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The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 367, April 25, 1829

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2018
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He who would learn the true remorse for crime
Should watch (when slumbers innocence, and guilt
Or wakes in sleepless pain, or dreams of blood)
The convict stretched on his reposeless bed.
Then conscience plays th' accusing angel;
Spectres of murder'd victims flit before
His eyes, with soul-appalling vividness;
Hideous phantasma shadow o'er his mind;
Guilt, incubus-like, sits on his soul
With leaden weight,—types of the pangs of hell.
His memory to the scene of blood reverts;
He hears the echo of his victims' cry,
Whose agonizing eyes again are fixed
Upon his face, pleading for mercy.
See! how he writhes in speechless agony!
As morning dew-drops on the face of nature,
So hangs upon his brow the clammy sweat.
Each feature of his face, each limb, each nerve,
Distorted with remorse and agony,
Is fraught with nature's speechless eloquence,
And is a faithful witness to his sin.
It is not all a dream, but memory holds
Before the sleeper's eyes her magic glass,
In which he sees the image of the past.

    Huddersfield. S.J.

ANTICIPATION

(For the Mirror.)

'Twixt the appointment and the day
Ages seem to roll away—
Lingering doubts and cares arise,
Fancy glows with sweet surmise;
Now a hope—and now a fear,
First a smile—and then a tear;
But that day may never come,
Death may seal thine earthly doom.
Or that day may prove unkind,
Thine anticipation blind!
The best pleasure thou wilt know
May be to brood upon thy woe:
Wailing happy days gone by,
When fancied pleasures mock'd thine eye:
Days that never shall return.
Mortal, then, this lesson learn—
Struggle not against thy fate,
For thy last day hath its date!
It is written in the skies,
And a guardian angel cries,
Dream no more of earthly joys,
They are fleeting, fickle toys.

    Cymbeline.

THE TOPOGRAPHER

ROAD BOOK OF SCOTLAND

Tourists will never cease to remember their obligations to Mr. Leigh, the publisher of this pretty little volume. He has done so much for their gratification in his New Pocket Road Books, (of which series the present work is one,) that their success ought to be toasted in all the delightful retreats to which they act as ciceroni. In his Road Book of England and Wales, he has done what Mr. Peel is now doing with our old Acts of Parliament—consolidating their worth, and rejecting their obsoleteness. For our own part, one of the greatest bugbears of books is the Road Book on the old system: it is all long columns of small type, in which we lose our way as in the cross-roads of the last century—all direction-posts and "Vides," puzzle upon puzzle, Pelion on Ossa, and Ossa on Pelion—crabbed and complex abbreviations, with which we get acquainted at the end of our journey. They contain nothing like direct information, and the only people who appear to understand them are postmasters and innkeepers, and some old-established bagmen, whose interests and heads will give you a clearer view of the roads than all the itineraries ever printed. It was, however, but reasonable to expect that the Macadamization of roads, or the mending of ways, should be followed up by the improvement of Road Books, since greater facilities and inducements were thereby afforded to the tourist for the detection and exposure of blunders—such as placing a hall on the wrong side of the road, or recording some relic which had never existed but in the book.

The arrangement of the Road Book of Scotland is clear and intelligible, and, moreover, it is a book which may be read in the post-chaise or the parlour, on or off the road, before or after the journey, with equal pleasure. It is so portable, that the pedestrian will not complain of its weight, for it bears the same proportion to an old Road Book that a Prayer Book does to a Family Bible. The picturesque charms of Scotland, and its connexion with eminent individuals, and memorable events of love, war, and chivalric renown, all combine to render a Scottish Road Book attractive and interesting; but the editor prudently observes, that "long descriptions of scenery, except in some few cases, have not been introduced, as they are totally inadequate to convey to the reader any definite idea of the beauties they attempt to portray." Plans of Pleasure Tours are likewise appended, together with a useful Appendix; and, what is indispensable in a work of this description, a good Index, is added.

As might be expected, nearly every page bears the record of some spot consecrated by hoar antiquity, or in the inspirations of olden or modern genius. Sir Walter Scott has probably monopolized every inch of his native country, and invested each memorable spot with the enchantment of his pen; so that little more than reference is necessary to enable the tourist to identify such sites as the novelist has not distinguished in his writings by actual name. Such information is requisite, for as we are reminded by Kett, who observes, "We are told of a noble Roman, who could recollect all the articles that had been purchased at an auction, and the names of the several buyers. The memory of our travellers ought to be of equal capacity and retentiveness, considering the short time they allow themselves for the inspection of curiosities." As books and broad-cloth are now bought by the pattern, we cannot do better than substantiate what we have said by a few quotations from the Road Book of Scotland:—

Falkirk

The view from the hill of Falkirk, immediately behind the town, is remarkably extensive, varied, and beautiful. Hence, the spectator may behold the Ochil Hills, forming part of the ridge which extends from the German Ocean to the banks of the Clyde; and through an opening in the chain for the passage of the Forth, may discover, in fine weather, several isolated rocks, on the highest of which stands Stirling Castle. Beyond, over the Vale of Monteith, appear the Grampian Hills, including the conical-shaped summit of Benledi, as well as Benvoirlich; and further to the west, the lofty Benlomond. To the north are seen the rich valley of the Carse, the Forth, with the towns of Culross, Kincardine, Clackmannan, and Alloa, on the opposite shore, and the country reaching to the foot of the Ochils. To the north also may be seen the village of Larbert, as well as several seats, the most conspicuous of which are Carron Hall, Carron Park, Kinnaird, which once belonged to Bruce the traveller, Stenhouse, the property of Sir W. Bruce, and Dunmore House, belonging to the earl of that name. Immediately below the spectator is Falkirk, and beyond it, the Carron Iron Works. At the further extremity of the valley may be seen the shipping of Grangemouth, and lower down, that of Bo' Ness.

The church of Falkirk was founded in 1057, by Malcolm Canmore, but rebuilt in 1809. In the churchyard are the graves of Sir John Graham and Sir John Stewart, both of whom were killed in 1298, when Edward I. obtained the famous victory over the Scots, under Sir W. Wallace. The battle took place halfway between Falkirk and the river Carron. A stone, called Wallace's Stone, denotes the spot which his division occupied previous to the contest. The tomb of Sir J. Graham bears an inscription. Here also is the monument of Sir R. Munro, who was killed in 1746, when General Hawley was defeated by the Pretender. The scene of this second battle was the Moor of Falkirk, about a mile S.W. of the town.

Immense Plane Tree

At Kippenross is an immense plane tree. It is 27 feet in circumference at the ground, and 30 at the part from which the branches shoot out.

Environs of Callander

The vicinity of Callander is famous as the scene of Sir W. Scott's "Lady of the Lake." The prospects are beautiful, and there are several objects worthy of being visited. On the banks of the Teith, about a quarter of a mile below the village is the Camp, a villa supposed to occupy the site of a Roman intrenchment. Hence there is a magnificent prospect of Ben Ledi, which rises 3,000 feet above the level of the sea, and bounds the horizon to the N.W. Its name signifies Hill of God, and it is probable that it was formerly the scene of Druidical rites. According to tradition, it was held sacred by the inhabitants of the surrounding country, who annually assembled on the first of May to kindle the sacred fire in honour of the sun, on its summit. Near the summit of Ben Ledi is a small lake, called Loch-au-nan Corp, the Lake of Dead Bodies, a name which it derived from an accident which happened to a funeral here. The lake was frozen and covered with snow; and when the funeral was crossing it, the ice gave way, and all the attendants perished.

About a mile N.E. of Callander is Bracklin Bridge, a rustic work only three feet broad, thrown across a deep chasm, along the bottom of which rolls the river Keltie. The torrent, after making several successive cataracts, at length falls in one sheet about 50 feet in height, presenting from the bridge an appalling spectacle.

Another curiosity near Callander is the Pass of Leney, a narrow ravine, skirted with woods, and hemmed in with rocks, through which a stream, issuing from Loch Lubnaig, rushes with amazing force, forming a series of cascades.

Linlithgow

The palace, which forms the chief object of curiosity in Linlithgow, is a majestic ruin, situated on the margin of a beautiful lake, and covering more than an acre. It is entered by a detached archway, on which were formerly sculptured the four orders borne by James V., the Thistle, Garter, Holy Ghost, and Golden Fleece; but these are now nearly effaced. The palace itself is a massive quadrangular edifice of polished stone, the greater part being five stories in height. A plain archway leads to the interior court, in the centre of which are the ruins of the well.

The west side of the quadrangle, which is the most ancient, was originally built and inhabited by Edward I., and is also interesting as the birth-place of Queen Mary. The room in which she first saw the light is on the second story. Her father, James V., then dying of a broken heart at Falkland, on account of the disaster at Solway Frith, prophetically exclaimed, "It came with a lass," alluding to his family having obtained the crown by marriage, "and it will go with a lass."

The east side, begun by James III., and completed by James V., contains the Parliament Hall. This was formerly the front of the palace, and the porch was adorned with a statue of Pope Julius II., who presented James V. with a consecrated sword and helmet for his resistance to the Reformation. This statue escaped the iconoclastic zeal of the Reformers; but at the beginning of the last century was destroyed by a blacksmith, whose anger against the Papal power had been excited by a sermon.

On an inn-window at Tarbet, in Dunbartonshire, is perhaps the longest specimen of brittle rhymes ever written. They are signed "Thomas Russell, Oct. 3, 1771," and extend to thirty-six lines, being a poetical description of the ascent to Ben Lomond. What would Dr. Watts have said to such a string of inn-window rhymes!

Ossian

The principal curiosity in the environs of Dunkeld is the Cascade of the Bran at Ossian's Hall, about a mile distant. This hermitage, or summer-house, is placed on the top of a perpendicular cliff, 40 feet above the bottom of the fall, and is so constructed, that the stranger, in approaching the cascade, is entirely ignorant of his vicinity to it. Upon entering the building is seen a painting, representing Ossian playing on his harp, and singing to a group of females; beside him is his hunting spear, bow and quiver, and his dog Bran. This picture suddenly disappears, and the whole cataract foams at once before you, reflected in several mirrors, and roaring with the noise of thunder. A spectacle more striking it is hardly possible to conceive. The stream is compressed within a small space, and at the bottom of the fall has hollowed out a deep abyss, in which its waters are driven round with great velocity. A little below the hall is a simple arch thrown across the chasm of the rocks, and hence there is a good view of the fall.

Half a mile further up the Bran is Ossian's Cave, part of which has been artificially made; and about a mile higher is the Rumbling Bridge, thrown across a chasm of granite about 15 feet wide. The river for several hundred feet above the arch is crowded with massive fragments of rock, over which it foams and roars; and, approaching the bridge, precipitates itself with great fury through the chasm, making a fall of nearly 50 feet.
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