The Atlantic Monthly, Volume 06, No. 35, September, 1860

Above all the trees of the New World, the Elm deserves to be considered the sovereign tree of New England. It is abundant both in field and forest, and forms the most remarkable feature in our cleared and cultivated grounds. Though the Elm is found in almost all parts of the country, in no other is it so conspicuous as in the Northeastern States, where, from the earliest settlement of the country, it has been planted as a shade-tree, and has been valued as an ornament above the proudest importations from a foreign clime. It is the most remarkable of the drooping trees except the Willow, which it surpasses in stateliness and in the variety of its growth.

When I look upon a noble Elm,—though I feel no disposition to contemn the studies of those who examine its flowers and fruit with the scrutinizing eye of science, or the calculations of those who consider only its practical use—it is to me an object of pleasing veneration. I look upon it as the embodiment of some benign intention of Providence, who has adapted it in numerous ways to the wants of his creatures. While admiring its grace and its majesty, I think of the great amount of human happiness and of comfort to the inferior animals of which it has been the blessed instrument. How many a happy assemblage of children and young persons has been, during the past century, repeatedly gathered under its shade, in the sultry noons of summer! How many a young May-queen has been crowned under its roof, when the greensward was just daisied with the early flowers of spring! And how many a weary traveller has rested from his journey in its benevolent shade, and from a state of weariness and vexation, when o'erspent by heat and length of way, has subsided into one of quiet thankfulness and content!

Though the Elm has never been consecrated by the Muse, or dignified by making a figure in the paintings of the old masters, the native inhabitant of New England associates its varied forms with all that is delightful in the scenery of his own land or memorable in its history. He has beheld many a noble avenue formed of Elms, when standing in rows in the village, or by the rustic road-side. He has seen them extending their broad and benevolent arms as a protection over many a spacious old farm-house and many an humble cottage, and equally harmonizing with all. They meet his sight in the public grounds of the city, with their ample shade and flowing spray, inviting him to linger under their pleasant umbrage in summer; and in winter he has beheld them among the rude hills and mountains, like spectral figures keeping sentry among their passes, and, on the waking of the year, suddenly transformed into towers of luxuriant verdure and beauty. Every year of his life has he seen the beautiful Hang-Bird weave his pensile habitation upon the long and flexible branches of the Elm, secure from the reach of every living creature. From its vast dome of interwoven branches and foliage he has listened to the songs of the earliest and the latest birds; and under its shelter he has witnessed many a merry-making assemblage of children, employed in the sportive games of summer.

To a native of New England, therefore, the Elm has a value more nearly approaching that of sacredness than any other tree. Setting aside the pleasure derived from it as an object of visual beauty, it is intimately associated with the familiar scenes of home and the events of his early life. In my own mind it is pleasingly allied with those old dwelling-houses which were built in the early part of the last century, and form one of the marked features of New England home architecture during that period. They are known by their broad and ample, but low-studded rooms, their numerous windows with small panes, their single chimney in the centre of the roof that sloped down to the lower story in the back part, and in their general unpretending appearance, reminding one vividly of that simplicity of life which characterized our people before the Revolution. Their very homeliness is delightful, by leaving the imagination free to dwell upon their pleasing suggestions. Not many of these charming old houses are now extant: but whenever we see one, we are almost sure to find it accompanied by its Elm, standing upon the green open space that slopes up to it in front, and waving its long branches in melancholy grandeur over the venerable habitation which it seems to have taken under its protection, while it droops with sorrow over the infirmities of its old companion of a century.

The Elm is remarkable for the variety of forms which it assumes in different situations. Often it has a drooping spray only when it has attained a large size; but it almost invariably becomes subdivided into several equal branches, diverging from a common centre, at a considerable elevation from the ground. One of these forms is that of a vase: the base being represented by the roots of the tree that project above the soil and join the trunk,—the middle by the lower part of the principal branches, as they swell out with a graceful curve, then gradually diverge, until they bend downward and form the lip of the vase, by their circle of terminal branches. Another of its forms is that of a vast dome, as represented by those trees that send up a single shaft to the height of twenty feet or more, and then extend their branches at a wide divergency and to a great length. The Elms which are remarkable for their drooping character are usually of this shape. At other times the Elm assumes the shape of a plume, presenting a singularly fantastical appearance. It rises upwards, with an undivided shaft, to the height of fifty feet or more, without a limb, and bending over with a gradual curve from about the middle of its height to its summit, which is sometimes divided into two or three terminal branches. The whole is covered from its roots to its summit with a fringe of vine-like twigs, extremely slender, twisted and irregular, and resembling a parasitic growth. Sometimes it is subdivided at the usual height into three or four long branches, which are wreathed In the same manner, and form a compound plume.

These fantastic forms are very beautiful, and do not impress one with the idea of monstrosity, as we are affected by the sight of a Weeping Ash. Though the Elm has many defects of foliage, and is destitute of those fine autumnal tints which are so remarkable in some other trees, it is still almost without a rival in the American forest. It presents a variety in its forms not to be seen in any other tree,—possessing the dignity of the Oak without its ruggedness, and uniting the grace of the slender Birch with the lofty grandeur of the Palm and the majesty of the Cedar of Lebanon.

Of the parasol-trees the North furnishes no true examples, which are witnessed only in the Palms of the tropics. Not many of our inhabitants have seen these trees in their living beauty; but all have become so familiar with them, as they are represented in paintings and engravings, that they can easily appreciate their effect in the sunny landscapes of the South. There they may be seen bending over fields tapestried with Passion-Flowers and verdurous with Myrtles and Orange-trees, and presenting their long shafts to the tendrils of the Trumpet Honeysuckle and the palmate foliage of the Climbing Fern. But the slender Palms, when solitary, afford but little shade. It is when they are standing in groups, their lofty tops meeting and forming a uniform umbrage, that they afford any important protection from the heat of the sun.

In pictures of tropical scenery we see these trees standing on the banks of a stream, or in the vicinity of the sea, near some rude hut constructed of Bamboo and thatched with the broad leaves of the Fan Palm. In some warm countries Nature affords the inhabitants an almost gratuitous subsistence from the fruit of the different Palms,—a plantation of Dates and Cocoa-nuts supplying the principal wants of the owner and his family, during the life of the trees. But the Palm is not suggestive of the arts, for the South is not the region of the highest civilization. Man's intelligence is greatest in those countries in which he is obliged to struggle with difficulties sufficient to require the constant exercise of the mind and body to overcome them. Science and Art have built their altars in the region of the Oak, and in valleys which are annually whitened with snow, where labor invigorates the frame, and where man's contention with the difficulties presented by the elements sharpens his ingenuity and strengthens all his facilities. Hence, while the Oak is the symbol of hospitality and of the arts to which it has given its aid, the Palm symbolizes the voluptuousness of a tropical clime and the indolence of its inhabitants.

I have said that the North produces no parasol-trees; but it should be remarked that all kinds of trees occasionally approximate to this shape, when they have grown compactly in a forest. The general shape which they assume under these conditions is what I have termed accidental, because that shape cannot be natural which a growing body is forced to take when cramped in an unnatural or constrained position. Trees when thus situated become greatly elongated; their shafts are despoiled of the greater part of their lateral branches, and the tree has no expansion until it has made its way above the level of the wood. The trees that cannot reach this level will in a few years perish; and this is the fate of the greater number in the primitive forest. But after they have attained this level, they spread out suddenly into a head. Many such trees are seen in recent clearings; and when their termination is a regular hemisphere of branches and foliage, the tree exhibits a shape nearly approaching that of a parasol.

The Elm, under these circumstances, often acquires a very beautiful shape. Unlike other trees that send up a single undivided shaft, the Elm, when growing in the forest as well as in the open plain, becomes subdivided into several slightly divergent branches, running up almost perpendicularly until they reach the level of the wood, when they suddenly spread themselves out, and the tree exhibits the parasol shape more nearly even than the Palm. When one of these forest Elms is left by the woodman, and is seen standing alone in the clearing, it presents to our sight one of the most graceful and beautiful of all arborescent forms.

The rows of Willows, so frequent by the way-side where the road passes over a wet meadow, afford the most common examples of the pollard forms. Some of these willows, having escaped the periodical trimming of the woodcutter, have become noble standards, emulating the Oak in the sturdy grandeur of their giant arms extending over the road. Most of them, however, from the repeated cropping which they have suffered, exhibit a round head of long, slender branches, growing out of the extremity of the beheaded trunk.

My remarks thus far relate to trees considered as individual objects; but I must not tire the patience of the reader by extending them farther, though there are many other relations in which they may be treated. In whatever light we regard them, they will be found to deserve attention as the fairest ornaments of Nature, and as objects that should be held sacred from their importance to our welfare and happiness. The more we study them, the more desirous are we of their preservation, and the more convinced of the necessity of using some active means to effect this purpose. He takes but a narrow view of their importance who considers only their value in the economy of animal and vegetable life. The painter has always made them a particular branch of his study; and the poet understands their advantage in increasing the effect of his descriptions, and believes them to be the blessed gifts of Providence to render the earth a beautiful abode and sanctify it to our affections. The heavenly bodies affect the soul with a deeper sense of creative power; but trees, like flowers, serve to draw us more closely to the bosom of Nature, by exemplifying the beauties of her handiwork, and the wonders of that Wisdom that operates unseen, and becomes, in our search for it, a source of perpetual delight.

VICTOR AND JACQUELINE

[Concluded.]

VII

The three days passed away. And every hour's progress was marked as it passed over the citizens of Meaux. Leclerc, and the doctrines for which he suffered, filled the people's thought; he was their theme of speech. Wonder softened into pity; unbelief was goaded by his stripes to cruelty; faith became transfigured, while he, followed by the hooting crowd, endured the penalty of faith. Some men looked on with awe that would become adoring; some with surprise that would take refuge in study and conviction. There were tears as well as exultation, solemn joy as well as execration, in his train. The mother of Leclerc followed him with her undaunted testimony, "Blessed be Jesus Christ and His Witnesses!"

By day, in the field, Jacqueline Gabrie thought over the reports she heard through the harvesters, of the city's feeling, of its purpose, of its judgment; by night she prayed and hoped, with the mother of Leclerc; and wondrous was the growth her faith had in those days.

On the evening of the third day, Jacqueline and Elsie walked into Meaux together. This was not invariably their habit. Elsie had avoided too frequent conversation with her friend of late. She knew their paths were separate, and was never so persuaded of the fact as this night, when, of her own will, she sought to walk with Jacqueline. The sad face of her friend troubled her; it moved her conscience that she did not deeply share in her anxiety. When they came from Domrémy, she had relied on Jacqueline: there was safety in her counsel,—there was wisdom in it: but now, either?

"It made me scream outright, when I saw the play," said she; "but it is worse to see your face nowadays,—it is more terrible, Jacqueline."

Jacqueline made no reply to this,—and Elsie regarded the silence as sufficient provocation.

"You seem to think I have no feeling," said she. "I am as sorry about the poor fellows as you can be. But I cannot look as if I thought the day of judgment close at hand, when I don't, Jacqueline."

"Very well, Elsie. I am not complaining of your looks."

"But you are,—or you might as well."

"Let not that trouble you, Elsie. Your face is smooth, at least; and your voice does not sound like the voice of one who is in grief. Rejoice,—for, as you say, you have a right to yourself, with which I am not to interfere. We are old friends,—we came away from Lorraine together. Do not forget that. I never will forget it."

"But you are done with me. You say nothing to me. I might as well be dead, for all you care."

"Let us not talk of such things in this manner," said Jacqueline, mildly. But the dignity of her rebuke was felt, for Elsie said,—

"But I seem to have lost you,—and now we are alone together, I may say it. Yes, I have lost you, Jacqueline!"

"This is not the first time we have been alone together in these dreadful three days."

"But now I cannot help speaking."

"You could help it before. Why, Elsie? You had not made up your mind. But now you have, or you would not speak, and insist on speaking. What have you to say, then?"

"Jacqueline! Are you Jacqueline?"

"Am I not?"

"You seem not to be."

"How is it, Elsie?"

"You are silent and stern, and I think you are very unhappy, Jacqueline."

"I do not know,—not unhappy, I think. Perhaps I am silent,—I have been so busy. But for all it is so dreadful—no! not unhappy, Elsie."

"Thinking of Leclerc all the while?"

"Of him? Oh, no! I have not been thinking of him,—not constantly. Jesus Christ will take care of him. His mother is quiet, thinking that. I, at least, can be as strong as she. I'm not thinking of the shame and cruelty,—but of what that can be worth which is so much to him, that he counts this punishment, as they call it, as nothing, as hardly pain, certainly not disgrace. The Truth, Elsie!—if I have not as much to say, it is because I have been trying to find the Truth."

"But if you have found it, then I hope I never shall,—if it is the Truth that makes you so gloomy. I thought it was this business in Meaux."

"Gloomy? when it may be I have found, or shall find"—

Here Jacqueline hesitated,—looked at Elsie. Grave enough was that look to expel every frivolous feeling from the heart of Elsie,—at least, so long as she remained under its influence. It was something to trust another as Jacqueline intended now to trust her friend. It was a touching sight to see her seeking her old confidence, and appearing to rely on it, while she knew how frail the reed was. But this girl, frivolous as was her spirit, this girl had come with her from the distant native village; their childhood's recollections were the same. And Jacqueline determined now to trust her. For in times of blasting heat the shadow even of the gourd is not to be despised.

"You know what I have looked for so long, Elsie," she said, "you ought to rejoice with me. I need work for that no longer."

"What is that, Jacqueline?"

Even this question, betraying no such apprehension as Jacqueline's words seemed to intimate, did not disturb the girl. She was in the mood when, notwithstanding her show of dependence, she was really in no such necessity. Never was she stronger than now when she put off all show of strength. Elsie stood before her in place of the opposing world. To Elsie's question she replied as readily as though she anticipated the word, and had no expectation of better recollection,—not to speak of better apprehension.

"To bring him out of suffering he has never been made to endure, as surely as God lives. As if the Almighty judged men so! I shall send back no more money to Father La Croix. It is not his prayer, nor my earnings, that will have to do with the eternity of John Gabrie.—Do you hear me, Elsie?"

"I seem to, Jacqueline."

"Have I any cause for wretched looks, then? I am in sight of better fortune than I ever hoped for in this world."

"Then don't look so fearful. It is enough to scare one. You are not a girl to choose to be a fright,—unless this dreadful city has changed you altogether from what you were. You would frighten the Domrémy children with such a face as that; they used not to fear Jacqueline."

"I shall soon be sailing on a smoother sea. As it is, do not speak of my looks. That is too foolish."

"But, oh, I feel as if I must hold you,—hold you!—you are leaving me!"