"A broken heart is only another name for an everlasting indigestion."
"History is merely a record of indigestions,—a calendar of the foremost stomachs of the age. The destinies of nations hang on the bowels of princes. Internal wars come from intestine rebellion. The rising within is father to the insurrection without. The fountain of a national crisis is always found under the waistcoat of one man. There's Napoleon I.,—what settled him for good was just that greasy mutton-chop stewed up in onions, which he took for his grub at Leipsic. If he'd only ordered a couple of slices of dry Graham-toast, with a cup of weak black tea, he'd have saved his stomach, and whipped 'em, sure; and matters and things in Europe would have had a different look all round ever since."
"Emerson is a man who once in a while gets a little inkling of the truth. I see he says that the creed lies in the biliary duct. That's good orthodox doctrine, I don't care who says it."
"Buckwheat-cakes are now leading us back to barbarism faster than the printing-press ever carried us forward towards civilization."
"Temperament means nothing more nor less than just quantity and quality of bile. That old sawbones, Hippocrates, came mighty near hitting the nail square on the head more 'n two thousand year ago, but he felt kind of uncertain, and didn't exactly know what he was driving at. The old heathen made out just four humors, as he called 'em,—the sanguineous, phlegmatic, choleric, and melancholic. If he'd only made one step more on to the other side of the fence, he'd have cracked the nut, and picked the kernel, certain. Those four different humors are only four different ways of modifying bile with fat."
"Every man is dyspeptic. Tell me his dyspepsy, and I'll tell you what he is."
"In sick-headache, a heaping tablespoonful each of salt and common mustard, stirred into a pint of hot water, and drank without breathing, will generally produce an immediate effect. (Mem. But Graham-biscuit is better in the long run.)"
"Society is the meeting of a gang of incurables, who come together to talk over their dyspepsies. And everybody takes his turn in furnishing fodder to keep the thing going hot-foot."
"Professor Bache says sea-sickness comes from the head, 'cause a man gets dizzy in trying to get used to the teetering of the ship. All nonsense. The Professor may be posted in the survey of the coast, but he don't know the lay of the land in the interior. Sea-sickness comes from the stomach: just offer a man a mouthful of fried salt pork."
"It's stated that some old bookworm of a Dutchman, with a jaw-breaking name that I can't recollect, has an idea, that, 'if we could penetrate into the secret foundations of human events, we should frequently find the misfortunes of one man caused by the intestines of another.' There's not the least doubt of it,—true of one man or a million."
"Fate is Fat: Fat is Fate."
V.—NOCTURNE
Romanza (affettuoso).
The Choral Gamut (con espressione).
Was that seething sun never again to plunge his lurid face beneath the waves of old Ocean? Had some latter-day Joshua arisen, and with stern fiat nailed him in mid-heavens, blazing forever? To me as slowly rolled the westering orb down that final slope as ever turned the wheel of Fortune to Murad the Unlucky. Perchance the sun-god had turned cook, and now, burning with 'prentice zeal, and scoffing at Dūspeptos and all sound hygiene, was aiming to make of this terrestrial ball one illimitable fry turned over and well done,—a fry ever doing and never done, which should simmer and fizzle on eternally down the ages. An abstract fry—let me here record it—suits me passing well; yet I like not the concrete and personal broil. I trip gayly to a feast, prepared to eat, but not, as in the supper of Polonius, to be eaten. I have very little of the martyr-stuff about me. It is well, it is glorious, to read of those fine things; but does any man relish the application of the Hoc age? To beatified Lawrence I gladly pay meet tribute of tears and praise. Let the luckless one ask of me no more; let him call only upon the succulent; let him recruit among the full ranks of the adipose. Be it mine to lay these spare-ribs athwart no gridiron more fervid than the pavement of his own monumental Escurial. Suum cuique.
So, albeit in a melting mood, I gazed listlessly upon the brazen firmament, with no fellow-feeling for those hot culinary bars. The broiling glow was not at all tempting: I think it would have staggered even the gay salamander that is said to accept so thoroughly the gospel of caloric. And what was the Markerstown without the Great Captain? What was the Victory with no Nelson? Hence, like the patriarch, I went out to meditate at the eventide. But, alack! there were no camels, no Rebekah, no comfort. Even in subterranean grots there was nothing drawn but Tropic's XXX. Every water-cock let on a geyser. But by-and-by Apollo Archimagirus, wearying of gastronomy, stayed his hand, moistened the fierce flames, jerked the half-fried earth out into free space, pocketed his stew-pan, and flung himself supperless to bed. No more, for the nonce at least, should that new Lycidas—the cosmical gridiron—flame in the forehead of the evening sky. Anon came twilight, dusk, darkness, and all the pleasant charities of deep night. Behind the veil of night are sometimes done evil deeds. The snail has been known to start before his time. Laying down these general postulates, I drew therefrom, late in the sultry gloom, this particular inference: Cæsar's shallop might possibly breast the deep before dawn; and if Cæsar was not on hand, she would carry his fortunes, but not him. Forthwith, groping through the obscurity, I found my fears without foundation. The shallop was quiescent in a remarkable degree, and thoroughly tethered.
Deep darkness reigned throughout the little kingdom. Silence brooded over all, save now and then when some vocal nose, informed by murky visions of the night, brayed out its stertorous tale to the unheeding air. At times a shrill, sharp pipe, screaming with gusts of horror, split my unexpectant ear. With this wrangled fitfully the cracked clarionet of some peevish brother. Ever and anon some vast nostril, punctually thundering, hurled forth the relentless growl of the bassoon,—a very mountain of sound, which crushed all before it, and made the shuddering timbers crack and reel. A pensive flute vainly poured, in swift recurring gushes, its rhythmic oil upon the roaring billows. From some melodious swain came a freakish fiddling, which leaped and danced like mad, now here, now there, like an audible will-o'-the-wisp. A dolorous whistle chimed harmonies, and with regular sibilation came to time, quavering out the chromatic moments of this nasal hour. High over all floated a faint whisper,—a song-cloud rising from the dream-mist of a peaceful breast,—a revelation timidly exhaled to the disembodied spirits of the air. Its hazy lullaby breathed down as from distant heights, and murmured of celestial rest. Its soul was like a star, and dwelt apart.
Save this feeling symphony, all was still. No light shone upon the tuneful beaks. Like Theseus, I picked my way along, guided by an Ariadne's thread. My Ariadne was a slumbering orchestra deftly spinning out a thick proboscis-chord of such stuff as dreams are made of. Taking this web in my ear, I safely traversed the labyrinth, and meandered at last into pen No. 1. In placing my foot on the edge of the under-world crib, I unwittingly pressed some secret spring which straight swung wide the portals of a precipitate dawn.
VI.—THE PEPTIC SYMPHONY
A.—Andante (smorzando).
B.—Adagio (crescendo).
C.—Allegro (sforzando).
Instantaneously rose resplendent
The Midnight Sun.
The Luminary.—Hullo!
The Satellite.—Ah! got back? Is that you, Mr. Rink?
The Luminary.—Wal, ef 't a'n't me, 't 's my nose. Mebby y' a'n't aware, young man, that you planted your shoe-leather on my olfactory?
The Satellite.—Indeed, no, Sir. I thought I felt something under my foot, as I was getting up. So it seems it was your nose. Beg your pardon, Sir,—entirely unintentional. Hope I–
The Luminary.—Who's your shoemaker? What do you wear for cow-hide?
The Satellite.—An excellent artist, a long way from Paris. I have on at this moment a very neat thing in English gaiters, of respectable dimensions, toe-corners sharp as Damascus blade, three-fourths of an inch in sole, one and a half inches in heel, with a plenty of half-inch, cast-steel nails all round,—quite a neat thing, I assure you.
The Luminary.—Whew!
The Satellite.—But I hope, Sir, I haven't injured your nose?
The Luminary.—Can't tell jest yit. Anyhow, you gev me a proper sneezer, a most pertickler hahnsome socdolager, I vum! Landed jest below the peepers. But hold on till mornin', an' see how breakfast sets. I allers estimate the nose by the stomach. Ef I find my stomach's all right, 't 'll be a sure sign that the smellers are pooty rugged.
The Satellite.—That's rather an odd idea. I was aware that the nose is a natural guide to the stomach, but didn't know that the reverse would hold good. What is the–
The Luminary.—Poor rule that wun't work both ways. Six of one and half a dozen of the other. Do you s'pose the nose could afford to work free gratis for the stomach, with plenty to do an' nothin' to git? No, Sir, not by a jugful! People that want favors mustn't be stingy in givin' on 'em. It's on the scratch-my-back-an'-I'll-tickle-your-elbow system. The stomach's got to keep up his eend o' the rope, or he'll jest go under, sure. One good turn deserves another, you know.
The Satellite.—Yes, a very pretty theory, and certainly a just one. Quite on the Mutual-Benefit principle. Still, I should be inclined to doubt whether there are facts sufficient to sustain it.
The Luminary.—Wal, my hearty, you jest belay a bit up there; clew down your hatches ship-shape, git everythin' all trig, an' lay to. Why, my Christian friend, I intend to post you up thoroughly. Your edication's been neglected. Facts? Facts? Bless your noddle, there's plenty on 'em, ef a man knows beans. Now I'm jest a-goin' to let daylight into that little knowledge-box o' yourn, an' fill it with good, wholesome idees, clean up to the brim, an' runnin' over,—good, honest, Shaker measure. I'll give ye more new wrinkles afore mornin' than ever you dreamed of in your physiology, valooable hints, an' nuthin' to pay.
Being now securely camped on my mountain-height, I peered out upon the horizon beneath, and signified to the Luminary that the gas might at once be turned on full blaze.
"As when the sun new risen
Looks through the horizontal misty air,"
so gleamed, no longer nebulous, but now full-orbed, the bright star Diætetica,—a central sun, holding within its ample bosom the star-dust of whole galaxies, infinite gastric constellations.
The Luminary.—"Any fool'll allow that there's nerves, an' plenty on 'em, all over the body. All these nerves come from the stomach. Fact is, they're the stomach's errand-boys. They run round an' do his chores jest as he says, an' then trot back ag'in. He's an awful hard master, though,—likes to shirk, an' makes 'em lug round all his baggage an' chicken-fixin's. When he gits grumpy, which is pooty consid'able often, he's death on some on 'em,—jest walks into 'em like chain-lightnin' into a gooseberry-bush. When he's gouty, he kicks up a most etarnal touse with the great-toe nerve, an' slaps it right into him fore an' aft, the wust kind. Folks hev asked me why the gout pitches into the great toe wuss than the rest on 'em. It's jest as nateral as Natur'. I cal'late it's a special Providence for the benefit of the hull human family, to hang out a big sign jest where folks ken see it, to show up the man who's ben an' sinned ag'inst his stomach. When he limps round in flannel, he's a conspicoous hobblin' advertisement, a fust-cut lecterer on temperance, an' the horrible example to boot. Now you know the way the stomach an' nerves fay in.
"Wal, then ag'in, there's another set,—the stomach's own blood-relations. He's head o' the family, an' they all work in together nice an' handy, jest as slick as grease. Lam ary one on 'em, an' you got to lam the whole boodle. Jest like a hornet's nest: shake a stick at ary one o' the group, an' they all come buzzin' round te'ble miffy in less 'n no time. There's the nose,—he wears a coat jest as well 's the stomach: he's the stomach's favorite grandson, the Benjamin of the flock. Say anythin' to him, an' the stomach takes it up; say anythin' to the stomach, an' he takes it up. All in a family-way, ye see. Love me, love my dorg. There's no disputin' the fact, that you can't kill ary one on 'em without walkin' over the dead body of the others. You can't whip ary one on 'em except over the others' shoulders. Now you know who the nose is, who his connections are, an' what's his geneology. He's descended from the stomach in the second degree, an' will be heir to all the property, ef so be he's true to himself an' the family. Ef he a'n't, th' old man'll cut him off with a shillin', sure.
"Now dyspepsy's of two kinds,—the mucous an' the nervous; an' as I'm a sinner, every mother's son an' daughter has got one on 'em. The nervous, as you will naterally s'pose from my remarks, is a sort o' hired help,—friend o' the family, like a poor relation,—handy to hev in the house, an' all that. The other allers takes pot-luck with the family, runs in an' out jest as he pleases,—chip o' the old block, one o' the same crowd, you know. It's considered ruther more hon'able, in course, to hev this one. None o' the man-waiter or sarvant-gal about him. A chap with the mucous looks kind o' slick an' smooth, an' feels his oats pooty wal; but a codger with the nervous is sort o' thin an' wild-like. Wholesalers ginerally hev the fust, an' retailers the second; though, 'casionally, I hev known exceptions. A bank-president invariably has the second; an' I never seen an apple-woman without the other. All accordin' to Natur', ye see. But either on 'em 'll do. Take jest whichever you can git,—that's my advice,—an' thank Providence. They'll either on 'em be faithful friends, never desert ye, cling closer than a brother, never say die, stick to ye, in p'int o' fact, like a sick kitten to a hot brick. It's jest as I said,—every critter's got one on 'em. But there's no two men alike, so there's no two dyspepsies alike. There never was, an' never will be. 'T 's exackly like the human family, divided into two great classes, black an' white, long-heel an' short-heel. Jes' so … nervous … mucous … Magna Charta … Palladium of our liberties … ark of our safety … manifest destiny … Constitootion of our forefathers … fit, bled, an' died … independence forever … one an' inseparable … last drop o' blood...."
How it was I don't quite know; but I think that at this point the Luminary must have sunk below the horizon. Possibly his Satellite may have suffered an eclipse in this quarter of the heavens. I can barely recall a thin doze, in which these last eloquent fragments, transfigured into sprites and kobolds, wearing a most diabolical grin, seemed to be chasing each other in furious and endless succession through my brain, or playing at hide-and-seek among the convolutions of the cerebrum. After a while, they wearied of this rare sport, scampered away, and left me in profound sleep till morning.
VII.—MATINS
Whank!—tick-a-lick!—ker-thump!—swoosh!—Whank!—tick-a-lick!—ker-thump!—swoosh!—These were the sounds that first greeted my opening ears. So, then, we were fairly under way, advancing, if not rejoicing. Our freighted Icarus was soaring on well-oiled wings: how soon might his waxy pinions droop under the fierce gaze of the sun! At least it was a satisfaction to know that thus far the gloomy forebodings of the Seer had not been fulfilled. On looking out through a six-inch rose-window, I saw joyous daylight dancing over the boundless, placid waters,—not a speck of land in sight. We must have started long since; but my eyes, fast sealed under the opiate rays of the Luminary, had hitherto refused to ope their lids to the garish beams of his rival. Soon I heard beneath a rustling snap, as of a bow, and suddenly there sped forth the twanging shaft of the
First Victim.—I say!
Second Victim.—Very sensible, but brief. Give us another bit.
First Victim.—How are ye this mornin'?