The Atlantic Monthly, Volume 14, No. 84, October, 1864

I do not, however, grieve much—indeed, to state the precise truth, I do not grieve at all—at the dismantling of Strawberry Hill, or at the sale of the Roxburghe library; but at the vendition of Samuel Johnson's dusty and dearly loved books (they were sold by Mr. Christie, "at his Great Room in Pall-Mall," on Wednesday, February 16, 1785) I own to being a trifle sad and sentimental. For Walpole, with all his cleverness, is a man one cannot love; and as for the bibliographical Duke, he evidently thought more of a rare edition or a unique copy than of all the charms of wit, poetry, or eloquence. I suspect that a splendid binding would please him more than a splendid passage. Whereas Johnson (he was never without a book in his pocket to read at by-times when he had nothing else to do) had a scholar's love for books, and liked them for what they contained, and not merely because they were rare and costly.

Neither can I think unmoved of the dispersion "under the hammer" of the fine library at Greta Hall, which Southey had taken so much pains and pleasure in collecting, and which was, as his son has observed, the pride of his eyes and the joy of his heart,—a library which contained many a "monarch folio," and many a fine old quarto, and thousands of small, but precious volumes of ancient lore, and which was particularly rich in rare old Spanish and Portuguese books. Many of the old volumes in this library had seen such hard service, and had been so roughly handled by former owners, that they were in a very ragged condition when they came into Southey's possession; and as he could not afford to have them equipped in serviceable leather, his daughters and female friends comfortably and neatly clothed them in colored cotton prints. The twelve or fourteen hundred volumes thus bound filled an entire room, which the poet designated as the "Cottonian Library." I saw, a year or two ago, among the costly and valuable works upon the shelves of a Boston bookstore, two or three volumes of this "Cottonian Library." They are not there now. Perhaps the lucky purchaser of them may be a reader of this article. If so, let me congratulate him upon possessing such rare and interesting memorials of the famous and immortal biographer of Doctor Daniel Dove of Doncaster.

And sure I am that no gentle reader can contemplate the fate of Charles Lamb's library without becoming a prey to

"Mild-eyed melancholy."

Elia's books,—his "midnight darlings," his "folios," his "huge Switzer-like tomes of choice and massy divinity," his "kind-hearted play-books," his book of "Songs and Posies," his rare old treatises, and quaint and curious tractates,—the rich gleanings from the old London book-stalls by one who knew a good book, as Falstaff knew the Prince, by instinct,—books that had been the solace and delight of his life, the inspirers and prompters of his best and noblest thoughts, the food of his mind, and the nourishers of his fancies, ideas, and feelings,—these books, with the exception of those retained by some of Elia's personal friends, were, after Mary Lamb's death, purchased by an enterprising New-York bookseller, and shipped to America, where Lamb has ever had more readers and truer appreciators than in England. The arrival in New York of his "shivering folios" created quite a sensation among the Cisatlantic admirers of "the gentle Elia." The lovers of rare old books and the lovers of Charles Lamb jostled each other in the way to Bartlett and Welford's shop, where the treasures (having escaped the perils of the sea) were safely housed, and where a crowd of literati was constantly engaged in examining them.

The sale was attended by a goodly company of book-collectors and book-readers. All the works brought fair prices, and were purchased by (or for) persons in various parts of the country. Among the bidders were (I am told) Geoffrey Crayon,—Mr. Sparrowgrass,—Clark, of the "Knickerbocker" magazine,—that lover of the angle and true disciple of Izaak Walton, the late Rev. Dr. Bethune,—Burton, the comedian,—and other well-known authors, actors, and divines. The black-letter Chaucer—Speght's edition, folio, London, 1598,—the identical copy spoken of by Elia in his letter to Ainsworth, the novelist—was knocked down to Burton for twenty-five dollars. I know not who was the fortunate purchaser of "The Works of Margaret Cavendish, Duchess of Newcastle,"—an especial favorite of Lamb's. Neither do I know the name of the buyer of "The Works of Michael Drayton." They brought twenty-eight dollars. A number of volumes (one of them my correspondent opines was "The Dunciad," variorum edition) were bought by an enthusiastic lover of Elia who came all the way from St. Louis on purpose to attend this auction. The English nation should have purchased Lamb's library. But instead of comfortably filling an alcove or two in the British Museum, it crossed the Atlantic and was widely scattered over the United States of America. Will it ever be brought together again? Ah, me! such things do not happen in the annals of books.

'Tis no wonder that the old blind scholar, Bardo de' Bardi, in George Eliot's grand story of "Romola," knowing as he did the usual fate of private libraries, manifested a constant fear that his noble collection of books would be merged in some other library after his death. Every generous soul must heartily despise Tito Melema for basely disposing of Bardo's library for lucre. There are plenty of good people, however, who would uphold him in that transaction. Indeed, do not most of us with unseemly haste and unnatural greed dispose of the effects of our deceased friends and relations? The funeral is hardly over before we begin to get ready for the auction. "I preserve," says Montaigne, "a bit of writing, a seal, a prayer-book, a particular sword, that has been used by my friends and predecessors, and have not thrown the long staves my father carried in his hand out of my closet." If the essayist lived in these days, and followed the customs that now obtain, he would send the sword and the staves, along with the other useless and (to him) worthless tokens and remembrancers of the dead and gone Montaignes, to the auction-room, and cheerfully pocket the money they brought.

Thackeray had been dead but a few weeks when a scene similar to the one he has so truthfully described in the seventeenth chapter of "Vanity Fair" occurred at his own late residence. The voice of "Mr. Hammerdown" was heard in the house, and the rooms were filled with a motley crowd of auction-haunters and relic-hunters, (among whom, of course, were Mr. Davids and Mr. Moses,)—a rabble-rout of thoughtless and unfeeling men and women, eager to get an "inside view" of the home of the great satirist. The wine in his cellars,—the pictures upon his walls,—the books in his library,—the old "cane-bottomed chair" in which he sat while writing many of his best works, and which he has immortalized in a fine ballad,—the gifts of kind friends, liberal publishers, and admiring readers,—yea, his house itself, and the land it stands on,—passed under the hammer of the auctioneer. O good white head, low lying in the dust of Kensal Green! it matters little to thee now what becomes of the red brick mansion built so lovingly in the style of Queen Anne's time, and filled with such admirable taste from cellar to roof; but many a pilgrim from these shores will step aside from the roar of London and pay a tribute of remembrance to the house where lived and died the author of "Henry Esmond" and "Vanity Fair."

THE RIDE TO CAMP

When all the leaves were red or brown,
Or golden as the summer sun,
And now and then came flickering down
Upon the grasses hoar and dun,
Through which the first faint breath of frost
Had as a scorching vapor run,
I rode, in solemn fancies lost,
To join my troop, whose low tents shone
Far vanward to our camping host.
Thus as I slowly journeyed on,
I was made suddenly aware
That I no longer rode alone.
Whence came that strange, incongruous pair?
Whether to make their presence plain
To mortal eyes from earth or air
The essence of these spirits twain
Had clad itself in human guise,
As in a robe, is question vain.
I hardly dared to turn my eyes,
So faint my heart beat; and my blood,
Checked and bewildered with surprise,
Within its aching channels stood,
And all the soldier in my heart
Scarce mustered common hardihood.
But as I paused, with lips apart,
Strong shame, as with a sturdy arm,
Shook me, and made my spirit start,
And all my stagnant life grew warm;

Till, with my new-found courage wild,
Out of my mouth there burst a storm
Of song, as if I thus beguiled
My way with careless melody:
Whereat the silent figures smiled.
Then from a haughty, asking eye
I scanned the uninvited pair,
And waited sternly for reply.
One shape was more than mortal fair;
He seemed embodied out of light;
The sunbeams rippled through his hair;
His cheeks were of the color bright
That dyes young evening, and his eyes
Glowed like twin planets, that to sight
Increase in lustre and in size,
The more intent and long our gaze.
Full on the future's pain and prize,
Half seen through hanging cloud and haze,
His steady, far, and yearning look
Blazed forth beneath his crown of bays.
His radiant vesture, as it shook,
Dripped with great drops of golden dew;
And at each step his white steed took,
The sparks beneath his hoof-prints flew,
As if a half-cooled lava-flood
He trod, each firm step breaking through.
This figure seemed so wholly good,
That as a moth which reels in light,
Unknown till then, nor understood,
My dazzled soul swam; and I might
Have swooned, and in that presence died,
From the mere splendor of the sight,
Had not his lips, serene with pride
And cold, cruel purpose, made me swerve
From aught their fierce curl might deride.
A clarion of a single curve
Hung at his side by slender bands;
And when he blew, with faintest nerve,
Life burst throughout those lonely lands;
Graves yawned to hear, Time stood aghast,
The whole world rose and clapped its hands.
Then on the other shape I cast
My eyes. I know not how or why
He held my spellbound vision fast.
Instinctive terror bade me fly,
But curious wonder checked my will.
The mysteries of his awful eye,
So dull, so deep, so dark, so chill,
And the calm pity of his brow
And massive features hard and still,
Lovely, but threatening, and the bow
Of his sad neck, as if he told