Mild be thy light, and innocent as morning,
And shine on high and humble still the same.
Bid thy good-will, in bright abundance flowing,
To all around its kindly stream impart;
Thy love the while on One alone bestowing,
The fittest found, the husband of thy heart!
THE LAST HOURS OF A REIGN
A Tale in Two Parts. – Part II
Chapter III
"A deep and mighty shadow
Across my heart is thrown,
Like a cloud on a summer meadow,
Where the thunder wind hath blown!"
Barry Cornwall.
At this period of French history, and even up to a period much later, the bridges which crossed the Seine, and connected the two separate parts of the city of Paris, were built over with houses, and formed narrow streets across the stream. These houses, constructed almost entirely of wood, the beams of which were disposed in various directions, so as to form a sort of pattern, and ornamented with carved window-sills and main-beams, were jammed together like figs in a cask, and presented one gable to the confined gangway, the other to the water, which, in many cases, their upper story overhung with a seemingly hazardous spring outward. Towards the river, also, many were adorned with wooden balconies, sheltered by the far-advancing angles of the roofs; whilst beneath, upon the water, the piles of the bridge were encumbered by many water-mills, to the incessant noise of which, habit probably reconciled the inhabitants of the houses above.
In an upper room in one of the houses which, after this fashion, lined the Pont au Change, sat, on the evening of the day on which Philip de la Mole had escaped from the Louvre, three persons, the listlessness of whose attitudes showed that they were all more or less pre-occupied by painful reflections.
The principal personage of this group – a woman between fifty and sixty years of age – lay back on a large wooden chair, her eyes fixed on vacancy. Her dress was of simple dark stuff, very full upon the sleeves and below the waist, and relieved by a small white standing collar; a dark coif, of the fashion of the period, covered the grizzled hair, which was drawn back from the forehead and temples, leaving fully exposed a face, the rude features and heavy eyebrows of which gave it a stern character. But in spite of this severity of aspect, there naturally lurked an expression of goodness about the mouth and eyes, which spoke of a kindliness of disposition and tenderness of heart, combined with firmness and almost obstinacy of character. Those eyes, however, were now vacant and haggard in expression; and that mouth was contracted as if by some painful thought.
By her side, upon a low stool, was seated a fair girl, whose attire was as plain as that of the more aged woman; but that lovely form needed no aids of the toilet to enhance its beauty. The fair brown hair brushed off from the white brow, in the graceless mode of the day, hid nothing of a face which had all the purity of some beautiful Madonna; although the cheek was pale, and the lines of the physiognomy were already more sharpened than is usual at years so young. Her head, however, was now bent down over a large book which lay upon her knees, and from which she appeared to have been reading aloud to the elder woman; and, as she sat, a tear dropped into its pages, which she hastily brushed away with her fair hand.
The third person, who completed the group, was a young man scarcely beyond the years of boyhood. His good-looking round face was bronzed and ruddy with fresh colour, and his dark eyes and full mouth were expressive of natural gaiety and vivacity. But he, too, sat leaning his elbows upon his knees, and gazing intently, and with a look of anxiety, upon the fair girl before him; until, as he saw the tear fall from her eye, he turned impatiently upon his stool, and proceeded to polish, with an animation which was not that of industry, the barrel of a gun which lay between his knees.
The room which formed the groundwork to the picture composed of these three personages, was dark and gloomy, as was generally the interior of the houses of the time; a large wardrobe of black carved wood filled a great space of one of the walls; presses and chests of the same dark and heavy workmanship occupied considerable portions of the rest of the room. The low casement window, left open to admit the air of a bright May evening, looked out upon the course of the rapid Seine, and gave a cheering relief to the dark scene. The hazy rays from the setting sun streamed into the room; and from below rose up the sound of the rushing waters, and the wheels of the mills, mixed with occasional cries of men upon the river, and the more distant murmur of the city. The scene was one of calmness; and yet the calmness of those within that room was not the calmness of repose and peace.
It was the youth who first spoke.
"Jocelyne," he said in a low tone, approaching his stool nearer to that of the fair girl, and then continuing to polish his gun-barrel without looking her in the face – "if you knew how it grieves me to see you thus! You sit and droop like a bird upon the wintry branch, when I would fain see you lift your head and chirp, as in days gone by, now that summer begins to gladden around us."
The maiden thus addressed looked at him with a languid smile, and then faintly shook her head.
"How would you have me gay, Alayn," she said softly, "when our grandmother continues thus?"
Alayn made a gesture of doubt, as if he would have said, that solicitude for her grandmother was not the only cause of Jocelyne's sadness; but he made no observation to that effect, and, nodding his head towards the older woman, asked in a low tone —
"How is Dame Perrotte to-day? She did not answer my greeting on my entrance; and during your reading from that forbidden book of Scripture, she has uttered not a word."
"You may speak aloud," replied Jocelyne. "When she is in this state, she does not hear us. She is fully absorbed in her sad thoughts. I have seldom seen her more troubled than she has been for some few days past. One would suppose that the return of sunny summer days recalls more fearfully to her mind that epoch of carnage and destruction at the fête of St Bartholomew, when the heavens above were so joyous and bright, whilst below the earth was reeking with blood, and your poor father perished, Alayn, for his religion's sake. I have ever remarked, when the sun shines the cheeriest, her spirit is the darkest."
"Will she not speak to me?" enquired Alayn.
"No," replied his cousin. "When in these deepest moods of melancholy, she will not speak but upon the subject of those fatal days, or if her attention be aroused by the mention of her slaughtered kindred; and Heaven forbid that an unguarded word from me should excite so terrible a crisis as would ensue!"
"And she remains always thus now?" asked the youth.
"Not always," answered Jocelyne. "There are times when she is as of old, and speaks to me with calmness. But at these better hours she makes no mention of the past."
"She never talks, then, of returning to the palace?" continued Alayn, with an evident air of satisfaction upon his round ruddy face.
"Never," replied the girl, with an involuntary sigh.
"And yet her foster-son, the king, has often sent for her."
"Hush!" interrupted Jocelyne. "Let not that name strike upon her ear. Although she hears us not, the very word might, perchance, call up within her recollections I would were banished from her mind for ever. The name of her nursling, whom she once loved as were she his own mother, and he had not worn a crown, is now a sound of horror to her. Often has she cursed him in the bitterness of her heart," she continued in a low tone of mystery, as if fearful lest the very walls should hear her confidence, "as the slayer of the righteous. She never can forgive him the treacherous order given for that murderous deed of slaughter and destruction."
"But he protected her from all harm in that general massacre of our party in religion, from which so few of us escaped," said Alayn.
"She would rather have died, I verily believe," pursued the fair girl shuddering, "than have lived to see her own son fall, so cruelly murdered by the son of her fostering care."
"And she never will return to him again?" enquired the young man with another gleam of satisfaction.
Jocelyne shook her head.
"So much the better. So much the better," pursued Alayn stoutly. "For then I can see you when I will, fair cousin Jocelyne, and come and sit by your side as I do now, to continue my work with the permission of my master the armourer, who, whatever he may say, is as good a Calvinist at heart as ourselves, I am sure. And you will return no more with my grandmother among those villanous popinjays about the court, who are ever for telling you soft tales of love, and swearing that your eyes are the brightest in creation – as, to be sure, they are; and that never such an angel walked the earth – as, to be sure, there never did; but who mean it not well with you, cousin Jocelyne, and would but have their will to desert you and leave you to sorrow, and who, with all their gilded finery, are not worth one inch of the coarse stuff of a stout-hearted honest artisan who loves you, and would see you happy; although I say it, who should not say it."
Jocelyne drew up her head proudly as if about to speak; but, as her melancholy pale hazel eyes met those of her cousin, sparkling with animation and good-humour, she only turned herself away, whilst a bright flush of colour overspread that cheek but a moment before so pale.
"Why, look ye, cousin Jocelyne," continued the youth once more, after a moment's pause; "it will out, in spite of me, all that I have got to say. I cannot see your pale cheek and tearful eye, and hear the sigh that ever and anon breaks so painfully from your bosom, but that, all simple as I be, I can tell it is not only for our poor grandmother you sorrow. Mayhap I have heard what I have heard, and seen what I have seen besides; but never mind that. Believe me, you sorrow for those who love you not truly as there are others who love you – you pain your heart until you will break it, for those who play you false."
"Alayn, I can hear no more of this! You know not what you say!" cried the fair girl hastily; and, laying down upon the table her book, she arose and walked away from him to lean out of the window.
"Nay, pardon me, cousin Jocelyne," exclaimed the youth in a pained tone, also rising and advancing towards the window. "I do but speak as I should and must speak, being your well-wisher – I mean you well, God knows. And the time will come when you too will know how well!"
Jocelyne turned her eyes, which were moist with tears, to her cousin; and, stretching out her hand to him, she said, with all that romantic fervour of the ingenuous girl which almost wears the semblance of inspiration —
"Alayn, I know you love me, and that you mean it well with me. You are a kind and sincere brother to me. But, oh! you cannot read the deep deep feelings of the heart, or judge how little words have the power, like the charms we read of, to heal its wounds and wrench asunder the chains that bind it for ever and ever! The ivy, when torn from the stem to which it clings, may wither and die, but it cannot be attached to another trunk, however skilful the hand of the gardener who would attach it."
The youth took her hand, and, as she again turned to the window to hide her increasing emotion, shook his head sadly and doubtfully; then, returning to his stool, he took the gun-barrel between his knees with a movement of impatience, and continued his occupation of polishing it, although his eyes were constantly fixed askance upon the graceful form of the girl as she leant upon the window sill.
Presently the old woman moved uneasily in her chair, and, placing her hands firmly upon its arms, as if about to rise from her seat, she exclaimed aloud —
"Vengeance is mine, saith the Lord, and I will avenge the blood of the righteous!"
Both Jocelyne and Alayn turned; but, before the fair girl could hurry to her grandmother's side, she had sunk down again into her chair, murmuring —
"No, no! enough of blood! enough of vengeance! God pardon him, and turn the hearts of those who counseled him to this deed."
"Give me my Bible, Jocelyne my girl," said again the old woman after a pause. "It seems I have not read it for many a long hour. God forgive me! But my poor head wanders strangely. Ah! is it you Alayn? Good-day to you," she continued, as if she had then first become aware of the presence of her grandson.
Jocelyne hastily gave her grandmother the volume which she had laid down upon the table; and whispering in her cousin's ear, as she passed, "She has spoken, she will be better now," sat down once more by her side.
A silence again pervaded that still room, when suddenly a noise of steps resounded upon a wooden stair. They approached the door, upon which a hurried knocking was now heard. Before Jocelyne, who, at the sound of these steps, had clasped her hands before her, with an expression of surprise and almost of alarm, had fully risen from her seat, the door was flung open, and a man enveloped in a cloak, and with a jewelled hat sunk low upon his brow, entered hastily.