"Not that I 'm aware of, Deacon."
"Waal, my nevvy's got a good slab of Varmont marble, which he ordered for his fust wife; but the old folks did n't like it, and it's in his barn on the heater-piece. 'T ain't engraved, nor nothin'. If it should suit the Mavericks, I dare say they could git it tol'able low."
LXVI
Reuben is still floating between death and life. There is doubt whether the master of the long course or of the short course will win. However that may be, his consciousness has returned; and it has been with a great glow of gratitude that the poor Doctor has welcomed that look of recognition in his eye,—the eye of Rachel!
He is calm,—he knows all. That calmness which had flashed into his soul when last he saw the serene face of his fellow-voyager upon that mad sea is his still.
The poor father had been moved unwontedly by that unconsciousness which was blind to all his efforts at spiritual consolation; but he is not less moved when he sees reason stirring again,—a light of eager inquiry in those eyes fearfully sunken, but from their cavernous depths seeing farther and more keenly than ever.
"Adèle's mother,—was she lost?" He whispers it to the Doctor; and Miss Eliza, who is sewing yonder, is quickened into eager listening.
"Lost! my son, lost! Lost, I apprehend, in the other world as well as this, I fear the true light never dawned upon her."
A faint smile—as of one who sees things others do not see—broke over the face of Reuben. "'T is a broad light, father; it reaches beyond our blind reckoning."
There was a trustfulness in his manner that delighted the Doctor. "And you see it, my son?—Repentance, Justification by Faith, Adoption, Sanctification, Election?"
"Those words are a weariness to me, father; they suggest methods, dogmas, perplexities. Christian hope, pure and simple, I love better."
The Doctor is disturbed; he cannot rightly understand how one who seems inspired by so calm a trust—the son of his own loins too—should find the authoritative declarations of the divines a weariness. Is it not some subtle disguise of Satan, by which his poor boy is being cheated into repose?
Of course the letter of Adèle, which had been so long upon its way, Miss Eliza had handed to Reuben after such time as her caution suggested, and she had explained to him its long delay.
Reading is no easy matter for him; but he races through those delicately penned lines with quite a new strength. The spinster sees the color come and go upon his wan cheek, and with what a trembling eagerness he folds the letter at the end, and, making a painful effort, tries to thrust it under his pillow. The good woman has to aid him in this. He thanks her, but says nothing more. His fingers are toying nervously at a bit of torn fringe upon the coverlet. It seems a relief to him to make the rent wider and wider. A little glimpse of the world has come back to him, which disturbs the repose with which but now he would have quitted it forever.
Adèle has been into the sick-chamber from time to time,—once led away weeping by the good Doctor, when the son had fallen upon his wild talk of school-days; once, too, since consciousness has come to him again, but before her letter had been read. He had met her with scarce more than a touch of those fevered fingers, and a hard, uncertain quiver of a smile, which had both shocked and disappointed the poor girl. She thought he would have spoken some friendly consoling word of her mother; but his heart, more than his strength, failed him. Her mournful, pitying eyes were a reproach to him; they had haunted him through the wakeful hours of two succeeding nights, and now, under the light of that laggard letter, they blaze with a new and an appealing tenderness. His fingers still puzzle wearily with that tangle of the fringe. The noon passes. The aunt advises a little broth. But no, his strength is feeding itself on other aliment. The Doctor comes in with a curiously awkward attempt at gentleness and noiselessness of tread, and, seeing his excited condition, repeats to him some texts which he believes must be consoling. Reuben utters no open dissent; but through and back of all he sees the tender eyes of Adèle, which, for the moment, outshine the promises, or at the least illuminate them with a new meaning.
"I must see Adèle," he says to the Doctor; and the message is carried,—she herself presently bringing answer, with a rich glow upon her cheek.
"Reuben has sent for me,"—she murmurs it to herself with pride and joy.
She is in full black now; but never had she looked more radiantly beautiful than when she stepped to the side of the sick-bed, and took the hand of Reuben with an eager clasp—that was met, and met again. The Doctor is in his study, (the open door between,) and the spinster is fortunately just now busy at some of her household duties.
Reuben fumbles under his pillow nervously for that cherished bit of paper, (Adèle knows already its history,) and when he has found it and shown it (his thin fingers crumpling it nervously) he says, "Thank you for this, Adèle!"
She answers only by clasping his hand with a sudden mad pressure of content, while the blood mounted into either cheek with a rosy exuberance that magnified her beauty tenfold.
He saw it,—he felt it all; and through her beaming eyes, so full of tenderness and love, saw the world to which he had bidden adieu shining before him more beguilingly than ever. Yesterday it was a dim and weary world that he could leave without a pang; to-day it is a brilliant world, where hopes, promises, joys pile in splendid proportions.
He tells her this. "Yesterday I would have died with scarce a regret; to-day, Adèle, I would live."
"You will, you will, Reuben!" and she grappled more and more passionately those shrunken fingers. "'T is not hopeless!" (sobbing).
"No, no, Adèle, darling, not hopeless. The cloud is lifted,—not hopeless!"
"Thank God, thank God!" said she, dropping upon her knees beside him, and with a smile of ecstasy he gathered that fair head to his bosom.
The Doctor, hearing her sobs, came softly in. The son's smile, as he met his father's inquiring look, was more than ever like the smile of Rachel. He has been telling the poor girl of her mother's death, thinks the old gentleman; yet the Doctor wonders that he could have kept so radiant a face with such a story.
Of these things, however, Reuben goes on presently to speak: of his first sight of the mother of Adèle, and of her devotional attitude as they floated down past the little chapel of Nôtre Dame to enter upon the fateful voyage; he recounts their talks upon the tranquil moon-lit nights of ocean; he tells of the mother's eager listening to his description of her child.
"I did not tell her the half, Adèle; yet she loved me for what I told her."
And Adèle smiles through her tears.
At last he comes to those dismal scenes of the wreck, relating all with a strange vividness; living over again, as it were, that fearful episode, till his brain whirled, his self-possession was lost, and he broke out into a torrent of delirious raving.
He sleeps brokenly that night, and the next day is feebler than ever. The physician warns against any causes of excitement. He is calm only at intervals. The old school-days seem present to him again; he talks of his fight with Phil Elderkin as if it happened yesterday.
"Yet I like Phil," he says (to himself), "and Rose is like Amanda, the divine Amanda. No—not she. I've forgotten: it's the French girl. She's a – Pah! who cares? She's as pure as heaven; she's an angel. Adèle! Adèle! Not good enough! I'm not good enough. Very well, very well, now I'll be bad enough! Clouds, wrangles, doubts! Is it my fault? Ædificabo meam Ecclesiam. How they kneel! Puppets! mummers! No, not mummers, they see a Christ. What if they see it in a picture? You see him in words. Both in earnest. Belief—belief! That is best. Adèle, Adèle, I believe!"
The Doctor is a pained listener of this incoherent talk of his son. "I am afraid,—I am afraid," he murmurs to himself, "that he has no clear views of the great scheme of the Atonement."
The next day Reuben is himself once more, but feeble, to a degree that startles the household. It is a charming morning of later September; the window is wide open, and the sick one looks out over a stretch of orchard (he knew its every tree), and upon wooded hills beyond (he knew every coppice and thicket), and upon a background of sky over which a few dappled white clouds floated at rest.
"It is most beautiful!" said Reuben.
"All things that He has made are beautiful," said the Doctor; and thereupon he seeks to explore his way into the secrets of Reuben's religious experience,—employing, as he was wont to do, all the Westminster formulas by which his own belief stood fast.
"Father, father, the words are stumbling-blocks to me," says the son.
"I would to God, Reuben, that I could make my language always clear."
"No, father, no man can, in measuring the Divine mysteries. We must carry this draggled earth-dress with us always,—always in some sort fashionists, even in our soberest opinions. The robes of light are worn only Beyond. Thought, at the best, is hampered by this clog of language, that tempts, obscures, misleads."
"And do you see any light, my son?"
"I hope and tremble. A great light is before me; it shines back upon outlines of doctrines and creeds where I have floundered for many a year."
"But some are clear,—some are clear, Reuben!"
"Before, all seems clear; but behind—"
"And yet, Reuben," (the Doctor cannot forbear the discussion,) "there is the cross,—Election, Adoption, Sanctification—"
"Stop, father; the cross, indeed, with a blaze of glory, I see; but the teachers of this or that special form of doctrine I see only catching radiations of the light. The men who teach, and argue, and declaim, and exorcise, are using human weapons; the great light only strikes here and there upon some sword-point which is nearest to the cross."
"He wanders," says the Doctor to Adèle, who has slipped in and stands beside the sick-bed.
"No wandering, father; on the brink where I stand, I cannot."
"And what do you see, Reuben, my boy?" (tenderly).
Is it the presence of Adèle that gives a new fervor, a kind of crazy inspiration to his talk? "I see the light-hearted clashing cymbals; and those who love art, kneeling under blazing temples and shrines; but the great light touches the gold no more effulgently than the steeple of your meeting-house, father, but no less. I see eyes of chanting girls streaming with joy in the light; and haggard men with ponderous foreheads working out contrivances to bridge the gap between the finite and the infinite. Father, they are no nearer to a passage than the radiant girls who chant and tell their beads. Angels in all shapes of beauty flit over and amid the throngs I see,—in shape of fleecy clouds that fan them,—in shape of brooks that murmur praise,—in shape of leafy shadows that tremble and flicker,—in shape of birds that make a concert of song." The birds even then were singing, the clouds floating in his eye, the leafy shadows trailing on the chamber floor, and, from the valley, the murmur of the brook came to his sensitive ear.
"He wanders,—he wanders!" said the poor Doctor.