The Arena. Volume 4, No. 20, July, 1891

But never a cable that holds so fast
Through all the battles of wave and blast,
And never an echo of speech or song
That lives in the babbling air so long!
There were tones in the voice that whispered then,
You may hear to-day in a hundred men.

O lady and lover, how faint and far
Your images hover, and here we are,
Solid and stirring in flesh and bone,
Edward’s and Dorothy’s—all their own,
A goodly record for time to show
Of a syllable spoken so long ago!
Shall I bless you, Dorothy, or forgive
For the tender whisper that bade me live?

It shall be a blessing, my little maid!
I will heal the stab of the red-coat’s blade,
And freshen the gold of the tarnished frame,
And gild with a rhyme your household name;
So you shall smile on us brave and bright,
As first you greeted the morning’s light,
And live untroubled by woes and fears
Through a second youth of a hundred years.

Dr. Holmes’ coloring is invariably artistic. Nothing in his verse offends the eye or grates unpleasantly on the ear. He is a true musician, and his story, joke, or passing fancy is always joined to a measure which never halts. “The Voiceless,” perhaps, as well as “Under the Violets,” ought to be mentioned among the more tender verses which we have from his pen, in his higher mood.

His novels are object lessons, each one having been written with a well-defined purpose in view. But unlike most novels with a purpose, the three which he has written are nowise dull. The first of the set is “The Professor’s Story; or, Elsie Venner,” the second is “The Guardian Angel,” written when the author was in his prime, and the third is “A Mortal Antipathy,” written only a few years ago. In no sense are these works commonplace. Their art is very superb, and while they amuse, they afford the reader much opportunity for reflection. Elsie Venner is a romance of destiny, and a strange physiological condition furnishes the key-note and marrow of the tale. It is Holmes’ snake story, the taint of the serpent appearing in the daughter, whose mother was bitten by a rattle-snake before her babe was born. The traits inherited by this unfortunate offspring from the reptile, find rapid development. She becomes a creature of impulse, and her life spent in a New England village, at a ladies’ academy, with its social and religious surroundings, is described and worked out with rare analytical skill, and by a hand accustomed to deal with curious scientific phenomena. The character drawing is admirable, the episodes are striking and original, and the scenery, carefully elaborated, is managed with fine judgment. Despite the idea, which to some may at first blush appear revolting and startling, there is nothing sensational in the book. The reader observes only the growth and movement of the poison in the girl’s system, its effect on her way of life, and its remarkable power over her mind. Horror or disgust at her condition is not for one moment evoked. The style is pure and ennobling, and while our sympathies may be touched, we are at the same time fascinated and entertained, from the first page to the last. Of quite different texture is “The Guardian Angel,” a perhaps more readable story, so far as form is concerned, much lighter in character, and less of a study. There is more plot, but the range is not so lofty. It is less philosophical in tone than “Elsie Venner,” and the events move quicker. The scene of “The Guardian Angel” is also laid in an ordinary New England village, and the object of the Doctor-Novelist was to write a tale in which the peculiarities and laws of hysteria should find expression and development. In carrying out his plan, Dr. Holmes has achieved a genuine success. He has taught a lesson, and at the same time has told a deeply interesting story, lightened up here and there with characteristic humor and wit. The characters of Myrtle Hazard and Byles Gridley are drawn with nice discrimination, while the sketch of the village poet, Mr. Gifted Hopkins, is so life-like and realistic, that he has only to be named to be instantly recognized. He is a type of the poet who haunts the newspaper office, and belongs to every town and hamlet. His lady-love is Miss Susan Posey, a delicious creation in Dr. Holmes’ best manner. These two prove excellent foils for the stronger personages of the story, and afford much amusement. “A Mortal Antipathy” is less of a romance than the others. The reader will be interested in the description of a boat race which is exquisitely done.

In biographical writing, we have two books from Dr. Holmes, one a short life of Emerson, and the other a memoir of Motley. Though capable of writing a great biography like Trevelyan’s Macaulay or Lockhart’s Scott, the doctor has not yet done so. Of the two which he has written, the Motley is the better one. In neither, however, has the author arrived at his own standard of what a biography should be.

Mechanism in thought and morals,—a Phi-Beta-Kappa address, delivered at Harvard in 1870,—is one of Dr. Holmes’ most luminous contributions to popular science. It is ample in the way of suggestion and the presentation of facts, and though scientific in treatment, the captivating style of the essayist relieves the paper of all heaviness. A brief extract from this fine, thoughtful work may be given here:—

“We wish to remember something in the course of conversation. No effort of the will can reach it; but we say, ‘wait a minute, and it will come to me,’ and go on talking. Presently, perhaps some minutes later, the idea we are in search of comes all at once into the mind, delivered like a prepaid bundle, laid at the door of consciousness like a foundling in a basket. How it came there we know not. The mind must have been at work groping and feeling for it in the dark; it cannot have come of itself. Yet all the while, our consciousness was busy with other thoughts.”

The literary reputation of Dr. Holmes will rest on the three great books which have made his name famous on two continents. Thackeray had passed his fortieth year before he produced his magnificent novel. Holmes, too, was more than forty when he began that unique and original book, “The Autocrat of the Breakfast Table,” one of the most thoughtful, graceful, and able investigations into philosophy and culture ever written. We have the author in every mood, playful and pathetic, witty and wise. Who can ever forget the young fellow called John, our Benjamin Franklin, the Divinity student, the school-mistress, the landlady’s daughter, and the poor relation? What characterization is there here! The delightful talk of the autocrat, his humor, always infectious, his logic, his strong common sense, illumine every page. When he began to write, Dr. Holmes had no settled plan in his head. In November, 1831, he sent an article to the New England Magazine, published by Buckingham in Boston, followed by another paper in February, 1832. The idea next occurred to the author in 1857,—a quarter of a century afterwards, when the editors of the Atlantic Monthly, then starting on its career, begged him to write something for its pages. He thought of “The Autocrat,” and resolved, as he says, “to shake the same bough again, and see if the ripe fruit were better or worse than the early windfalls.” At a bound “The Autocrat” leaped into popular favor. The reading public could hardly wait for the numbers. All sorts of topics are touched upon from nature to mankind. There is the talk about the trees, which one may read a dozen times and feel the better for it. And then comes that charming account of the walk with the school-mistress, when the lovers looked at the elms, and the roses came and went on the maiden’s cheeks. And here is a paragraph or two which makes men think:

“Our brains are seventy-year clocks. The angel of life winds them up once for all, then closes the case, and gives the key into the hand of the Angel of the Resurrection. Tic-tac! tic-tac! go the wheels of thought; our will cannot stop them; they cannot stop themselves; sleep cannot still them; madness only makes them go faster; death alone can break into the case, and seizing the ever-swinging pendulum, which we call the heart, silence at last the clicking of the terrible escapement we have carried so long beneath our wrinkled foreheads.

“If we could only get at them, as we lie on our pillows and count the dead beats of thought after thought, and image after image, jarring through the overtired organ! Will nobody block those wheels, uncouple that pinion, cut the string that holds those weights, blow up the infernal machine with gun-powder? What a passion comes over us sometimes for silence and rest!—that this dreadful mechanism, unwinding the endless tapestry of time, embroidered with spectral figures of life and death, could have but one brief holiday! Who can wonder that men swing themselves off from beams in hempen lassos?—that they jump off from parapets into the swift and gurgling waters beneath?—that they take counsel of the grim friend who has but to utter his one peremptory monosyllable and the restless machine is shivered as a vase that is dashed upon a marble floor? Under that building which we pass every day there are strong dungeons, where neither hook, nor bar, nor bed-cord, nor drinking vessel from which a sharp fragment may be shattered, shall by any chance be seen. There is nothing for it, when the brain is on fire with the whirling of its wheels, but to spring against the stone wall and silence them with one crash. Ah, they remembered that,—the kind city fathers,—and the walls are nicely padded, so that one can take such exercise as he likes without damaging himself on the very plain and serviceable upholstery. If anybody would only contrive some kind of a lever that one could thrust in among the works of this horrid automaton and check them, or alter their rate of going, what would the world give for the discovery?”

“The Autocrat” was followed by “The Professor at the Breakfast Table,”—a book in every way equal to the first one, though, to be sure, there are critics who pretend to see diminished power in the author’s pen. It is, however, full of the same gentle humor and keen analyses of the follies and foibles of human kind. It is a trifle graver, though some of the characters belonging to “The Autocrat” come to the front again. It is in this book that we find that lovely story of Iris,—a masterpiece in itself and one of the sweetest things that has come to us for a hundred years, rivalling to a degree the delicious manner and style of Goldsmith and Lamb. In 1873 the last of the series appeared, and “The Poet” came upon the scene to gladden the breakfasters. Every chapter sparkles with originality. “I have,” says Dr. Holmes, “unburdened myself in this book, and in some other pages, of what I was born to say. Many things that I have said in my riper days have been aching in my soul since I was a mere child. I say aching, because they conflicted with many of my inherited beliefs, or rather traditions. I did not know then that two strains of blood were striving in me for the mastery—two! twenty, perhaps, twenty thousand, for aught I know—but represented to me by two—paternal and maternal. But I do know this: I have struck a good many chords, first and last, in the consciousness of other people. I confess to a tender feeling for my little brood of thoughts. When they have been welcomed and praised, it has pleased me, and if at any time they have been rudely handled and despitefully treated, it has cost me a little worry. I don’t despise reputation, and I should like to be remembered as having said something worth lasting well enough to last.”

There is much philosophy in “The Poet,” and if it is less humorous than “The Autocrat,” it is more profound than either of its fellows in the great trio. In it the doctor has said enough to make the reputations of half a dozen authors.

“One Hundred Days in Europe,” if written by anyone else save Dr. Holmes, would, perhaps, go begging for a publisher. But he journeyed to the old land with his heart upon his sleeve. He met nearly every man and woman worth knowing, and the Court, Science, and Literature received him with open arms. He had not seen England for half a century. Fifty years before, he was an obscure young man, studying medicine, and known by scarcely half a dozen persons. He returned in 1886, a man of world-wide fame, and every hand was stretched out to do him honor, and to pay him homage. Lord Houghton,—the famous breakfast giver of his time, certainly, the most successful since the princely Rogers,—had met him in Boston years before, and had begged him again and again to cross the ocean. Letters failing to move the poet, Houghton tried verse upon him, and sent these graceful lines:—

“When genius from the furthest West,
Sierra’s Wilds and Poker Flat,
Can seek our shores with filial zest,
Why not the genial Autocrat?

“Why is this burden on us laid,
That friendly London never greets
The peer of Locker, Moore, and Praed
From Boston’s almost neighbor streets?

“His earlier and maturer powers
His own dear land might well engage;
We only ask a few kind hours
Of his serene and vigorous age.

“Oh, for a glimpse of glorious Poe!
His raven grimly answers ‘never!’
Will Holmes’s milder muse say ‘no,’
And keep our hands apart forever?”

But he was not destined to see his friend. When Holmes arrived in England, Lord Houghton was in his grave, and so was Dean Stanley, whose sweetness of disposition had so charmed the autocrat, when the two men had met in Boston a few years before. Ruskin he failed to meet also, for the distinguished word-painter was ill. At a dinner, however, at Arch-Deacon Farrar’s, he spent some time with Sir John Millais and Prof. John Tyndall. Of course, he saw Gladstone, Tennyson, Robert Browning, Chief Justice Coleridge, Du Maurier, the illustrator of Punch, Prof. James Bryce who wrote “The American Commonwealth,” “Lord Wolseley,” Britain’s “Only General,” “His Grace of Argyll,” “Lord Lorne and the Princess Louise,”—one of the best amateur painters and sculptors in England,—and many others. Of all these noted ones, he has something bright and entertaining to say. The universities laid their highest honors at his feet. Edinburgh gave him the degree of LL.D., Cambridge that of Doctor of Letters, and Oxford conferred upon him her D. C. L., his companion on the last occasion being John Bright. It was at Oxford that he met Vice-Chancellor Benjamin Jowett, the Master of Balliol College, Prof. Max Müller, Lord and Lady Herschell, and Prof. James Russell Lowell, his old and unvarying friend. The account of his visit to Europe is told with most engaging directness and simplicity, and though the book has no permanent value, it affords much entertainment for the time.

The reader will experience a feeling of sadness, when he takes up Dr. Holmes’ last book, “Over the Tea-cups,” for there are indications in the work which warn the public that the genial pen will write hereafter less frequently than usual. It is a witty and delightful book, recalling the Autocrat, the Professor, and the Poet, and yet presenting features not to be found in either. The author dwells on his advancing years, but this he does not do in a querulous fashion. He speaks of his contemporaries, and compares the ages of old trees, and over the tea-cups a thousand quaint, curious, and splendid things are said. The work takes a wide range, but there is more sunshine than anything else, and that indefinable charm, peculiar to the author, enriches every page. One might wish that he would never grow old. As Lowell said, a few years ago, in a birthday verse to the doctor:—

“You keep your youth as yon Scotch firs,
Whose gaunt line my horizon hems,
Though twilight all the lowland blurs,
Hold sunset in their ruddy stems.

“Master alike in speech and song
Of fame’s great anti-septic—style,
You with the classic few belong
Who tempered wisdom with a smile.

Outlive us all! Who else like you
Could sift the seed corn from our chaff,
And make us, with the pen we knew,
Deathless at least in epitaph?”

PLUTOCRACY AND SNOBBERY IN NEW YORK,

BY EDGAR FAWCETT

Let us imagine that a foreigner has entered a New York ball-room for the first time, and let us make that foreigner not merely an Englishman, but an Englishman of title. He would soon be charmed by the women who beamed on every side of him. Their refinement of manner would be obvious, though in some cases they might shock him by a shrillness and nasal harshness when speaking, while in other cases both their tone and accent might repel him through extreme affectation of “elegance.” But for the most part he would pronounce these women bright, cultivated, and often remarkably handsome. They would not require to be amused or even entertained after the manner of his own countrywomen; they would appear before him amply capable of yielding rather than exacting diversion, and often through the mediums of nimble wit, engaging humor, or an audacity at once daring and picturesque. But after a little more time our titled stranger would begin to perceive that behind all this feminine sparkle and freshness, lurked a positive transport of humility. He would discover that he had swiftly become with these fashionable ladies an object of idolatry, and that all the single ones were thrilled with the idea of marrying him, while all the married ones felt pierced by the sad realization that destiny had disqualified them for so golden a bit of luck. He would find himself assailed by questions about his precise English rank and standing. Had he any other title besides the one by which he was currently known? How long ago was it since his family had been elevated to the peerage? Did he personally know the Queen or the Prince of Wales? Was his mother “Lady” anybody before she married his father? Did he own several places in the country, and if so, what was the name of each?

The men would naturally be less inquisitive; but then the men all would have their Burke or DeBrett to consult at their clubs, and could “look him up” there as if he had been an unfamiliar word in the dictionary. And these male followers of fashion would, for the most part, distress and perplex him. He would be confronted with a mournful fact in our social life: the men who “go out” are nearly all silly striplings who, on reaching a sensible age, discreetly remain at home.

He would soon begin to perceive that New York society is a blending of the ludicrous and pathetic. The really charming women have two terrible faults, one which their fathers, husbands, and brothers have taught them, and one which they have apparently contracted without extraneous aid. The first is their worship of wealth, their devout genuflection before it as the sole choicest gift which fate can bestow, and the second is their merciless and metallic snobbery. They have made a god of caste, and in a country where, of all other cults, that of caste is the most preposterous. The men (the real grown-up men, who may hate the big balls, but are nevertheless a great deal in the movement as regards other gay pastimes) watch them with quiet approbation. Many a New York husband is quite willing that his wife shall cut her own grandmother if that relative be not “desirable.” The men have not time to preen their social plumes quite so strenuously; they are too busy in money-getting, and of a sort which nearly always concerns the hazard of the Wall Street die. And yet quite a number of the men are arrant snobs, refusing to associate with, often even to notice, others whose dollars count fewer than their own. This form of plutocratic self-adulation is relatively modern. It is called by some people a very inferior state of things to that which existed in “the good old Knickerbocker days.” But the truth is, odious though the millionnaire’s ascendancy may be at present, that of the Knickerbocker was once hardly less so. Vulgar, brassy, and intolerable the “I’m-better-than-you” strut and swagger of plutocracy surely is; but in the smug, pert provincialism of those former New York autocrats who defined as “family” their descent of two or three generations from raw Dutch immigrants, there was very little comfort indeed. The present writer has seen something of this element; in the decade from 1865 to 1875 it was still extremely active. Society was then governed by the Knickerbocker, as it is now governed by the plutocrat, and in either instance the rule has been wholly deplorable. Indeed, for one cogent reason, if no other, poor New York stands to-day as the least fortunate of all great cities. Her society, from the time she ceased to admit herself a village up to the date at which these lines are written, has never been even faintly worthy of the name. A few years ago the “old residents,” with their ridiculous claims to pedigree, had everything their own way. A New York drawing-room was, in those days, parochial as a Boston or Philadelphia tea-party. There were modish metropolitan details, it is true, but the petty reign of the immigrant Hollanders’ descendants would have put to shame the laborious freaks and foibles of a tiny German principality. Now, having changed all that, and having forced the Knickerbockers from their old places of vantage, the plutocrats reign supreme. To a mind capable of being saddened by human materialism, pretension, braggadocio, it is all very much the same sort of affair. Our republic should be ashamed of an aristocracy founded on either money or birth, and that thousands of its citizens are not only unashamed of such systems, but really glory in them, is merely another proof of how this country has broken almost every democratic promise which she once made to the Old World.

It is easy to sneer away statements like these. It is easy to laugh them off as “mere pessimism,” and to talk of persons with “green spectacles” and “disordered livers.” We have learned to know the glad ring of the optimist’s patriotic voice. If we all believed this voice, we should all believe that America is the ideal polity of the world. And one never so keenly realizes that this is not true as when he watches the creeds and character of society in New York. Of Londoners we are apt to assert that they grovel obsequiously before their prince, with his attendant throng of dukes, earls, and minor gentlemen. This may be fact, but it is very far from being the whole fact. In London there is a large class of ladies and gentlemen who form a localized and centralized body, and whose assemblages are haunts of intelligence, refinement, and good taste. In a certain sense these are “mixed,” but all noteworthy gatherings must be that, and the “smart” and “swagger” sets of every great European city are nowadays but a small, even a contemptible factor in its festivities.

Not long ago the present writer inquired of a well-known Englishman whether people of literary and artistic note were not always bidden to large and important London receptions. “In nearly all cases, yes,” he replied. “It has been the aim of my sister to invite, on such occasions, authors, artists, and actors of talent and distinction. They come, and are welcomed when they come.” He did not mention the name of his sister, knowing, doubtless, that I knew it. She was an English duchess, magnificently housed in London, a beauty, and a star of fashion.