy and silenced detraction. This attaching power she exercised on every person who came within the sphere of her influence. Even the gossiping Duchess D'Abrantes has only words of respectful admiration for her. The preconceived prejudices of Madame Swetchine, whom Miss Muloch numbers among her "Good Women," vanished at a first interview. She wrote to her,—"I found myself a captive before I dreamt of defending myself. I yielded at once to that penetrating and undefinable charm which you exert even over those persons to whom you are indifferent." Madame de Genlis, equally prejudiced, was alike subdued. She made Madame Récamier the heroine of a novel, and addressed letters to her full of affectionate admiration and extravagant flattery. "You are one of the phenomena of the age," she writes, "and certainly the most amiable.... You can look back upon the past without remorse. At any age this is the most beautiful of privileges, but at our time of life it is invaluable." Madame Lenormant, even more enthusiastic, calls her a saint, which she certainly was not, but a gracious woman of the world. Some acts of her life it is impossible to defend. They tarnish the lustre of an otherwise irreproachable career. Still, when we think of the low tone of morals prevalent in her youth, together with her many and great temptations, it is surprising that she should have preserved her purity of heart, and earned the respect and love of the best and wisest of her contemporaries. No woman has ever received more universal and uniform homage, or has been more deeply lamented. Her death left a void in French society that has never been filled. The salon, which, from its origin in the seventeenth century, was so vital an element in Paris life, no longer exists. That of the Hôtel de Rambouillet was the first; that of the Abbaye-aux-Bois the last. "On se réunit encore, on donne des fêtes splendides, on ne cause plus."

THE WELLFLEET OYSTERMAN

Having walked about eight miles since we struck the beach, and passed the boundary between Wellfleet and Truro, a stone post in the sand,—for even this sand comes under the jurisdiction of one town or another,—we turned inland over barren hills and valleys, whither the sea, for some reason, did not follow us, and, tracing up a hollow, discovered two or three sober-looking houses within half a mile, uncommonly near the eastern coast. Their garrets were apparently so full of chambers that their roofs could hardly lie down straight, and we did not doubt that there was room for us there. Houses near the sea are generally low and broad. These were a story and a half high; but if you merely counted the windows in their gable-ends, you would think that there were many stories more, or, at any rate, that the half-story was the only one thought worthy of being illustrated. The great number of windows in the ends of the houses, and their irregularity in size and position, here and elsewhere on the Cape, struck us agreeably,—as if each of the various occupants who had their cunabula behind had punched a hole where his necessities required it, and according to his size and stature, without regard to outside effect. There were windows for the grown folks, and windows for the children,—three or four apiece: as a certain man had a large hole cut in his barn-door for the cat, and another smaller one for the kitten. Sometimes they were so low under the eaves that I thought they must have perforated the plate-beam for another apartment, and I noticed some which were triangular, to fit that part more exactly. The ends of the houses had thus as many muzzles as a revolver; and if the inhabitants have the same habit of staring out of the windows that some of our neighbors have, a traveller must stand a small chance with them.

Generally, the old-fashioned and unpainted houses on the Cape looked more comfortable, as well as picturesque, than the modern and more pretending ones, which were less in harmony with the scenery, and less firmly planted.

These houses were on the shores of a chain of ponds, seven in number, the source of a small stream called Herring River, which empties into the Bay. There are many Herring Rivers on the Cape: they will, perhaps, be more numerous than herrings soon. We knocked at the door of the first house, but its inhabitants were all gone away. In the mean while we saw the occupants of the next one looking out of the window at us, and before we reached it an old woman came out and fastened the door of her bulkhead, and went in again. Nevertheless, we did not hesitate to knock at her door, when a grizzly-looking man appeared, whom we took to be sixty or seventy years old. He asked us, at first, suspiciously, where we were from, and what our business was; to which we returned plain answers.