'O that, indeed! But are you sure he will come that way? And did he tell you the exact time?'
'What matter, you old torment? Suppose I have to wait a few minutes for him, I can walk up and down, and it will be exercise for me, which, you know, Dr Fanchet has desired me to take. Go along in, and don't let the dinner be spoiled.' And the old man went on his way with an almost elastic step. Once more was he young, gay, happy. Was he not soon to see the friend dearer to him than all the world? But his eagerness had made him anticipate by two hours the usual time for the arrival of the diligence, and he was not made aware of his miscalculation till after he had been a good while pacing up and down the suburb leading to the Flanders-gate. The constant companion alike of his studio and his exile, his pipe, he had left behind him, forgotten in his hurry; so that he had no resource but to continue his solitary walk, the current of his happy thoughts flowing on, meanwhile, uninterrupted, save by an occasional greeting from labourers going to their work, or the countrywomen hastening, as much as their Flemish embonpoint would allow, to the city markets. When sauntering about alone, especially when waiting, we, like children, make the most of everything that can while away the time, or give even the semblance of being occupied: a flower-pot in a window, a parrot in a cage, nay, even an insect flying past, is an absolute gain to us. David felt it quite a fortunate chance when he suddenly caught sight of a sign-painter carrying on his work in the open air. Though evidently more of a whitewasher than a painter, yet, from the top of his ladder, he was flourishing his brush in a masterly style, and at times pausing and contemplating his work with as much complacency as Gros could have done his wonderful cupola of Sainte-Geneviève.
The painter of Napoleon passed the self-satisfied dauber twice, not without some admiring glances at the way in which he was plastering the background of his landscape with indigo, by way of making a sky. At top of the sign, now nearly finished, was traced, in large characters, 'Break of Day;' a precaution as indispensable to point out the artist's design, as the inscription, 'Dutch and Flemish Beer,' was to announce the articles dealt in by the owner of the house upon which this masterpiece was to figure.
'Here's a pretty fellow!' said the artist to himself; 'with as much knowledge of perspective as a carthorse; and yet, I doubt not, thinking himself a second Rubens. He brushes away as if he were polishing a pair of boots. And what matter? Why should he not enjoy himself in his own way?' But when he passed the ladder for the third time, and saw a fresh layer of indigo putting over the first, his patience could hold out no longer, and he exclaimed, without stopping or even looking at the offender: 'There is too much blue!'
'Eh! Do you want anything, sir?' said the sign-painter; but he who had ventured the criticism was already at a distance.
Again, David passed by. Another glance at the 'Break of Day,' and another exclamation: 'Too much blue, you blockhead!' The insulted plasterer turned round to reconnoitre the speaker, and as if concluding, from his appearance, that he could be no very great connoisseur, he quietly set to work again, shrugging his shoulders in wonder how it could possibly be any business of his whether the sky was red, green, or blue. For the fourth time the unknown lounger repeated his unwelcome criticism: 'Too much blue!'
The Brussels Wouvermans coloured, but said, in the subdued tone of a man wishing to conceal anger he cannot help feeling: 'The gentleman may not be aware that I am painting a sky.' By this time he had come down from the ladder, and was standing surveying his work with one eye closed, and at the proper distance from it to judge of its effect; and his look of evident exultation shewed that nothing could be more ill-timed than any depreciation of his labours.
'It is because I suppose you do want to paint a sky, that for that very reason I wished to give you this little piece of advice, and to tell you that there is too much blue in it.'
'And pray, Mr Amateur, when was there ever a sky seen without blue?'
'I am no amateur; but I tell you once more, that there is too much blue. And now do as you like; and if you do not think you have enough, you can put more.'
'This is entirely too bad!' cried the now exasperated sign-painter. 'You are an old fool, and know nothing of painting. I should like to see you make a sky without blue.'
'I do not say I am a good hand at a sky; but if I did set about it, there should be no blue.'
'A pretty job it would be!'
'It would look like something, at all events.'
'That is as much as to say mine is like nothing at all.'
'No indeed, for it is very like a dish of spinach, and very like a vile daub, or like anything else you please.'
'A dish of spinach! a vile daub!' cried the artist of Brabant in a rage. 'I, the pupil of Ruysdael—I, fourth cousin to Gerard Dow! and you pretend to know more of my art than I do—an art I have practised with such credit at Antwerp, Louvain, and Liege! A dish of spinach, indeed!' And by this time the fury of the insulted painter had increased to such a degree, that he seized David by the arm, and shaking him violently, added: 'Do you know, you old dotard, that my character has been long established? I have a red horse at Mechlin, a stag at Namur, and a Charlemagne at Aix-la-Chapelle, that no one has ever seen without admiring!'
'This is beyond all patience,' said David; and suddenly extricating himself from the man's grasp, and snatching his palette from him, he was up the ladder in an instant, shouting: 'Wait awhile, and you shall have yourself to admire, with your fool's pate and your ass's ears!'
'Stop, stop, you villain!' roared the luckless artist, pale with consternation. 'My splendid sign! A painting worth thirty-five francs! I am ruined and undone!' And he continued shaking the ladder, and pouring out a torrent of abuse upon David, who, caring neither for the reproaches of his victim, nor for the crowd that the sudden clamour had attracted, went on pitilessly effacing the 'Break of Day,' and mingling in one confused mass sky and sun, and trees and figures; or what was intended, at least, to represent them. And now—not less rapid in creating than in destroying—and with the lightest possible touch of his brush, the new sign-painter sketched and finished, with magic rapidity, a sky with the gray tints of early dawn, and a group of three men, glass in hand, watching the rising sun; one of these figures being a striking likeness of the whitewasher, shewn at once by his bushy eyebrows and snub-nose.
The crowd, that had at first shewn every inclination to take the part of their countryman against a stranger unfairly interfering with him, now stood quietly watching the outlines as they shone through the first layers of colour, and shouts of applause burst from them as the figures grew beneath the creative hand of the artist. The tavern-keeper himself now swelled the number of admirers, having come out to ascertain the cause of the tumult; and even the fourth-cousin of Gerard Dow felt his fury fast changing into admiration.
'I see it all now,' he said to those nearest him in the crowd. 'He is a French or Dutch sign-painter, one of ourselves, and he only wanted to have a joke against me. It is but fair to own that he has the real knack, and paints even better than I do.'
The artist to whom this equivocal compliment was paid, was now coming down from the ladder amid the cheers of the spectators, when a new admirer was added to them in the person of a man who, mounted on a fine English horse, seemed inclined to ride over the crowd in his eagerness to get a good view of the painting.
'That picture is mine!' he exclaimed; 'I will have it. I will buy it, even if I have to cover it with guineas!'
'What do you mean?' asked the tavern-keeper.
'I mean, that I will give any price you choose to name for that sign,' answered the stranger.
'The picture is not to be sold, young man; I could not think of parting with it,' said the whitewasher with as much paternal pride as if it had been indeed his workmanship.
'Certainly not,' said the vender of beer; 'for it has been already sold, and partly paid for in advance. The picture is mine; and, though not very anxious to dispose of it, yet, perhaps, we may come to some understanding, and make a bargain.'
'Not so fast,' said the dauber; 'the sign belongs to me, and my brother-artist was only kindly giving me a helping-hand. It is my lawful property; and if this gentleman wants to buy it, he must deal with me for it.'
'I tell you,' replied the tavern-keeper, 'that the "Break of Day" is my property, as sure as it is now hanging in front of my house.'
The dispute was waxing louder and louder, when David broke in: 'And am I to go for nothing in the matter? Methinks I might be allowed a voice in it.'
'And a good right you have, brother,' said the sign-painter; 'and I am sure you and I shall have no difference about it. But the open street is no place for all this. We had better go into the house, and settle the matter over a pot of beer.'
David, wishing to escape the continually increasing crowd, consented to the adjournment, which, however, had no effect upon the disputants, and the contest waged more fiercely than ever; nor did the Englishman's reiterated offers to give for the picture its weight in gold tend to allay it.
'But what will you say, if I won't let it be sold?' cried David, at length losing all patience.
'Ah, good sir,' said the tavern-keeper, 'you would not deprive a poor, struggling man like me of this opening for getting a little ready money to enable me to lay in a stock of beer. As for that sign-painter, he is a drunken sot, who has left himself without as much as a stiver to give his daughter, who ought to have been married a year ago.'
'Do not believe him, sir,' cried David's brother-artist. 'Every one knows there is not a fonder father in the whole town; and more shame to me if I were not, for never was there such a good daughter as my dear, pretty Lizette. I have no money to give her, to be sure, but she is betrothed to an honest fellow, who is glad to get her, poor as she is. He is a young Frenchman, a cabinet-maker, and no better workman in the whole city; and they are to be married whenever he has anything saved.'
'A good child, and a good workman, and only waiting for wherewithal to live! This alters the matter entirely,' said David; 'and the young couple shall have the picture. We leave it to this gentleman's liberality to name the price he is willing to give for it.'
'Illustrious artist,' said the Englishman, 'I rejoice in the decision you have come to: Solomon himself could not have given a wiser one. As for me, I have already offered a hundred guineas for the sign as it stands; but I will give two hundred, if you will consent to inscribe on it the two words "Pierre David."'
The name was no sooner pronounced, than a cry of astonishment and delight burst from all present; and the poor sign-painter, with tears in his eyes, implored pardon for all his rudeness and presumption, and poured out grateful thanks for the Master's kind intentions in favour of the young couple.
By this time the news had reached the crowd without, and was received with repeated shouts, and cries of 'Long live David!' 'Long live the prince of artists!' But the cheers became almost deafening, when the pretty Lizette, having heard the wonderful story of a sign having been painted that was to hasten her marriage, and give her a dowry of 200 guineas, made her appearance, and, without a moment's hesitation, threw her arms about the neck of her benefactor, who returned her caresses most cordially; declaring that, all things considered, he did not know any one who had a better right to a kiss from the bride.
At this instant Talma, followed by Girodet and the collector, hurriedly entered the tavern. Not finding David at his house, and being told of his having left home very early, they became uneasy lest some accident had befallen him, and set off in search of him.
'Thank Heaven, we have found him!' said Girodet.
'And very well employed, too, I declare,' cried Talma. 'If I could be sure of meeting such a kind welcome from a pretty girl, I should not mind getting up early myself!'
'Bravo, bravo, my old friend!' said Girodet, as, after a warm embrace from him, he turned to examine the picture: 'I never expected to hear of your changing your style, and turning Flemish sign-painter. But it is no shame for David to end as Rembrandt began.'
ADMIRAL BLAKE.[1 - Robert Blake: Admiral and General at Sea. By Hepworth Dixon. London: Chapman and Hall. 1852.]
A good biography is ever welcome; and if it be the biography of a good and a great man, the cordiality of the bienvenu is doubled. Mr Prescott remarks,[2 - Biographical and Critical Miscellanies.] that there is no kind of writing, having truth and instruction for its main object, which, on the whole, is so interesting and popular as biography: its superiority, in this point of view, to history, consisting in the fact, that the latter has to deal with masses—with nations, which, like corporate societies, seem to have no soul, and whose chequered vicissitudes may be contemplated rather with curiosity for the lessons they convey, than with personal sympathy. Among contemporary biographers, Mr Hepworth Dixon has already established for himself a name of some distinction by his popular lives of William Penn and John Howard; nor will his credit suffer a decline in the instance of the memoir now before us—that of the gallant and single-minded patriot, Robert Blake. Of this fine old English worthy, republican as he was, the Tory Hume freely affirms, that never man, so zealous for a faction, was so much respected and even esteemed by his opponents. 'Disinterested, generous, liberal; ambitious only of true glory, dreadful only to his avowed enemies; he forms one of the most perfect characters of the age, and the least stained with those errors and vices which were then so predominant.'[3 - History of Great Britain, c. lxi.] Yet hitherto the records of this remarkable man have been scanty in matter, and scattered in form—the most notable being Dr Johnson's sketch in the Gentleman's Magazine, and another in the Encyclopædia Britannica. Mr Dixon has consulted several scarce works, of genuine though obsolete authority, and a large mass of original documents and family papers, in preparing the present able and attractive memoir; not omitting a careful examination of the squibs, satires, and broadsides of that time, in his endeavour to trace, in forgotten nooks and corners, the anecdotes and details requisite, as he says, to complete a character thus far chiefly known by a few heroic outlines. We propose taking a brief survey of his life-history of the great admiral and general at sea—the 'Puritan Sea-King,' as Mr Dixon more characteristically than accurately calls his hero. A sea-king he was, every inch of him; but to dub him Puritan, is like giving up to party what was meant for British mankind. To many, the term suggests primarily a habit of speaking through the nose; and Blake had thundered commands through too many a piping gale and battle blast for that.
Robert Blake was born at Bridgewater, in August 1599. His father, Humphrey Blake, was a merchant trading with Spain—a man whose temper seems to have been too sanguine and adventurous for the ordinary action of trade, finally involving him in difficulties which clouded his latter days, and left his family in straitened circumstances: his name, however, was held in general respect; and we find that he lived in one of the best houses in Bridgewater, and twice filled the chair of its chief magistrate. The perils to which mercantile enterprise was then liable—the chance escapes and valorous deeds which the successful adventurer had to tell his friends and children on the dark winter nights—doubtless formed a part of the food on which the imagination of young Blake, 'silent and thoughtful from his childhood,' was fed in the 'old house at home.' At the Bridgewater grammar-school, Robert received his early education, making tolerable acquaintance with Latin and Greek, and acquiring a strong bias towards a literary life. This penchant was confirmed by his subsequent career at Oxford, where he matriculated at sixteen, and where he strove hard but fruitlessly for scholarships and fellowships at different colleges. His failure to obtain a Merton fellowship has been attributed to a crotchet of the warden's, Sir Henry Savile, in favour of tall men: 'The young Somersetshire student, thick-set, fair complexioned, and only five feet six, fell below his standard of manly beauty;' and thus the Cavalier warden, in denying this aspirant the means of cultivating literature on a little university oatmeal, was turning back on the world one who was fated to become a republican power of the age. This shining light, instead of comfortably and obscurely merging in a petty constellation of Alma Mater, was to become a bright particular star, and dwell apart. The avowed liberalism of Robert may, however, have done more in reality to shock Sir Henry, than his inability to add a cubit to his stature. It is pleasant to know, that the 'admiral and general at sea' never outgrew a tenderness for literature—his first-love, despite the rebuff of his advances. Even in the busiest turmoil of a life teeming with accidents by flood and field, he made it a point of pride not to forget his favourite classics. Nor was it till after nine years' experience of college-life, and when his father was no longer able to manage his res angusta vitæ, that Robert finally abandoned his long-cherished plans, and retired with a sigh and last adieu from the banks of the Isis.
When he returned to Bridgewater, in time to close his father's eyes, and superintend the arrangements of the family, he was already remarkable for that 'iron will, that grave demeanour, that free and dauntless spirit,' which so distinguished his after-course. His tastes were simple, his manners somewhat bluntly austere; a refined dignity of countenance, and a picturesque vigour of conversation, invested him with a social interest, to which his indignant invectives against court corruptions gave distinctive character. To the Short Parliament he was sent as member for his native town; and in 1645, was returned by Taunton to the Long Parliament. At the dissolution of the former, which he regarded as a signal for action, he began to prepare arms against the king; his being one of the first troops in the field, and engaged in almost every action of importance in the western counties. His superiority to the men about him lay in the 'marvellous fertility, energy, and comprehensiveness of his military genius.' Prince Rupert alone, in the Royalist camp, could rival him as a 'partisan soldier.' His first distinguished exploit was his defence of Prior's Hill fort, at the siege of Bristol—which contrasts so remarkably with the pusillanimity of his chief, Colonel Fiennes. Next comes his yet more brilliant defence of Lyme—then a little fishing-town, with some 900 inhabitants, of which the defences were a dry ditch, a few hastily-formed earth-works, and three small batteries, but which the Cavalier host of Prince Maurice, trying storm, stratagem, blockade, day after day, and week after week, failed to reduce or dishearten. 'At Oxford, where Charles then was, the affair was an inexplicable marvel and mystery: every hour the court expected to hear that the "little vile fishing-town," as Clarendon contemptuously calls it, had fallen, and that Maurice had marched away to enterprises of greater moment; but every post brought word to the wondering council, that Colonel Blake still held out, and that his spirited defence was rousing and rallying the dispersed adherents of Parliament in those parts.' After the siege was raised, the Royalists found that more men of gentle blood had fallen under Blake's fire at Lyme, than in all the other sieges and skirmishes in the western counties since the opening of the war. The details of the siege are given with graphic effect by Mr Dixon, and are only surpassed in interest by those connected with Blake's subsequent and yet more celebrated defence of Taunton, to which the third chapter of this biography is devoted.
The hero's fame had become a spell in the west: it was seen that he rivalled Rupert in rapid and brilliant execution, and excelled him in the caution and sagacity of his plans. He took Taunton—a place so important at that juncture, as standing on and controlling the great western highway—in July 1644, within a week of Cromwell's defeat of Rupert at Marston Moor. All the vigour of the Royalists was brought to bear on the captured town; Blake's defence of which is justly characterised as abounding with deeds of individual heroism—exhibiting in its master-mind a rare combination of civil and military genius. The spectacle of an unwalled town, in an inland district, with no single advantage of site, surrounded by powerful castles and garrisons, and invested by an enemy brave, watchful, numerous, and well provided with artillery, successfully resisting storm, strait, and blockade for several months, thus paralysing the king's power, and affording Cromwell time to remodel the army, naturally arrested the attention of military writers at that time; and French authors of this class bestowed on Taunton the name of the modern Saguntum. The rage of the Royalists at this prolonged resistance was extreme. Reckoning from the date when Blake first seized the town, to that of Goring's final retreat, the defence lasted exactly a year, and under circumstances of almost overwhelming difficulty to the besieged party, who, in addition to the fatigue of nightly watches, and the destruction of daily conflicts, suffered from terrible scarcity of provisions. 'Not a day passed without a fire; sometimes eight or ten houses were burning at the same moment; and in the midst of all the fear, horror, and confusion incident to such disasters, Blake and his little garrison had to meet the storming-parties of an enemy brave, exasperated, and ten times their own strength. But every inch of ground was gallantly defended. A broad belt of ruined cottages and gardens was gradually formed between the besiegers and the besieged; and on the heaps of broken walls and burnt rafters, the obstinate contest was renewed from day to day.' At last relief arrived from London; and Goring, in savage dudgeon, beat a retreat, notwithstanding the wild oath he had registered, either to reduce that haughty town, or to lay his bones in its trenches.
Blake was now the observed of all observers; but, unlike most of his compeers, he abstained from using his advantages for purposes of selfish or personal aggrandisement. He kept aloof from the 'centre of intrigues,' and remained at his post, 'doing his duty humbly and faithfully at a distance from Westminster; while other men, with less than half his claims, were asking and obtaining the highest honours and rewards from a grateful and lavish country.' Nor, indeed, did he at any time side with the ultras of his party, but loudly disapproved of the policy of the regicides. This, coupled with his influence, so greatly deserved and so deservedly great, made him an object of jealousy with Cromwell and his party; and it was owing, perhaps, to their anxiety to keep him removed from the home-sphere of action, that the hero of Taunton was now appointed to the chief naval command.
Hitherto, and for years afterwards, no state, ancient or modern, as Macaulay points out, had made a separation between the military and the naval service. Cimon and Lysander, Pompey and Agrippa, had fought by sea as well as by land: at Flodden, the right wing of the English was led by her admiral, and the French admiral led the Huguenots at Jarnac, &c. Accordingly, Blake was summoned from his pacific government at Taunton, to assume the post of 'General and Admiral at Sea;' a title afterwards changed to 'General of the Fleet.' Two others were associated with him in the command; but Blake seems at least to have been recognised as primus inter pares. The navy system was in deplorable need of reform; and a reformer it found in Robert Blake, from the very day he became an admiral. His care for the well-being of his men made him an object of their almost adoring attachment. From first to last, he stood alone as England's model-seaman. 'Envy, hatred, and jealousy dogged the steps of every other officer in the fleet; but of him, both then and afterwards, every man spoke well.' The 'tremendous powers' intrusted to him by the Council of State, he exercised with off-handed and masterly success—startling politicians and officials of the ancien régime by his bold and open tactics, and his contempt for tortuous bypaths in diplomacy. His wondrous exploits were performed with extreme poverty of means. He was the first to repudiate and disprove the supposed fundamental maxim in marine warfare, that no ship could attack a castle, or other strong fortification, with any hope of success. The early part of his naval career was occupied in opposing and defeating the piratical performances of Prince Rupert, which then constituted the support of the exiled Stuarts, and which Mr Dixon refuses to interpret in such mild colours as Warburton and others. Blake's utmost vigilance and activity were required to put down this extraordinary system of freebooting; and by the time that he had successively overcome Rupert, and the minor but stubborn adventurers, Grenville and Carteret, he was in request to conduct the formidable war with Holland, and to cope with such veterans as Tromp, De Witt, De Ruyter, &c. Of the various encounters in which he thus signalised himself, his biographer gives most spirited descriptions, such as their length alone deters us from quoting. On one occasion only did Blake suffer a defeat; and this one is easily explained by—first, Tromp's overwhelming superiority of force; secondly, the extreme deficiency of men in the English fleet; and thirdly, the cowardice or disaffection of several of Blake's captains at a critical moment in the battle. Notwithstanding this disaster, not a whisper was heard against the admiral either in the Council of State or in the city; his offer to resign was flatteringly rejected; and he soon found, that the 'misfortune which might have ruined another man, had given him strength and influence in the country.' This disaster, in fact, gave him power to effect reforms in the service, and to root out abuses which had defied all his efforts in the day of his success. He followed it up by the great battle of Portland, and other triumphant engagements.