"Well, Frank, human nature is most lovely in the simplicity of country life – you must seek some village maid to grace the name of Leland."
"Helen," says Frank, taking her hand, and looking into the large blue eyes sparkling so mirthfully, "Helen, I tell you if I could find an amiable girl, brought up in all the beautiful simplicity of the country, no matter how unskillful in the world's ways – one who, ignorant of my wealth and standing, would unite her fate to mine for better or for worse – then, Helen, I could fall at her feet, and worship her as the star of my life and love."
"Pray, remember, my sentimental brother, ere you squeeze my hand so devoutly, that I am not your artless country maid," exclaimed Helen, laughing; then, after a moment's pause, she cries, gayly, "ah! I have it, Frank; you must masquerade a little, that's all – win your bride under false colors, as a sailor would say."
"Helen, you witch, you darling sister," says Frank, kissing her, "I will do it – yes, to-morrow I will set forth, like Cœlebs, in search of a wife! Now you must help me farther with your lively imagination; you must choose me a profession to masquerade under. I must, of course, for the attainment of my object, sport the character of a poor gentleman, struggling with honest poverty to gain a livelihood. Come, what shall I be – school-master – singing-master – drawing-master – or – "
"O, the last, by all means!" interrupted Helen. "You will have such a fine opportunity of developing the tastes of your fair scholars – ha! ha! ha! Frank, methinks I already see thee helping some blushing milk-maid, with her pail, or, perhaps, leaning against a rail-fence, sketching her, as with bare feet and scanty skirt, she trips through the morning dew to feed her feathery brood."
"Well, you may laugh as much as you please," replies Frank, nothing daunted, "I am firm in my determination."
"And when, most romantic Cœlebs, do you set forth?"
"To-morrow, or next day at furthest. We will talk this over again in the morning, it is too late now – so good night, dear Helen, and pleasant dreams!"
"Good night. Frank!" and gayly kissing her hand, Helen trips out of the room.
Frank Leland laid his head upon his pillow within the walls of a large brick mansion, where the hum of city life penetrated, even through the thick plate-glass and rich window-hangings. But a miracle; no sooner did soft sleep seal his eye-lids, than he found himself in Arcadian scenes – shepherdesses tripped gracefully before him with their flocks; beautiful maidens led him through flowery fields and shady groves; and the little birds up in the trees, and the little romantic fishes down in the brooks, all sang of love and happiness.
PART III
Sit down with me under this spreading tree, and let us view the charming scene which surrounds us. O, never mind the cows, this is their pasture-ground; and see, mid-leg the brook yonder, just released from plough, stands the patient ox. Ah! the ducks and geese seem to dispute his right. Observe how they shake their wings, as if in defiance, and dip their beautiful crests within the sparkling ripples; now, how proudly they plume their feathers, and float with head erect so gracefully down the silver stream. Do you see yonder old farm-house, so old that it seems bending under the weight of years? Look at its low, brown eaves, its little narrow windows, half-hidden by ivy and honey-suckle; see the old-fashioned double door, and the porch, with its well-worn seats. Do you see the swallows skimming around the chimney; and don't you hear the hum of the bees – there, under that old elm you may see their hives, filled, too, with luscious honey. There is the well, with its old sweep, and the "moss-covered bucket," too; and look at the corn-crib, and the old barn – and what a noisy set of fowls around it, cackling, clucking and crowing, as if they owned the soil; and how the pigs are scampering through the clover-field; ah! the little wretches, they have stolen a march, or rather a caper; at them, old Jowler, at them, my fine fellow, you will soon turn them back to their pen, obstinate as they are.
Do you not admire those venerable trees which seem to shelter the old house from the rude assaults of the tempest, and to keep out the glare of the sun-beams from its chambers. Through what a thicket of currant-bushes, and rose-bushes, and lilacs, and snow-balls, the path winds from the porch to the little gate – is it not a most charming spot? Now look over the brow of the hill – there, you can see the spire of the village church; and if you will walk a few paces further to yonder green knoll, you will see a cluster of pretty dwellings, and comfortable farm-houses, scattered through the valley.
"Hark! don't you hear a merry laugh? so merry and joyous that it can only proceed, I am sure, from a happy heart. Keep still – for here comes two laughing country-girls – no, as I live, one of them is – no, it can't be – yes, it is, the rich young heiress, Ursula Lovel! quick, draw behind the tree, and let us hear what she says.
"And so, Hetty, your mother thinks I am the most awkward child she ever saw, and wonders where I was brought up, not to know how to knead bread, and churn, and milk;" and again that merry laugh goes ringing through the air.
"Yes, Miss Ursula; and she wishes – I declare I can hardly keep from laughing – she wishes you would stick to your cap-making, and not attempt to bake again, for you burned up three loaves."
"Yes, and burned my fingers, too. Well, it is too bad; let me see, yesterday I let a pan of milk fall on the old cat, and fed the hens with beans, and old Jowler with meal and water; then, this morning I beat the eggs and put them into the bread, and the yeast into the pumpkin-pies. Too bad! too bad! Why at this rate, Hetty, I shall cost your good old parents a fortune!"
"Never mind, Miss Ursula, for mother says, and so does father, that you are the dearest, prettiest, and best girl they ever knew; and they already love you almost as well as they do me – only they feel sorry for you; and mother says if you could not make caps, she don't know what would become of you, you are so dreadful shiftless."
Ursula clapped her hands and fairly danced with mirth.
"After all, Hetty, your good mother is right. Let my fortune take wings, and with all my accomplishments to aid me, I feel I should be illy prepared for the reverse. Now if your mother would only have patience to instruct me a little – suffer me to spoil several batches of bread – (the pigs would like it, you know,) – burn up a few pounds of cake, and waste a quart or two of her rich cream, I declare, I think I should learn to be a nice little farmer's maid. What pleases you, Hetty – what are you smiling at?"
"Nothing, only farmer Smith's oldest son is coming to see you —a courting, Miss Ursula; and Esquire Tompkins told father he hoped to see you before long the mistress of his beautiful new house; for he did not think he should disgrace himself by marrying such a girl as you, even if you was only a milliner."
"Why the dear old soul! Come, my false impressions begin to wear away. I find I can be loved without the glitter of gold about me. Now let us go back to the house, for I have that cap to finish for Mrs. Jones; and mind, Hetty, you don't call me Miss Ursula again, in the presence of your mother; and don't look so distressed when she chides me – it is all for my good, you know."
Now, there they go into the old farm-house, and at the window you may see the demure face of Ursula, listening to the good dame, who, with snowy cap, and spectacles, seems to be giving her a lecture, while the hands of the little milliner are busily trimming a cap placed on the block before her.
Over the brow of the hill, and down into the gentle sloping meadow, a youth comes walking leisurely. He has a portfolio under his arm, and a slight walking-stick in his hand, while the cool linen blouse and large straw hat shading him from the sun, bespeak an air of comfort really quite refreshing this warm summer day.
What! don't you know him! Ah, yes – I see you recollect Frank Leland, our modern Cœlebs.
He seems struck by the appearance of the old farm-house; its repose is, no doubt, delightful to him; and now, choosing a favorable position within the shade of a fine old tree, opens his portfolio, and commences to sketch the charmingly rural scene. And, indeed, so intent is he upon his task that the sun has already sunk behind the trees, and gentle twilight steals on with her starry train ere he rests from his employment. Then the old farmer comes out on the porch to take his evening pipe; and the good dame sits by his side with her knitting, and the sweet voice of Ursula warbles a simple ballad to please the ears of the aged pair. The young man bares his brow to the delicious breath of evening, and carefully placing his sketch within the portfolio, saunters on toward the little gate. And now Ursula hushes her song, and the old man advances with friendly greeting,
"Walk in, stranger – walk in. I should think you might be the young man I heard tell of to-day in the village – a teacher of something – I forget the name."
"A teacher of drawing," said Leland, smiling, as he took a seat on the bench by the side of the old man.
"Drawing, eh! And what may that be, young sir – some new-fangled notion, I'll be bound."
"This may, perhaps, explain better than I can tell you," replied Leland, placing the sketch he had just taken in the hand of the old man.
"Why, wife – why, bless my soul! why, if I should not think this was our old house! Why, stranger, if ever I see any thing so like in my born days!"
"Goody gracious preserve me, if it an't, sure enough!" said the dame, putting on her spectacles, and eagerly looking over the old man's shoulder. "My stars and garters, Hetty, look here – for all the world just like it – did you ever!"
The more practiced eye of Ursula detected at once a master-hand in the sketch before her; and looking admiringly upon it, she could not refrain from exclaiming, "How beautiful!" while Hetty gazed with silent wonder upon the stranger who by the magic of his pencil thus portrayed the home of her childhood.
The contents of the portfolio were now spread out upon the grass, and our masquerading millionaire was greatly amused at the naiveté the old people displayed, and not a little flattered by the pleasure with which one at least of the young girls appeared to look over his collection.
"Am I mistaken," said he, at length, "in thinking I heard singing, as I came over the meadow?"
"Well, I reckon not," said the old lady, "come, 'Sula, child, go on with your song – maybe the young man would like to hear you; it was Old Robin Gray she was singing."
Ursula was at length prevailed on to repeat the ballad, which she did in a style so simple and unaffected, that, ere she had finished, the young artist had made up his mind, that listening to a sweet voice by moonlight, beneath a wide-spreading elm, with the stars peeping down between the dancing leaves, and the soft evening breeze fanning his temples, was far more delightful, than to recline in his soft-cushioned box at the Opera, listening even to the delicious notes of a Pico, with bright jewels, and still brighter eyes flashing around him, and his cheek kissed by the inconstant air wafted from the coquettish fan in the hands of smiling beauty. And, moreover, that the book of human nature, to be studied in the country, certainly opened very beautifully.
The evening passed off pleasantly. Leland confided to the old man his poverty, and desire to obtain scholars in his art sufficient to enable him to pay his board while in the village; that he had been employed by several gentlemen to sketch scenes from nature, and that having heard much of the beautiful views in the neighborhood, he had been induced to visit the village.
But the old man thought he had much better turn farmer, and offered to hire him for eight dollars a month, as he needed a hand in haying time. This offer, however, the young man could not accept, being, as he said, already engaged to complete the drawings. Then the old man told how his fathers had lived there before him, and how by hard labor he had been able to keep the old homestead his own; and that his daughter, Hetty, had been living with a great heiress, who was very fond of her, and who had given her leave to spend the summer at home; and how she had come, and brought a poor girl with her, who made caps, and such gim-cracks, and that (in a whisper) his old woman thought she had never had any bringing-up, poor thing!"
When Leland returned to his lodgings, in the village, he thought over his evening adventure with great pleasure. The simplicity of the old people charmed him; Hetty he thought a modest, pretty girl; but it was the little cap-maker who somehow or other dwelt most forcibly in his mind.
"She is certainly quite handsome, notwithstanding she is a little, a very little, cross-eyed – it is a pity!" And Leland leaned out the window, and whistled "Auld Robin Gray." "How pathetically she warbled the line,
But she looked in my face 'til my heart was like to break;"
and Leland threw off one slipper, and stopped to hum it over again. "Her voice only wants a little cultivation" – off goes the other slipper, and out goes the head into the moonlight, and in it comes again. "Well, I must teach her to draw – her own patterns, at any rate. Pleasant old couple; the idea of hiring me for eight dollars a month – capital!" and in a fit of laughter he threw himself upon the bed. "What a roguish pair of eyes, after all, the little cap-maker has!"
Again the dreams of our hero were all Arcadian, and every shepherdess was a little cross-eyed, and warbled "Auld Robin Gray."
In the bright moonlight, which, glancing through the flickering leaves, streams across the chamber-floor, filling it with her softened radiance, sits Ursula. But why so pensive; is it the influence of the hour, I wonder – has the gentle moon thus power to sadden her, or —
"Hetty, he has a very fine countenance."
There, you see her pensiveness has found a voice.
"Who, Miss Ursula?"
"Why, this young stranger. He has a fine figure, too; and his manners are certainly quite refined."
"Yes, and what pretty pictures he makes."