No. I.
"I loved him in his beauty,
A mother boy while here,
I knew he was an angel bright
Formed for another sphere."
No. II.
"Farewell my wife and children dear
God calls you home to rest.
Still Angels wisper in my ear
We'll meet in heavenly bliss."
I want to make two annotations upon these. In No. 1 you will notice that a possessive 's is wanting, and in No. 2 that the h is omitted from whisper. A marble-cutter told me once, that a Pennsylvania Dutchman came to him one day to have an inscription cut upon a gravestone for his daughter, whose name was Fanny. The father, upon learning that the price of the inscription would be ten cents a letter, insisted that Fanny should be spelt with one n, as he should thereby save a dime! The marble-cutter, unable to overcome the obstinacy of the frugal Teuton, and unwilling to set up such a monument of his ignorance of spelling, compromised the matter by conforming to the current orthography, and inserted the superfluous consonant for nothing. And my second annotation shall consist of an inquiry: What is there in corrupt and diseased human nature which makes persons prefer such execrable rhyme as that quoted above, and that which I find upon two-thirds of the tombstones here, to decent English prose, which one would suppose might have been produced at a much less expenditure of intellectual effort? But since it is an unquestionable fact that we are thus totally depraved in taste and feeling, why don't some of our bards, to whom the Muse has not been propitious in other departments of metrical composition, and who, to be blunt, are good for nothing else, such as –, or –, and many others you know, come out here among the marble-cutters and open an epitaph-shop? Mournful stanzas might then be procured of every size and pattern, composed with decent reverence for the rules of grammar, respect for the feet and limbs of the linear members, and possibly some regard for consistency in the ideas they might chance occasionally to express. Genin the hatter, and Cockroach Lyon, each keeps a poet. Why cannot the marble-cutters procure some of the Heliconian fraternity as partners? Bards would thus serve the cause of education, benefit future antiquaries, and earn more hard dimes ten times over than they do in writing lines for the blank corners of newspapers and the waste spaces between articles in magazines. I throw this hint out of the window of the "Atlantic," in the fervent hope that it will be seen, picked up, and pocketed by some reformer who is now out of business; and I would earnestly urge such individual to agitate the question with all his might, and wake up the community to the vital importance, by making use of "poetic fire" and "inspired frenzy" now going to waste, or some other instrumentality, of a reformation in epitaphic necrology.
Seriously, modern epitaphs are a burlesque upon religion, a caricature of all things holy, divine, and beautiful, and an outrage upon the common sense and culture of the community. A collection of comic churchyard poetry might be made in this place which would eclipse the productions of Mr. K.N. Pepper, and cause a greater "army of readers to explode" than his "Noad to a Whealbarrer" or the "Grek Slaiv" has done.
* * * * *
During our rambles among the tombstones the sun has long since passed the meridian, and the streets and avenues of the cemetery are crowded with carriages and thronged with pedestrians, the tramping of horses' feet, the rumbling of wheels, and the voices of men fill the air, and the place which was so silent and deserted this morning is now as noisy and bustling as the metropolis yonder. And soon begin to arrive thick and fast the funeral trains. Many of the black-plumed hearses are followed by only a single hired coach or omnibus, others by long trails of splendid equipages. Upon the broad slope of a hill, whither the greater number of the processions move, entirely destitute of trees and flooded with sunshine, many thousand graves, mostly unmarked by headstones, lie close together, resembling in appearance a corn-field which has been permitted to run to grass unploughed. Standing upon an elevated point near the summit, and looking down those acres of hillocks to where the busy laborers are engaged in putting bodies into the ground, covering them with earth, and rounding the soil over them, one is perhaps struck for the first time with the full force, meaning, and beauty of the language of Paul in his first letter to the Corinthians:—"That which thou sowest is not that body which shall be, but bare grain. It [the human body] is sown in corruption, is sown in dishonor, is sown in weakness. It is sown a natural body; it is raised [or springs up, to complete the figure] a spiritual body. Flesh and blood cannot inherit the kingdom of heaven."—I once heard a distinguished botanist dispute the accuracy of this simile, inasmuch, he said, as the seed, when it is sown in the ground, does not die, but in fact then first begins to live and to display the vital force which was previously asleep in it; while the human body decays and is resolved into its primitive gaseous, mineral, and vegetable elements, the particles of which, disseminated everywhere, and transferred through chemical affinities into other and new organisms, lose all traces of their former connection.—In answer to such a finical criticism as this, intended to invalidate the authority of the great Apostolic Theologian, I replied, that Paul was not an inspired botanist,—in fact, that he probably knew nothing whatever about botany as a science,—but an inspired religious teacher, who employed the language of his people and the measure of knowledge to which his age had attained, to expound to his contemporaries the principles of his Master's religion. I am not familiar with the nicer points of strict theological orthodoxy, but, from modern sermons and commentaries, I should infer that few doctors of even the most straitest school of divinity hold to the doctrine of verbal inspiration. That the Prophets and Apostles were acquainted with botany, chemistry, geology, or any other modern science, is a notion as unfounded in truth as it is hostile and foreign to the object and purpose of Revelation, which is strictly confined to religion and ethics. Those persons, therefore, (and they are a numerous class,) who resort to the Bible, assuming that it professes to be an inspired manual of universal knowledge, and then, because they find in its figurative Oriental phraseology, or in its metaphors and illustrations, some inaccuracies of expression or misstatements of scientific facts, would throw discredit upon the essential religious dogmas and doctrines which it is its object to state and unfold, are, to say the least, extremely disingenuous, if not deficient in understanding.
But a much more prolific source of injury to the character of the Bible than that just mentioned is the injudicious and impertinent labors of many who volunteer in its defence. "Oh, save me from my friends!" might the Prophets and Apostles, each and all, too often exclaim of their supporters.—It is said that all men are insane upon some point: so are classes and communities. The popular monomania which at present prevails among a class of persons whose zeal surpasses their prudence and knowledge is a foolish fear and trembling lest the tendencies of science should result in the overthrow of the Bible. They seem, somehow, to be fully persuaded that the inspired word of God has no inherent power to stand alone,—that it has fallen among thieves and robbers,—is being pelted with fossil coprolites, suffocated with fire-mist and primitive gases, or beaten over the head with the shank-bones of Silurian monsters, and is bawling aloud for assistance. Therefore, not stopping to dress, they dash out into the public notice without hat or coat, in such unclothed intellectual condition as they happen to be in,—in their shirt, or stark naked often,—and rush frantically to its aid.
The most melancholy case of this intellectual delirium tremens that probably ever came under the notice of any reader is found in a professed apology for the Scriptures, recently published, under the pompous and bombastic title of "COSMOGONY, OR THE MYSTERIES OF CREATION."—A volume of such puerile trash, such rubbish, twaddle, balderdash, and crazy drivelling[4 - As the reader may never have seen this unique volume, and will be amused by a specimen of its grammar, rhetoric, wisdom, and learning, let him take a morceau or two from the commencement of a chapter entitled, "Naturalists.—Their Classification of Man and Beasts."—"We look upon the animal in no different light from that of a vegetable, a plant, or a rock-crystal, which forms under the Creative hand, performs its part for the use of man, dissolves and reproduces by its parts another comfort for him. The animal bears no resemblance to man, not even in his brain."—"One tree may bear apples, and another acorns, but they are not to be compared, the one as bearing a relation to the other, because they have each a body and limbs. They are distinct trees, and one will always produce apples and the other acorns, as long as they produce anything." (Indeed!)—"The usual classification of animals, is that of Vertebrata, Articulata, Mollusca, and Radiata. This is not only offensive to man,—but is impiety towards God." (Why?)—"We are told by these naturalists that man belongs to the class called 'Vertebrata.' So does the snake, the monkey, the lizard and crocodile, and many other low and mean animals.—Have these creatures the reasoning faculties of man? Do they walk erect like man? Have they feet, hands, legs, arms, hair upon their heads, or beards upon their faces? Do they speak languages and congregate and worship at the altar?" (!!)—"Those who are ambitious of such relations, may plant their heraldic coat-of-arms in the serpent, the lizard, the crocodile, or the monkey, but we disclaim such relationship—we do not think it good taste or good morals to place the fair daughters of Eve on a level with horrid and hideous animals, simply from some apparent similarity, which we are certain never existed."] as this, was never before vomited from the press of any land, and beside it the "REVELATIONS" of Andrew Jackson Davis, the "Poughkeepsie Seer," rises to the lofty grandeur of the "Novum Organon,"—a sight that makes one who really respects the Bible hang his head for shame.
The belligerent pundit who has flung in the face of peaceful geologists this octavo camouflet of his scientific lucubrations professes to have scoured the surface and ravaged the bottom (in a suit of patent sub-marine Scriptural armor) of a no less abysmal subject than the cryptology of Genesis,—to have undermined with his sapping intellect and blown up with his explosive wisdom the walled secrets of time and eternity, carrying away with him in the shape of plunder a whole cargo of the plans and purposes of the Omnipotent in the Creation. I have not the least doubt, if he were respectfully approached and interrogated upon the subject, he would answer with the greatest ease and accuracy the famous question with which Dean Swift posed the theological tailor. The man who can tell us all about the institution of the law of gravity, how the inspired prophet thought and felt while writing his history, and who knows everything respecting "affinity and attraction when they were in Creation's womb," could not hesitate a moment to measure an arch-angel for a pair of breeches.—But I was talking of funerals.
* * * * *
A friend once assured me that the heartiest laugh of which he was ever guilty on a solemn occasion occurred at a funeral. A trusty Irish servant, who had lived with him for many years, and for whom he had great affection, died suddenly at his house. As he was attending the funeral in the Catholic burial-place, and stood with his wife and children listening to the service which the priest was reading, his heart filled with grief and his eyes moist with tears, the inscription on a gravestone just before him happened to attract his attention. It was this_:—"Gloria in Excelsis Deo! Patrick Donahoe died July 12. 18—." Now the exclamation-point after "Deo"_ and the statement of the fact of Mr. D.'s demise following immediately thereafter made the epitaph to read, "Glory to God in the highest! Patrick is dead." This, which at another time would perhaps have caused no more than a smile, struck him as irresistibly funny, and drove in a moment every trace of sadness from his face and sorrow from his heart,—to give place to violent emotions of another nature, which his utmost exertions could not conceal.
["I beg your pardon! I've been afloat," was the graceful parenthetical apology which a distinguished naval officer used to make, when by mistake he let drop one of "those big words which lie at the bottom of the best man's vocabulary," in conversation with sensitive persons whose ears he feared it might offend. I ought possibly, at the end of the following anecdote, to make some such excuse to the scrupulous reader, whose notions of propriety it will perhaps slightly infringe: "I beg your pardon! I couldn't help telling it."]
An eminent divine once described to me a scene he witnessed at a funeral, which he said nearly caused him to expire with—well, you shall see. An intimate acquaintance of his, who belonged to a neighboring parish, having died, he was naturally induced to assist at the burial-service. The rector of this parish was a man who, though sensitive in the extreme to the absurdities of others,—being, in fact, a regular son of Momus,—was entirely unconscious of his own amusing eccentricities. Among these, numerous and singular, he had the habit of suddenly stopping in the middle of a sentence, while preaching, and calling out to the sexton, across the church, "Dooke, turn on more gas!" or "Dooke, shut that window!" or "Dooke, do"—something else which was pretty sure to be wanting itself done during the delivery of his discourse. Nearly every Sunday, strangers not acquainted with his ways were startled out of their propriety by some such unexpected behavior.
On the occasion referred to, the funeral procession having entered the churchyard, and my informant and the officiating clergyman having taken their places at the head of the grave, the undertaker and his assistants having removed the coffin from the hearse, and the mourners, of whom there was a large crowd, having gathered into a circular audience, the Reverend Doctor – began the service.
"'Man that is born of a woman'—Oh, stop those carriages! don't you see where they are going to?" (he suddenly broke out, rushing from the place where he stood, frantically, among the bystanders; and then returning to his former position, continued,)—"'hath but a short time to live, and is full of misery. He cometh up'—Oh, don't let that coffin down yet! wait till I tell you to," (addressed to the undertaker, who was anticipating the proper place in the service,)—"'and is cut down like a flower; he fleeth as it were a shadow,'—Please to hold the umbrella a little further over my head," (sotto voce to the man who was endeavoring to protect his head from the sun,)-"'and never continueth in one stay.'—Hold the umbrella a little higher, will you?" (sotto voce again to the man holding the umbrella.)—"'In the midst of life we are in death.'—Stand down from there, boys, and be quiet!" (addressed to some urchins who were crowding and pushing one another about the grave, in their efforts to look at the coffin.) At length he had proceeded without further interruptions as far as the sentence, "'We therefore commit his body to the ground; earth to earth, ashes to ashes, dust to dust,'"—when Dooke, the sexton,—a queer, impetuous fellow,—who was vainly endeavoring to keep the boys away from the edge of the grave, seized suddenly the rope with which the coffin had just been lowered down, and, stooping forward, laid it like a whip-lash, "cut!" across the shins of a dozen youngsters, making them leap with "Oh! oh! oh!" a foot from the ground, and scatter in short order,—"'looking for the'"—(turning to my friend, as he witnessed the successful exploit of his favorite sexton, and whispering in his ear,) "Dooke made 'em hop that time, didn't he!—'general resurrection in the last day, and the life of the world to come.'"
Dooke's mode of dispersing the boys, and the officiating clergyman's comment upon it, parenthesized into the middle of the most solemn sentence of the burial-service, were too much for the usual stern gravity of my clerical friend, and, under pretence of shedding tears, he buried his face in his handkerchief and his handkerchief in his hat and shook with laughter.
Speaking of funerals reminds me of a congenial subject.—Nothing in New York astonishes visitors from the country so much as the magnificent coffin-shops, rivalling, in the ostentatious and tempting display of their wares, the most elegant stores on Broadway. Model coffins, of the latest style and pattern, are set up on end in long rows and protected by splendid show-cases, with the lids removed to exhibit their rich satin lining. Fancy coffins, decorated with glittering ornaments, are placed seductively in bright plate-glass windows, and put out for baiting advertisements upon the side-walks: as much as to say, "Walk in, walk in, ladies and gentlemen! Now's your chance! here's your fine, nice coffins!"—while in ornamental letters upon extensive placards hung about the doors, "IRON COFFINS," "ROSEWOOD COFFINS," "AIR-TIGHT COFFINS," "MAHOGANY COFFINS," "PATENT SARCOPHAGI," address the eyes and appeal to the purses of the passers-by. And I saw in one of these places, the other day, painted on glass and inclosed in an elegant gilt frame, "ICE COFFINS," which struck me as queer enough. As though it were not sufficiently cool to be dead!
It seems to me, that, in this matter, the undertakers, digging a little too deep below the surface of the present age, have thrown out some of the mystical and grotesque remains of a very antique religious faith, which look as singular just now to the eyes of common people as would an Egyptian temple with its sacred Apis in Broadway, or a Sphinx on Boston Common. To the eyes of an old Egyptian, no object could be more grateful than the sarcophagus in which he was to repose at death. He purchased it as early in life as he could raise the means, and displayed it in his parlor as an attractive and costly ornament. Indeed, I do not know but it was useful as well, and the children kept their playthings in it, or the young ladies their knitting-work and embroidery.
Are we not, in this class of our tastes and feelings, becoming rapidly Egyptianized? Why, I expect in a year or two to see coffins introduced into the parlors of the Fifth Avenue, and to find them, when their owners fail or absquatulate, advertised for sale at auction, with the rest of the household furniture, at a great sacrifice on the original cost.
"—> ONE SUPERB COFFIN OF ELEGANT PATTERN AND SUPERIOR WORKMANSHIP, AS GOOD AS NEW. TWO DITTO, SLIGHTLY DAMAGED."
And then the fashion will become popular with the less aristocratic portion of the community, and you will see crowds of servant-girls and street-loungers around the windows of our magnificent coffin-bazaars, and hear from them such exclamations as these: "Oh! do look here, Matilda! Wouldn't you like to have such a nice coffin as that?" or, "What a dear, sweet sarcophagus that one is there!" or, "Faith, I should like to own that air-tight!"
* * * * *
But the day is now far advanced. The funeral processions have ceased to arrive, and the husbandmen, having sown the immortal seed furnished by the metropolis, with shovels and empty dinner-pails, are on their way, whistling and talking in groups, homeward. The number of loungers and sight-seers is rapidly diminishing as the light in the more thickly shaded walks becomes dim, and the clock at the gateway indicates the near approach of the hour when the portals will be closed.
–Alone with the dead! Alone in the night among tombs and graves! How many readers do not at the sight of these words feel an involuntary soupçon of a shudder? Would not the cause of this indefinable secret dread of the darkness which covers a graveyard be a curious matter of inquiry? Let one ever so cultivated and skeptical, familiar as a physician or a soldier with the spectacle of death, ever so full of mental and physical courage, passing alone late at night through a graveyard, hear the least sound among the graves, or see a moving object of any kind, especially a white one, and he will instantly feel an alloverishness foreign to ordinary experience, and I will not answer for him that his hair does not stand on end and his flesh grow rough as a nutmeg-grater. A company of three or four persons would feel far less disturbed. This proves the emotion to be genuine fear. And with this recognized as a fact, ask the question, Of what are you afraid? What makes your feet stick to the ground so fast, or inspires you to take to your legs and run for your life? "A ridiculous, foolish superstition," reason answers.
I do not intend by this to intimate that you, reader, bold and courageous person that I know you to be, would not dare to go through a graveyard at night. By no means. I only predicate the existence within you of this ridiculous, foolish superstition, and maintain that you would do so under all circumstances with peculiar feelings which you did not possess before you entered it and which you will not possess as soon as you have left it, and under certain circumstances with a trembling of the nerves and a palpitation of the heart, and that the occasion might occur when you would be still more strongly and strangely affected. To illustrate the latter case I have an anecdote à-propos.
A college class-mate, (Poor B–! the shadows of the Pyramids now fall upon his early grave!) a young man easily agitated, to be sure, and possibly timid, on his way home, late one autumn night, from the house of a relative in the country, was hurrying past a dismal old burying-yard in the midst of a gloomy wood, when he was suddenly startled by a strange noise a short distance from the road. Turning his head, alarmed, in the direction whence it proceeded, he was horror-struck at seeing through the darkness a white object on the ground, struggling as if in the grasp of some terrible monster. Instantly the blood froze in his veins; he stood petrified,—the howlings of the wind, clanking of chains, and groans of agony, filling his ears,—with his eyes fixed in terror upon the white shape rolling and plunging and writhing among the tombs. Attempting to run, his feet refused to move, and he swooned and fell senseless in the road. A party of travellers, happening shortly to pass, stumbled over his body. Raising him upon his feet, they succeeded by vigorous shakes in restoring him to a state of consciousness.
While explaining to them the cause of his fright, the noise was renewed. The men, although somewhat alarmed, clubbed their individual courage, climbed the wall, and found—nearly in the centre of the graveyard—an old white horse thrown down by his fetters and struggling violently to regain his feet.
B– assured me, the explanation of the spectacle instinctively occurring to his mind at the moment as indubitable was that some reprobate had just been buried there, and that the Devil, coming for his body, was engaged in binding his unwilling limbs, preparatory to carrying him away!
The reader may smile at the weakness and folly displayed in this case, but the assertion may nevertheless be safely ventured, that there is not one person in a hundred who would not under the same circumstances have been greatly disturbed, or would have invented a much less frightfully absurd solution of the phenomenon than poor B–'s.
I think the singular feelings associated with graveyard darkness, which the wisest and bravest of men find slumbering beneath all their courage and philosophy, would be found upon investigation to proceed principally from two sources,—a constitutional inclination to religious superstition, and an acquired educational belief in the reality of the dreams and fancies of poets, mingled, of course, with some natural cowardice.
The dryest and hardest men have more poetry in them than they or we begin to suspect. Indeed, if we could take our individual or collective culture to pieces and award to each separate influence its due and just share of results, I should not be surprised at finding that the poet had done more in the way of fashioning our education than the scientist or any other teacher. Milton, to give but a single example, with his speculations concerning the Fall,—its effects upon humanity, the brute creation, and physical nature,—and his imaginary conflicts between the hostile armies of heaven, and his celestial and Satanic personifications, has had so much influence in Anglo-Saxon culture, that nine-tenths of the people believe, without knowing it, as firmly in "Paradise Lost" as in the text of the Bible. The Governor of Texas, citing in his proclamation a familiar passage in Shakspeare as emanating from the inspired pen of the Psalmist, is not to so great extent an example of ignorance as an illustration of the lofty peerage instinctively assigned the great dramatist in the ordinary associations of our thoughts. This faith in the visionary world of poets is instilled into us (and it is for this reason that Rousseau, in his masterly work on education, the "Émile," reprobates the custom as promotive of superstition) in early infancy by our parents and nurses with their stories of nymphs, fairies, elves, dwarfs, giants, witches, hobgoblins, and the like fabulous beings, and, as soon as we are able to read, by the tales of genii, sorcerers, demons, ghouls, enchanted caves and castles, and monsters and monstrosities of every name. The exceedingly impressible and poetical nature of children (for all children are poets and talk poetry as soon as they can lisp) appropriates and absorbs with intense relish these fanciful myths, and for years they believe more firmly in their truth than in the realities of the actual world. And I more than suspect that this child-credulity rather slumbers in the grown man, smothered beneath superimposed skepticisms and cognitions, than is ever eradicated from his mind, and thus, upon the shock of an emergency disturbing him suddenly to the foundation, is ready to burst up through the crevices of his shattered practical experience and appear on the surface of his judgment and understanding.
In addition, then, to an instinctive tendency to religious superstition, (of which I shall here say nothing,) to the fairy mythology of the nursery, and the phantom machinery invented by poets to clothe with the semblance of reality their dreams and fancies, can be traced in a great measure the existence in the mind of the credulity which renders the fear in question possible, opening an introduction for it into the heart excited by inexplicable phenomena or circumstanced where such phenomena might, according to our superstitious beliefs, easily occur.
Without entering into an analysis of the fear itself, beyond the remark that any extraordinary sight or sound not immediately explicable by the eye or ear to the understanding (as a steamboat to the Indians or a comet to our ancestors) is a legitimate cause of the emotion, as well as the possibility of the occurrence of such sights and sounds, for believing which we have seen man prepared, first by natural superstitious inclination, and secondly by a peculiar education,—I will only further add, for the purpose of a brief introduction to an anecdote I wish to relate, that there is another fountain of knowledge, from which we drink at a later period than childhood, as well as then, whose waters are strongly impregnated with this superstitious, fear-provoking credulity: I mean the stories of ghosts which have been seen and heard in all ages and countries, revealing important secrets, pointing out the places where murder has been committed or treasure concealed, foretelling deaths and calamities, and forewarning men of impending dangers. Hundreds of books familiar to all have been written upon this subject and form an extensive department of our literature, especially of our older literature.
The philosopher attempts to account for such phenomena by referring them to optical illusions or a disordered condition of the brain, making them subjective semblances instead of objective realities. But one is continually being puzzled and perplexed with evidence contradicting this hypothesis, which, upon any other subject a priori credible to the reason and judgment, would be received as satisfactory and decisive without a moment's hesitation. In truth, with all the light which science is able to shed upon it, and all the resolute shutting of the eyes at points which no elucidating theory is available to explain, there are facts in this department of supernaturalism which stagger the unbelief of the stoutest skeptic.
It is constantly urged, among other objections to the credibility of supernatural apparitions, that the names of the witnesses have singularly and suspiciously disappeared,—that you find them, upon investigation, substantiated thus: A very worthy gentleman told another very worthy gentleman, who told a very intelligent lady, who told somebody else, who told the individual who finally communicated the incident to the world. There are, however, as just intimated, instances in which such ambiguity is altogether wanting. Among these is one so well authenticated by well-known witnesses of undoubted veracity, that, having never before been published, I venture to relate it here.
My informant was Professor Tholuck, of Halle University, the most eminent living theologian in Germany, and the principal ecclesiarch of the Prussian Church. He prefaced the account by assuring me that it was received from the lips of De Wette himself, immediately after the occurrence,—that De Wette was an intimate personal friend, a plain, practical man, of remarkably clear and vigorous intellect, with no more poetry and imagination in his nature than just sufficient to keep him alive,—in a word, that he would rely upon his coolness of judgment and accuracy of observation, under any possible combination of circumstances, as confidently as upon those of any man in the world.
Dr. De Wette, the famous German Biblical critic, returning home one evening between nine and ten o'clock, was surprised, upon arriving opposite the house in which he resided, to see a bright light burning in his study. In fact, he was rather more than surprised; for he distinctly remembered to have extinguished the candles when he went out, an hour or two previously, locked the door, and put the key in his pocket, which, upon feeling for it, was still there. Pausing a moment to wonder by what means and for what purpose any one could have entered the room, he perceived the shadow of a person apparently occupied about something in a remote corner. Supposing it to be a burglar employed in rifling his trunk, he was upon the point of alarming the police, when the man advanced to the window, into full view, as if for the purpose of looking out into the street. It was De Wette himself!—the scholar, author, professor,—his height, size, figure, stoop,—his head, his face, his features, eyes, mouth, nose, chin, every one,—skullcap, study-gown, neck-tie, all, everything: there was no mistaking him, no deception whatever: there stood Dr. De Wette in his own library, and he out in the street:—why, he must be somebody else! The Doctor instinctively grasped his body with his hands, and tried himself with the psychological tests of self-consciousness and identity, doubtful, if he could believe his senses and black were not white, that he longer existed his former self, and stood, perplexed, bewildered, and confounded, gazing at his other likeness looking out of the window. Upon the person's retiring from the window, which occurred in a few moments, De Wette resolved not to dispute the possession of his study with the other Doctor before morning, and ringing at the door of a house opposite, where an acquaintance resided, he asked permission to remain over night.
The chamber occupied by him commanded a full view of the interior of his library, and from the window he could see his other self engaged in study and meditation, now walking up and down the room, immersed in thought, now sitting down at the desk to write, now rising to search for a volume among the book-shelves, and imitating in all respects the peculiar habits of the great Doctor engaged at work and busy with cogitations. At length, when the cathedral clock had finished striking through first four and then eleven strokes, as German clocks are wont to do an hour before twelve, De Wette Number Two manifested signs of retiring to rest,—took out his watch, the identical large gold one the other Doctor in the other chamber felt sure was at that moment safe in his waistcoat-pocket, and wound it up, removed a portion of his clothing, came to the window, closed the curtains, and in a few moments the light disappeared. De Wette Number One, waiting a little time until convinced that Number Two had disposed himself to sleep, retired also his-self to bed, wondering very much what all this could mean.
Rising the next morning, he crossed the street, and passed up-stairs to his library. The door was fastened; he applied the key, opened it, and entered. No one was there; everything appeared in precisely the same condition in which he had left it the evening before,—his pen lying upon the paper as he had dropped it on going out, the candles on the table and the mantel-piece evidently not having been lighted, the window-curtains drawn aside as he had left them; in fine, there was not a single trace of any person's having been in the room. "Had he been insane the night before? He must have been. He was growing old; something was the matter with his eyes or brain; anyhow, he had been deceived, and it was very foolish of him to have remained away all night." Endeavoring to satisfy his mind with some such reflections as these, he remembered he had not yet examined his bed-room. Almost ashamed to make the search, now convinced it was all an hallucination of the senses, he crossed the narrow passageway and opened the door. He was thunderstruck. The ceiling, a lofty, massive brick arch, had fallen during the night, filling the room with rubbish and crushing his bed into atoms. De Wette the Apparition had saved the life of the great German scholar.
Tholuck, who was walking with me in the fields near Halle when relating the anecdote, added, upon concluding, "I do not pretend to account for the phenomenon; no knowledge, scientific or metaphysical, in my possession, is adequate to explain it; but I have no more doubt it actually, positively, literally did occur, than I have of the existence of the sun im Himmel da."
CULTURE
The word of ambition at the present day is Culture. Whilst all the world is in pursuit of power, and of wealth as a means of power, culture corrects the theory of success. A man is the prisoner of his power. A topical memory makes him an almanac; a talent for debate, a disputant; skill to get money makes him a miser, that is, a beggar. Culture reduces these inflammations by invoking the aid of other powers against the dominant talent, and by appealing to the rank of powers. It watches success. For performance Nature has no mercy, and sacrifices the performer to get it done,—makes a dropsy or a tympany of him. If she wants a thumb, she makes one at the cost of arms and legs, and any excess of power in one part is usually paid for at once by some defect in a contiguous part.
Our efficiency depends so much on our concentration, that Nature usually, in the instances where a marked man is sent into the world, overloads him with bias, sacrificing his symmetry to his working power. It is said, no man can write but one book; and if a man have a defect, it is apt to leave its impression on all his performances. If she create a policeman like Fouché, he is made up of suspicions and of plots to circumvent them. "The air," said Fouché, "is full of poniards." The physician Sanctorius spent his life in a pair of scales, weighing his food. Lord Coke valued Chaucer highly, because the Canon Yeman's Tale illustrates the Statute Hen. V. Chap. 4, against Alchemy. I saw a man who believed the principal mischiefs in the English state were derived from the devotion to musical concerts. A freemason, not long since, set out to explain to this country, that the principal cause of the success of General Washington was the aid he derived from the freemasons.
But, worse than the harping on one string, Nature has secured individualism by giving the private person a high conceit of his weight in the system. The pest of society is egotists. There are dull and bright, sacred and profane, coarse and fine egotists. 'Tis a disease that, like influenza, falls on all constitutions. In the distemper known to physicians as chorea, the patient sometimes turns round and continues to spin slowly on one spot. Is egotism a metaphysical varioloid of this malady? The man runs round a ring formed by his own talent, falls into an admiration of it, and loses relation to the world. It is a tendency in all minds. One of its annoying forms is a craving for sympathy. The sufferers parade their miseries, tear the lint from their bruises, reveal their indictable crimes, that you may pity them. They like sickness, because physical pain will extort some show of interest from the bystanders; as we have seen children, who, finding themselves of no account when grown people come in, will cough till they choke, to draw attention.
This distemper is the scourge of talent,—of artists, inventors, and philosophers. Eminent spiritualists shall have an incapacity of putting their act or word aloof from them, and seeing it bravely for the nothing it is. Beware of the man who says, "I am on the eve of a revelation!" It is speedily punished, inasmuch as this habit invites men to humor it, and, by treating the patient tenderly, to shut him up in a narrower selfism, and exclude him from the great world of God's cheerful fallible men and women. Let us rather be insulted, whilst we are insultable. Religious literature has eminent examples; and if we run over our private list of poets, critics, philanthropists, and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.