No light can venture near thine eyes,
Nor Grief—when thou'rt beside me!
E.
MINSTREL BALLAD
WRITTEN ON A FLYLEAF OF A VOLUME OF ONE OF THE "WAVERLEY NOVELS."
(For the Mirror.)
Waken, lords and ladies gay,
On the mountain dawns the day,
All the jolly chase is here,
With hawk and horse, and hunting spear;
Hounds are in their couples yelling,
Hawks are whistling, horns are knelling,
Merrily, merrily, mingle they,
"Waken, lords and ladies gay."
Waken, lords and ladies gay,
The mist has left the mountain grey,
Springlets in the dawn are streaming,
Diamonds on the brake are gleaming,
And foresters have busy been,
To track the buck in thicket green;
Now we come to chant our lay,
"Waken, lords and ladies gay."
Waken, lords and ladies gay,
To the green wood haste away,
We can show you where he lies,
Fleet of foot, and tall of size;
We can show the marks he made
When 'gainst the oak his antlers frayed;
You shall see him brought to bay.
"Waken, lords and ladies gay."
Louder, louder, chant the lay,
Waken, lords and ladies say,
Tell them youth, and mirth and glee,
Run a course as well as we,
Time, stern huntsman! who can balk,
Stanch as hound, and fleet as hawk?
Think of this, without delay,
Gentle lords and ladies gay.
C.C.
THE SKETCH-BOOK
PHYSIOGNOMY OF HOUSES
(For the Mirror.)
Houses undoubtedly present to the eye of fancy, an appearance analogous to physiognomical expression in men. The remark has been made by more acute observers than myself.
Look at that beetle-browed, solemn looking mansion with a ponderous hat-roof—I mean of slates, garnished with bay windows—observe its heavy jaws of areas, its hard, close mouth of a door; its dark, deep sunken eyes of windows peering out from the heavy brow of dark stone coping that supports the slate hat in question: what a contrast to the spruce mock gentility of its neighbour, with a stand-up collar of white steps, a varnished face, and a light, jaunty, yet stiff air, like a city apprentice in his best clothes.
See the cap on the temple of that Chinese Mandarin, poking above yon clump of firs, with its bell furniture; he seems pondering on the aphorisms of Confucius, regardless of that booby faced conservatory, whose bald, rounded pate glitters in the sun. Ah! what have we here; a spruce masquerader in yellow straw hat, trying to look rural with as much success as a reed thatched summer house. Stand in this quiet nook a few hours, and give us the shadow of your mushroom covering.
There is a poor, forlorn wretch with his rags fluttering about him like a beggar—give him a penny—he must be in distress—look at his shattered face and dilapidated form; shored up upon crutches, tottering on the brink of the sewers—shores I mean—of eternity; behold his crushed and crownless hat—his hollow eyes—his rheumy visage—look at that petition penned on his breast. Poh! 'tis a surveyor's notice to pull down. But, then, look at that plurality parson with rotund prominence of portico, and red brick cheeks of vast extent, and that high, steeple-crowned hat—look at the smug, mean, insignificant dwarf of a meeting-house, sinking up to its knees in a narrow lane, and looking as blank as a wall, with a trap-door of a mouth, and a grating cast of eye. How yonder bridegroom, just cemented in an alliance that will not last out his lease of life, "spick and span new," all eyes, and a double row of buttons ornamenting his latticed waistcoat, looks at his adored opposite, who holds her Venetian parasol—sun shade—before her face, glowing like a red brick wall in the sun. Ah! his regards are attracted by a modest little nymph of the grove, seated snugly in a sylvan recess, her pretty white cheeks peeping out beneath the tresses of honeysuckle and woodbine that veil her beauty. Well, railing is in this case allowable, for see that brazen front of maiden sixty, guiltless of curls, with a huge structure of bonnet cocked straight at the top of her head, like the roof of a market-house, and her broad, square skirts of faded green, deformed by formal knots of yew and holly. Look with what a blushless face of triumph she eyes her poor tottering neighbour opposite, who never appears destined "to suffer a recovery." Oh, 'tis remorseless! But look down that vista of charity children in slate coloured Quaker bonnets, stuck one against the other in drab, like pins in a paper, but not so bright; are they going to stand there for ever, with their governess at their head, looking as smug and fubsy as the squat house at the end? Why 'tis—street!—Look at the pump at the other end, that might pass for an abridgment of a parish clerk—and see, there comes stalking across the Green the parish beadle, with a great white placard in his hat—you might well mistake him for Alderman –'s monument in red brick with the marble tablet on the top of it. Ah! my pretty rustic—why your straw hat and brown stuff frock, with white bib, and that gay flowered apron, with the sprig of jessamine stuck at your side—you look so homely and comely beneath the shade of that tall oak, that I could fancy you were only the shepherd's cottage at the corner of the grange. Bless me—here's a modern antique, masquerading in the country!—why a village belle of queen Bess' days, looking as new and as fresh as the young 'squire's lodge, fresh out of the hands of his fancy architect. More mummery! why this gentleman looks as fine and as foolish in his affectation of rugged points and quaint angles, as a staring, white-washed, Gothic villa with the paint not yet dry. Oh! there is certainly no denying that thou art the primest of Quakers, Mr. Chapel, one that will not countenance a belle, but lookest right onward in smooth and demure solidity, with that strip of white path in front of thy brown gravel waistcoat, and the ample skirts of thy road-coloured surtout; not so your neighbour Sturdy, him with his chimney like an ink bottle, upright in his button hole, and his pen-like poplar in his hand; he is equally uncompromising, but looks with an eye of stern regard upon that gay sprig of myrtle with his roof of a hat, jauntily clapped on one side, and a towering charming feather, streaming like smoke in the breeze. But whither have my vagaries led me—here I am once more in the dullest of dull country towns, over which strides the gouty old dean, like a Gothic arch across a cathedral city; and see how the wealthy innkeeper dangles his broad medal (sign of his having been in the yeomanry) that swings to the wind like the banner of his troop—how contemptuously he eyes that solid looking overseer, the workhouse, with his right and lefthand men the executioners of the law—Stocks and Cage—oh! turn away—there is that villanous cross barred gripe the Jail—enough, enough, indeed.
LAVATERIELLO.
MANNERS & CUSTOMS OF ALL NATIONS
CURIOUS CEREMONY OF DRIVING DEER THROUGH THE WATER (FORMERLY PRACTISED) IN LYME PARK, CHESHIRE
(For the Mirror.)
Ormerod, in his splendid History of Cheshire, says, "The park of Lyme, which is very extensive, is celebrated for the fine flavour of its venison, and contains a herd of wild cattle, the remains of a breed which has been kept here from time immemorial, and is supposed indigenous. In the last century a custom was observed here of driving the deer round the park about Midsummer, or rather earlier, collecting them in a body before the house, and then swimming them through a pool of water, with which the exhibition terminated." There is a large print of it by Vivares, after a painting by T. Smith, representing Lyme Park during the performance of the annual ceremony, with the great Vale of Cheshire and Lancashire, as far as the Rivington Hills in the distance, and in the foreground the great body of the deer passing through the pool, the last just entering it, and the old stags emerging on the opposite bank, two of which are contending with their fore-feet, the horns at that season being too tender to combat with. This "art of driving the deer" like a herd of ordinary cattle, is stated on a monument, at Disley, to have been first perfected by Joseph Watson, who died in 1753, at the age of 104, "having been park-keeper at Lyme more than sixty-four years." The custom, however, appears not to have been peculiar to Lyme, as Dr. Whitaker describes, in his Account of Townley, (the seat of a collateral line of Legh,) "near the summit of the park, and where it declines to the south, the remains of a large pool, through which tradition reports that the deer were driven by their keepers in the manner still practised in the park at Lyme."[8 - History of Whalley.]
Lyme Park is situated near the road from Manchester to London, through Buxton, adjacent to the picturesque village of Disley.
Lyme Hall is the seat of the principal of the ancient family of Leghs. Perkins à Legh, a Norman, who was buried in Macclesfield Church, rendered considerable services in the battle of Cressy, for which he was presented with the estate and lordship of Lyme. The building is, in part, of the date of Elizabeth; and the other a regular structure, from a design of Leoni.
P.T.W.
STANNARY PARLIAMENT
(For the Mirror.)
In the Forest of Dartmoor, Devonshire, between Tavistock and Chegford, is a high hill, called Crocken Tor, where the tinners of this county are obliged by their charter to assemble their parliaments, or the jurats who are commonly gentlemen within the jurisdiction, chosen from the four stannary courts of coinage in this county, of which the lord-warden is judge. The jurats being met to the number sometimes of two or three hundred, in this desolate place, are quite exposed to the weather and have no other place to sit upon but a moor-stone bench, and no refreshments but what they bring with them; for this reason the steward immediately adjourns the court to Tavistock, or some other stannary town.
HALBERT H.
DOWRUCK
In different parts of the North of England it is customary for the labouring men to come before their masters at the close of their dowruck (day's work,) and inform him of their labours; the number of hours their work took them are cut in notches upon an ash stick, and at the end of the week when the men are paid, the stick is produced, which immediately shows what each man is entitled to.
W.H.H.
FAITOUR LANE,
Or as it is now called, Fetter Lane, is a term used by Chaucer, for an idle fellow. The propriety of its denomination is indisputable.
W.H.H.
ROBIN HOOD