The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 283, November 17, 1827

We'll eat and sleep,
Make beds and sweep,
And talk and smoke together.

But if, my dear,
I must come there,
Tow'rd Cambridge strait I'll set me,
To touze the hay
On which you lay,
If, madam, you will let me.

    B.

EARLY RISING

(For the Mirror.)

"Whose morning, like the spirit of a youth,
That means to be of note, begins betimes."

    SHAKSPEARE'S Ant. and Cleop.
It is asserted by a tragic poet, "est nemo miser nisi comparatus;" which, by substituting one single word, is exactly applicable to our present subject; "est nemo serus nisi comparatus." All early rising is relative; what is early to one, is late to another, and vice versâ. "The hours of the day and night," says Steele, (Spec. No. 454.) "are taken up in the Cities of London and Westminster, by people as different from each other as those who are born in different countries. Men of six o'clock give way to those of nine, they of nine to the generation of twelve; and they of twelve disappear, and make room for the fashionable world, who have made two o'clock the noon of the day." Now since, of these people, they who rise at six pique themselves on their early rising, in reference to those who rise at nine; and they, in their turn, on theirs, in reference to those who rise at twelve; since, like Homer's generations, they "successive rise," and early rising is, therefore, as I said, a phrase only intelligible by comparison, we must (as theologians and politicians ought oftener to do) set out by a definition of terms. What is early rising? Is it to rise

"What time the shepherd, blowing of his nails,
Can neither call it perfect day nor night?"

"Patience!" I think I hear some of my fair readers exclaim, "Is this the early rising this new correspondent of the MIRROR means to enforce? Drag us from our beds at peep of day! The visionary barbarian! Why, ferocious as our Innovator is, he would just as soon drag a tigress from her's! We will not obey this self-appointed Dictator!" Stay, gentle ladies; in the first place I am not going to enforce this or any other hour; in the second place, I am not going to enforce early rising at all.—Convinced you feel, with me, the importance of time, and your responsibility for its right improvement, I leave it to your consciences whether any part of it should be uselessly squandered in your beds. The moral culpability of late rising is when it interferes with the necessary duties of the day; and though, my fair readers, you may in a great measure claim exemption from these, I would still, simply in reference to your health and complexions, advise you not to exceed seven o'clock. But, to effect this, a sine quâ non is, retiring early, say at eleven—(though really I am too liberal.—When people were compelled to retire at the sound of the curfew, when

"The curfew toll'd the parting knell of day,"

early rising was a necessary consequence, as they were earlier tired of their beds; and this may account for the singular difference between ancient and modern times in this respect; so that late rising, though a modern refinement, is by no means exclusively attributable to modern luxury and indolence, but partly to a change of political enactments, (you see, ladies, I am giving you every chance.)

In the man of business, late rising is perfectly detestable; but to him, instead of the arguments of health and moral responsibility for time, (or rather in addition to these arguments,) I would urge the argumentum ad crumenam; which is so pithily, however homelily, expressed in these two proverbs, which he cannot be reminded of once too often:

"Early to bed, and early to rise,
Will make a man healthy, wealthy, and wise."

"There are no gains without pains;
Then plough deep, while sluggards sleep."

And a third proverb is a compendium of my advice to both classes of readers:

"He who will thrive must rise at five;
He who has thriven may sleep till seven."

So then we have defined what early rising is; seven, to those who have nothing to do,—as soon as ever business calls, to those who have. Was ever bed of sloth more eloquently reprobated than in the following lines from the Seasons?

"Falsely luxurious will not man awake,
And, springing from the bed of sloth, enjoy
The cool, the fragrant, and the silent hour,
To meditation due and sacred song?
For is there aught in sleep can charm the wise?
To lie in dead oblivion, losing half
The fleeting moments of too short a life,
Total extinction of th' enlighten'd soul!
Or else, to feverish vanity alive,
Wilder'd and tossing through distemper'd dreams?
Who would in such a gloomy state remain
Longer than nature craves, when every Muse
And every blooming pleasure wait without,
To bless the wildly devious morning walk?"

Exquisite indeed! But this too is a proof how nearly the sublime and ridiculous are associated,—"how thin partitions do their bounds divide;" for this fine poetry is associated, in most reader's minds, with Thomson's own odd indulgence in the "dead oblivion." He was a late riser, sleeping often till noon; and when once reproached for his sluggishness, observed, that "he felt so comfortable he really saw no motive for rising." As if, according to the popular version of the story, "I am convinced, in theory, of the advantage of early rising. Who knows it not, but what can Cato do?" "Ay, he's a good divine, you say, who follows his own teaching; don't talk to us of early rising after this." Why not, unless like Thomson, you're kept up till a very late hour by business? The fact is he did not

—"In that gloomy state remain
Longer than nature craves,"

after all. He had a strong apology for not rising early, in the late hours of his lying down. The deep silence of the night was the time he commonly chose for study; and he would often be heard walking in his library, at Richmond, till near morning, humming over what he was to write out and correct the next day, and so, good reader, this is no argument against my position; but observe, retiring late is no excuse for late rising, unless business have detained you: balls and suppers are no apology for habitual late rising. And now, my dearest readers, do you spend the night precisely as Thomson did, and I'll grant you my "letters patent, license, and protection," to sleep till noon every day of your life. You have only to apply to me for it through "our well-beloved" editor of the MIRROR.

    W. P–N.

BUNHILL FIELDS BURYING-GROUND

This extensive burial-place is part of the manor of Finsbury, or Fensbury, which is of great antiquity, as appears by its being a prebend of St. Paul's Cathedral in 1104. In the year 1315, it was granted by Robert de Baldock to the mayor and commonalty of London. Part of it was, in 1498, converted into a large field for the use of archers and other military citizens to exercise in. This is now called The Artillery Ground.

In the year 1665, that part of the ground now called Bunhill (originally Bonhill) Field, was set apart as a common cemetery, for the interment of such bodies as could not have room in their parochial burial-grounds in that dreadful year of pestilence. However, not being made use of on that occasion, a Mr. Tindal took a lease thereof, and converted it into a burial-place for the use of Dissenters. It was long called Tindal's Burial-place. Over the west gate of it was the following inscription:—"This church-yard was inclosed with a brick wall at the sole charges of the city of London, in the mayoralty of Sir John Lawrence, Knt., Anno Domini 1665; and afterwards the gates thereof were built and finished in the mayoralty of Sir Thomas Bloudworth, Knt., Anno Domini, 1666."

The fen or moor (in this neighbourhood), from whence the name Moorfields, reached from London-wall to Hoxton; the southern part of it, denominated Windmill Hill, began to be raised by above one-thousand cart-loads of human bones, brought from St. Paul's charnel-house in 1549, which being soon after covered with street dirt from the city, the ground became so elevated, that three windmills were erected on it; and the ground on the south side being also much raised, it obtained the name of The Upper Moorfield.

The first monumental inscription in Bunhill-fields is, Grace, daughter of T. Cloudesly, of Leeds. Feb. 1666.—Maitland's Hist. of London, p. 775.

Dr. Goodwin was buried there in 1679; Dr. Owen in 1683; and John Bunyan in 1688.

    Park-place, Highbury Vale.
    J. H. B.

SUPPOSED ORIGIN OF MEZZO-TINTO.[1 - The word mezzo-tinto is derived from the Italian, meaning half painted.]

Mezzo-tinto is said to have been first invented by Prince Rupert, about the year 1649: going out early one morning, during his retirement at Brussels, he observed the sentinel, at some distance from his post, very busy doing something to his piece. The prince asked the soldier what he was about? He replied, the dew had fallen in the night, had made his fusil rusty, and that he was scraping and cleaning it. The prince, looking at it, was struck with something like a figure eaten into the barrel, with innumerable little holes, closed together, like friezed work on gold or silver, part of which the fellow had scraped away. The genie second enexperiences (says Lord Orford), from so trifling an accident, conceived mezzo-tinto. The prince concluded, that some contrivance might be found to cover a brass plate with such a ground of fine pressed holes, which would undoubtedly give an impression all black, and that, by scraping away proper parts, the smooth superfices would leave the rest of the paper white. Communicating his idea to Wallerant Vaillant, a painter, they made several experiments, and at last invented a steel roller with projecting points, or teeth, like a file, which effectually produced the black ground; and which, being scraped away or diminished at pleasure, left the gradations of light. Such was the invention of mezzo-tinto, according to Lord Orford, Mr. Evelyn, and Mr. Vertue.

    P. T. W.

RETROSPECTIVE GLEANINGS

[For the following succinct account of the Gunpowder Conspiracy, our acknowledgments are due to the proprietors of an elegant and interesting Annual, entitled "THE AMULET" for 1828.]

A BRIEF HISTORY OF "THE GUNPOWDER PLOT."

(Compiled from original and unpublished documents.)