The Atlantic Monthly, Volume 18, No. 110, December, 1866

The sermon finished, we took up our hymn-books, of course. But the minister gave out no hymn. He sat down with a patient look at the choir, as much as to say, "Now, do your worst!" Then we understood that we were to be treated to an extra performance, not in our books. There had been a renewal of interest in the choir, and there was a new singing-master. We were to have the results of the late practisings and the first fruits of the new school. The piece they sung was that in which occur the lines,—

"I'd soar and touch the heavenly strings,
And vie with Gabriel, while he sings,
In notes almost divine!"

We always, when we rise during the singing, face round to the choir. I don't know why. Perhaps it is to complete our view of the congregation, since during the rest of the time we look the other way, and, unless we faced about, should see only half. I like to peep at father, to discover whether he appreciates the performance. To-day he just turned his head away. Mother sat down. Aunt Clara looked straight ahead, and her old-fashioned bonnet hid her face; but I could discover that something more than usual was working under her cap. I looked at every one of the singers, and then at the players, from the big bass-viol down to the tenor, and not a bit of reason could I perceive for the twitter the heads of our pew had certainly got themselves into. There's a pattern old lady, Prudence Clark, presidentess of the Dorcas Society,—a spinster, just Aunt Clara's age,—a woman who knows everything, and more too. She sits in the pew before us. She turned her head and gave a sly peep at Aunt Clara. They both laughed in meeting. I know they did, and they can't deny it. I peeped round at the minister, and, if he did not laugh too, his face was scarlet, and he was taken with a wonderful fit of coughing. Such strange proceedings in meeting I never had seen. The minister, the deacon (father is a deacon), and the oldest members were setting us young folks a very bad example. But we tolerate anything in our good old parson. He was a youth when our old folks were young, and as to us young folks, he remembers us longer than we do ourselves.

We were all home, and tea was over,—the early tea with substantials, as is the custom in the primitive districts of New England on Sunday afternoon. The double accumulation of dishes was disposed of; for at noon we take a cold collation, doughnuts and cheese, and bread and butter, and we never descend to servile employments till after tea. Then many hands make light work. I suppose light work does not break the Sabbath, especially as it is done in our Sunday best, with sleeves tucked up, and an extra apron.

The laughing in church was the point upon which, as yet, we had obtained no satisfaction. Jerusha and I, in an uncertain hope that we should find out something in due time, were discussing the music. The particular point in debate was, why village choirs will astonish the people with pieces of music in which nobody can join them. We did not settle it, nor has anybody ever solved the riddle that I know of. We don't even know whether it comes under the ontological or psychological departments. (There, now! Haven't I brought in the famous words that our new schoolmaster astonished us with at the teachers' meeting? He need not think that Webster Unabridged is his particular field, in which nobody else may hunt.)

We were, as I said, discussing the music. Mother was flitting round, giving the final dust-off and brush-about after our early tea. Aunt Clara was sitting quietly at the window, pretending to read Baxter's "Saint's Rest." Jerusha and I tried to imitate the tune, and we did it, as well as we could, and I am sure we are not bad singers. Mother slipped out of the room just as we came to

"And vie with Gabriel, while he sings."

She ran as if something had stung her, and she was making for the hartshorn or some fresh brook-mud. Aunt Clara's face laughed all over, and I said:

"Come, now, Aunt Clara, you are really irreverent. You began laughing in meeting, and you are keeping it up over that good book."

"Downright wicked," said Jerusha.

Now I am a Normal graduate, and Jerusha is not yet "finished." That will account for the greater elegance of my expressions. Aunt Clara paid no heed to either of us, but laughed on. The most provoking thing in the world is a laugh that you don't understand. Here was the whole Dorcas Society laughing through its presidentess, and Aunt Clara joining in the laugh in meeting, and aggravating the offence by stereotyping the smirk in her face. In came mother again, evidently afraid to stay out, and not liking for some reason to stay in. Again we tried the tune, and had just got to

"And vie with Gabriel, while he sings."

Up jumped mother again, stopping in the door, and holding up a warning finger to Aunt Clara. That gesture spurred my curiosity to the utmost point. As to my beloved parent's running in and out, that I should not have heeded. She is like Martha, careful of many things. She is unlike Martha, for she wants no assistance; but when the rest of us are disposed to be quiet, she will keep flitting here and there, and is vexed if we follow. If father is talking, and has just reached the point of his story, off she goes, as if the common topic were nothing to her. Father says she is a perturbed spirit. But then he is always saying queer things, which poor mother cannot understand. Aunt Clara seems to know him a great deal better. I wonder he had not taken to wife a woman like Aunt Clara. He would have taken her, I suppose, if she were not his own sister.

I besought mother, as she fled, to tell me what ailed aunty. "Don't ask me," she answered. "The dear only knows. As for me, I have given up thinking, let alone asking, what either your aunt or your father would be at." And away she went, perturbed-spirit fashion, and Aunt Clara laughed louder than ever. Indeed, before she had only chuckled and silently shaken her sides; now she broke out into a scream.

"Well, I never!" she said. "That flounce of your mother's out of the room was certainly as much like old times as if the thing had happened yesterday."

"What had happened yesterday?" asked Jerusha and I, both in a breath.

"O, I shall die of laughing," said Aunt Clara.

"We shall die of impatience," said I, "if you don't tell us what you mean."

"No you won't. Nobody, especially no woman, ever yet died of unsatisfied curiosity. It rather keeps folks alive."

We very well knew that nothing would be made of Aunt Clara by teasing her. So Jerusha turned over the great family Bible, her custom always of a Sunday afternoon. Over her shoulder I happened to see that the good book was open at the first chapter of i Chronicles, "Adam, Sheth, Enosh, Kenan, Mahalaleel, Jared." Though her lips moved diligently, I am afraid she did not make much of it. As for me, I turned to the window, and studied the landscape. Father, his custom of a Sunday afternoon, walked down into the meadow, and the cattle came affectionately up to him. It was the salt in his broad pocket that they were after. "I might salt them of a Monday," he says, "but they kind of look for it, and it isn't kind to disappoint the creetur's on a Sabba'-day. And the merciful man is merciful to his beasts."

The flies droned and buzzed that summer afternoon. Jerusha nodded over the big Bible. Aunt Clara tried to look serious over the book she held. But the latent laugh was coursing among the dimples in her face, like a spark among tinder. I stole up behind, and, leaning over her shoulder, kissed her.

"O, yes," said aunty. "Fine words butter no parsnips, and fine kisses are no better."

Jerusha's head made an awful plunge, then a reactionary lift back, and then she opened her eyes and her mouth with such a yawn!

"Why, what a mouth!" I cried. "Master Minim would rejoice if you would thus open out in singing-school,

'And vie with Gabriel, while he sings.'"

Off went Aunt Clara in the laugh again, and this time till the tears came. We saw now that there was something in that line which provoked her mirth; but what Gabriel could have to do with her strange behavior we could not imagine, and were wisely silent.

"Girls," she said, as soon as she could speak for laughing, "I will tell you."

We knew she would, provided we were not too anxious to hear. So Jerusha turned over her leaf to the second chapter of i Chronicles, "Reuben, Simeon, Levi." I pretended to be more than ever interested out of doors. Aunt Clara took off her specs, closed her book, smoothed her apron, and began:—

"When I was a girl—"

Now that we knew the story was coming, we pretended to no more indifference. Once get aunty started, and, like a horse balky at the jump, she was good for the journey. So Jerusha shut the Bible, and we both sat down at her feet.

"Not too close, girls. It's dreadful warm."

Her face worked and her sides heaved with her provoking laugh, and we were half afraid of a disappointment. But there was no danger. She was by this time quite as ready to tell as we to hear.

"When I was a girl I went to singing-school. Dear me! how many of the scholars are dead and gone! There was my brother William, poor fellow! he died away off in Calcutty. And Sarah Morgan, she never would own to it that she liked him. But actions speak plainer than words. She never held up her head after. And she's dead now, too."

Aunt Clara's face—she is a dear old aunty—had now lost every trace of mirth. The golden sunset touched her fine head, and made her look so sweetly beautiful that I wondered why no man had had the good taste, long ago, to relieve her of her maiden name. Perhaps she will tell us some day, and if she does, perhaps we will tell you. She sat two or three minutes, thinking and looking, as if she waited to see the loved and lost. There was a rustle, and she started from her revery. It was only mother, flitting into the room with one of her uneasy glances. But we were all so still and serious and Sabbath-like, that a look of relief came over her countenance. She vanished again, and through the window I saw her join her husband in the meadow.

"There, now, before they come in," said Aunt Clara. "When I was a girl, I went to singing-school. Dear me! But we will not think of the dead any more. There was one of the girls,—she thought she had a very good voice. But she never sings now."

"Why?" asked Jerusha.

"The dear knows. I suppose because she is married. Married people never sing, I believe. So, girls, if you would keep your voices, you must stay single. Well, there was one of the boys, he thought he had a good voice. And he never sings now either."

"Why?" said I.

"O, he's married too. So don't you get cheated into thinking you have mated a robin. He will turn out a crow, like as any way. I suppose they both did have good voices, and, for all that I know, they have still. They were the singing-master's especial wonders and his pattern pieces. He never was tired of praising them up to the skies, to mortify the rest of us into good behavior. She was the wonder for the girls' side and he for the boys',—two copies that we were to sing up to. I think they were a little proud of the distinction. They were kind of brought together by it, so that they did not see any harm at all in singing out of the same note-book."

"I suppose not," said Jerusha.

"Well, there was one girl in the school,—I dare say she was a giggling, mischief-making thing, for everybody said so—"

"Is she living now?" I asked.

"Yes, indeed."

"Does she sing now?" asked Jerusha.

"Well,—not much."

"Then," said I, "she must be married, too."

"No, she is not," said Aunt Clara, with a plaintive and very positive emphasis on the negative particle,—"no, she is not."

"Then why does she not sing?" I asked.

"Nobody will look over the same note-book with her," said Jerusha.